The Finest Masterpieces in Pop & Rock, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Night on Broadway
produttore:
Arif Mardin
voce principale:
Barry Gibb (nel 1975-01), Maurice Gibb (nel 1975-01) e Robin Gibb (nel 1975-01)
remixer:
Lew Hahn
arrangiatore archi , arrangiatore legni [woodwinds] e arrangiatore ottoni [horns] :
Arif Mardin
primo violino:
Gene Orloff
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1975), Maurice Gibb (nel 1975) e Robin Gibb (nel 1975)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1975), PolyGram International Music B.V. (not for release label use!) (nel 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1975), Robert Stigwood Organisation Ltd. (nel 1975) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1975)
registrazione di:
Nights on Broadway (nel 1975-01)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc (BMI-affiliated), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Abigail Music Ltd. (publisher) (nel 1975) e Flam Music Ltd. (nel 1975)
Bee Gees44:36
2Jealous Guy
produttore:
Rhett Davies e Bryan Ferry
tecnico di missaggio:
Bob Clearmountain
chitarra elettrica :
Phil Manzanera
tastiera :
David Skinner (Twice As Much)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1981) e Northern Songs Ltd. (nel 1981)
registrazione cover di:
Jealous Guy
paroliere e compositore:
John Lennon (The Beatles)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
Fujipacific Music, Inc. Division 2
revisione di:
Child of Nature
Roxy Music46:12
3Time of the Season
registrazione di:
Time of the Season
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies3:32
4The Wind of Change
tecnico:
Pieter Boer (engineer)
produttore:
Mike Batt
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980)
registrata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1980)
registrazione di:
The Winds of Change
paroliere e compositore:
Mike Batt
editore:
April Music Ltd. (nel 1980) e Batt Songs Ltd. (publisher related to Mike Batt) (nel 1980)
Mike Batt33:58
5Calling Occupants of Interplanetary Craft
registrazione di:
Calling Occupants of Interplanetary Craft
autore:
Terry Draper e John Woloschuk
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Magentalane Music Ltd.
Klaatu7:13
6Aqualung
registrazione di:
Aqualung (Jethro Tull)
paroliere:
Ian Anderson (of Jethro Tull) e Jennie Franks
compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull6:37
7The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.254:30
8Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:58
9Night Owls
registrazione di:
The Night Owls
paroliere e compositore:
Graeham Goble
editore:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) e Universal/MCA Music Publishing Pty Ltd
Little River Band5:15
10I’ve Been Drinking
esecutore ospite:
Rod Stewart
registrazione di:
I’ve Been Drinking
autore:
Johnny Mercer e Doris Tauber
arrangiatore:
Jeff Beck (English rock guitarist) e Rod Stewart
arrangiamento di:
Drinking Again
Jeff Beck feat. Rod Stewart3:19
11White Room
tecnico di registrazione:
Adrian Barber (producer/engineer) (dal 1967-07 al 1968-06) e Tom Dowd (dal 1967-07 al 1968-06)
tecnico:
Adrian Barber (producer/engineer) e Tom Dowd
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-07 al 1968-06)
batteria e percussione e timpani :
Ginger Baker (dal 1967-07 al 1968-06)
chitarra :
Eric Clapton (dal 1967-07 al 1968-06)
viola :
Felix Pappalardi (dal 1967-07 al 1968-06)
voce:
Jack Bruce (dal 1967-07 al 1968-06)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (dal 1967-07 al 1967-08) e Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-09 al 1967-10, dal 1968-02 al 1968-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 368)
registrazione di:
White Room (dal 1967-07 al 1968-06)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) e Jack Bruce
editore:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music, Inc.
