Now That’s What I Call a Decade: 2010s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Truth Hurts
recording of:
Truth Hurts
publisher:
Jesse St. John Geller
writer:
Steven Cheung, Eric Frederic, Melissa “Lizzo” Jefferson (American rapper, singer and actress) and Jesse Saint John
publisher:
Frederic and Ried Music, Jesse SJ Music (BMI affiliated), Lizzo Music (aka Lizzo Music Publishing - BMI affiliated), Songs from the Boardwalk, Sony/ATV Ballad, Sony/ATV Music Publishing, LLC (1995–2020) and Telethebusiness
Lizzo2:52
2Happy (from “Despicable Me 2”)
assistant recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
producer:
Pharrell Williams
mixer:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
background vocals:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
recorded at:
Circle House Studios in North Miami, Florida, United States
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, United States
music videos:
Happy by Pharrell Williams and Happy (from Despicable Me 2) (ballroom version) by Pharrell Williams
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 1), Billboard Decade End Chart: Streaming Songs (2010s) (number: 20) and Billboard: Greatest of All Time Hot 100 Songs (number: 88)
recording of:
Happy
lyricist and composer:
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
part of:
The 86th Academy Award for Best Original Song (number: 2)
Pharrell Williams4.23:51
3All About That Bass
recording engineer, sound engineer, engineer, producer and mixer:
Kevin Kadish
drums (drum set) programming:
Kevin Kadish
baritone saxophone, Hammond organ and piano:
David Baron (electronic musician and producer)
bass and electric guitar:
Kevin Kadish
handclaps, percussion, background vocals and lead vocals:
Meghan Trainor (American singer)
recorded at and engineered at:
The Carriage House in Nolensville, Tennessee, United States
recording of:
All About That Bass
writer:
Kevin Kadish and Meghan Trainor (American singer)
publisher:
Endurance Alpha, MTrain Music, Over‐Thought Under‐Appreciated Songs, Sony/ATV Allegro, Year of the Dog Music, エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division) and 大洋音楽 (Taiyō Music)
Meghan Trainor3:08
4Raise Your Glass
edit of:
Raise Your Glass (explicit) by P!nk (American singer/songwriter)
recording of:
Raise Your Glass (in 2010)
lyricist and composer:
Alecia Moore (American singer/songwriter), Johan Schuster and Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), P!nk Inside Publishing and Songs of Kobalt Music Publishing
P!nk3.153:21
5Sucker
additional programming, drum machine programming and executive producer:
Ryan Tedder (American singer, songwriter, and producer)
engineer:
Ben Baptie and Rich Rich (engineer)
co-producer:
Frank Dukes (Canadian record producer, songwriter, musician)
producer:
Ryan Tedder (American singer, songwriter, and producer)
assistant mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
acoustic guitar, whistle and background vocals:
Ryan Tedder (American singer, songwriter, and producer)
bass:
Louis Bell (American producer, engineer, and songwriter) and Ryan Tedder (American singer, songwriter, and producer)
drums (drum set):
Homer Steinweiss
electric guitar:
Frank Dukes (Canadian record producer, songwriter, musician)
guitar:
Andrew DeRoberts
phonographic copyright (℗) by:
Jonas Brothers Recording, Limited Liability Company (in 2019)
additionally recorded at:
Patriot Studios in Los Angeles, California, United States
recorded at:
St. Regis Hotel (Toronto) in Toronto, Ontario, Canada
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 10) and Grammy Award: Best Pop Duo/Group Performance nominees (number: 2020)
recording of:
Sucker
additional writer:
Carl Rosen (songwriter)
writer:
Mustafa Ahmed, Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician), Joe Jonas (of the Jonas Brothers), Kevin Jonas, Nick Jonas, Homer Steinweiss and Ryan Tedder (American singer, songwriter, and producer)
publisher:
Downtown Global Two, EMI April Music Inc., Joseph Jonas Publishing, NJJ Publishing o/b/o Nick Jonas, Paul Kevin Jonas II Publishing, PKJ Publishing, LLC, Songs of Universal, Inc. (BMI), Sony/ATV and Write Me a Song Publishing
Jonas Brothers4.453:00
6Señorita
recording engineer:
Paul LaMalfa
programming:
