Songs for You

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Love Me Like You Do
registrazione di:
Love Me Like You Do
autore:
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami e Tove Lo
editore:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB e Wolf Cousins
Ellie Goulding43:59
2Domino
diritti fonografici (℗) detenuti da:
Universal Republic Records (2006–2012) (nel 2012)
edit di:
Domino di Jessie J (English singer-songwriter)
registrazione di:
Domino
autore:
Łukasz Gottwald, Henry Walter, Jessica Cornish (English singer-songwriter), Claude Kelly e Max Martin (Swedish record producer)
editore:
Kasz Money Publishing (ASCAP affiliated), KMR Music Royalties II SCSp, MXM Music AB, Oneirology Publishing, Prescription Songs, Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present) e Sony Music Publishing (Germany) GmbH
Jessie J33:20
3Girls
produttore:
Si Hulbert e Melvin Kuiters
registrazione di:
Girls
autore:
Keisha Buchanan, Nicole Jenkinson, Anna McDonald (Singer/Songwriter) e Allen Toussaint
editore:
Reverb America Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
si basa su:
Here Come the Girls
Sugababes2.53:12
4Moves Like Jagger
basso :
Mickey Madden
batteria e percussione :
Matt Flynn (Maroon 5 drummer)
chitarra :
James Valentine (Maroon 5)
tastiera :
PJ Morton
voce di accompagnamento e voce principale:
Adam Levine (Maroon 5’s lead vocalist)
remix di:
Moves Like Jagger di Maroon 5 (American band) feat. Christina Aguilera
parte di:
Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2012), Billboard Year-End Hot 100 singles of 2011 (numero: 9) e Billboard Year-End Hot 100 singles of 2012 (numero: 36)
registrazione di:
Moves like Jagger
autore:
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik e Shellback
Maroon 53.753:22
5I Gotta Feeling
registrazione di:
I Gotta Feeling
paroliere:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) e William Adams (American rapper and producer)
compositore:
David Guetta e Frédéric Riesterer
The Black Eyed Peas3.14:06
6Born This Way
tecnico di registrazione e tecnico di missaggio:
Dave Russell (British engineer, producer)
programmazione:
Garibay (US producer, songwriter and DJ) e DJ White Shadow
produttore:
Garibay (US producer, songwriter and DJ), Lady Gaga, Jeppe Laursen e DJ White Shadow
tastiera :
Garibay (US producer, songwriter and DJ) e Lady Gaga
voce di accompagnamento:
Tamar Braxton e Lady Gaga
voce principale:
Lady Gaga
arrangiatore strumenti e arrangiatore:
Garibay (US producer, songwriter and DJ) e Lady Gaga
edit di:
Born This Way di Lady Gaga
registrazione di:
Born This Way
paroliere e compositore:
Lady Gaga e Jeppe Laursen
editore:
Garibay Music Publishing, GloJoe Music Inc., House of Gaga Publishing Inc., Korsbaek Publishing, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lady Gaga4.353:40
7Love Revolution
produttore:
Jim Eliot (UK singer-songwriter, composer, record producer) (nel 2015)
tecnico di missaggio:
Mark “Top” Rankin (engineer) (nel 2015)
chitarra , membranofono e tastiera :
Jim Eliot (UK singer-songwriter, composer, record producer) (nel 2015)
voce:
Will Young (British singer-songwriter and actor) (nel 2015)
registrata presso:
The Bridge in London (Greater London), England, Regno Unito (nel 2015)
campionamenti:
Loneliness di Tomcraft (nel 2015)
registrazione di:
Love Revolution (nel 2015)
autore:
Jim Eliot (UK singer-songwriter, composer, record producer), Mima Stilwell e Will Young (British singer-songwriter and actor)
si basa su:
Share the Love
registrazione dal vivo di:
Love Revolution
autore:
Jim Eliot (UK singer-songwriter, composer, record producer), Mima Stilwell e Will Young (British singer-songwriter and actor)
