Grandes compositores da música clássica, Volume 39: Mozart 2

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1A flauta mágica, K. 620: Abertura
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
6:41
2A flauta mágica, K. 620: Ato I, cena IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
tenor vocals [Tamino]:
Herbert Lippert (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:37
3A flauta mágica, K. 620: Ato I, cena XIV. No. 7 Dueto "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
soprano vocals [Pamina]:
Elizabeth Norberg-Schulz (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:02
4A flauta mágica, K. 620: Ato I, cena XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
tenor vocals [Tamino]:
Herbert Lippert (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:46
5A flauta mágica, K. 620: Ato I, cena XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
soprano vocals [Pamina]:
Elizabeth Norberg-Schulz (soprano) (from 1993-06-20 until 1993-06-30)
tenor vocals [Monostatos]:
Wilfried Gahmlich (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:16
6A flauta mágica, K. 620: Ato II, cena I. No. 10 Aria e coro "O Isis und Osiris!" (Sarastro)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
bass vocals [Sarastro]:
Kurt Rydl (operatic bass) (from 1993-06-20 until 1993-06-30)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:03
7A flauta mágica, K. 620: Ato II, cena III. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (A Rainha da Noite)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [The Queen of the Night]:
Hellen Kwon (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Orchestra (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:53
8A flauta mágica, K. 620: Ato II, cena XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [Pamina]:
Elizabeth Norberg-Schulz (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:17
9A flauta mágica, K. 620: Ato II, cena XXIX. "Pa-Pa-Pa-Pa-Pa-Pa-Papagena" (Papageno, Papagena)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:32
10Don Giovanni, K. 527: Abertura. Andante - Allegro molto
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Ouvertura (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
5:54
11Don Giovanni, K. 527: Ato I, cena I. No. 1 Introduzione "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30) and Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30)
vocals:
Janusz Monarcha (operatic bass) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:31
12Don Giovanni, K. 527: Ato I, cena V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:37
13Don Giovanni, K. 527: Ato I, cena IX. No. 7 Duettino "Là ci darem la mano" (Zerlina, Don Giovanni)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Ildikó Raimondi (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:11
14Don Giovanni, K. 527: Ato I, cena XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Boaz Daniel (Baritone) (from 2000-11-20 until 2000-11-30) and Ildikó Raimondi (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
3:29
15Don Giovanni, K. 527: Ato II, cena III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:55
16Don Giovanni, K. 527: Ato II, cena X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:00
17Don Giovanni, K. 527: Ato II, cena XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello, coro)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
6:35
18Don Giovanni, K. 527: Ato II, cena XVI. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:51

Credits

Release group

part of:Grandes compositores da música clássica (number: 39) (order: 39)