benny blanco (producer Benjamin Levin), Cashmere Cat and Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
engineer:
Nathaniel Alford (lead vocals [Camila Cabello vocals]), John Hanes (audio engineer, mixer) and Zubin Thakkar (lead vocals [vocals])
additional producer:
Cashmere Cat
producer:
benny blanco (producer Benjamin Levin) and Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
mixer:
Serban Ghenea
bass and background vocals:
Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
guitar:
Shawn Mendes and Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
instruments:
benny blanco (producer Benjamin Levin), Cashmere Cat and Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
keyboard [keyboards]:
benny blanco (producer Benjamin Levin) and Cashmere Cat
vocals:
Camila Cabello and Shawn Mendes
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2019) and Simco Ltd. (not for release label use, for copyright/licensor use only) (in 2019)
recorded at:
Birmingham Arena in Birmingham, West Midlands, England, United Kingdom, Gold Tooth Music in Beverly Hills, California, United States and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Birmingham Arena in Birmingham, West Midlands, England, United Kingdom (lead vocals [vocals]), Gold Tooth Music in Beverly Hills, California, United States (lead vocals [vocals]) and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom (lead vocals [vocals])
music videos:
Señorita by Shawn Mendes & Camila Cabello
part of:
Spotify: Top Hits of 2019 (number: 3), Billboard Year-End Hot 100 singles of 2019 (number: 15), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2020) and Billboard Year-End Hot 100 singles of 2020 (number: 44)
recording of:
Señorita
writer:
Andrew Wotman (producer, guitarist, singer, Earthlings, California Breed), Benjamin Levin (producer Benjamin Levin), Camila Cabello, Charlotte Emma Aitchison (Charli xcx), Magnus August Höiberg, Shawn Mendes, Jack Patterson (British multi-instrumentalist , singer-songwriter) and Ali Tamposi (American songwriter and backing vocalist)
publisher:
Ali Tamposi, Andrew Watt Music, Back Hair Music Publishing, EMI Blackwood Music Inc., EMI Foray Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hipgnosis Side B, Infinite Stripes, Maidmetal Limited, Mendes Music, Milamoon Songs, No One Ever Reads These Anyway, Please Don't Forget to Pay Me Music, Reservoir 416, Reservoir Media Management, Inc., Songs of Kobalt Music Publishing, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Stellar Songs Ltd., Stellar Sun Songs, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Works (GMR affiliated)
Shawn Mendes & Camila Cabello3.653:10
7Despacito (remix)
phonographic copyright (℗) by:
Universal Music Latin Entertainment (aka UMLE, division of Universal Music Group) (in 2017)
part of:
Billboard Decade End Chart: Streaming Songs (2010s) (number: 2), Billboard Year-End Hot 100 singles of 2017 (number: 2), Rolling Stone: The 100 Best Songs of the 2010s (number: 23), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018) and Billboard: Greatest of All Time Hot 100 Songs (number: 37)
recording of:
Despacito (Justin Bieber remix)
writer:
Justin Bieber, Erika Ender, Luis Fonsi, Marty James Garton Jr. (Rapper, Member of Scapegoat Wax & One Block Radius), Poo Bear (US producer, singer & songwriter; Jason Boyd) and Ramon Ayala Rodriguez
is based on:
Despacito
Luis Fonsi & Daddy Yankee featuring Justin Bieber3.153:48
8Girls Like YouMaroon 53.53:34
9Closer
recording engineer, producer and mixer:
DJ Swivel (Canadian producer Jordan Young)
guest vocals:
Halsey (US singer/songwriter Ashley Frangipane)
vocals:
Andrew Taggart
phonographic copyright (℗) by:
Disruptor Records
part of:
Billboard Decade End Chart: Streaming Songs (2010s) (number: 4), Billboard Year-End Hot 100 singles of 2017 (number: 7), Billboard Year-End Hot 100 singles of 2016 (number: 10), Billboard: Greatest of All Time Hot 100 Songs (number: 14), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2017) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 214)
recording of:
Closer (The Chainsmokers)
writer:
Shaun Frank, Halsey (US singer/songwriter Ashley Frangipane), Freddy Kennett, Joe King (guitarist and vocalist in The Fray), Isaac Slade and Andrew Taggart
