Kuschelrock 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Sailing
Produzent(in):
Tom Dowd
recording of:
Sailing
Texter und Komponist(in):
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Island Music (Island Music Ltd.) und Melodie der Welt J. Michel KG (German publisher; read annotation)
cover recording of:
Sailing
Texter und Komponist(in):
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Island Music (Island Music Ltd.) und Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart54:22
2Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.83:56
3Against All Odds (Take a Look at Me Now)
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2)
Phil Collins3.83:24
4Time After Time
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
a cappella versions:
Time After Time von Forte A Cappella (Centerville High School)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 116) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.33:59
5Dream On
Produzent(in) und Mix:
John Punter
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
Fool Circle Ltd. (for copyrights use only) (in 1982)
recording of:
Dream On
Verfasser(in):
Pete Agnew, Manny Charlton, Dan McCafferty und Darrell Sweet
publisher:
Fool Circle Music Ltd. (for music publishing use only)
Nazareth4.53:25
6Room With a View
recording of:
Room With a View
Texter und Komponist(in):
Tony Carey
publisher:
Red Rooster (publisher)
Teil von:
Reprise
Tony Carey3:21
7Cathedral Song
recording of:
Cathedral Song (in 1988)
Texter und Komponist(in):
Tanita Tikaram
Tanita Tikaram2:52
8Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
9Especially for You
recording of:
Especially for You
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Sony/ATV Songs LLC, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und All Boys USA Music (in 1988)
Kylie Minogue & Jason Donovan4:58
10Cherish
phonographisches Urheberrecht (℗) von:
Delite Recorded Sound (not for release) (in 1984) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recording of:
Cherish
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) und Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Windswept Pacific Music Ltd.
Kool & the Gang4.54:44
11More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.94:45
12Cat Among the Pigeons
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Cat Among the Pigeons
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Graham Music Publishing Ltd und Warner Chappell (Warner/Chappell Music, Inc.)
Bros4:05
13When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:10
14Don’t Wanna Lose You
Programmierung:
Jorge Casas und Clay Ostwald
Techniker(in):
Eric Schilling
zusätzliche(r) assistierende(r) Techniker(in):
Mauricio Guerrero (Chilean drummer) und Greg Laney
Produzent(in):
Jorge Casas, Emilio Estefan, Jr. und Clay Ostwald
Mix:
Humberto Gatica
Akustikgitarre:
Jorge Casas
E-Gitarre:
Michael Thompson (session guitarist)
Hintergrundgesang:
Jon Secada
Sologesang:
Gloria Estefan
vocals:
Gloria Estefan
arranger:
Jorge Casas, Gloria Estefan und Clay Ostwald
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989)
recording of:
Don’t Wanna Lose You
Texter und Komponist(in):
Gloria Estefan
publisher:
EMI Music Publishing Taiwan, EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gloria Estefan3.654:04
15Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2)
Diana Ross & Lionel Richie3.54:27
16Can’t Fight This Feeling
Produzent(in):
Kevin Cronin, Alan Gratzer und Gary Richards
arranger:
Kevin Cronin und REO Speedwagon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Can’t Fight This Feeling
Texter und Komponist(in):
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:53
17I’m on Fire
recording engineer:
Toby Scott (am 1982-05-11)
assistierende(r) Techniker(in):
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus und Zoë Yanakas
Mix:
Bob Clearmountain
Akustikgitarre, Mandoline und Chorgesang [harmony vocals]:
Little Steven (am 1982-05-11)
Bassgitarre:
Garry Tallent (am 1982-05-11)
Gitarre und Sologesang:
Bruce Springsteen (am 1982-05-11)
Glockenspiel und Orgel:
Danny Federici (am 1982-05-11)
Klavier und Synthesizer:
Roy Bittan (am 1982-05-11)
Perkussion und Saxophon:
