Totally 90s: The Essential Nineties Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:31
2The Only Living Boy in New Cross
E-Bass und Keyboard:
Fruitbat
E-Gitarre:
Jim Bob (Carter USM singer James Morrison)
vocals:
Fruitbat und Jim Bob (Carter USM singer James Morrison)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recording of:
The Only Living Boy in New Cross
Verfasser(in):
Jim Bob (Carter USM singer James Morrison) und Lesley Carter
publisher:
Island Music Ltd.
Carter the Unstoppable Sex Machine3:56
3Real Real Real
Techniker(in):
Clive Goddard (engineer)
Produzent(in):
Mike Edwards (UK guitar/keyboards for Jesus Jones)
zusätzliche(r) Produzent(in):
Ian Curnow und Phil Harding (engineer, producer and remixer)
Mix:
John Fryer (British producer and engineer)
remixer:
Ian Curnow und Phil Harding (engineer, producer and remixer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recording of:
Real Real Real
Texter und Komponist(in):
Mike Edwards (UK guitar/keyboards for Jesus Jones)
publisher:
EMI Blackwood Music Inc.
Jesus Jones3.653:07
4Sleeping Satellite
Techniker(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Paul Wickens
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Musikvideos:
Sleeping Satellite von Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:37
5Mr Wendall
recording of:
Mr. Wendal
Texter:
Speech (US rapper & musician)
Komponist(in):
Arrested Development
Arrested Development3.353:28
6Trouble
recording of:
Trouble
Verfasser(in):
Caroline Askew, Jacqueline Blake und Conall Fitzpatrick
Shampoo2.53:14
7Well Did You Evah
recording engineer:
Chris Stein
assistierende(r) Techniker(in) und zusätzliche(r) assistierende(r) Techniker(in):
Chris Bandy
Techniker(in):
Mark Wallis
zusätzliche(r) Techniker(in):
Mark Wallis
Produzent(in):
Steve Lillywhite und Chris Stein
Bass und Bassgitarre:
Guy Pratt
Gitarre und Synthesizer:
Chris Stein
Schlagzeug und Schlagzeug [drums]:
Mel Gaynor
Sologesang:
Deborah Harry und Iggy Pop
vocals:
Deborah Harry und Iggy Pop
phonographisches Urheberrecht (℗) von:
King Cole Inc. (in 1990)
aufgenommen bei:
Red Night Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Well, Did You Evah! (High Society)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Chappell & Co. (in 1956)
Teil von:
DuBarry Was a Lady (1939 stage musical)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
recording of:
Well, Did You Evah! (High Society)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Chappell & Co. (in 1956)
Teil von:
DuBarry Was a Lady (1939 stage musical)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Deborah Harry & Iggy Pop43:28
8Rubberband Girl
recording engineer und Mix:
Del Palmer
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Kate Bush
baritone saxophone und Tenorsaxophon:
Nigel Hitchcock
Bassgitarre:
John Giblin
Gitarre:
Danny McIntosh (guitar, Kate Bush)
Keyboard:
Kate Bush
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Posaune:
Neil Sidwell
Trompete:
Steve Sidwell (English composer & wind instrumentalist) und Paul Spong (trumpetist)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
Novercia Ltd. (in 1993) und Noble & Brite Ltd (in 2011)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Rubberband Girl
Texter und Komponist(in):
Kate Bush
Kate Bush3.654:42
9I'll Be Your Baby Tonight
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
Interpret(in):
UB40
cover recording of:
I’ll Be Your Baby Tonight
Texter und Komponist(in):
Bob Dylan (von 1967-10 bis 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Dwarf Music (in 1968)
UB40 & Robert Palmer4.653:25
10It Should Have Been Me
Programmierung und Produzent(in):
Smack Productions (US house producers)
zusätzliche(r) Produzent(in):
Frankie Knuckles
Mix:
Frankie Knuckles
recording of:
It Should've Been Me
Verfasser(in):
William Stevenson (Motown songwriter) und Norman Whitfield
Adeva6:06
11Live Your Life Be Free
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Live Your Life Be Free
Texter und Komponist(in):
Rick Nowels und Ellen Shipley
publisher:
Future Furniture Music, Shipwreck Music (publisher) und Virgin Music Ltd.
Belinda Carlisle4:22
12Outstanding
Kenny Thomas3:50
13I Like to Move It
Produzent(in):
Erick Morillo und Ralphie Muniz
Gast Sologesang:
The Mad Stuntman
vocals und Interpret(in):
The Mad Stuntman
remixer:
Erick Morillo
phonographisches Urheberrecht (℗) von:
Strictly Rhythm Records (in 1993)
sonstige Unterstützung:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (Aufgabe: under exclusive license to)
recording of:
I Like to Move It
Verfasser(in):
Erick Morillo und Mark Quashie
publisher:
global (imprint of Global Media & Entertainment Group) und Warner/Chappell Music Australia Pty. Ltd.
Reel 2 Real3.13:50
14Independence
remixer:
Brothers in Rhythm
recording of:
Independence
Verfasser(in):
Winston Sela und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Lulu1.654:14
15Careful
Horse2:46
16Ice Ice Baby
phonographisches Urheberrecht (℗) von:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ice Ice Baby
Texter:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) und Vanilla Ice
Komponist(in):
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) und Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. und Sony/ATV Songs LLC
basiert auf:
Under Pressure
Vanilla Ice4.53:47

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