publisher:
17 Black Music, Aaron Edwards Publishing, EMI April Music Inc., Nice Hair Publishing, Regicide Entertainment Inc., Songs of Universal, Inc. (BMI), Sony/ATV Allegro, Sony/ATV Music Publishing Allegro (UK) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Chainsmokers feat. Halsey3.84:04
10Thank U, Next
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2018)
edit of:
thank u, next (explicit) by Ariana Grande
recording of:
thank u, next
publisher:
Victoria Monét McCants
writer:
Charles Anderson (hip-hop producer, writer aka Charles Anderson), Ariana Grande, Kimberly Krysiuk (Kimberly Anne Krysiuk), Michael Foster (R&B and pop producer and songwriter), Victoria Monét, Njomza Vitia, Tayla Parx and Tommy Brown (US producer, songwriter and rapper Tommy Brown)
publisher:
Avex Music Publishing (Avex Music Publishing Inc.), District 4-12, GrandAriMusic, Taylor Monet Music and Universal Music Group Corp.
Ariana Grande3.33:26
11Lose You to Love Me
recording engineer and editor:
Mattais Bylund (strings)
programming:
FINNEAS and Mattman & Robin (Swedish songwriting and production duo)
assistant engineer:
Ryan Dulude and Gavin Finn
engineer:
Mattman & Robin (Swedish songwriting and production duo) and Bart Schoudel
additional producer:
FINNEAS
producer:
Mattman & Robin (Swedish songwriting and production duo), Mattman & Robin (Swedish songwriting and production duo) (lead vocals [vocal]) and Bart Schoudel (lead vocals [vocal])
additional mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
bass, percussion, strings and synthesizer [synth]:
FINNEAS and Mattman & Robin (Swedish songwriting and production duo)
cello:
David Bukovinszky
drum machine [808], organ and piano:
Mattman & Robin (Swedish songwriting and production duo)
synthesizer [string synthesizer]:
Mattais Bylund
violin:
Mattais Johansson
background vocals and choir vocals:
Mattman & Robin (Swedish songwriting and production duo), Julia Michaels and Justin Tranter (singer and songwriter)
lead vocals:
Selena Gomez
strings arranger:
Mattais Bylund
produced for:
Wolf Cousins Productions
recorded at:
Chalice Recording Studios in Hollywood, Los Angeles, California, United States, Costa Mesa Recording Studios, House Mouse Studios in Stockholm, Stockholms län (Stockholm county), Sweden, Interscope Studios in Santa Monica, California, United States, MXM Studios in Los Angeles, California, United States, The Calm Studio in Höganäs Municipality (Höganäs municipality), Skåne (Skåne county), Sweden (strings) and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
edited at:
The Calm Studio in Höganäs Municipality (Höganäs municipality), Skåne (Skåne county), Sweden (strings)
part of:
Spotify: Top Hits of 2019 (number: 6) and Billboard Year-End Hot 100 singles of 2020 (number: 30)
recording of:
Lose You to Love Me
writer:
Robin Fredriksson (of Mattman & Robin), Selena Gomez, Mattias Larsson (of Mattman & Robin), Julia Michaels and Justin Tranter (singer and songwriter)
publisher:
I’ve Got Issues Music, Justin’s School for Girls, SMG Tunes, Songs of Wolf Cousins, Universal Music Corp. (USA, affiliated with ASCAP) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Selena Gomez3.93:25
12bad guy
recorded in:
Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
additional producer:
Billie Eilish
producer:
FINNEAS
assistant mixer:
Casey Cuayo
mixer:
Rob Kinelski
field recordings:
Billie Eilish
phonographic copyright (℗) by:
Darkroom (a division of Interscope Records, Inc.) (in 2019, in 2022) and Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
recorded at:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California, United States
music videos:
bad guy (music video) by Billie Eilish
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 4), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Grammy Award: Record of the Year nominees (number: 2020 winner), Stereogum: The 200 Best Songs of the 2010s (number: 27), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2019), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 97), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 139), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 178) and BILLIONS CLUB
recording of:
bad guy
writer:
Billie Eilish O’Connell and Finneas O’Connell
