Maria Callas: 90 Opera Arias (Remastered 2023)

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Anna Bolena: “Piangete voi?”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
soprano vocals [Anna]:
Maria Callas (soprano) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Piangete voi?” (Anna, Coro) (in 1958)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti4:47
2Anna Bolena: “Al dolce guidami castel natio”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
soprano vocals [Anna]:
Maria Callas (soprano) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Al dolce guidami” (Anna, Coro) (in 1958)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti4:25
3Anna Bolena: “Qual mesto suon?”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
bass vocals:
Joseph Rouleau (operatic bass) (in 1958)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
mezzo-soprano vocals:
Monica Sinclair (contralto) (in 1958)
soprano vocals [Anna]:
Maria Callas (soprano) (in 1958)
tenor vocals:
John Lanigan (tenor) (in 1958) and Duncan Robertson (tenor) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena 3. “Qual mesto suon? …” (Anna, Hervey, Percy, Rochefort, Smeton, Coro) (in 1958)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti7:34
4Anna Bolena: “Coppia iniqua, l’estrema vendetta”
recorded in:
London (Greater London), England, United Kingdom (in 1958)
bass vocals:
Joseph Rouleau (operatic bass) (in 1958)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1958)
mezzo-soprano vocals:
Monica Sinclair (contralto) (in 1958)
soprano vocals [Anna]:
Maria Callas (soprano) (in 1958)
tenor vocals:
John Lanigan (tenor) (in 1958) and Duncan Robertson (tenor) (in 1958)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1958)
conductor:
Nicola Rescigno (conductor) (in 1958)
recording of:
Anna Bolena: Atto II, Scena III. "Coppia iniqua, l'estrema vendetta" (Anna, Tutti) (in 1958)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti2:59
5Manon Lescaut: “In quelle trine morbide”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Manon]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:45
6Manon Lescaut: “Sola, perduta, abbandonata”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Manon]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Giacomo Puccini5:48
7Madama Butterfly: “Vogliatemi bene”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
tenor vocals [Pinkerton]:
Nicolai Gedda (tenor) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Herbert von Karajan (conductor) (in 1955)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:17
8Madama Butterfly: “Un bel dì vedremo”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:29
9Madama Butterfly: “Con onor muore”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:37
10Turandot: “Signore, ascolta”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Liù]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:24
11Turandot: “ln questa reggia”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Turandot]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:18
12Turandot: “Tu, che di gel sei cinta”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Liù]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:42
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Credits