California Story

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Long Train Running
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers3:27
2Ride Like the Wind
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.14:26
3Jealousy
recording engineer und Mix:
Ray Bardani
Produzent(in):
Ray Bardani und Michael Colina
alto saxophone:
Lawrence Feldman (flutist and saxophonist)
Bassgitarre:
Francisco Centeno
Gitarre:
Nick Moroch (US guitarist)
Hybrid-Piano:
Rob Mounsey
Schlagzeug:
Buddy Williams (drummer)
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Randy Brecker und Lew Soloff
Hintergrundgesang:
Yvonne Lewis, Ullanda McCullough, Yolanda McCullough und S. Renee Diggs
vocals:
Michael Franks
Blechblasinstrumente arranger:
Rob Mounsey
Perkussion [rhythm] arranger:
Michael Colina und Michael Franks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
aufgenommen bei und mixed at:
Minot Sound Studio in White Plains, New York, Vereinigte Staaten
recording of:
Jealousy
Texter und Komponist(in):
Michael Franks
publisher:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 大洋音楽 (Taiyō Music)
Michael Franks23:36
4Sara
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
E-Bass:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Klavier:
Christine McVie
Schlagzeug:
Mick Fleetwood
tack piano und Sologesang:
Stevie Nicks
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Christine McVie
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recording of:
Sara
Texter und Komponist(in):
Stevie Nicks
publisher:
Fleetwood Mac Music (publisher) und Welsh Witch Music (BMI affiliated)
Fleetwood Mac3.66:23
5Ghost Town
phonographisches Urheberrecht (℗) von:
Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1982)
recording of:
Ghost Town
Verfasser(in):
Rusty Young
publisher:
Pirooting Publishing
Poco5:39
6One Way Ticket
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Sologesang:
Bill Champlin
phonographisches Urheberrecht (℗) von:
Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1981) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
One Way Ticket
Verfasser(in):
Bill Champlin und George Sopuch
publisher:
Big Heart Music, Ish Music, Music Sales Corporation (American copyright holder in both popular and classical music), My Ohio Music, Nightworm Music, フジパシフィックミュージック (Fujipacific Music, Inc.) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bill Champlin3:03
7I Keep Forgettin'
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:38
8Cinderella
phonographisches Urheberrecht (℗) von:
Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1976)
recording of:
Cinderella
Verfasser(in):
Larry Burnett
publisher:
Powder Music Inc.
Firefall3:33
9Don't Talk to Strangers
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Don't Talk to Strangers
Texter und Komponist(in):
Rick Springfield
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Robie Porter Music, Super Ron Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Rick Springfield3.352:58
10Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:02
11The Heat Is On
Produzent(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
Bass und Keyboard:
Harold Faltermeyer
Gitarre:
Rick Vito
Schlagzeug und Hintergrundgesang:
Keith Forsey (drummer, producer and songwriter)
Solo-Gitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals und Interpret(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
Texter, Verfasser(in) und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
live cover recording of:
The Heat Is On
Texter, Verfasser(in) und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:45
12I Can't Wait
recording engineer:
John Kovarek (in 1985)
Analoger Synthesizer [OB-8]-Programmierung, Sampler [Emulator II]-Programmierung und Synthesizer [Prophet]-Programmierung:
George Black (in 1985)
Synthesizer [PPG Wave]-Programmierung:
Jamie Sheriff (in 1985)
Techniker(in):
David Hernandez (engineer) und John Kovarek
Produzent(in):
Jimmy Iovine und Rick Nowels
Mix:
Jimmy Iovine, Chris Lord‐Alge und Rick Nowels
Bassgitarre und Solo-Gitarre:
George Black (in 1985)
Gitarre:
George Black (in 1985) und Michael Landau (in 1985)
Synthesizer:
Rick Nowels (in 1985) und Jamie Sheriff (in 1985)
Hintergrundgesang:
Sharon Celani (in 1985), George Black (in 1985), Lori Perry Nicks (in 1985), Marilyn Martin (in 1985), Rick Nowels (in 1985) und Maria Vidal (American singer-songwriter) (in 1985)
Sologesang:
Stevie Nicks (in 1985)
arranger:
George Black und Rick Nowels
phonographisches Urheberrecht (℗) von:
Modern Records (Subsidiary of Atlantic, LA, CA, USA) (in 1985)
aufgenommen bei:
Art Department Sound (in 1985)
mixed at:
Unique Recording Studios in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Can't Wait (in 1985)
Verfasser(in):
Stevie Nicks, Rick Nowels und Eric Pressly (Bassist, producer and songwriter)
publisher:
Future Furniture Music und Welsh Witch Music (BMI affiliated)
Stevie Nicks4.354:36
13You're So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:17
14California Girls
Techniker(in):
Jeff Hendrickson (sound engineer)
Produzent(in):
Ted Templeman
Bassgitarre:
Willie Weeks (US bass player)
Gitarre:
Eddie Martinez (guitar) und Sid McGinnis (American musician and guitarist)
Keyboard und Saxophon:
Edgar Winter
Perkussion:
Sammy Figueroa
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Brian Mann (keyboardist, accordionist, composer)
Hintergrundgesang:
Christopher Cross (US singer‐songwriter), Carl Wilson (Beach Boys) und Edgar Winter
Sologesang:
David Lee Roth
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1985)
cover recording of:
California Girls
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
David Lee Roth4.652:47
15Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.353:36
16I Love L.A.
assistierende(r) Techniker(in):
Bob Fernandez (engineer)
Techniker(in) und Mix:
Mark Linett
Produzent(in):
Russ Titelman und Lenny Waronker
Gitarre:
Waddy Wachtel (in 1983)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1983) und Christine McVie (in 1983)
conductor:
Randy Newman (American singer‐songwriter and score composer) (in 1983)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1983), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Love L.A. (in 1983)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Six Pictures Music (in 1983)
Randy Newman53:31
2▶CD

Nennungen

Veröffentlichung

hergestellt in:Deutschland
hergestellt von:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
phonographisches Urheberrecht (℗) von:East West France (in 1996)
Discogs:https://www.discogs.com/release/27044661 [Info]