Clarence Clemons (am 1982-05-11)
Schlagzeug:
Max Weinberg (am 1982-05-11)
Chorgesang:
Roy Bittan (am 1982-05-11), Garry Tallent (am 1982-05-11) und Max Weinberg (am 1982-05-11)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1984)
phonographisches Urheberrecht (℗) von:
CBS Dischi (Italian record company) (in 1985)
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1982-05-11)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
I’m on Fire (am 1982-05-11)
publisher:
Bruce Springsteen (in 1984)
Texter und Komponist(in):
Bruce Springsteen (in 1982)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.42:37
18Hotel California
Techniker(in):
Allan Blazek, Bruce Hensal, Ed Mashal und Bill Szymczyk
Produzent(in) und Mix:
Bill Szymczyk
Bassgitarre:
Randy Meisner (in 1976)
E-Gitarre:
Joe Walsh (Eagles/James Gang) (in 1976)
Perkussion, Schlagzeug und Sologesang:
Don Henley (in 1976)
zwölfsaitige Gitarre:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1976)
zwölfsaitige Gitarre und E-Gitarre:
Don Felder (in 1976)
Hintergrundgesang:
Don Felder (in 1976), Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1976), Don Henley (in 1976), Randy Meisner (in 1976) und Joe Walsh (Eagles/James Gang) (in 1976)
concertmaster:
Sid Sharp
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1976) und Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (in 1976)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1976-03 bis 1976-10) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 4), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 49), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 94) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 311)
recording of:
Hotel California (in 1976)
Verfasser(in):
Don Felder, Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Cass County Music, Red Cloud Music, Universal Music Publishing Ltd. (Hong Kong), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), Fingers Music (publisher) (in 1976), Long Run Music (publisher) (in 1976) und WB Music Corp. (1929–2019) (in 1976)
basiert auf:
Això és Fàcil
Eagles4.66:31
2▼CD
Nr.TitelKünstlerBewertungLänge
1She’s Like the Wind
assistierende(r) Techniker(in):
Dan Nebenzal
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
Sologesang:
Patrick Swayze
vocals:
Wendy Fraser
zusätzliche(r) Orchestrator(in):
John D’Andrea
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
Michael Lloyd Studio in Beverly Hills, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
She’s Like the Wind (music video) von Patrick Swayze
recording of:
She’s Like the Wind
Verfasser(in):
Patrick Swayze (in 1984) und Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (in 1987) und Troph Productions, Inc. (in 1987)
Patrick Swayze4.353:52
2Tell It Like It Is
Bassgitarre, Hammond-Orgel und Klavier:
Keith Diamond
Gitarre:
Paul Pesco und Ira Siegel
Posaune:
Michael Davis (US jazz trombonist)
Saxophon und Solo-Horn:
Danny Wilensky
Schlagzeug:
Terry Silverlight (classic fusion artist)
Trompete:
Chris Botti
Hintergrundgesang:
Janice Dempsey, Cindy Mizelle, B.J. Nelson (backing singer) und Audrey Wheeler
Sologesang:
Don Johnson (US actor, Miami Vice)
Blechblasinstrumente [horns] arranger:
Danny Wilensky
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
cover recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Don Johnson24:29
3Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:08
4Throwing It All Away
assistierende(r) Techniker(in):
Paul Gomersall
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (von 1985-10 bis 1986-02)
Bass-Synthesizer und Keyboard:
Tony Banks (Genesis) (von 1985-10 bis 1986-02)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1985-10 bis 1986-02)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd.
aufgenommen bei und mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (von 1985-10 bis 1986-02)
cover recording of:
Throwing It All Away (von 1985-10 bis 1986-02)
Verfasser(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis3.13:49
5Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4:46
6How Can I Fall
Ko-Techniker(in):
Michael Brauer (engineer) und John Gallen (UK music producer, recording & mix engineer.)
Produzent(in):
Bob Sargeant
recording of:
How Can I Fall?
