| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | 3.75 | 2:59 |
| 2 | Happy Together | The Turtles | 4.35 | 2:54 |
| 3 | Windy | The Association | 5 | 2:54 |
| 4 | Creeque Alley | The Mamas & the Papas | 3.75 | 3:47 |
| 5 | Gimme Some Lovin'- Produzent(in):
- Chris Blackwell und Jimmy Miller
- phonographisches Urheberrecht (℗) von:
- Island Records Ltd. (in 1966)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 244)
- recording of:
- Gimme Some Lovin’
- Verfasser(in):
- Spencer Davis, Muff Winwood und Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) und Island Music Ltd. (vom 1966 bis ????)
| The Spencer Davis Group | 4.15 | 2:56 |
| 6 | Incense and Peppermints | Strawberry Alarm Clock | 4.5 | 2:48 |
| 7 | Little Bit o' Soul | The Music Explosion | 3 | 2:21 |
| 8 | The 59th Street Bridge Song (Feelin' Groovy) | Harpers Bizarre | | 2:38 |
| 9 | The Letter- Produzent(in):
- Dan Penn
- phonographisches Urheberrecht (℗) von:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) und Atoll Music (in 1968)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 364)
- recording of:
- The Letter (in 1967)
- Texter und Komponist(in):
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. und Warner Chappell Music
| The Box Tops | 4.15 | 1:52 |
| 10 | Heroes and Villains (single version) | The Beach Boys | | 3:37 |
| 11 | Reflections | Diana Ross & The Supremes | | 2:52 |
| 12 | Let's Live for Today | The Grass Roots | 3 | 2:48 |
| 13 | Darling Be Home Soon | The Lovin’ Spoonful | | 3:34 |
| 14 | I Was Made to Love Her- Produzent(in):
- Henry Cosby
- Bass:
- James Jamerson (am 1967-03-31)
- E-Sitars:
- Eddie Willis (am 1967-03-31)
- Instrumente:
- The Funk Brothers (am 1967-03-31)
- Mundharmonika und Sologesang:
- Stevie Wonder (am 1967-03-31)
- phonographisches Urheberrecht (℗) von:
- Motown Record Company, L.P. (in 1966) und Motown Record Corporation (in 1967)
- aufgenommen bei:
- Hitsville in Detroit, Michigan, Vereinigte Staaten (am 1967-03-31)
- recording of:
- I Was Made to Love Her (am 1967-03-31)
- Verfasser(in):
- Henry Cosby, Lula Mae Hardaway , Sylvia Moy und Stevie Wonder
- publisher:
- Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽
| Stevie Wonder | 4.65 | 2:36 |
| 15 | Pleasant Valley Sunday | The Monkees | 4.35 | 3:15 |
| 16 | Carrie-Anne | The Hollies | 4.5 | 2:55 |
| 17 | Talk Talk | The Music Machine | | 1:58 |
| 18 | Sunday Will Never Be the Same | Spanky & Our Gang | | 3:02 |
| 19 | Kind of a Drag | The Buckinghams | | 2:08 |
| 20 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:06 |
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