si basa su:
Share the Love
Will Young2:59
8Patience
assistente tecnico di registrazione:
Robin Baynton (archi), Andrew Dudman (UK recording engineer and mixer, early 21c) (archi), Mike Horner e Lewis Jones (engineer) (archi)
tecnico di registrazione e tecnico di missaggio:
Jeff Rothschild
supporto a vario titolo:
Shari Sutcliffe (incarico: production coordinator)
produttore:
John Shanks
basso , chitarra [guitars] e tastiera [keyboards] :
John Shanks
batteria [drums] :
Jeff Rothschild
pianoforte e voce principale:
Gary Barlow
voce:
Howard Donald, Jason Orange e Mark Owen (singer–songwriter)
orchestra:
London Session Orchestra
arrangiatore archi :
Wil Malone
primo violino:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2006)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (archi), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti e RAK Recording Studios in London (Greater London), England, Regno Unito
mixata presso:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Patience (music video) di Take That
registrazione di:
Patience
autore:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e John Shanks
editore:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. e WB Music Corp. (1929–2019)
registrazione dal vivo di:
Patience
autore:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e John Shanks
editore:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. e WB Music Corp. (1929–2019)
Take That43:22
9Another Love Song
produttore:
Toby Gad (German songwriter, producer, pianist) e TMS (UK songwriting/production team)
produttore aggiunto:
Jaded (London based remix/production trio)
tecnico di missaggio:
Wez Clarke
voce:
Leona Lewis
registrazione di:
Another Love Song
autore:
Tom Barnes (recording, mixing engineer), Toby Gad (German songwriter, producer, pianist), Ben Kohn (songwriter and producer), Leona Lewis e Pete Kelleher (multi-instrumentalist)
editore:
Atlas Music Publishing, Gadfly Songs e Universal Music Publishing (use ONLY if no country‐specific information is available)
Leona Lewis3:25
10Heaven
video musicali:
Heaven di Emeli Sandé
registrazione di:
Heaven
autore:
Shahid Khan, Mike Spencer (UK producer) e Emeli Sandé
editore:
Stellar Songs Limited (BMI-affiliated)
Emeli Sandé44:11
11Morning Sun
tecnico:
Tim Weidner (engineer)
tecnico aggiunto:
Graham Archer (engineer)
produttore:
Trevor Horn
Robbie Williams44:07
12Rise
campionamenti:
Knockin’ on Heaven’s Door di Bob Dylan
registrazione di:
Rise (nel 1999)
autore:
Ollie Dagois (UK producer/songwriter), Bob Dylan, Louise Gabrielle Bobb (British singer-songwriter) e Ferdy Unger-Hamilton
editore:
Ram’s Horn Music
Gabrielle3.753:39
13Lovin’ Each Day
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2001)
video musicale per:
Lovin Each Day di Ronan Keating
registrazione di:
Lovin’ Each Day
autore:
Gregg Alexander e Rick Nowels
editore:
Keepin’ It Real, How ’Bout You? e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ronan Keating2.653:32
14Biology
programmazione:
Brian Higgins (British producer and song writer) e Tim Powell (Songwriter and producer, ex-Xenomania)
tecnico:
Tim Powell (Songwriter and producer, ex-Xenomania) (incarico: mixing)
produttore:
Brian Higgins (British producer and song writer) e Xenomania
chitarra :
Nick Coler e Shawn Lee (American musician, producer, video game composer)
tastiera :
Brian Higgins (British producer and song writer) e Tim Powell (Songwriter and producer, ex-Xenomania)
voce:
Sarah Harding, Nicola Roberts e Kimberley Walsh
voce principale:
Cheryl Cole (formerly Cheryl Cole) e Nadine Coyle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2005)