Verfasser(in):
David Glasper (Singer - Performer, author & lyricist), Marcus Lillington und Ian Spice
publisher:
EMI/Virgin Music Publishing Ltd. und Virgin Music (Publishers) Ltd. (in 1988)
Breathe44:42
7Missing You
Techniker(in) und Mix:
David Thoener
E-Bass [bass]:
Donnie Nossov
Gitarre:
Gary Myrick
Keyboard:
Bruce Brody
Perkussion:
Steve Scales
Schlagzeug:
Curly Smith (Jo Jo Gunne musician)
Sologesang:
John Waite
phonographisches Urheberrecht (℗) von:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite3.754:26
8First Time
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1988) und The Coca-Cola Company (in 1988)
Musikvideos:
First Time ("concept" version) von Robin Beck und First Time (band version) von Robin Beck
recording of:
First Time
Texter:
Tom Anthony (wrote "First Time") und Terry Boyle
Komponist(in):
Gavin Spencer
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Music Publishing Scandinavia AB
Robin Beck33:17
9Nothing’s Gonna Change My Love for You
cover recording of:
Nothing’s Gonna Change My Love for You
Texter:
Gerald Goffin und Michael Masser
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Glenn Medeiros3.53:48
10Eyes Without a Face
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Sal Cuevas (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Keyboard:
Judi Dozier (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Hintergrundgesang:
Perri Lister (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
Bearbeitung von:
Eyes Without a Face von Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol3.354:09
11If You Don’t Know Me by Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:21
12Dust in the Wind
Techniker(in):
Jeff Glixman (von 1977-06 bis 1977-07)
zusätzliche(r) Techniker(in):
Terry Diane Becker (engineer)
Produzent(in):
Jeff Glixman (in 1977-06)
Akustikgitarre und E-Gitarre:
Kerry Livgren (von 1977-06 bis 1977-07) und Rich Williams (guitarist of Kansas) (von 1977-06 bis 1977-07)
Bassgitarre:
Dave Hope (von 1977-06 bis 1977-07)
Bratsche / Viola, Cello und Geige / Violine [violins]:
Robby Steinhardt (von 1977-06 bis 1977-07)
Celesta, Orgel, Synthesizer, Vibraphon und Sologesang:
Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Chimes, gong, Pauke und Schlagzeug:
Phil Ehart (von 1977-06 bis 1977-07)
Clavinet und Synthesizer [synthesizers]:
Kerry Livgren (von 1977-06 bis 1977-07)
Klavier:
Kerry Livgren (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Perkussion [additional percussion]:
Phil Ehart (von 1977-06 bis 1977-07), Kerry Livgren (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
Hintergrundgesang:
Robby Steinhardt (von 1977-06 bis 1977-07) und Steve Walsh (original lead singer of Kansas) (von 1977-06 bis 1977-07)
arranger:
Kansas (US prog rock band)
phonographisches Urheberrecht (℗) von:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
aufgenommen bei:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (von 1977-06 bis 1977-07) und Woodland Studios in Nashville, Tennessee, Vereinigte Staaten (von 1977-06 bis 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977-08)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 39)
recording of:
Dust in the Wind (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing und Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.053:26
13You’re in My Heart (The Final Acclaim)
Produzent(in):
Tom Dowd
Akustikgitarre:
Fred Tackett
Bassgitarre:
Phil Chen (Chinese-Jamaican bassist)
Geige / Violine:
Richard Greene (US fiddler)
Gitarre:
Jim Cregan (producer & member of Family)
Klavier:
John Jarvis
Schlagzeug:
Carmine Appice
Synthesizer:
Nicky Hopkins (pianist and organist)
Hintergrundgesang:
Carmine Appice und Jim Cregan (producer & member of Family)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 37)
recording of:
You’re in My Heart (The Final Acclaim)
Texter und Komponist(in):
Rod Stewart
Rod Stewart3.84:29
14The Living Years
Techniker(in):
Nick Davis (producer, engineer)
Produzent(in):
Christopher Neil und Mike Rutherford
Sologesang:
Paul Carrack
phonographisches Urheberrecht (℗) von:
Michael Rutherford Ltd. (in 2014)
recording of:
The Living Years
Verfasser(in):
B.A. Robertson und Mike Rutherford
publisher:
Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Hidden Pun Music, Inc., Michael Rutherford Ltd., R & BA Music Ltd. und R and B. A. Music Ltd.
Mike + the Mechanics3.755:30
15For Your Eyes Only
Produzent(in):
Christopher Neil
vocals:
Sheena Easton
conductor:
Bill Conti
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
recording of:
For Your Eyes Only (in 1981)
Texter:
Michael Leeson
Komponist(in):
Bill Conti
publisher:
EMI United Partnership Ltd.
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und James Bond themes
Sheena Easton3.52:58
16Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:51
17Seasons in the Sun
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3:14
18Broken Wings
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:27

Nennungen

Veröffentlichungsgruppe

Teil von:Kuschelrock (Nummer: 3) (Reihenfolge: 29)
Discogs:https://www.discogs.com/master/37533 [Info]
Allmusic:https://www.allmusic.com/album/mw0000404707 [Info]