Hepfidelity

~ Release by Diesel (see all versions of this release, 7 available)

Annotation

Made in Holland.

Annotation last modified on 2014-06-03 22:51 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Man Alive
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Man Alive
writer:
Tom DeLuca and Diesel (Australian pop rock aka Mark Lizotte)
4:51
2Tip of My Tongue
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
phonographic copyright (℗) by:
Chrysalis Australia (in 1992), EMI Music Australia (defunct holding company, not for release label use!) (in 1992), EMI Music Australia Pty. Limited (not for release label use!) (in 1992) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1992)
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Tip of My Tongue
writer:
Diesel (Australian pop rock aka Mark Lizotte) and John Daniel Tate
publisher:
BMG Gold Songs, BMG Rights Management Canada A, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Mushroom Records and Tate Music Group
34:15
3One More Time
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman and Terry Manning (US recording engineer)
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
David Cochran (bass player), Alan Gorrie and Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
keyboard arranger and percussion arranger:
John Philip Shenale
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist) and John Philip Shenale
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
One More Time
writer:
Diesel (Australian pop rock aka Mark Lizotte) and Jerry Lynn Williams
4:06
4Brand New Song
producer:
Don Gehman and Terry Manning (US recording engineer)
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
background vocals:
Portia Griffin
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recording of:
Brand New Song
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
4:20
5Get Lucky
producer:
Don Gehman and Terry Manning (US recording engineer)
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
background vocals:
Portia Griffin
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recording of:
Get Lucky
writer:
Diesel (Australian pop rock aka Mark Lizotte)
4:32
6Master Plan
producer:
Don Gehman and Terry Manning (US recording engineer)
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
background vocals:
Portia Griffin
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Master Plan
writer:
Diesel (Australian pop rock aka Mark Lizotte)
5:19
7Come to Me
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1991)
recording of:
Come to Me
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs Australia Pty. Ltd.
4:24
8Never Miss Your Water
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Never Miss Your Water
writer:
John Daniel Tate and Mark Lizotte
publisher:
EMI Songs Australia Pty. Ltd. and EMI Virgin Music Publishing Australia Pty Ltd
33:57
9Too Much of a Good Thing
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
recording of:
Too Much of a Good Thing
writer:
Diesel (Australian pop rock aka Mark Lizotte) and Jerry Lynn Williams
3:30
10Picture of You
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman and Terry Manning (US recording engineer)
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recording of:
Picture of You
writer:
Tony Brock, Diesel (Australian pop rock aka Mark Lizotte) and Jerry Lynn Williams
4:37
11Love Junk
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
recording of:
Love Junk
writer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
Lizard Songs
3:49
12There’s a Love
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recording of:
There’s a Love
writer:
Alan Gorrie and Michael Lunn
4:29