sub-editore:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Cream4.554:59
12Brandenburger
registrazione di:
Brandenburger
autore:
Brian Davison, Keith Emerson e Lee Jackson (bass The Nice/Jackson Heights/Refugee)
The Nice4:44
13Die Roboter
registrazione di:
Die Roboter
paroliere:
Ralf Hütter
compositore:
Karl Bartos, Ralf Hütter e Florian Schneider (founding member of Kraftwerk)
Kraftwerk4:24
2▼CD
#TitoloArtistaValutazioneDurata
1The Joker
produttore:
Steve Miller (leader of Steve Miller Band)
basso :
Gerald Johnson
batteria :
John King (drums)
chitarra acustica , chitarra slide e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2003)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:27
2Spinning Wheel
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
batteria e percussione :
Bobby Colomby (dal 1968-10-07 al 1968-10-22)
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
flauto dolce e trombone :
Jerry Hyman (trombone player) (dal 1968-10-07 al 1968-10-22)
flauto, organo, pianoforte e trombone :
Dick Halligan (dal 1968-10-07 al 1968-10-22)
flicorno soprano e tromba :
Al Rubin (dal 1968-10-07 al 1968-10-22) e Lew Soloff (dal 1968-10-07 al 1968-10-22)
sassofono contralto e pianoforte :
Fred Lipsius (dal 1968-10-07 al 1968-10-22)
voce:
Bobby Colomby (dal 1968-10-07 al 1968-10-22), Dick Halligan (dal 1968-10-07 al 1968-10-22) e Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
voce principale:
David Clayton‐Thomas (dal 1968-10-07 al 1968-10-22)
arrangiatore:
Blood, Sweat & Tears e Fred Lipsius
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (dal 1968-10-07 al 1968-10-22)
registrazione di:
Spinning Wheel (dal 1968-10-07 al 1968-10-22)
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears44:06
3Samba pa ti
tecnico:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) e Carlos Santana
batteria :
Michael Shrieve (il 1970-07-19)
chitarra :
Carlos Santana (il 1970-07-19)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-19)
congas e percussione :
Michael Carabello (il 1970-07-19)
congas, percussione e timbales :
José “Chepito” Áreas (il 1970-07-19)
percussione :
Rico Reyes (il 1970-07-19)
tabla :
Steven Saphore (il 1970-07-19)
tastiera :
Gregg Rolie (il 1970-07-19)
arrangiatore:
Gregg Rolie e Carlos Santana
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-19)
registrazione di:
Samba pa ti (il 1970-07-19)
compositore:
Carlos Santana
editore:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) e Universal Music Careers
Santana3.94:35
4Hold Your Head Up
produttore:
Rod Argent e Chris White (UK bassist for The Zombies)
basso :
Jim Rodford
batteria :
Robert Henrit
chitarra :
Russ Ballard
tastiera :
Rod Argent
voce:
Rod Argent e Russ Ballard
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Hold Your Head Up
autore:
Rod Argent e Chris White (UK bassist for The Zombies)
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA e Verulum Music Co Ltd
sub-editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent4.356:15
5I’d Rather Go Blind
registrazione di:
I’d Rather Go Blind
paroliere:
Billy Foster (American singer, member of The Medallions and songwriter)
compositore:
Ellington Jordan
editore:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Chicken Shack3:14
6I Shall Be Released
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
basso :
Rick Danko (nel 1968-02)
batteria :
Levon Helm (nel 1968-02)
chitarra :
Robbie Robertson (nel 1968-02)
organo :
Garth Hudson (nel 1968-02)
pianoforte :
Richard Manuel (nel 1968-02)
voce:
Rick Danko (nel 1968-02), Levon Helm (nel 1968-02) e Richard Manuel (nel 1968-02)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1968-02)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 67)
registrazione di:
I Shall Be Released (original lyrics) (nel 1968-02)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Dwarf Music (dal 1967 a oggi)
The Band3.23:13
7All the Young Dudes
produttore:
David Bowie (English singer‐songwriter)
voce principale:
Ian Hunter (Mott the Hoople)
arrangiatore:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1976)
parte di:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 166) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 253)
registrazione di:
All the Young Dudes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Mott the Hoople4.23:30
8Jessica
registrazione di:
Jessica
compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
The Allman Brothers Band7:07
9Slabo Day
produttore:
Peter Vernon-Kell (producer)
registrazione di:
Slabo Day
compositore:
Peter Bardens (founding member of the British progressive rock group Camel), Peter Green (former member of Fleetwood Mac), Kuma Harada, Reg Isidore, Lennox Langton e Snowy White (guitarist)
Peter Green55:06
1010538 Overture
tecnico:
Peter Olliff e Roger Wake (engineer)
produttore:
Bob Irwin, Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Rick Price (the Move and Electric Light Orchestra bassist) (dal 1970-07-12 al 1971-06)
batteria :
Bev Bevan (English rock drummer) (dal 1970-07-12 al 1971-06)
chitarra :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
corno francese :
Bill Hunt (UK keyboards, horn player) (dal 1970-07-12 al 1971-06)
violino :
Steve Woolam (dal 1970-07-12 al 1971-06)
violoncello :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce principale:
Jeff Lynne (dal 1970-07-12 al 1971-06)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971, nel 2001) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (dal 1971 al 1972)
registrata presso:
Philips Studios in London (Greater London), England, Regno Unito (dal 1970-07-12 al 1971-06)
registrazione di:
10538 Overture (dal 1970-07-12 al 1971-06)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra55:31
11April
tecnico:
Barry Ainsworth (engineer)
produttore e tecnico di missaggio:
Derek Lawrence (British producer)
basso elettrico :
Nick Simper (dal 1969-02-28 al 1969-03)
batteria :
Ian Paice (dal 1969-02-28 al 1969-03)
chitarra elettrica :
Ritchie Blackmore (dal 1969-02-28 al 1969-03)
organo Hammond :
Jon Lord (dal 1969-02-28 al 1969-03)
voce principale:
Rod Evans (dal 1969-02-28 al 1969-03)
arrangiatore archi :
Jon Lord
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd.
