Herzschmerz: The Real Sad Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1If You Don’t Know Me by Now
assistente tecnico:
Clark Germain e Karl Lever
tecnico e tecnico di missaggio:
Daren Klein
produttore:
Stewart Levine (record producer and saxophonist)
produttore aggiunto:
Mick Hucknall (lead singer of Simply Red)
basso :
Tony Bowers
batteria :
Chris Joyce
chitarra :
Heitor T. P.
percussione :
Lennie Castro
sassofono :
Ian Kirkham
tastiera :
Tim Kellett e Fritz McIntyre
tromba :
Tim Kellett
voce di accompagnamento:
Fritz McIntyre e Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
voce principale:
Mick Hucknall (lead singer of Simply Red)
esecutore:
Simply Red (English soul and pop band)
diritti fonografici (℗) detenuti da:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (nel 1989), Warner Music UK Ltd. (not for release label use!) (nel 1989) e WEA Records Ltd. (holding company based in the UK) (nel 1989)
è stato produttore per:
Oliverea Productions Ltd
registrazione cover di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:25
2Everybody Hurts
tecnico:
Clif Norrell
tecnico aggiunto:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia e Andrew Roshberg
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
assistente tecnico di missaggio:
Tod Lemkuhl
tecnico di missaggio:
Scott Litt (producer and engineer) e Clif Norrell
tecnico di missaggio aggiunto:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
oboe ospite :
Deborah Workman (oboist)
viola ospite :
Reid Harris, Paul Murphy (viola) e Heidi Nitchie (violist)
violino ospite :
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) e Jody Taylor (violin)
violoncello ospite :
Kathleen Kee, Daniel Laufer (cellist) e Elizabeth Proctor Murphy
voce:
Michael Stipe
direttore d'orchestra:
George Hanson
orchestratore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
R.E.M./Athens, Ltd. (nel 1992) e R.E.M./Athens L.L.C. (nel 2017)
registrata in aggiunta presso:
Bosstown Recording Studios in Atlanta, Georgia, Stati Uniti, John Keane Studios in Athens, Georgia, Stati Uniti e Kingsway Studios (New Orleans) in New Orleans, Louisiana, Stati Uniti
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti e Criteria Studios in Miami, Florida, Stati Uniti
mixata presso:
Bad Animals Studio in Seattle, Washington, Stati Uniti
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 203)
registrazione di:
Everybody Hurts
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
R.E.M.4.65:15
3The Power of Love
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
arrangiatore archi e arrangiatore aggiunto:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:28
4Right Here Waiting for You
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
produttore:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) e Richard Marx
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
tastiera :
Jeffery (C. J.) Vanston
voce principale:
Richard Marx
arrangiatore:
Jeffery CJ Vanston e Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1989)
video musicali:
Right Here Waiting di Richard Marx
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.754:23
5Du fehlst mir (Wintersonate)
Cappuccino3:52
6Lonely
registrazione di:
Lonely
autore:
Nana Kwame Abrokwa, Bülent Aris e Toni Cottura
editore:
Booya Music, Hanseatic (publisher) e Warner Chappell (Warner/Chappell Music, Inc.)
Nana3:51
7It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:16
8Broken Wings
tecnico:
Paul DeVilliers
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4.24:36
9I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott "Abada" Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner44:57
10Don’t Dream It’s Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.93:53
11True Colors
tecnico e tecnico di missaggio:
Bryan McGee (sound engineer)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrazione di:
True Colors
autore:
Billy Steinberg e Tom Kelly (songwriter)
editore:
Sony Tunes, Inc. (conclusa), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Tennman Tunes
Cyndi Lauper4.653:48
12Stille Wasser
registrazione di:
Stille Wasser (dal 1985-07 al 1985-09-02)
paroliere:
N. Heirell e Klaus Lage
compositore:
Göran Walger
Klaus Lage4:44
13Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek (nel 1983)
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:56
14Ohne dich
registrazione di:
Ohne dich
autore:
Stephan Eggert, Christian Neander, Malte Neumann, Jan Plewka e Lenhardt Schmidthals
Selig5:07
15Out of Love
Toto5:52
16Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:20
17Funny How Love Is
registrazione di:
Funny How Love Is
autore:
Andy Cox (of The Beat), Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Fine Young Cannibals3.653:28
18Kayleigh
tecnico di registrazione:
Thomas Stiehler (dal 1985-03 al 1985-05)
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1985)
remix di:
Kayleigh (alternative mix) di Marillion (British progressive rock band)
edit di:
Kayleigh di Marillion (British progressive rock band)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion4.353:32
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