All the Beer Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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2▶CD
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Nr.TitelKünstlerBewertungLänge
1We’re Not Going to Take It
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer), Greg Laney und Geoff Workman
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist)
E-Gitarre:
Jay Jay French und Eddie Ojeda
Schlagzeug:
A.J. Pero
Hintergrundgesang:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero und Dee Snider
Sologesang:
Dee Snider
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 47) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 81)
recording of:
We’re Not Gonna Take It
Texter und Komponist(in):
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Tunes
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 7)
Twisted Sister4.353:41
2Hold On, I'm Coming
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:35
3Break in the Weather
recording engineer, Produzent(in) und Mix:
Nick Launay
E-Bass [bass guitar]:
Robbie Shakespeare
Gitarre:
Andrew Farriss (in band INXS) und Don Miller-Robinson
Keyboard:
Ashley Cadell, Andrew Farriss (in band INXS) und Don Miller-Robinson
Perkussion:
Sunil de Silva (Australian Latin percussionist)
Schlagzeug:
Sly Dunbar
Hintergrundgesang:
Dave Dobbyn, Ricky Fataar, Jenny Morris (NZ‐born Australian singer‐songwriter) und Sherine (acid jazz singer Sherine Abeyratne, known for “Something in My Eye”)
recording of:
Break in the Weather
Verfasser(in):
Jenny Morris (NZ‐born Australian singer‐songwriter) und Tam Morris
Jenny Morris44:32
4Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:40
5Shake Your Money-Maker
recording of:
Shake Your Moneymaker
Texter und Komponist(in):
Elmore James
publisher:
EMI Longitude Music
Paul Butterfield Blues Band2:29
6Kiss
Produzent(in):
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
Sologesang:
Tom Jones (Welsh pop singer) (in 1988)
Interpret(in):
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) und J.J. Jeczalik
phonographisches Urheberrecht (℗) von:
China Records (UK label founded by Derek Green) (in 1988)
Samples:
Close (to the Edit) von Art of Noise, Dragnet von Art of Noise, Moments in Love von Art of Noise, Paranoimia (7″ mix) von The Art of Noise with Max Headroom (titular character from "Max Headroom") und Peter Gunn von The Art of Noise featuring Duane Eddy
Musikvideos:
Kiss von Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones33:32
7Special Brew
Produzent(in):
Roger Lomas
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd.
recording of:
Special Brew
Texter und Komponist(in):
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) und Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners53:37
8Yeh Yeh
cover recording of:
Yeh, Yeh
Texter:
Jon Hendricks
Komponist(in):
Rodgers Grant und Pat Patrick (American jazz musician)
publisher:
Mongo Music
Matt Bianco3:16
9La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:53
10I Remember You
Skid Row5:16
11You Keep Me Hanging On
sonstige Unterstützung:
Shadow Morton (Aufgabe: directed by)
Produzent(in):
Shadow Morton
cover recording of:
You Keep Me Hangin’ On (in 1967)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vanilla Fudge3:01
12(I’m Not Your) Steppin’ Stone
The Monkees2:21
13Birdhouse in Your Soul
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
E-Gitarre:
John Flansburgh
Geige / Violine:
Mark Feldman (American violinist)
Keyboard, Hintergrundgesang und Sologesang:
John Linnell
Trompete [sampled]:
Frank London
recording of:
Birdhouse in Your Soul
Verfasser(in):
John Flansburgh und John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:20
14Short People
Techniker(in):
Loyd Clifft und Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
Bass:
Klaus Voorman (von 1977-07 bis 1977-09)
Conga:
Milt Holland (von 1977-07 bis 1977-09)
Gitarre:
Waddy Wachtel (von 1977-07 bis 1977-09)
Schlagzeug:
Jim Keltner (von 1977-07 bis 1977-09)
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (von 1977-07 bis 1977-09), J.D. Souther (von 1977-07 bis 1977-09) und Tim Schmit (von 1977-07 bis 1977-09)
conductor:
Randy Newman (American singer‐songwriter and score composer) (von 1977-07 bis 1977-09)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
remixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 41)
recording of:
Short People (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Hightree Music (in 1977)
Randy Newman42:56
15Get Set
Taxiride3:14

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