Will Big Bands Ever Come Back? / Recollections of the Big Band Era

~ Veröffentlichung von Duke Ellington (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Tuxedo Junction
recording of:
Tuxedo Junction
Texter:
Buddy Feyne
Verfasser(in):
Dash, Feyne, Hawkins und Johnson (US jazz alto saxophonist, clarinetist & arranger)
Komponist(in):
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne und Erskine Hawkins
3:30
2Smoke Rings
recording of:
Smoke Rings
Texter:
Ned Washington
Komponist(in):
Gene Gifford
2:53
3Artistry in Rhythm
recording of:
Artistry in Rhythm
Komponist(in):
Stan Kenton
3:18
4The Waltz You Saved for Me
recording of:
The Waltz You Saved for Me
Texter:
Gus Kahn
Komponist(in):
Emil Flindt und Wayne King
publisher:
Leo Feist, Inc.
2:29
5Woodchopper's Ball
recording of:
Woodchopper’s Ball
Komponist(in):
Joe Bishop und Woody Herman
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:16
6Sentimental Journey
recording of:
Sentimental Journey
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:30
7When It's Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:17
8One O'Clock Jump
recording of:
One O’Clock Jump
Komponist(in):
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
7:20
9Goodbye
recording of:
Goodbye
Texter und Komponist(in):
Gordon Jenkins
Verfasser(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
3:04
10Sleep, Sleep, Sleep
2:47
11Rhapsody in Blue
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Trompete:
Cootie Williams
Solo-Interpret(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader), Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Johnny Hodges
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
instrumental recording of:
Rhapsody in Blue (standard 1942 orchestration) (am 1962-12-20)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Classic 100: Feel Good (2024) (Nummer: 5)
Revision von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
4:49
12Don't Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
2:38
13Minnie the Moocher
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-13)
Bass:
Ernie Shepard (am 1962-12-13)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-13)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-13), Chuck Connors (trombonist) (am 1962-12-13) und Buster Cooper (am 1962-12-13)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-13)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-13)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-13)
Schlagzeug:
Sam Woodyard (am 1962-12-13)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-13)
Trompete:
Roy Burrowes (am 1962-12-13), Cat Anderson (am 1962-12-13) und Cootie Williams (am 1962-12-13)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-13)
arranger:
Eddie Barefield
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-13)
instrumental recording of:
Minnie the Moocher (am 1962-12-13)
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
cover recording of:
Minnie the Moocher (am 1962-12-13)
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
2:47
14For Dancers Only
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-14)
Bass:
Ernie Shepard (am 1962-12-14)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-14)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-14), Chuck Connors (trombonist) (am 1962-12-14) und Buster Cooper (am 1962-12-14)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-14)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-14)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-14)
Schlagzeug:
Sam Woodyard (am 1962-12-14)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-14)
Trompete:
Bill Berry (Jazz trumpeter, cornetist and big band leader), Roy Burrowes (am 1962-12-14), Cat Anderson (am 1962-12-14) und Cootie Williams (am 1962-12-14)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-14)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-14)
instrumental recording of:
For Dancers Only (am 1962-12-14)
Verfasser(in):
Sy Oliver, Don Raye und Vic Schoen
recording of:
For Dancers Only (am 1962-12-14)
Verfasser(in):
Sy Oliver, Don Raye und Vic Schoen
3:04
15It's a Lonesome Town When You're Not Around
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-11)
Bass:
Ernie Shepard (am 1962-12-11)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-11)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-11), Chuck Connors (trombonist) (am 1962-12-11) und Buster Cooper (am 1962-12-11)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-11)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-11)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-11)
Schlagzeug:
Sam Woodyard (am 1962-12-11)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-11)
Trompete:
Roy Burrowes (am 1962-12-11), Cat Anderson (am 1962-12-11) und Cootie Williams (am 1962-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-11)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-11)
instrumental recording of:
It’s a Lonesome Old Town (am 1962-12-11)
Verfasser(in):
Charles Kisco und Harry Tobias
publisher:
Harry Tobias Music
cover recording of:
It’s a Lonesome Old Town (am 1962-12-11)
Verfasser(in):
Charles Kisco und Harry Tobias
publisher:
Harry Tobias Music
2:22
16Cherokee
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-14)
Bass:
Ernie Shepard (am 1962-12-14)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-14)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-14), Chuck Connors (trombonist) (am 1962-12-14) und Buster Cooper (am 1962-12-14)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-14)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-14)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-14)
Schlagzeug:
Sam Woodyard (am 1962-12-14)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-14)
Trompete:
Roy Burrowes (am 1962-12-14), Cat Anderson (am 1962-12-14) und Cootie Williams (am 1962-12-14)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-14)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-14)
cover recording of:
Cherokee (am 1962-12-14)
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
instrumental recording of:
Cherokee (am 1963-01-04)
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
2:53
17The Midnight Sun Will Never Set
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1963-01-03)
Bass:
Ernie Shepard (am 1963-01-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1963-01-03)
Posaune:
Lawrence Brown (jazz trombonist) (am 1963-01-03), Chuck Connors (trombonist) (am 1963-01-03) und Buster Cooper (am 1963-01-03)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1963-01-03)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1963-01-03)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1963-01-03)
