Songs for You

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Love at First Sight
voce principale:
Michael Bublé (nel 2001)
registrazione di:
Love at First Sight
autore:
Andrew Van Slee
Michael Bublé43:22
2If You Don’t Know Me by Now
assistente tecnico:
Clark Germain e Karl Lever
tecnico e tecnico di missaggio:
Daren Klein
produttore:
Stewart Levine (record producer and saxophonist)
produttore aggiunto:
Mick Hucknall (lead singer of Simply Red)
basso :
Tony Bowers
batteria :
Chris Joyce
chitarra :
Heitor T. P.
percussione :
Lennie Castro
sassofono :
Ian Kirkham
tastiera :
Tim Kellett e Fritz McIntyre
tromba :
Tim Kellett
voce di accompagnamento:
Fritz McIntyre e Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
voce principale:
Mick Hucknall (lead singer of Simply Red)
esecutore:
Simply Red (English soul and pop band)
diritti fonografici (℗) detenuti da:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (nel 1989), Warner Music UK Ltd. (not for release label use!) (nel 1989) e WEA Records Ltd. (holding company based in the UK) (nel 1989)
è stato produttore per:
Oliverea Productions Ltd
registrazione cover di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
3What Can I Do
registrazione di:
What Can I Do
autore:
Andrea Corr, Caroline Corr, Jim Corr e Sharon Corr
editore:
Beacon Communications Music Co. (nel 1997) e Songs of PolyGram International, Inc. (nel 1997)
The Corrs3:59
4High and Dry
registrazione cover di:
High and Dry
autore:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) e Thom Yorke
editore:
Warner Chappell Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
50/50
Jamie Cullum4:55
5It Must Be Love
registrazione cover di:
It Must Be Love
paroliere e compositore:
Labi Siffre
editore:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:20
6The Power of Love
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
arrangiatore archi e arrangiatore aggiunto:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:32
7Hero
produttore:
Chad Kroeger
tecnico di missaggio:
Randy Staub
basso :
Mike Kroeger
batteria :
Matt Cameron (US drummer with Pearl Jam, Soundgarden)
chitarra :
Tyler Connolly
voce:
Chad Kroeger e Josey Scott
esecutore:
Josey Scott
diritti fonografici (℗) detenuti da:
The All Blacks B.V. (company, for copyrights purposes) (nel 2003)
registrazione di:
Hero (Spider-man)
paroliere e compositore:
Chad Kroeger
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chad Kroeger feat. Josey Scott3.853:19
8Reflections of My Life
registrazione di:
Reflections of My Life
autore:
Junior Campbell e Thomas McAleese
Marmalade4:12
9Move Over Darling
registrazione cover di:
Move Over Darling
autore:
Hal Kanner (director), Joe Lubin e Terry Melcher
editore:
Daywin Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Tracey Ullman2:36
10They Don’t Know
produttore:
Liam Sternberg
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1979)
registrazione di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Kirsty MacColl43:05
11Sandy
produttore:
John Farrar
tecnico di missaggio:
David J. Holman
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1978) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
Sandy (Grease, 1978 film)
paroliere:
Scott Simon
compositore:
Louis St. Louis (American songwriter, music arranger and singer)
editore:
Ensign Music Corp. (nel 1978) e Unichappell Music (nel 1978)
parte di:
Grease (1978 film)
John Travolta3.752:33
12Drift Away
Dobie Gray3:52
13Move Closer
registrazione di:
Move Closer
paroliere e compositore:
Phyllis Nelson (American singer)
editore:
IQ Music Ltd.
Phyllis Nelson5:50
14Emotions
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
sintetizzatore [synthesizers] :
James Newton Howard (American score composer)
voce:
Samantha Sang
voce di accompagnamento:
Barry Gibb e Robin Gibb
diritti fonografici (℗) detenuti da:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (nel 1977) e Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1978)
è stato produttore per:
CAM Productions (US)
registrata presso e remixata presso:
Criteria Sound in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 14)
registrazione cover di:
Emotion
autore:
Barry Gibb e Robin Gibb
editore:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia e Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:53
15That’s Amore
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1957)
registrazione di:
That’s Amore
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin1.753:09
16Smoke Gets in Your Eyes
registrata a:
Paris, Île-de-France, Francia (il 1958-09-24)
produttore:
Buck Ram
voce principale:
Tony Williams (lead singer for The Platters)
esecutore:
The Platters
registrazione cover di:
Smoke Gets in Your Eyes (il 1958-09-24)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters3.752:41
17When Will I Be Loved?
