The 80s U.S. Playlist

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:08
2Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:49
3Poison
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
Poison
Verfasser(in):
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3:57
4State of Shock
drum machine [Linn LM-1]-Programmierung:
Michael Jackson (“King of Pop”)
Produzent(in):
Michael Jackson (“King of Pop”)
Bass und Gitarre:
David Williams (session guitarist and songwriter)
Händeklatschen und Sologesang:
Michael Jackson (“King of Pop”)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Gast Sologesang:
Mick Jagger
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson, Michael Jackson (“King of Pop”) und Johnny Ray Nelson
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
State of Shock
Texter:
Randy Hansen und Michael Jackson (“King of Pop”)
Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons34:30
5Rosanna
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
Texter und Komponist(in):
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:02
6It’s Like That
recording of:
It’s Like That
Verfasser(in):
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) und Larry Smith (US hip hop producer)
publisher:
Protoons Inc., Rush-Groove und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐DMC4:47
7Hangin’ Tough
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
Hangin’ Tough
Texter und Komponist(in):
Maurice Starr
New Kids on the Block4:16
8Jump (for My Love)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Mix:
Michael Brooks (mixer) und James C. Tract
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters43:59
9Broken Wings
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1985) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
Bearbeitung von:
Broken Wings von Mr. Mister (American pop rock band)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister44:23
10Criticize
recording of:
Criticize
Verfasser(in):
Jellybean Johnson und Alexander O’Neal
Alexander O’Neal43:59
11Tell It to My Heart
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3:19
12The Way It Is
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.353:58
13Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:19
14Just Be Good to Me
recording of:
Just Be Good to Me
Komponist(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
S.O.S. Band4:24
15Love Come Down
recording of:
Love Come Down
Texter und Komponist(in):
Kashif (Michael Jones, B.T. Express)
publisher:
MCA Music Ltd.
Evelyn “Champagne” King4.53:17
16I’ll House You
Produzent(in):
Jungle Brothers (US hip hop group) und Todd Terry (US house DJ, producer and remixer)
Samples:
Can You Party von Royal House (Todd Terry alias) und Move Your Body von Marshall Jefferson
recording of:
I’ll House You
Verfasser(in):
Michael Small (US rapper Michael Small, member of Jungle Brothers), Nathaniel Hall (Nathaniel Hall) und Todd Terry (US house DJ, producer and remixer)
Jungle Brothers44:56
17Love Struck Baby
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recording of:
Love Struck Baby
Texter und Komponist(in):
Stevie Ray Vaughan
publisher:
Bug Music Ltd. und Ray Vaughan Music
Stevie Ray Vaughan & Double Trouble2:22
18Baby, I Love Your Way / Freebird
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 97)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way / Freebird
Texter und Komponist(in):
Allen Collins, Peter Frampton und Ronnie Van Zant
publisher:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Medley von:
Baby, I Love Your Way
Medley von:
Free Bird
Will to Power44:04
19Going Back to My Roots
cover recording of:
Going Back to My Roots
Texter und Komponist(in):
Lamont Dozier
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey53:25
20Don’t Wanna Lose You
Programmierung:
Jorge Casas und Clay Ostwald
Techniker(in):
Eric Schilling
zusätzliche(r) assistierende(r) Techniker(in):
Mauricio Guerrero (Chilean drummer) und Greg Laney
Produzent(in):
Jorge Casas, Emilio Estefan, Jr. und Clay Ostwald
Mix:
Humberto Gatica
Akustikgitarre:
Jorge Casas
E-Gitarre:
Michael Thompson (session guitarist)
Hintergrundgesang:
Jon Secada
Sologesang:
Gloria Estefan
vocals:
Gloria Estefan
arranger:
Jorge Casas, Gloria Estefan und Clay Ostwald
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989)
recording of:
Don’t Wanna Lose You
Texter und Komponist(in):
Gloria Estefan
publisher:
EMI Music Publishing Taiwan, EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gloria Estefan3.654:01
2▶CD
3▶CD

Nennungen

Veröffentlichung

hergestellt in:the EU (Europa)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2017)
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2017)
vermarkted von:Crimson (UK budget comps; imprint of Crimson Productions Ltd.)
Discogs:https://www.discogs.com/release/11328699 [Info]
ASIN:UK: B072DXBX6R [Info]