campionamenti:
Club‐A‐Gogo di The Animals (’60s “British invasion” group)
video musicali:
Biology di Girls Aloud
registrazione di:
Biology
autore:
Eric Burdon, Miranda Cooper, Lisa Cowling, Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania), Alan Price e Giselle Sommerville
Girls Aloud33:34
15Everything to Me
registrazione di:
Everything to Me
autore:
Nick Atkinson (member of Rooster), Shane Filan e Tom Wilding (UK multi-instrumentalist, songwriter, producer & engineer)
Shane Filan3:23
16You Give Me Something
produttore:
Eg White
tecnico di missaggio:
Michael H. Brauer (engineer)
chitarra acustica :
James Morrison (UK singer)
sassofono :
Phil Todd (UK flautist/saxophonist)
strumenti:
Eg White
tromba :
Guy Barker
viola :
Kristin Wilkinson (Nashville songwriter and viola player)
violino :
David Angell (American violinist) e David Davidson (violinist)
violoncello :
Paul Brantley
voce:
James Morrison (UK singer)
arrangiatore archi :
David Davidson (violinist) e Martin Terefe
mixata presso:
Quad Studio NYC in New York, New York, Stati Uniti
registrazione di:
You Give Me Something
autore:
James Morrison (UK singer) e Eg White
editore:
Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing (UK) Ltd., ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
James Morrison3.53:32
17I’m Coming Out
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1980)
registrazione di:
I’m Coming Out
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Diana Ross43:56
18Let Me Blow Ya Mind
assistente tecnico di registrazione:
John Tyree (engineer)
tecnico di registrazione:
Mauricio “Veto” Iragorri
supporto a vario titolo:
Larry Chatman
produttore:
Dr. Dre (Andre Young, rap producer) e Scott Storch (producer)
tecnico di missaggio:
Dr. Dre (Andre Young, rap producer)
chitarra :
Mike Elizondo
tastiera [keyboards] :
Scott Storch (producer)
voce di accompagnamento:
Eve (US rapper/singer) e Stevie J. (US hip-hop producer/songwriter Steven Jordan)
voce principale:
Gwen Stefani
esecutore:
Gwen Stefani
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2001) e Ruff Ryders (nel 2001)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti
parte di:
My VH1 Music Awards – There’s No “I” in Team (Best Collaboration) Nominees (2001) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 322)
registrazione di:
Let Me Blow Ya Mind
autore:
A. Young (Andre Young, rap producer), E. Jeffers (US rapper/singer), M. Elizondo, S. Jordan (US hip-hop producer/songwriter Steven Jordan) e S. Storch (producer)
editore:
Aint Nuthin’ Goin’On But F****’ Music, Blackjack Entertainment, Blondie Rockwell Publishing, Dead Game Publishing, Elvismambo Music, Fivecard, Music of Windswept, Scott Storch Music, TVT (copyright holder, no releases here please) e WB Music Corp. (1929–2019)
Eve feat. Gwen Stefani4.33:50
19Push It
produttore:
Hurby Azor
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1986)
registrazione di:
Push It
autore:
Hurby Azor e Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Next Plateau Music Inc. e Turn Out Brothers Publishing
Salt‐n‐Pepa44:28
20Ladies Night
registrazione di:
Ladies’ Night
autore:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens e Claydes Smith
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang3:16
2▼CD
#TitoloArtistaValutazioneDurata
1I Don’t Feel Like Dancin’
registrazione di:
I Don't Feel Like Dancin'
autore:
Elton John (English singer, songwriter, pianist, and composer), Scott Hoffman e Jason Sellards
editore:
B2D2 Music, Filthy Gorgeous Music, HST Management Ltd. e Universal–Songs of PolyGram International, Inc.