Schlagzeug:
Sam Woodyard (am 1963-01-03)
Tenorsaxophon:
Paul Gonsalves (am 1963-01-03)
Trompete:
Roy Burrowes (am 1963-01-03), Cat Anderson (am 1963-01-03) und Cootie Williams (am 1963-01-03)
Orchester:
Duke Ellington and His Orchestra (am 1963-01-03)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1963-01-03)
instrumental recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (am 1963-01-03)
Texter:
Dorcas Cochran
Komponist(in):
Quincy Jones und Henri Salvador
cover recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (am 1963-01-03)
Texter:
Dorcas Cochran
Komponist(in):
Quincy Jones und Henri Salvador
3:07
18Let's Get Together
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
recording of:
Let's Get Together (am 1962-11-29)
Komponist(in):
Chick Webb
cover recording of:
Let's Get Together (am 1962-11-29)
Komponist(in):
Chick Webb
2:38
19I'm Gettin' Sentimental Over You
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
Solo-Interpret(in):
Ray Nance
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
instrumental recording of:
I’m Getting Sentimental Over You (am 1962-11-29)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
cover recording of:
I’m Getting Sentimental Over You (am 1962-11-29)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:21
20Chant of the Weed
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
Solo-Interpret(in):
Ray Nance
arranger:
Billy Strayhorn
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
recording of:
Chant of the Weed (am 1962-11-29)
Komponist(in):
Don Redman
cover recording of:
Chant of the Weed (am 1962-11-29)
Komponist(in):
Don Redman
3:22
21Ciribiribin
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-11)
Bass:
Ernie Shepard (am 1962-12-11)
Klavier:
Billy Strayhorn und Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-11)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-11), Chuck Connors (trombonist) (am 1962-12-11) und Buster Cooper (am 1962-12-11)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-11)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-11)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-11)
Schlagzeug:
Sam Woodyard (am 1962-12-11)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-11)
Trompete:
Eddie Preston, Roy Burrowes (am 1962-12-11), Cat Anderson (am 1962-12-11) und Cootie Williams (am 1962-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-11)
Solo-Interpret(in):
Ray Nance
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-11)
instrumental recording of:
Ciribiribin (They’re So in Love) (Harry James theme song) (am 1962-12-11)
Texter:
Harry James (US big band leader, trumpeter & actor) und Jack Lawrence (US songwriter)
Komponist(in):
Alberto Pestalozza
basiert auf:
Ciribiribin (original Italian version)
Teil von:
Hit the Deck (1955 movie)
instrumental recording of:
Ciribiribin (original Italian version)
Texter:
Carlo Tiochet
Komponist(in):
Alberto Pestalozza (in 1898)
3:29
22Contrasts
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-20)
Bass:
Ernie Shepard (am 1962-12-20)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-20)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-20), Chuck Connors (trombonist) (am 1962-12-20) und Buster Cooper (am 1962-12-20)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-20)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-20)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-20)
Schlagzeug:
Sam Woodyard (am 1962-12-20)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-20)
Trompete:
Roy Burrowes (am 1962-12-20), Cat Anderson (am 1962-12-20) und Cootie Williams (am 1962-12-20)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-20)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-20)
cover recording of:
Contrasts (am 1962-12-20)
Komponist(in):
Jimmy Dorsey
recording of:
Contrasts (am 1962-12-29)
Komponist(in):
Jimmy Dorsey
2:46
23Christopher Columbus
Techniker(in):
Bernie Clapper (Aufgabe: original chicago engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-11-29)
Bass:
Ernie Shepard (am 1962-11-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-11-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-11-29), Chuck Connors (trombonist) (am 1962-11-29) und Buster Cooper (am 1962-11-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-11-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-11-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-11-29)
Schlagzeug:
Sam Woodyard (am 1962-11-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-11-29)
Trompete:
Roy Burrowes (am 1962-11-29), Cat Anderson (am 1962-11-29) und Cootie Williams (am 1962-11-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-11-29)
Solo-Interpret(in):
Ray Nance
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1962-11-29)
instrumental recording of:
Christopher Columbus (am 1962-11-29)
Texter:
Andy Razaf
Komponist(in):
Leon “Chu” Berry
cover recording of:
Christopher Columbus (am 1962-11-29)
Texter:
Andy Razaf
Komponist(in):
Leon “Chu” Berry
3:03
24Auld Lang Syne
Techniker(in):
Fred Christie (Aufgabe: original new york engineer) und Richard Mays (Aufgabe: original new york engineer)
Mix:
Geoffrey Haslam und İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (am 1962-12-29)
Bass:
Ernie Shepard (am 1962-12-29)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1962-12-29)
Posaune:
Lawrence Brown (jazz trombonist) (am 1962-12-29), Chuck Connors (trombonist) (am 1962-12-29) und Buster Cooper (am 1962-12-29)
Rohrblattinstrumente [alto sax, clarinet]:
Russell Procope (am 1962-12-29)
Rohrblattinstrumente [baritone sax, clarinet, bass clarinet]:
Harry Carney (am 1962-12-29)
Rohrblattinstrumente [clarinet, tenor sax]:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1962-12-29)
Schlagzeug:
Sam Woodyard (am 1962-12-29)
Tenorsaxophon:
Paul Gonsalves (am 1962-12-29)
Trompete:
Roy Burrowes (am 1962-12-29), Cat Anderson (am 1962-12-29) und Cootie Williams (am 1962-12-29)
Orchester:
Duke Ellington and His Orchestra (am 1962-12-29)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1962-12-29)
instrumental recording of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns) (am 1962-12-29)
Texter:
Robert Burns (18th century Scottish poet/lyricist) (in 1788)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Songs of Universal, Inc. (BMI)
Teil von:
Roud Folk Song Index (Nummer: 6294)
recording of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns)
Texter:
Robert Burns (18th century Scottish poet/lyricist) (in 1788)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Songs of Universal, Inc. (BMI)
Teil von:
Roud Folk Song Index (Nummer: 6294)
2:19