| # | Title | Artist | Rating | Length |
|---|
| 1 | I’m the Man (Def uncensored version)- producer:
- Anthrax and Eddie Kramer
- samples:
- Blind by Sam Kinison, Dumb Girl by Run‐D.M.C., Girls by Beastie Boys, Human Beat Box by Fat Boys , Master of Puppets by Metallica, Ride the Lightning by Metallica, Rock the House by Run‐D.M.C. and You Talk Too Much by Run‐D.M.C.
- instrumental versions:
- I'm the Man (instrumental) by Anthrax
- recording of:
- I’m the Man (in 1987)
- writer:
- Joey Belladonna, Frank Bello , Charlie Benante, Scott Ian, John Rooney and Dan Spitz
- publisher:
- Anthrax Music and Island Music Ltd.
- is based on:
- הבה נגילה
| Anthrax | 4 | 3:04 |
| 2 | Detroit Rock City (edit) | KISS | 3.5 | 3:36 |
| 3 | Come Sail Away (edit) | Styx | 3.55 | 6:05 |
| 4 | What I Got | Sublime | 4.4 | 2:52 |
| 5 | Hero of War | Rise Against | 3.4 | 4:13 |
| 6 | Bartender Song (Sittin’ at a Bar) (alt/rock mix) | Rehab | | 3:51 |
| 7 | Sex & Candy | Marcy Playground | 3.9 | 2:53 |
| 8 | Closer | Nine Inch Nails | 4.35 | 6:13 |
| 9 | When Worlds Collide | Powerman 5000 | 4.65 | 2:58 |
| 10 | Porn Star Dancing (rock version) | My Darkest Days feat. Zakk Wylde | | 3:19 |
| 11 | Why Don’t You Get a Job | The Offspring | 5 | 2:49 |
| 12 | Faith | Limp Bizkit | 4 | 2:26 |
| 13 | I Alone | Lïve | 4.25 | 3:51 |
| 14 | Stoopid | Snot | | 3:52 |
| 15 | If I Was Your Vampire | Marilyn Manson | 2.75 | 5:56 |
| 16 | …To Be Loved | Papa Roach | 3.65 | 3:02 |
| 17 | Pepper | Butthole Surfers | 4.2 | 4:57 |
| 18 | Counting Bodies Like Sheep to the Rhythm of the War Drums | A Perfect Circle | 3.5 | 5:36 |
| 19 | Whispers (I Hear You) | All That Remains | 5 | 3:40 |
| 20 | The Grand Illusion | Styx | 4.75 | 4:37 |
| 21 | Neighbor (full‐length version) | Ugly Kid Joe | 4.5 | 4:46 |
| 22 | More Human Than Human | White Zombie | 4.05 | 4:29 |
| 23 | Holy Wars…the Punishment Due (remastered 2004) | Megadeth | 5 | 6:33 |
| 24 | I Was Made for Lovin’ You- recording engineer and mixer:
- Jay Messina
- assistant engineer:
- Jim Galante and Jon Mathias
- producer:
- Vini Poncia
- drums (drum set):
- Anton Fig
- keyboard and background vocals:
- Vini Poncia
- lead vocals:
- Paul Stanley
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. (in 1979), PolyGram Records, Inc. (in 1979) and The Island Def Jam Music Group (in 1979)
- produced for:
- Mad Vincent Productions
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- I Was Made for Lovin’ You
- writer:
- Desmond Child, Vini Poncia and Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Universal Music Publishing , Universal Music Publishing GmbH , Universal Music Publishing Ltd. , Universal Polygram International Publishing I , Universal–Songs of PolyGram International, Inc., Kiss (in 1979) and Mad Vincent Music (in 1979)
- sub-publisher:
- Taiyō Music and Universal Music Publishing France
| KISS | 4.5 | 4:31 |
