Bill Monroe and Stars of the Bluegrass Hall of Fame

~ Pubblicazione di Bill Monroe (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Vinile 12" (30 cm)
#TitoloValutazioneDurata
A1On My Way Back to the Old Home
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-06-17)
basso :
Clarence "Tater" Tate
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-06-17) e Jim McReynolds (il 1985-06-17)
chitarra acustica :
Wayne Lewis (bluegrass guitarist) e Jim McReynolds
contrabbasso :
Clarence "Tater" Tate (il 1985-06-17)
mandolino :
Jesse McReynolds (il 1985-06-17) e Bill Monroe (“The Father of Bluegrass”) (il 1985-06-17)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-06-17) e Bobby Hicks (American bluegrass fiddler) (il 1985-06-17)
voce di baritono:
Jesse McReynolds (il 1985-06-17)
voce di tenore:
Bill Monroe (“The Father of Bluegrass”) (il 1985-06-17)
voce principale:
Jim McReynolds (il 1985-06-17)
registrata presso:
Sound Emporium Studios in Nashville, Tennessee, Stati Uniti (il 1985-06-17) e Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti (il 1985-06-17)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
I'm on My Way Back to the Old Home (il 1985-06-17)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”)
2:44
A2Can't You Hear Me Callin'
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
banjo e voce principale:
Ralph Stanley (US bluegrass singer and banjo player)
banjo [backup banjo] :
Blake Williams (banjo player)
basso :
Clarence "Tater" Tate
chitarra acustica :
Wayne Lewis (bluegrass guitarist)
mandolino e voce di tenore:
Bill Monroe (“The Father of Bluegrass”)
violino folk :
Glen Duncan (bluegrass multi-instrument musician)
registrata presso e remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
Can't You Hear Me Callin'
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”)
2:55
A3Lord, Protect My Soul
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-05-06)
basso :
Clarence "Tater" Tate
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-05-06) e Charlie Waller (American bluegrass musician) (il 1985-05-06)
chitarra acustica :
Wayne Lewis (bluegrass guitarist) e Charlie Waller (American bluegrass musician)
contrabbasso :
Clarence "Tater" Tate (il 1985-05-06)
mandolino :
Jimmy Gaudreau (il 1985-05-06) e Bill Monroe (“The Father of Bluegrass”) (il 1985-05-06)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-05-06)
voce di baritono:
Jimmy Gaudreau (il 1985-05-06)
voce di basso:
Bill Yates (US bluegrass bassist) (il 1985-05-06)
voce di tenore:
Bill Monroe (“The Father of Bluegrass”) (il 1985-05-06)
voce principale:
Bill Monroe (“The Father of Bluegrass”) (il 1985-05-06) e Charlie Waller (American bluegrass musician) (il 1985-05-06)
registrata presso:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti (il 1985-05-06)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
Lord Protect My Soul (il 1985-05-06)
compositore:
Bill Monroe (“The Father of Bluegrass”)
editore:
Unichappell Music, Inc.
3:04
A4The Golden West
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-06-17)
basso :
Clarence "Tater" Tate
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-06-17)
chitarra acustica :
Wayne Lewis (bluegrass guitarist)
mandolino :
Bill Monroe (“The Father of Bluegrass”) (il 1985-06-17)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-06-17) e Bobby Hicks (American bluegrass fiddler) (il 1985-06-17)
registrata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti e Sound Emporium Studios in Nashville, Tennessee, Stati Uniti (il 1985-06-17)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
The Golden West (il 1985-06-17)
compositore:
Bill Monroe (“The Father of Bluegrass”)
3:13
A5Travelin' This Lonesome Road
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-05-06)
basso :
Clarence "Tater" Tate
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-05-06) e Mac Wiseman (il 1985-05-06)
chitarra acustica :
Wayne Lewis (bluegrass guitarist) e Mac Wiseman
contrabbasso :
Clarence "Tater" Tate (il 1985-05-06)
mandolino e voce di tenore:
Bill Monroe (“The Father of Bluegrass”) (il 1985-05-06)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-05-06)
voce principale:
Mac Wiseman (il 1985-05-06)
registrata presso:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti (il 1985-05-06)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
Travelin' This Lonesome Road (il 1985-05-06)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”)
3:31
B1I'm Going Back to Old Kentucky
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-06-17)
basso :
Clarence "Tater" Tate
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-06-17) e Del McCoury (il 1985-06-17)