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1969-02-28 al 1969-03)
registrazione di:
April (dal 1969-02-28 al 1969-03)
autore:
Ritchie Blackmore e Jon Lord
editore:
HEC Music
Deep Purple3.512:04
3▼CD
#TitoloArtistaValutazioneDurata
1Time Passages
produttore:
Alan Parsons (of The Alan Parsons Project)
chitarra [lead] solista :
Peter White (smooth jazz/jazz fusion guitarist)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978)
registrata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Time Passages
autore:
Al Stewart (UK folk singer/songwriter) e Peter White (smooth jazz/jazz fusion guitarist)
editore:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (nel 1978) e Frabjous Music (nel 1978)
Al Stewart6:38
2Night Owl
registrazione di:
Night Owl
paroliere e compositore:
Gerry Rafferty
Gerry Rafferty6:11
3Catch the Wind
registrazione di:
Catch the Wind
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music, Peer Music UK Ltd e Southern Music (publisher)
Donovan5:03
4Lovin’ You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
5Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer) (nel 1972)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:45
6Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:19
7Private Dancer
produttore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer)
basso :
John Illsley
batteria :
Terry Williams (drummer)
chitarra :
Hal Lindes
chitarra solista :
Jeff Beck (English rock guitarist)
percussione :
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Julian Diggle
sassofono :
Mel Collins
tastiera :
Alan Clark (keyboardist)
voce principale:
Tina Turner
remixer:
Humberto Gatica
registrata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito e Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
registrazione di:
Private Dancer
paroliere e compositore:
Mark Knopfler
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) e Universal Music Publishing, Synch Division
Tina Turner4.57:11
8Don’t You Write Her Off
registrazione di:
Don’t You Write Her Off
autore:
Robert J. Hippard e Roger McGuinn
editore:
McGuinn Music e Red Shift Music
McGuinn, Clark & Hillman3:19
9Albatross
produttore:
Mike Vernon
basso elettrico :
John McVie (il 1968-10-06)
batteria :
Mick Fleetwood (il 1968-10-06)
chitarra :
Peter Green (former member of Fleetwood Mac) (il 1968-10-06) e Danny Kirwan (Fleetwood Mac) (il 1968-10-06)
diritti fonografici (℗) detenuti da:
Blue Horizon Records (nel 1968) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
registrazione di:
Albatross (il 1968-10-06)
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Fleetwood Mac4.23:07
10Sentimental Lady
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977, nel 1989) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 23)
registrazione di:
Sentimental Lady
paroliere, autore e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
CMI America, Crosstown UK (Palan), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e Kingstreet Media Publishing Limited (nel 1972)
Bob Welch52:59
11I Got a Name
basso :
Joe Macho
batteria :
Rick Marotta (US drummer/percussionist)
chitarra [rhythm guitar] e pianoforte :
Tommy West
chitarra acustica [lead acoustic guitar] :
Maury Muehleisen
percussione :
George Devens
voce:
Jim Croce (il 1973-06-06)
voce di accompagnamento:
Jim Croce, Maury Muehleisen e Tommy West
direttore d'orchestra:
Terence Minogue
arrangiatore:
Terence Minogue
diritti fonografici (℗) detenuti da:
Saja Music Co. (publisher) (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1973-06-06)
registrazione di:
I Got a Name (il 1973-06-06)
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:12
12I Don’t Believe in Miracles
registrazione di:
I Don’t Believe in Miracles
autore:
Russ Ballard
Colin Blunstone2:58
13Come Back and Stay
produttore:
Laurie Latham
chitarra :
Paul Young (English pop singer and musician)
chitarra basso :
Pino Palladino
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Come Back and Stay
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Chrysalis Songs
Paul Young4.54:16

Accreditamenti

Pubblicazione

fabbricata a:Germania
diritti fonografici (℗) detenuti da:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (nel 1991)
Discogs:https://www.discogs.com/release/6867510 [info]
ASIN:DE: B000025X1D [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/834007 [info]