The Best Movie Album in the World… Ever! 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Gimme! Gimme! Gimme! (A Man After Midnight)
Amanda Seyfried, Ashley Lilley & Rachel McDowall3:50
2Heaven Is a Place on Earth
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4:02
3Danger Zone (album version)
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Dave Concors, Dave Connors e Tom Whitlock
produttore:
Giorgio Moroder e Tom Whitlock
produttore esecutivo:
Michael Dilbeck
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
John Robinson (session drummer)
chitarra :
Dann Huff e Kenny Loggins
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sintetizzatore :
Tom Whitlock
tastiera :
Giorgio Moroder
voce principale:
Kenny Loggins
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
versioni a cappella:
Danger Zone di Tufts Beelzebubs (Tufts University all-male a cappella group)
registrazione di:
Danger Zone (Top Gun)
paroliere:
Thomas Whitlock
compositore:
Giorgio Moroder
editore:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986) e GMPC (nel 1986)
Kenny Loggins4.33:29
4Nothing’s Gonna Stop Us Now
registrazione di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2)
Starship4:24
5The King of Wishful Thinking
Go West3:59
6Holding Out for a Hero
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4.154:21
7Maniac
Michael Sembello4:01
8Almost Unreal
Roxette3:53
9I Touch Myself
Divinyls3:44
10Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:28
11The Shoop Shoop Song (It’s in His Kiss) (album version)
produttore:
Peter Asher
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1990)
video musicali:
The Shoop Shoop Song (It’s in His Kiss) di Cher
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Cher3.22:47
12Don’t Worry Be Happy
diritti fonografici (℗) detenuti da:
EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
video musicali:
Don't Worry Be Happy di Bobby McFerrin
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 31)
registrazione di:
Don’t Worry, Be Happy
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin3:50
13There You’ll Be (album version)
tecnico di registrazione:
Bassy Bob Brockmann (engineer, producer, remixer)
assistente tecnico:
Jamie Duncan
produttore:
Byron Gallimore e Trevor Horn
tecnico di missaggio:
Steve MacMillan e Mike Shipley (audio engineer, mixer, producer)
basso :
Tony Shanahan
chitarra :
Tim Pierce (US session guitarist) e Ira Siegel
membranofono :
Rich Pagano
voce:
Faith Hill (country pop singer)
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
James Scott Levine (film and television composer) e Fiachra Trench
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
registrazione di:
There You’ll Be
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs e Touchstone Pictures Music and Songs Inc.
parte di:
The 74th Academy Award for Best Original Song (numero: 2)
Faith Hill53:39
14I Believe I Can Fly (album / LP version)
R. Kelly4:42
15Slave to Love
registrazione di:
Slave to Love
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry4:10
16True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:35
17Rule the World
registrazione di:
Rule the World
autore:
Gary Barlow, Howard Donald, Jason Orange e Mark Owen (singer–songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Take That3:55
18Purple Rain (short version)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984) e NPG Records, Inc. (nel 2017)
registrata presso:
First Avenue in Minneapolis, Minnesota, Stati Uniti (il 1983-08-03) e Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (dal 1983-08 al 1983-09)
edit di:
Purple Rain (live, 1983‐08‐03: First Avenue, Minneapolis, MN, USA, with overdubs) di Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
registrazione dal vivo di:
Purple Rain (il 1983-08-03)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions, Controversy Music e Island Music Ltd.
Prince & The Revolution2.54:01
19The Grease Megamix (album version)
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
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