TM Century: GoldDisc 121

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.43:52
2Two Out of Three Ain't Bad (radio edit)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf4:04
3Let's Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:24
4Heaven
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1983-06-06 until 1983-06-07)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1983-06-16)
drums (drum set) [drums]:
Steve Smith (US drummer most associated with Journey) (from 1983-06-06 until 1983-06-07)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1983-06-06 until 1983-06-07)
guitar:
Keith (Canadian guitarist) (from 1983-06-06 until 1983-06-07)
keyboard [keyboards]:
Rob Sabino (from 1983-06-06 until 1983-06-07)
percussion, piano and lead vocals:
BA (Canadian singer/songwriter) (from 1983-06-06 until 1983-06-07)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1983, in 1984, in 1985) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1983-06-06 until 1983-06-07)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 1983-06-16)
part of:
The Downloader’s Music Source Book (number: 166)
recording of:
Heaven (from 1983-06-06 until 1983-06-07)
written in:
West Vancouver, Vancouver, British Columbia, Canada (in 1983)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1983) and Jim Vallance (in 1983)
publisher:
Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
Bryan Adams4.24:08
5Out of Touch
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Hall & Oates4:11
6Papa Don't Preach
recording of:
Papa Don’t Preach
additional lyricist:
Madonna (“Queen of Pop”)
lyricist and composer:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
publisher:
Elliot/Jacobsen Music Publishing and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna3:51
7One Lonely Night
recording of:
One Lonely Night
lyricist and composer:
Neal Doughty
publisher:
Part-Time Publishing
REO Speedwagon3:26
8Talk to Me
recording engineer:
Chas Sandford and Gabe Veltri
producer:
Jimmy Iovine and Chas Sandford
mixer:
Chas Sandford, Don Smith (producer, engineer and mixer) and Shelly Yakus
12 string guitar, bass guitar, drum machine, guitar, synthesizer and additional vocals:
Chas Sandford
kettle drum [tympani]:
Greg Phillinganes
saxophone:
Barney Wilens
background vocals:
Sharon Celani, Lori Perry and Maria Vidal (American singer-songwriter)
lead vocals:
Stevie Nicks
recorded at:
Studio 55 in Los Angeles, California, United States and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
recording of:
Talk to Me
lyricist and composer:
Chas Sandford
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Stevie Nicks4.54:15
9Everything She Wants
recording of:
Everything She Wants
lyricist and composer:
George Michael
publisher:
Chappell Music (UK)
Wham!5:32
10Takin' It to the Streets
recording of:
Takin’ It to the Streets
lyricist and composer:
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3:24
11Invisible Touch
assistant engineer:
Paul Gomersall
engineer:
Hugh Padgham
producer:
Genesis (English rock band) and Hugh Padgham
bass and guitar:
Mike Rutherford (from 1985-10 until 1986-02)
bass synthesizer and keyboard:
Tony Banks (Genesis) (from 1985-10 until 1986-02)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1985-10 until 1986-02)
phonographic copyright (℗) by:
Charisma Records Ltd.
recorded at and mixed at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
recording of:
Invisible Touch (from 1985-10 until 1986-02)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
written at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
Genesis3.43:31
12Flashdance... What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:59
13Head Over Heels
producer:
Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
music videos:
Head Over Heels (music video) by Tears for Fears
recording of:
Head Over Heels
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
Tears for Fears4:18
14Sweet Freedom (Theme From Running Scared)
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer), Bruce Swedien and Rod Temperton
Michael McDonald4:07
15Main Street
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Steve Melton (engineer)
producer:
M. S. R. S. and Bob Seger
mixer:
Jim Bruzzese
bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
organ and piano:
Barry Beckett
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
mixed at:
Pampa Studios in Warren, Michigan, United States
recording of:
Mainstreet
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1976)
Bob Seger & the Silver Bullet Band43:44
16[silence]
[no artist]1.70:10
17[silence]
[no artist]1.70:10
18[silence]
[no artist]1.70:10
19[silence]
[no artist]1.70:10
20Two Out of Three Ain't Bad
engineer, producer and mixer:
Todd Rundgren
bass guitar:
Kasim Sultan
drums (drum set):
John Wilcox
guitar:
Todd Rundgren
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd and Todd Rundgren
lead vocals:
Meat Loaf
strings arranger:
Kenny Ascher
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:24

Credits

Release group

part of:TM Century: GoldDisc (licensed for sale to radio stations) (number: 121) (order: 7)