publisher:
Drup, Last Frontier and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
Billie Eilish3.853:11
13Can’t Feel My Face
recording engineer and engineer:
Sam Holland (sound engineer)
additional programming:
Max Martin (Swedish record producer)
programming:
Ali Payami
assistant engineer:
Cory Bice and Jeremy Lertola
producer:
Max Martin (Swedish record producer) and Ali Payami
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
additional keyboard [keys] and guitar [guitars]:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
bass, drums (drum set), keyboard [keys] and synthesizer [synths]:
Ali Payami
vocals arranger:
Peter Carlsson (engineer)
phonographic copyright (℗) by:
The Weeknd XO, Inc.
recorded at and engineered at:
MXM Studios in Los Angeles, California, United States and Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 12), BILLIONS CLUB and Billboard Year-End Hot 100 singles of 2016 (number: 72)
recording of:
Can’t Feel My Face
writer:
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
MXM Music AB, Songs of SMP, Warner/Chappell Music Scandinavia AB and Wolf Cousins
The Weeknd4.13:30
14Born This Way
assistant recording engineer:
Pete Hutchings
recording engineer and mixer:
Dave Russell (British engineer, producer)
programming:
Garibay (US producer, songwriter and DJ) and Paul Blair
producer:
Garibay (US producer, songwriter and DJ), Lady Gaga, Jeppe Laursen and Paul Blair
assistant mixer:
Al Carlson, Kevin Porter (trombone) and Kenta Yonesaka
instruments:
Lady Gaga
keyboard:
Garibay (US producer, songwriter and DJ) and Lady Gaga
arranger:
Garibay (US producer, songwriter and DJ) and Lady Gaga
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Germano Studios in Manhattan, New York, New York, United States
mixed at:
Germano Studios in Manhattan, New York, New York, United States
music videos:
Born This Way by Lady Gaga
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 6), Billboard Year-End Hot 100 singles of 2011 (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 125)
recording of:
Born This Way
lyricist and composer:
Lady Gaga and Jeppe Laursen
publisher:
Garibay Music Publishing, GloJoe Music Inc., House of Gaga Publishing Inc., Korsbaek Publishing, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lady Gaga4.14:20
15Teenage Dream
programming and producer:
benny blanco (producer Benjamin Levin), Dr. Luke and Max Martin (Swedish record producer)
assistant engineer:
Tucker Bodine, Tatiana Gottwald and Tim Roberts (engineer)
engineer:
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) and Emily Wright
mixer:
Serban Ghenea
drums (drum set) and keyboard:
benny blanco (producer Benjamin Levin), Dr. Luke and Max Martin (Swedish record producer)
vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and Playback Recording Studio in Santa Barbara, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 17), Stereogum: The 200 Best Songs of the 2010s (number: 32), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 38), Rolling Stone: The 100 Best Songs of the 2010s (number: 40), Billboard Year-End Hot 100 singles of 2011 (number: 75) and Pitchfork: The 200 Best Songs of the 2010s (number: 102)
recording of:
Teenage Dream
writer:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee and Katy Perry
publisher:
Downtown DMP Songs, MXM Music AB, Prescription Songs, Songs of Pulse Recording (BMI), WB Music Corp. (1929–2019), Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) and Where da Kasz At (in 2010)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Katy Perry3.653:48
16Tik Tok
miscellaneous support:
Gary "G" Silver (task: production coordination) and Vanessa Silberman (task: production assistance)
programming and producer:
benny blanco (producer Benjamin Levin) and Dr. Luke
assistant engineer:
Tatiana Gottwald
engineer:
benny blanco (producer Benjamin Levin), Sam Holland (sound engineer) and Emily Wright
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
editor:
Emily Wright (lead vocals [vocal])
drums (drum set) [drums] and keyboard [keyboards]:
benny blanco (producer Benjamin Levin) and Dr. Luke
phonographic copyright (℗) by:
RCA/Jive Label Group (holding company, not a release label) (in 2009)
produced for:
Kasz Money Productions, Inc.