| 25 | Unbeliever | Therapy? | 3 | 3:28 |
| 26 | Straight Out of Line | Godsmack | 4.8 | 4:20 |
| 27 | Help Is on the Way | Rise Against | 4.25 | 3:57 |
| 28 | Wynona’s Big Brown Beaver | Primus | 3.65 | 4:24 |
| 29 | Adam’s Song | blink‐182 | 4.3 | 4:06 |
| 30 | Fly to the Angels | Slaughter | | 4:32 |
| 31 | A.I.R. | Anthrax | 3.25 | 5:45 |
| 32 | The Beautiful People | Marilyn Manson | 4.65 | 3:39 |
| 33 | Getting Away With Murder | Papa Roach | 3.45 | 3:11 |
| 34 | Seal the Deal | Volbeat | | 4:09 |
| 35 | Superbeast | Rob Zombie | 4.2 | 3:40 |
| 36 | The Diary of Jane (single version)- assistant recording engineer:
- Austin Briggs and Mark Rinaldi
- recording engineer:
- John Bender and Dan Korneff
- producer:
- David Bendeth
- assistant mixer:
- Keith Armstrong and Dim‐E
- mixer:
- Chris Lord‐Alge
- editor:
- John Bender , Kato Khandwala and Dan Korneff
- bass guitar:
- Mark James
- drums (drum set) and percussion:
- Chad Szeliga
- guitar:
- Ben Burnley and Aaron Fink
- vocals:
- Ben Burnley
- arranger:
- David Bendeth and Breaking Benjamin
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (from 2006 to present, in 2006)
- recorded at:
- The Barber Shop Studios in Hopatcong, New Jersey, United States (from 2006-03 until 2006-05)
- mixed at:
- Resonate Music in Burbank, California, United States
- edited at:
- Type A Studios in New York, New York, United States
- recording of:
- The Diary of Jane
- writer:
- Benjamin Burnley, Aaron Fink and Mark James Klepaski
| Breaking Benjamin | 3.7 | 3:21 |
| 37 | Kristy, Are You Doing Okay? | The Offspring | 3.8 | 3:43 |
| 38 | Violet | Hole | 4.5 | 3:28 |
| 39 | Mr. Roboto | Styx | 4.3 | 5:29 |
| 40 | Unsung | Helmet | 4.35 | 3:57 |
| 41 | Black Sunshine | White Zombie | 3.55 | 4:49 |
| 42 | Shoot It Out- recording engineer:
- Mike Plotnikoff
- programming and producer:
- Howard Benson
- additional engineer:
- Hatsukazu Inagaki
- additional mixer:
- Andrew Schubert and Brad Townsend
- assistant mixer:
- Keith Armstrong and Nik Karpen
- mixer:
- Chris Lord‐Alge
- editor:
- Paul Decarli
- bass:
- Lewis Cosby
- guitar:
- Brian Vodinh and Ryan “Tater” Johnson
- keyboard:
- Howard Benson
- membranophone:
- Brian Vodinh
- other vocals [screams]:
- Ryan “Tater” Johnson
- vocals:
- Jesse Hasek
- phonographic copyright (℗) by:
- Universal Republic Records (in 2010)
- recorded at:
- Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Valley Village
- mixed at:
- Mix LA in Tarzana, Los Angeles, California, United States
- recording of:
- Shoot It Out
- lyricist:
- B. Vodinh and J. Hasek
- composer:
- B. Vodinh, J. Hasek, L. Cosby and R. Johnson
- publisher:
- Dirty Deedz Music
| 10 Years | 3.75 | 3:20 |
| 43 | The Saints Are Coming | Skids | 5 | 2:38 |
| 44 | Indians | Anthrax | 3.75 | 5:41 |
| 45 | Symphony of Destruction (remastered 2012)- additional engineer:
- Micajah Ryan
- assistant engineer and assistant mixer:
- Fred Kelly Jr.