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:03
18Young at Heart
registrazione di:
Young at Heart (Bananarama song)
autore:
Sara Dallin, Siobhan Fahey, Robert Hodgens e Keren Woodward
The Bluebells3:25
19Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:04
2▼CD
#TitoloArtistaValutazioneDurata
1That Ole’ Devil Called Love
batteria :
George Wettling (il 1944-11-08)
chitarra :
Carl Kress (il 1944-11-08)
contrabbasso :
Haig Stephens (il 1944-11-08)
pianoforte :
Dave Bowman (jazz pianist) (il 1944-11-08)
sassofono contralto :
Jack Cressey (il 1944-11-08) e Hymie Shertzer (il 1944-11-08)
sassofono tenore :
Larry Binyon (il 1944-11-08) e Dave Harris (tenor saxo) (il 1944-11-08)
tromba :
Russ Case (US trumpeter & bandleader) (il 1944-11-08)
voce:
Billie Holiday (il 1944-11-08)
registrazione di:
That Ole Devil Called Love (il 1944-11-08)
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:55
2Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:49
3Unforgettable
produttore:
Lee Gillette
pianoforte :
Nat King Cole (nel 1961)
voce:
Nat King Cole (nel 1961)
direttore d'orchestra:
Ralph Carmichael (nel 1961)
registrazione di:
Unforgettable (nel 1961)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat King Cole3.853:29
4Sea of Love
Marty Wilde2:26
5My Baby Just Cares for Me
registrazione cover di:
My Baby Just Cares for Me
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3:38
6Smile
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist)
orchestra:
Ralph Burns & His Orchestra
registrazione cover di:
Smile (song version w/ lyrics)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Tony Bennett2:52
7Sometimes When We Touch
diritti fonografici (℗) detenuti da:
GRT of Canada Ltd. (nel 1977), McCauley Music Ltd. (nel 1977) e McCauley Music Masters (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 33)
registrazione di:
Sometimes When We Touch
paroliere:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:09
8Together We Are Beautiful
registrazione cover di:
Together We Are Beautiful (1977 song)
paroliere, autore e compositore:
Ken Leray (songwriter)
editore:
Brampton Music Ltd. (publisher) e Sony/ATV Music Publishing Australia Pty Ltd.
Fern Kinney4:13
9All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:17
10True Love Ways
registrazione di:
True Love Ways
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:50
11Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson2:32
12Answer Me
registrazione cover di:
Answer Me, My Love
paroliere:
Fred Rauch, Carl Sigman e Gerhard Winkler
compositore:
Fred Rauch e Gerhard Winkler
traduttore:
Carl Sigman
editore:
Bourne Co. (not for release label use, this is a music publisher)
versione tradotta di:
Mütterlein
Barbara Dickson3:02
13Silver Lady
diritti fonografici (℗) detenuti da:
David Soul (nel 1977)
registrazione di:
Silver Lady (nel 1977)
autore:
Tony Macaulay e Geoff Stephens
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. e PolyGram Music Publishing
David Soul53:43
14Hey Paula
voce:
Ray Hildebrand e Jill Jackson
registrazione di:
Hey Paula (nel 1962)
paroliere e compositore:
Ray Hildebrand
editore:
Speckle Music
Paul & Paula2:29
15Vincent
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.24:01
16I Don’t Want to Go Out
registrazione di:
I Don't Want to Go Out
autore:
Andy Chatterley e Nerina Pallot
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Nerina Pallot3:27
17As I Love You
registrazione di:
As I Love You (1958 song from the film "The Big Beat")
autore:
Ray Evans (American songwriter) e Jay Livingston
editore:
Larry Shayne Enterprises e Warner Chappell Music, Inc.
Shirley Bassey2:18
18Ev’ry Time We Say Goodbye
John Barrowman4:18
19Welcome to My World
Joe Longthorne2:53