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 1), Billboard: Greatest of All Time Hot 100 Songs (number: 68) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 149)
recording of:
TiK ToK
writer:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald and Kesha Sebert (Kesha, American singer fka Ke$ha)
publisher:
Dynamite Cop Music, Kasz Money Publishing (ASCAP affiliated), Matza Ball Music and Where da Kasz At
Kesha3.93:19
17Wrecking Ball
programming and producer:
Cirkut and Dr. Luke
engineer:
Mike Caffery (engineer), Clint Gibbs and Sven Heidinga
mixer:
Serban Ghenea
cello:
Suzie Katayama
instruments:
Cirkut and Dr. Luke
strings:
David Richard Campbell (US‐based Canadian violinist, composer, conductor and arranger)
viola:
Andrew Duckles and Darrin McCann
violin:
Charlie Bisberat (violinist), Kevin Connolly (violinist) and Songa Lee
lead vocals:
Miley Cyrus
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
music videos:
Wrecking Ball (official video) by Miley Cyrus
part of:
Billboard Decade End Chart: Streaming Songs (2010s) (number: 18), Billboard Year-End Hot 100 singles of 2013 (number: 18), Stereogum: The 200 Best Songs of the 2010s (number: 30), Billboard Year-End Hot 100 singles of 2014 (number: 44), Pitchfork: The 200 Best Songs of the 2010s (number: 152), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 156) and BILLIONS CLUB
recording of:
Wrecking Ball
writer:
Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald (pop singer/songwriter, active from the mid–2000s), Stephan Moccio and Sacha Skarbek
publisher:
BMG Platinum Songs, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing (ASCAP affiliated), Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. (BMI), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing Canada II
Miley Cyrus3.653:42
18Royals
engineer, producer and mixer:
Joel Little
instruments:
Joel Little
lead vocals:
Ella Yelich O’Connor (New Zealand singer‐songwriter)
phonographic copyright (℗) by:
Universal Music New Zealand (in 2013) and Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
recorded at:
Golden Age in Auckland, Auckland (Auckland Region), North Island, New Zealand
music videos:
Royals by Lorde (New Zealand singer‐songwriter) and Royals by Lorde (New Zealand singer‐songwriter)
part of:
Grammy Award: Best Pop Solo Performance nominees (number: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 11), Billboard Year-End Hot 100 singles of 2013 (number: 15), Billboard Year-End Hot 100 singles of 2014 (number: 20), Stereogum: The 200 Best Songs of the 2010s (number: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 30), Billboard Decade End Chart: Streaming Songs (2010s) (number: 35), Billboard: Greatest of All Time Hot 100 Songs (number: 77), Indie 88: Top 500 Indie Rock Songs (number: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 111) and Pitchfork: The 200 Best Songs of the 2010s (number: 129)
recording of:
Royals
writer:
Ella Yelich O’Connor (New Zealand singer‐songwriter) and Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Matuschkes Lieblinge 2013 and APRA Silver Scroll Awards Winners (number: 2013)
Lorde3.753:10

Credits

Release group

part of:Now That’s What I Call a Decade (US) (number: 1) (order: 1)
NOW That’s What I Call… (USA compilations outside the main numbered series) (order: 70)
other databases:https://rateyourmusic.com/release/comp/various-artists/now-thats-what-i-call-a-decade-2010s/ [info]
Allmusic:https://www.allmusic.com/album/mw0003407696 [info]