Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▼CD: Mozart: Die Zauberflöte (Act II cont.)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Was für eine schreckliche Nacht!« (Tamino, Papageno, Sprecher, zweiter, vierter, dritter Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
2Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Sprecher, zweiter Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
tenor vocals [Zweiter Priester]:
Robert Johnston (English tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:52
3Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »He! Lichter her!« (Papageno, Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:15
4Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (die drei Damen, Papageno, Tamino, Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
choir vocals [Priester]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
5Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Du bist standhaft geblieben« (Sprecher, zweiter, vierter, dritter Priester, Papageno, Monostatos)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:13
6Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:11
7Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Zurück!« - »Mutter!« (Königin der Nacht, Pamina, Monostatos)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:05
8Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals and soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:50
9Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Morden soll ich?« (Pamina, Monostatos, Sarastro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:28
10Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 15 Arie: »In diesen heil'gen Hallen« (Sarastro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) (for piano, arr. Bizet) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
piano arranger:
Georges Bizet (French composer)
arrangement of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro)
Wolfgang Amadeus Mozart2:52
11Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Von hier an seid ihr euch beide selbst überlassen« (Sprecher, zweiter, vierter, dritter Priester, Papageno, Tamino, Papagena)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:08
12Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 16 Terzett: »Seid uns zum zweitenmai willkommen« (die drei Knaben)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:25
13Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Tamino, wollen wir nicht speisen?« (Papageno, Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:21
14Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 17 Arie: »Ach, ich fühl's, es ist verschwunden« (Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
soprano vocals and soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:44
15Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Siehst du, Tamino« (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:07
16Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 18 Chor der Priester: »O Isis und Osiris«
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
choir vocals [Priester]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
17Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Prinz! Bisher hast du dich männlich und gelassen gezeigt« (Sarastro, Pamina, Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:51
18Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:42
19Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Tamino! Lass mich nicht im Stich!« (Papageno, Sprecher, zweiter, vierter, dritter Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
bass-baritone vocals [Sprecher (Erster Priester)]:
Detlef Roth (bass-baritone) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Vierter Priester]:
Wolfgang Knauer (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:04
20Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 20 Arie: »Ein Mädchen oder Weibchen« (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:48
21Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog: »Da bin ich schon, mein Engel« (Papagena, Papageno, dritter, zweiter Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Papagena]:
Constanze Backes (German Soprano vocalist) (in 1995-07)
spoken vocals [Dritter Priester]:
Robert Burt (tenor) (in 1995-07)
spoken vocals [Zweiter Priester]:
Douglas Welbat (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:50
22Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (die drei Knaben)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:39
23Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Du also bist mein Bräutigam?« (Pamina, die drei Knaben)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:43
24Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Der, welcher wandert diese Straße voll Beschwerden« (die Geharnischten, Tamino, Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Zweiter Geharnischter Mann]:
Noel Mann (bass vocalist) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Erster Geharnischter Mann]:
Nicolas Robertson (Tenor) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:44
25Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Tamino mein! O welch ein Glück!« (Pamina, Tamino, die Geharnischten)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Zweiter Geharnischter Mann]:
Noel Mann (bass vocalist) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Erster Geharnischter Mann]:
Nicolas Robertson (Tenor) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:34
26Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Wir wandelten durch Feuergluten« (Pamina, Tamino, Priester)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
choir vocals [Priester]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:10
27Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Papagena! Weibchen! Täubchen!« (Papageno, die drei Knaben, Papagena)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Papagena]:
Constanze Backes (German Soprano vocalist) (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:33
28Die Zauberflöte, K. 620: Zweiter Aufzug. Nr. 21 Finale: »Nur stille, stille, stille, stille!« (Monostatos, Königin der Nacht, die drei Damen) / »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Sarastros Gefolge)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
choir vocals [Sarastros Gefolge]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
mezzo-soprano vocals [Dritte Dame der Königin]:
Maria Jonas (mezzo-soprano) (in 1995-07)
mezzo-soprano vocals [Zweite Dame der Königin]:
Carola Guber (mezzo-soprano) (in 1995-07)
soprano vocals [Erste Dame der Königin]:
Susan Roberts (soprano) (in 1995-07)
soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
tenor vocals [Monostatos]:
Uwe Peper (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:07
29Die Zauberflöte, K. 620: Zweiter Aufzug. Anhang. Nr. 17a Arie: »Ach, ich fühl's, es ist verschwunden« (Pamina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:55
30Die Zauberflöte, K. 620: Zweiter Aufzug. Anhang. Nr. 21 Finale: »Tamino mein! O welch ein Glück!« (Pamina, Tamino, die Geharnischten)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Zweiter Geharnischter Mann]:
Noel Mann (bass vocalist) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
tenor vocals [Erster Geharnischter Mann]:
Nicolas Robertson (Tenor) (in 1995-07)
tenor vocals [Tamino]:
Michael Schade (tenor) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:49
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]