The Golden Age of English Polyphony

~ Release by The Sixteen, Harry Christophers (see all versions of this release, 1 available)

Tracklist

1Digital Media
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7Digital Media
8Digital Media
#TitleArtistRatingLength
63The Western Wynde Mass: Gloria
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: I. Gloria (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard4:39
64The Western Wynde Mass: Credo
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: II. Credo (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard5:08
65The Western Wynde Mass: Sanctus
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: III. Sanctus (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard3:16
66The Western Wynde Mass: Benedictus
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: IV. Benedictus (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard1:32
67The Western Wynde Mass: Agnus Dei
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Mass “The Western Wind”: V. Agnus Dei (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
Mass “The Western Wind”
John Sheppard4:36
68Second Service: Evening Canticle 1. Magnificat
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
The Second Service: Magnificat (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
The Second Service
John Sheppard5:49
69Second Service: Evening Canticle 2. Nunc dimittis
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
The Second Service: Nunc Dimittis (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
part of:
The Second Service
John Sheppard3:08
70Te Deum
recording engineer:
Antony Howell (engineer) (from 1992-02-13 until 1992-02-14)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1992-02-13 until 1992-02-14)
conductor:
Harry Christophers (conductor) (from 1992-02-13 until 1992-02-14)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1993)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-02-13 until 1992-02-14)
recording of:
Te Deum (from 1992-02-13 until 1992-02-14)
composer:
John Sheppard (English renaissance composer)
John Sheppard13:49
71Spiritus Sanctus procedens I
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Spiritus sanctus procedens (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard7:35
72Iusti in perpetuum vivent
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Iusti in perpetuum vivent (from 1988-01-23 until 1988-01-24)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:29
73Libera nos, salva nos I
recording engineer:
Antony Howell (engineer) (from 1988-01-23 until 1988-01-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1988-01-23 until 1988-01-24)
conductor:
Harry Christophers (conductor) (from 1988-01-23 until 1988-01-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-01-23 until 1988-01-24)
recording of:
Libera nos, salva nos I (from 1988-01-23 until 1988-01-24)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard2:56
74Libera nos, salva nos II
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Libera nos, salva nos II (from 1991-09-10 until 1991-09-11)
lyricist:
[anonymous] (special purpose artist)
composer:
John Sheppard (English renaissance composer)
John Sheppard1:48
75Audivi vocem de caelo
recording engineer:
Antony Howell (engineer) (from 1991-09-10 until 1991-09-11)
executive producer:
Joanna Gamble (alto vocalist and producer) and Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1991-09-10 until 1991-09-11)
conductor:
Harry Christophers (conductor) (from 1991-09-10 until 1991-09-11)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1992)
recorded at:
Church of St. Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1991-09-10 until 1991-09-11)
recording of:
Audivi vocem de caelo (from 1991-09-10 until 1991-09-11)
composer:
John Sheppard (English renaissance composer)
John Sheppard4:05
76Deus tuorum militum I
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Deus Tuorum Militum I (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard3:10
77Ave maris stella
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Ave maris stella à 6 (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard5:09
78Jesu salvator saeculi, redemptis
recording engineer:
Antony Howell (engineer) (from 1990-02-02 until 1990-02-03)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1990-02-02 until 1990-02-03)
conductor:
Harry Christophers (conductor) (from 1990-02-02 until 1990-02-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-02 until 1990-02-03)
recording of:
Jesu salvator saeculi, redemptis (from 1990-02-02 until 1990-02-03)
composer:
John Sheppard (English renaissance composer)
John Sheppard6:19
9Digital Media
10Digital Media

Credits

Release

liner notes:Stephen Rice (conductor) (in 2009)
liner notes translator:Hyperion (for roles credited to the British label Hyperion)
Viola Scheffel (Übersetzung)
copyrighted (©) by and phonographic copyright (℗) by:Hyperion Records Limited, London (holding company - do not use this as a release label) (in 2009)
purchase for download:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]
https://www.prestomusic.com/classical/products/7982408--the-golden-age-of-english-polyphony [info]
ASIN:US: B002P2S9R2 [info]
purchase for mail-order:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_CDS44401/10 [info]

Release group

includes:‘Western Wynde’ Mass by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Cathedral Music by William Mundy (composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 2 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 3 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music by John Sheppard - 4 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Church Music, Volume 1 by John Sheppard (English renaissance composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Albanus / Aeterne laudis lilium by Robert Fayrfax (composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa corona spinea / Gaude plurimum / In pace by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Gloria tibi Trinitas / Audivi vocem de caelo by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Mater Christi Sanctissima by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor), Fretwork (consort of viols)
Missa O Michael / Leroy Kyrie / Dum transisset Sabbatum by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)
Missa Sancti Wilhelmi devotio by John Taverner (16th century composer); The Sixteen (UK choir), Harry Christophers (conductor)