101 Jukebox Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1C’Mon Everybody
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-10-10)
batteria :
Earl Palmer (il 1958-10-10)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1958-10-10)
tamburello :
Jerry Capehart (il 1958-10-10)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-10-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody (il 1958-10-09)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:54
2Summertime Blues
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-03-28)
batteria :
Earl Palmer (il 1958-03-28)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1958)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-28)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:56
3Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:21
4Ain’t That a Shame
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
F. D. & Hunter (publisher) (nel 1955) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
registrazione di:
Ain’t That a Shame (il 1955-03-15)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino4.52:25
5Shakin’ All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Johnny Kidd
editore:
Belwin Mills Music Ltd.
Johnny Kidd and the Pirates3.52:19
6Please Don’t Touch
registrazione di:
Please Don’t Touch
compositore:
Frederick Heath e Guy Robinson (UK songwriter)
editore:
EMI Blackwood Music Inc.
Johnny Kidd and the Pirates1:50
7Tutti Frutti
registrata a:
New Orleans, Louisiana, Stati Uniti (il 1955-09-14)
produttore:
Robert Blackwell
batteria :
Earl Palmer (il 1955-09-14)
chitarra :
Justin Adams (1950s session guitarist) (il 1955-09-14)
contrabbasso :
Frank Fields (il 1955-09-14)
pianoforte :
Melvin Dowden (il 1955-09-14)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1955-09-14)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1955-09-14)
voce principale:
Little Richard (il 1955-09-14)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1955-09-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 43)
registrazione di:
Tutti Frutti (il 1955-09-14)
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Little Richard4.12:23
8Long Tall Sally
batteria :
Earl Palmer (il 1956-02-07)
chitarra :
Edgar Blanchard (il 1956-02-07)
chitarra basso :
Frank Fields (il 1956-02-07)
pianoforte e voce principale:
Little Richard (il 1956-02-07)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-02-07)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-02-07)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-02-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 56)
registrazione di:
Long Tall Sally (il 1956-02-07)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard42:08
9Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion42:38
10The Wanderer
registrazione cover di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
registrazione di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
Dion4.52:41
11Be Bop A Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:34
12Love Potion Number 9
The Clovers2:53
13Friday on My Mind
produttore:
Shel Talmy
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967)
è stato produttore per:
Albert Productions
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats3.52:50
14Jenny Takes a Ride
arrangiatore:
Bob Crewe
medley che comprende una registrazione di:
C. C. Rider (Jerry Lee Lewis version)
arrangiatore:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
versione di:
See See Rider Blues
registrazione di:
Jenny Take a Ride
autore:
Bob Crewe e Enotris Johnson
compositore:
Richard Wayne Penniman
medley che comprende una registrazione di:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
autore:
Enotris Johnson (fino al 1956-10-15) e Richard Wayne Penniman (fino al 1956-10-15)
editore:
Sony/ATV Songs LLC
Mitch Ryder & The Detroit Wheels3:21
15Soul Limbo
Booker T. & the MG’s2:20
16Theme From Shaft
produttore:
Isaac Hayes
bonghi e congas :
Gary Jones (percussionist)
chitarra :
Charles Pitts e Michael Toles
chitarra basso :
James Alexander (US soul bassist, singer and songwriter)
membranofono e tamburello :
Willie "Too Big" Hall
pianoforte elettrico :
Lester Snell (Pianist/keyboardist, songwriter and producer)
pianoforte elettrico, organo, pianoforte e vibrafono e voce principale:
Isaac Hayes
diritti fonografici (℗) detenuti da:
Stax Records (not for release) (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 303)
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:35
17Mr Big Stuff
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 34) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 398)
registrazione di:
Mr. Big Stuff
autore:
Joseph Broussard, Carrol Washington e Ralph Williams (US soul composer)
editore:
Caraljo Music Inc., Malaco Music Company e Peermusic III, Ltd. (BMI)
Jean Knight52:45
18Time Is on My Side
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione cover di:
Time Is on My Side
paroliere aggiunto:
Jimmy Norman
compositore:
Norman Meade
editore:
Rittenhouse Music Corp., TRO Essex Music Ltd. e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
versione di:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
Irma Thomas42:50
19The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.254:28
20Bring It On Home to Me
produttore:
Mickie Most (English record producer)
registrazione cover di:
Bring It On Home to Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
registrazione di:
Bring It On Home to Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
The Animals2.752:42
21On the Road Again
registrazione di:
On the Road Again
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat43:11
22Let’s Work Together
tecnico di registrazione e tecnico di missaggio:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
tecnico:
Joe Bellamy, Paul du Gré e Willie "Bass" Rice (engineer)
produttore:
Canned Heat, Fito de la Parra e Skip Taylor
armonica (a bocca) , corno [horns] e flauto :
Stanley Behrens (dal 2001-03 al 2002-12)
batteria , percussione e timbales :
Fito de la Parra (dal 2001-03 al 2002-12)
chitarra [rhythm guitar] :
Harvey Mandel (American guitarist) (dal 2001-03 al 2002-12)
chitarra basso :
Larry Taylor (US bassist) (dal 2001-03 al 2002-12)
chitarra slide :
John Paulus (dal 2001-03 al 2002-12)
voce:
Dallas Hodge (dal 2001-03 al 2002-12)
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1970)
registrata presso e mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione cover di:
Let’s Work Together (dal 2001-03 al 2002-12)
paroliere:
Wilbert Harrison
editore:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. e United Artists Musik GmbH
Canned Heat42:46
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Pubblicazione

ASIN:UK: B000QCQUJM [info]