Titelliste

1CD
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1The Surrey With the Fringe on Top
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
The Surrey With the Fringe on Top (in 1955)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:11
2Tis’ Autumn
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
’Tis Autumn (in 1955)
Texter und Komponist(in):
Henry Nemo
2:30
3Looking for a Boy
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousey Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Looking for a Boy (in 1955)
Texter:
Ira Gershwin (in 1925)
Komponist(in):
George Gershwin (composer) (in 1925)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis ????)
Teil von:
Tip-Toes
2:20
4I’ll Know My Love
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousey Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
2:35
5Destination Moon
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousey Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
2:22
6Ball and Chain
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
3:04
7Almost Like Being in Love
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1955)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:09
8Stairway to the Stars
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousey Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Stairway to the Stars (in 1955)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:48
9There Will Never Be Another You
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
There Will Never Be Another You (in 1955)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:13
10This Little Town Is Paris
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
3:11
11Moe’s Blues
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Keyboard und Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousie Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
2:17
12Snuggled on Your Shoulder
recorded in:
New York, New York, Vereinigte Staaten (in 1955)
Bass:
Knobby Totah (jazz bassist) (in 1955)
Gitarre:
Johnny Smith (jazz guitarist) (in 1955)
Klavier:
Bob Pancoast (in 1955)
Schlagzeug:
Mousey Alexander (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Snuggled on Your Shoulder (Cuddled in Your Arms)
Texter:
Joe Young (US lyricist)
Komponist(in):
Carmen Lombardo
2:30
13Give Me the Simple Life
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Give Me the Simple Life (in 1956-05)
Texter:
Harry Ruby
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Harry Ruby
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:21
14I Guess I’ll Hang My Tears Out to Dry
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Guess I’ll Hang My Tears Out to Dry (in 1956-05)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und Chappell Music (UK)
2:59
15Trolley Song
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1956-05)
Texter:
Ralph Blane
Komponist(in):
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
1:54
16Violets for My Furs
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Violets for Your Furs (in 1956-05)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:55
17This Can’t Be Love
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
This Can’t Be Love (in 1956-05)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
1:49
18Scarlet Ribbons
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Scarlet Ribbons (for Her Hair) (in 1956-05)
Texter:
Jack O. Segal (US songwriter) (in 1949)
Komponist(in):
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Helton Music und Mills Music Limited
1:58
19If I Were a Bell
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
If I Were a Bell (Guys and Dolls) (in 1956-05)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
2:10
20Why Try to Change Me Now?
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Why Try to Change Me Now (in 1956-05)
Texter:
Joseph McCarthy, Jr. (Joseph Allen McCarthy, 1922–1975)
Komponist(in):
Cy Coleman
publisher:
Notable Music Co., Inc.
3:35
21Swinging on a Star
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Swinging on a Star (in 1956-05)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1944 winner)
3:03
22You Go to My Head
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
You Go to My Head (in 1956-05)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
2:40
23It Ain’t Necessarily So
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1956-05)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
1:34
24You Make Me Feel So Young
recorded in:
New York, New York, Vereinigte Staaten (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) und George Berg (in 1956-05)
Bass:
Milt Hinton (in 1956-05)
Bongos:
Ted Sommer (in 1956-05)
Gitarre:
Billy Bauer (US cool jazz guitarist) (in 1956-05) und Barry Galbraith (in 1956-05)
Harfe:
Janet Putnam (harpist) (in 1956-05)
Klarinette:
Al Epstein (in 1956-05)
Klavier:
Moe Wechsler (in 1956-05)
Posaune:
Urbie Green (in 1956-05)
Schlagzeug:
Don Lamond (in 1956-05)
Trompete:
Nick Travis (in 1956-05)
Waldhorn:
Julius Watkins (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
Orchester:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
You Make Me Feel So Young (in 1956-05)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
E bi eit barn med deg
2:11
2CD