Scissor Sisters3.84:09
2Back to Life (However Do You Want Me)
produttore:
Nellee Hooper e Jazzie B
voce principale ospite:
Caron Wheeler (English singer, songwriter, and record producer)
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul43:47
3Reach
programmazione aggiuntiva:
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
produttore:
Cathy Dennis e Toddy (UK electronic producer/keyboardist, member of Republica)
produttore aggiunto:
Cathy Dennis, Stephen Lipson, Thomas Russo Jr. e Andy Wright (UK songwriter, producer and Simply Red keyboardist)
tecnico di missaggio:
Heff Moraes
batteria :
Gary O’Toole
batteria aggiunto:
Andy Duncan (UK drummer and producer) e Geoff Holroyde
chitarra :
Gus Isidore e Toddy (UK electronic producer/keyboardist, member of Republica)
organo e pianoforte :
Dave Arch (pianist, conductor, arranger and composer)
ottoni :
The Kick Horns
tastiera :
Dave Arch (pianist, conductor, arranger and composer) e Cathy Dennis
esecutore:
S Club (formerly “S Club 7”)
arrangiatore:
Dave Arch (pianist, conductor, arranger and composer)
diritti fonografici (℗) detenuti da:
S Club Ltd. (nel 2000)
video musicali:
Reach di S Club 7 (formerly “S Club 7”)
registrazione di:
Reach
autore:
Cathy Dennis e Andy Todd (UK electronic producer/keyboardist, member of Republica)
editore:
BMG Music Publishing Ltd., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music–MGB Songs
S Club 73.44:02
4All Rise
produttore:
StarGate (Norwegian production/songwriting team)
registrazione di:
All Rise
autore:
Mikkel Storleer Eriksen, Tor Erik Hermansen, Hallgeir Rustan (norwegian producer), Daniel Stephens (songwriter) e Simon Webbe
Blue33:44
5Flashdance… What a Feeling
diritti fonografici (℗) detenuti da:
Universal Music TV (UK, a division of Universal Music Operations Limited)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3:50
6I Think We’re Alone Now
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:47
7I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.152:59
8Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas3.552:40
9Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.452:34
10Shake Your Groove Thing
diritti fonografici (℗) detenuti da:
PolyGram Records Inc USA (not for release label use! US division of PolyGram) (nel 1978)
registrazione di:
Shake Your Groove Thing
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb4.653:19
11Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:26
12Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce:
Deborah Harry
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 2), Indie 88: Top 500 Indie Rock Songs (numero: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 138) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 255)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.33:54
13The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:30
14Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
15Common People
registrazione di:
Common People
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp2.44:05
16Friday I’m in Love
assistente tecnico:
Chris Bandy
tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Steve Whitfield
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e The Cure
assistente tecnico di missaggio:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple e Mark Warner (UK guitarist for Quantum Jump)
tecnico di missaggio:
Mark Saunders (UK record producer)
batteria e percussione :
Boris Williams
chitarra :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
chitarra basso :
Simon Gallup
chitarra basso [6-string bass] :
Perry Bamonte
tastiera :
Perry Bamonte e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (nel 1992)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
video musicali:
Friday I’m in Love di The Cure
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 73)
registrazione di:
Friday I’m in Love
paroliere:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) e Simon Gallup
editore:
BMG Music Publishing Ltd., BMG Songs, Inc. e Fiction Songs Ltd.
The Cure4.63:34
17If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.753:52
18I Got You Babe
produttore:
Ray “Pablo” Falconer e UB40
voce ospite:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
esecutore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e UB40
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 2000)
prodotta presso:
The Abattoir in Birmingham, West Midlands, England, Regno Unito
registrazione cover di:
I Got You Babe
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.753:10
19Case of the Ex (Whatcha Gonna Do)
edit di:
Case of the Ex (Whatcha Gonna Do) di Mýa (US | R&B)
registrazione di:
Case of the Ex (Watcha Gonna Do)
autore:
Traci Hale (American R&B songwriter), Christopher Stewart (producer, C. “Tricky” Stewart) e Tab
Mýa23:52
20Gypsy Woman (She’s Homeless)
tecnico:
Jay Steinhour
produttore e tecnico di missaggio:
The Basement Boys (house music production team)
produttore esecutivo:
Bruce Carbone
batteria e percussione :
The Basement Boys (house music production team)
organo e tastiera :
Neal Conway
arrangiatore archi :
Neal Conway
arrangiatore:
The Basement Boys (house music production team)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1991)
registrata presso e mixata presso:
The Basement Boys Studio in Baltimore, Maryland, Stati Uniti
registrazione di:
Gypsy Woman (She’s Homeless) (a.k.a. “Gypsy Woman (la da dee la da da)”)
autore:
Neal Conway e Crystal Waters
editore:
Basement Boys Music e BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Crystal Waters3.63:43
3▼CD
#TitoloArtistaValutazioneDurata
1Goodnight Girl
diritti fonografici (℗) detenuti da:
PolyGram e Mercury Records Ltd. (not for release label use!) (nel 1992)
registrazione di:
Goodnight Girl
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
editore:
Chrysalis e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Wet Wet Wet43:41
2Finally Found
programmazione:
Steve Levine (producer) e Darius Žičkus
tecnico:
Barney
produttore:
Steve Levine (producer)
tecnico di missaggio:
Rude Boy (speed garage/techno producer Roland Faber)
basso :
Francis Hilton
chitarra acustica :
Chris Offen
percussione :
Terl Bryant
tastiera aggiunto:
Paul Meehan (Keyboardist/Producer/Remixer)
arrangiatore:
Dean McIntosh
registrazione di:
Finally Found
autore:
Naima Belkhiati, Henry Binns, Célena Cherry, Heavenly Abdi e Yoyo Olugbo
Honeyz44:48
3Woman
Neneh Cherry4:31
4Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:50
5Cry Me Out
registrazione di:
Cry Me Out
autore:
Colin Campsie, Mads Hauge (songwriter and producer), Pixie Lott e Phil Thornalley
Pixie Lott3:43
6Get Here
produttore:
David Bascombe e Roland Orzabal (UK musician, songwriter and producer)
basso :
Pino Palladino
batteria :
John Cushon
percussione :
Luís Jardim
pianoforte e tastiera :
Oleta Adams
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (nel 1990) e Mercury Records Ltd. (London) (for copyrights use only) (nel 1990)
parte di:
The Downloader’s Music Source Book (numero: 191)
registrazione cover di:
Get Here
paroliere e compositore:
Brenda Russell (US singer-songwriter & keyboardist)
editore:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e WB Music Corp. (1929–2019)
Oleta Adams44:35
7Pearl’s a Singer
registrazione cover di:
Pearl’s a Singer
autore:
Ralph Dino, Jerry Leiber, John Sembello e Mike Stoller
editore:
Sony/ATV Songs LLC
Elkie Brooks43:39
8Maggie May
edit di:
Maggie May (without “Henry” prelude) di Rod Stewart
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart33:43
9I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:10
10Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie & Diana Ross3.54:27
11My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
12What a Diff’rence a Day Makes
produttore:
Clyde Otis (American songwriter and record producer)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-02-19)
chitarra :
Kenny Burrell (il 1959-02-19)
contrabbasso :
Milt Hinton (il 1959-02-19)
flauto :
Jerome Richardson (il 1959-02-19)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1959-02-19)
sassofono baritono :
Charles Davis (saxophone player) (il 1959-02-19)
voce:
Dinah Washington (il 1959-02-19)
voce principale:
Dinah Washington (il 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (il 1959-02-19)
direttore d'orchestra:
Belford Hendricks (il 1959-02-19)
arrangiatore:
Belford Hendricks
registrazione cover di:
What a Diff’rence a Day Made (il 1959-02-19)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington3.252:29
13Ev’ry Time We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:35
14Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:53
15I Just Want to Make Love to You
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
registrazione cover di:
I Just Wanna Make Love to You (nel 1960-05)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James33:05
16Ain’t Nothin’ Goin’ On but the Rent
registrazione di:
Ain’t Nothin’ Goin’ On but the Rent
paroliere e compositore:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:27
17Lovefool
tecnico e produttore:
Tore Johansson
batteria e percussione :
Bengt Lagerberg
chitarra :
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
chitarra basso :
Magnus Sveningsson
tastiera :
Lars-Olof Johansson
voce di accompagnamento:
Magnus Sveningsson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
voce principale:
Nina Persson
diritti fonografici (℗) detenuti da:
Stockholm Records e Universal Music AB (Swedish subsidiary of Universal Music Group)
lavorazione tecnica effettuata presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
prodotta presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
video musicali:
Lovefool di The Cardigans (Swedish rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 242)
registrazione di:
Lovefool
paroliere:
Nina Persson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
editore:
Stockholm Songs e Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:15
18I Love Your Smile
produttore:
Narada Michael Walden
arrangiatore:
Narada Michael Walden
è stato produttore per:
Perfection Light Productions
registrazione di:
I Love Your Smile
autore:
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox e Narada Michael Walden
editore:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music e WB Music Corp. (1929–2019)
Shanice44:19
19My One Temptation
registrazione di:
My One Temptation
autore:
Michael Leeson, Peter Vale (writer/arranger) e Miles Waters (songwriter)
editore:
Abacus Publishing e Chappell Music Co. Inc.
Mica Paris4:20
20Les Fleur
4hero3:36