30: The Greatest Hits

~ Release by Diesel (see all versions of this release, 1 available)

Annotation

Countries where available (Deezer)

(As of 2020-09-16).

Annotation last modified on 2020-09-23 13:00 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Give Me Saturday Night
Diesel3:40
2Don’t Need Love
recording engineer, producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell
guitar:
Diesel (Australian pop rock aka Mark Lizotte)
saxophone and background vocals:
Bernie Bremond
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1989) and EMI Music Australia Pty. Limited (not for release label use!) (in 1989)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Don’t Need Love
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs and Mushroom Music Pty. Ltd.
Johnny Diesel & the Injectors4:12
3Soul Revival (radio mix)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Soul Revival
writer:
Diesel (Australian pop rock aka Mark Lizotte)
Johnny Diesel & the Injectors34:03
4Lookin’ for Love
recording engineer, producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell
guitar:
Diesel (Australian pop rock aka Mark Lizotte)
saxophone and background vocals:
Bernie Bremond
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Lookin’ for Love
writer:
Diesel (Australian pop rock aka Mark Lizotte)
Johnny Diesel & the Injectors3:31
5Cry in Shame
recording engineer:
Terry Manning (US recording engineer) (from 1988-08 until 1988-09)
producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell (from 1988-08 until 1988-09)
guitar:
Diesel (Australian pop rock aka Mark Lizotte) (from 1988-08 until 1988-09)
saxophone and background vocals:
Bernie Bremond (from 1988-08 until 1988-09)
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Cry in Shame (from 1988-08 until 1988-09)
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs
Johnny Diesel & the Injectors34:44
6Since I Fell for You
recording engineer, producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell
guitar:
Diesel (Australian pop rock aka Mark Lizotte)
saxophone and background vocals:
Bernie Bremond
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
recording of:
Since I Fell for You
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Diesel & the Injectors5:37
7Love Junk
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
recording of:
Love Junk
writer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
Lizard Songs
Diesel3:46
8Tip of My Tongue
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
phonographic copyright (℗) by:
Chrysalis Australia (in 1992), EMI Music Australia (defunct holding company, not for release label use!) (in 1992), EMI Music Australia Pty. Limited (not for release label use!) (in 1992) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1992)
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Tip of My Tongue
writer:
Diesel (Australian pop rock aka Mark Lizotte) and John Daniel Tate
publisher:
BMG Gold Songs, BMG Rights Management Canada A, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Mushroom Records and Tate Music Group
Diesel34:12
9Come to Me
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1991)
recording of:
Come to Me
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs Australia Pty. Ltd.
Diesel4:22
10Man Alive
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Man Alive
writer:
Tom DeLuca and Diesel (Australian pop rock aka Mark Lizotte)
Diesel4:50
11One More Time
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman and Terry Manning (US recording engineer)
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
David Cochran (bass player), Alan Gorrie and Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
keyboard arranger and percussion arranger:
John Philip Shenale
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist) and John Philip Shenale
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
One More Time
writer:
Diesel (Australian pop rock aka Mark Lizotte) and Jerry Lynn Williams
Diesel4:07
12Never Miss Your Water
producer:
Terry Manning (US recording engineer)
bass:
David Cochran (bass player) and Alan Gorrie
drums (drum set):
Yak Sherrit (drummer)
horn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Andrew Love
keyboard:
Bernie Worrell (keyboardist, composer and record producer)
background vocals:
Brenda Barnette (vocalist), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Phyllis Duncan (session singer), Debbie Jamison (session vocalist), Jimi Jamison, Helen Johnson (session vocalist), Sandra Rhodes and Becky Russell
vocals:
Donna Hauth (session vocalist)
strings arranger:
Carl Marsh (US orchestrator, arranger, composer and pianist)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Never Miss Your Water
writer:
John Daniel Tate and Mark Lizotte
publisher:
EMI Songs Australia Pty. Ltd. and EMI Virgin Music Publishing Australia Pty Ltd
Diesel33:57
13Masterplan
recording of:
Master Plan
writer:
Diesel (Australian pop rock aka Mark Lizotte)
Diesel5:25
14I’ve Been Loving You Too Long (acoustic)
cover recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Diesel3:54
15All Come Together
programming:
Al Jostsons
engineer, producer and mixer:
Craig Porteils (producer, engineer)
bass, guitar and mellotron:
Diesel (Australian pop rock aka Mark Lizotte)
congas:
Rick Kugler
drums (drum set) and percussion:
Kane Baker
Hammond organ and piano:
Rob Woolf (Australian keyboardist, singer and producer.)
background vocals:
Diesel (Australian pop rock aka Mark Lizotte) and Venetta Fields
recorded at:
Freight Train Studios in Sydney, New South Wales, Australia
recording of:
All Come Together
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
writer:
Guy Davies (musician) and Diesel (Australian pop rock aka Mark Lizotte)
Diesel4:48
1615 Feet of Snow
programming:
Al Jostsons
engineer, producer and mixer:
Craig Porteils (producer, engineer)
cello:
Margaret Lindsay (cellist)
drums (drum set):
Kane Baker
guitar, percussion, piano and background vocals:
Diesel (Australian pop rock aka Mark Lizotte)
viola:
Angela Lindsay
recorded at:
Freight Train Studios in Sydney, New South Wales, Australia
recording of:
15 Feet of Snow
lyricist, writer and composer:
Diesel (Australian pop rock aka Mark Lizotte)
Diesel5:16
17I Can’t Stand the Rain
Diesel3:46
18Dig
Diesel4:53
19Satellite
Diesel3:47
20Angel Face
Diesel3:07
21Getta Kick
Diesel3:56
22Battleworn
Diesel4:17
23Saviour
Diesel4:30
24Crazytown
Diesel3:31
25Steal My Sunshine
Diesel3:55
26Days Like These
Diesel3:24
27Walkin’ the Blues
recording engineer:
Jim Blackfoot
producer and mixer:
Mark Lizotte
recorded at:
Blackfoot Sound in Australia
mixed at:
Ocean St. Sound
recording of:
Walkin’ the Blues
lyricist and composer:
Mark Lizotte
Diesel3:35
28Let It Fly
Diesel4:31
29Queen Jane Approximately
cover recording of:
Queen Jane Approximately
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Diesel4:13
30Rave On
cover recording of:
Rave On
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
Diesel2:31

Credits