chitarra acustica :
Wayne Lewis (bluegrass guitarist) e Del McCoury
mandolino e voce di tenore:
Bill Monroe (“The Father of Bluegrass”) (il 1985-06-17)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-06-17) e Bobby Hicks (American bluegrass fiddler) (il 1985-06-17)
voce principale:
Del McCoury (il 1985-06-17)
registrata presso:
Sound Emporium in Nashville, Tennessee, Stati Uniti (il 1985-06-17)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
I'm Going Back to Old Kentucky (il 1985-06-17)
compositore:
Bill Monroe (“The Father of Bluegrass”)
editore:
Unichappell Music, Inc.
3:10
B2I Hear a Sweet Voice Calling
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Sonny Osborne (il 1985-05-02) e Blake Williams (banjo player) (il 1985-05-02)
basso :
Clarence "Tater" Tate
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-05-02)
chitarra acustica :
Wayne Lewis (bluegrass guitarist)
contrabbasso :
Clarence "Tater" Tate (il 1985-05-02)
mandolino :
Bill Monroe (“The Father of Bluegrass”) (il 1985-05-02) e Bobby Osborne (il 1985-05-02)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-05-02)
voce di baritono:
Sonny Osborne (il 1985-05-02)
voce di tenore:
Bill Monroe (“The Father of Bluegrass”) (il 1985-05-02)
voce principale:
Bobby Osborne (il 1985-05-02)
registrata presso:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti (il 1985-05-02)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
I Hear a Sweet Voice Calling (il 1985-05-02)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”)
4:27
B3Remember the Cross
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-05-07)
basso :
Emory Gordy, Jr.
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-05-07)
chitarra acustica :
Wayne Lewis (bluegrass guitarist)
chitarra resofonica [dobro] e voce di baritono:
Mike Auldridge (il 1985-05-07)
contrabbasso :
Emory Gordy, Jr. (il 1985-05-07)
mandolino , voce di tenore e voce principale:
John Duffey (il 1985-05-07) e Bill Monroe (“The Father of Bluegrass”) (il 1985-05-07)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-05-07)
voce di basso:
Clarence "Tater" Tate (il 1985-05-07)
registrata presso:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti (il 1985-05-07)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
Remember the Cross (il 1985-05-07)
autore:
Bill Monroe (“The Father of Bluegrass”) e Howard Watts (bluegrass bassist, aka Cedric Rainwater)
3:05
B4True Life Blues
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-05-02)
basso :
Clarence "Tater" Tate
chitarra :
Wayne Lewis (bluegrass guitarist) (il 1985-05-02) e Carl Story (Bluegrass artist) (il 1985-05-02)
chitarra acustica :
Wayne Lewis (bluegrass guitarist) e Carl Story (Bluegrass artist)
contrabbasso :
Clarence "Tater" Tate (il 1985-05-02)
mandolino e voce di tenore:
Bill Monroe (“The Father of Bluegrass”) (il 1985-05-02)
violino folk :
Glen Duncan (bluegrass multi-instrument musician) (il 1985-05-02)
voce principale:
Carl Story (Bluegrass artist) (il 1985-05-02)
registrata presso:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti (il 1985-05-02)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
True Life Blues (il 1985-05-02)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”)
2:16
B5Let the Gates Swing Wide
tecnico:
Vic Gabany (recording engineer and producer) (incarico: consulting engineer), Tim Kish (incarico: second engineer), Mark Coddington (incarico: second engineer), Russ Martin (Recording & mixing engineer) (incarico: second engineer) e Steve Tillisch (Sound engineer) (incarico: first engineer)
produttore:
Emory Gordy, Jr.
banjo :
Blake Williams (banjo player) (il 1985-06-10)
basso :
Emory Gordy, Jr.
chitarra e voce principale:
Wayne Lewis (bluegrass guitarist) (il 1985-06-10)
chitarra acustica :
Wayne Lewis (bluegrass guitarist)
contrabbasso :
Emory Gordy, Jr. (il 1985-06-10)
mandolino e voce di tenore:
Bill Monroe (“The Father of Bluegrass”) (il 1985-06-10)
violino folk e voce di baritono:
Glen Duncan (bluegrass multi-instrument musician) (il 1985-06-10)
voce di basso:
Clarence "Tater" Tate (il 1985-06-10)
registrata presso:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti (il 1985-06-10)
remixata presso:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti
registrazione di:
Let the Gates Swing Wide (il 1985-06-10)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”)
2:54

Accreditamenti

Pubblicazione

tecnico di mastering:Glenn Meadows (mastering engineer)
mastering effettuato presso:Masterfonics in Nashville, Tennessee, Stati Uniti
Discogs:https://www.discogs.com/release/3433586 [info]