- engineer and mixer:
- Max Norman
- producer:
- Dave Mustaine and Max Norman
- bass guitar:
- David Ellefson
- drums (drum set):
- Nick Menza
- guitar:
- Marty Friedman and Dave Mustaine
- background vocals:
- David Ellefson, Marty Friedman and Nick Menza
- lead vocals:
- Dave Mustaine
- remixer:
- Dave Mustaine (in 2004) and Ralph Patlan (in 2004)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1992, in 2005), Capitol Records, Inc. (in 2004), Capitol Records, LLC (in 2004), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recorded at:
- The Enterprise in Burbank, California, United States (from 1992-01-06 until 1992-04-28)
- recording of:
- Symphony of Destruction (in 2004)
- lyricist and composer:
- Dave Mustaine
- publisher:
- EMI Blackwood Music Inc., Mustaine Music (in 1992), Screen Gems–EMI Music, Inc. (in 1992) and Theory Music (in 1992)
| Megadeth | 3.8 | 4:02 |
| 46 | Blood Brothers | Papa Roach | 4 | 3:34 |
| 47 | Out of Control | Hoobastank | 5 | 2:42 |
| 48 | My Wave | Soundgarden | 3.45 | 5:13 |
| 49 | My Generation | Limp Bizkit | 3.85 | 3:41 |
| 50 | Who Was in My Room Last Night? | Butthole Surfers | 4 | 4:09 |
| 51 | Lunchbox | Marilyn Manson | 3.2 | 4:33 |
| 52 | Awake | Godsmack | 4 | 5:05 |
| 53 | Get Up Again | Flaw | | 2:57 |
| 54 | Sun Doesn’t Rise | Mushroomhead | 3 | 3:14 |
| 55 | Empower | downset. | 4 | 2:24 |
| 56 | Dragula | Rob Zombie | 4.55 | 3:43 |
| 57 | I Will Be Heard | Hatebreed | 4.5 | 2:59 |
| 58 | Up All Night (remastered) | Slaughter | 4 | 4:19 |
| 59 | Wish | Alien Ant Farm | 3.4 | 3:22 |
| 60 | Jerry Was a Race Car Driver | Primus | 4.45 | 3:11 |
| 61 | Snot | Snot | | 3:22 |
| 62 | Bullet With Butterfly Wings (remastered 2012) | The Smashing Pumpkins | 4.55 | 4:18 |
| 63 | The Horrible People | Marilyn Manson | 3 | 5:14 |
| 64 | Unknown Soldier | Breaking Benjamin | 3.5 | 3:46 |
| 65 | Just Another Victim | Helmet & House of Pain | | 4:22 |
| 66 | Super Charger Heaven | White Zombie | 3.7 | 3:37 |
| 67 | Bring the Noise- producer:
- Anthrax and Mark Dodson
- mixer:
- Michael Barbiero , Charlie Benante and Steve Thompson
- additional vocals:
- Frank Bello , Charlie Benante and Flavor Flav
- vocals:
- Chuck D and Scott Ian
- performer:
- Anthrax and Public Enemy
- phonographic copyright (℗) by:
- Island Records, Inc. (in 1991)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States and Conway Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 36)
- recording of:
- Bring the Noise (in 1991)
- lyricist:
- Chuck D and Hank Shocklee
- composer:
- Frank Bello , Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
- publisher:
- Def American Songs, Inc. and NFP Music
- revision of:
- Bring tha Noize
- recording of:
- Bring the Noise
- lyricist:
- Chuck D and Hank Shocklee
- composer:
- Frank Bello , Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
- publisher:
- Def American Songs, Inc. and NFP Music
- revision of:
- Bring tha Noize
| Anthrax | 3 | 3:30 |
| 68 | Keep Away | Godsmack | 3.65 | 4:50 |
| 69 | My Way- recording engineer:
- Terry Date
- additional producer:
- Josh Abraham and Scott Weiland
- producer:
- Terry Date and Limp Bizkit
- assistant mixer:
- Steve Sisco and Josh Wilbur
- mixer:
- Andy Wallace
- additional editor:
- Domenic Barbera
- keyboard:
- Scott Borland
- performer:
- Limp Bizkit
- mixed at:
- Soundtrack Studios in New York, New York, United States
- samples:
- My Melody by Eric B. & Rakim
- recording of:
- My Way
- lyricist:
- Fred Durst
- writer:
- Eric Barrier, Leor Dimant and William Griffin
- composer:
- Wes Borland, John Otto and Sam Rivers
- publisher:
- Zomba Enterprises, Inc. (ended), Big Bizkit Music, Lethal Dose Music, Robert Hill Music, Universal Music – Z Tunes and Universal Songs of PolyGram International, Inc.
| Limp Bizkit | 4.15 | 4:33 |
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