| A Hymn for Aviators | | | | | Canzone | | | |
| Das feurige Männlein | | | | | Canzone | | | |
| Drei Hymnen, op. 14: Nr. 3. Schlagt! Schlagt! Trommeln! | | | | | Canzone | | | |
| Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) | | - Philharmonia Orchestra, Otto Klemperer
- Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev
- Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein
- Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- (mostra altri 71)
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| In Flanders Fields, S. 277 | | | | | Canzone | | | |
| Missa in C, K. 317 “Krönungs-Messe”: II. Gloria | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, László Polgár, Josef Protschka, Joan Rodgers, Concentus Musicus Wien, Nikolaus Harnoncourt
- Patrizia Kwella, Ulla Groenewold, Christoph Prégardien, Franz-Josef Selig, Kölner Kammerchor, Collegium Cartusianum, Peter Neumann
- Kathleen Battle, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- (mostra altri 55)
| | | Messa | | | |
| Missa in C, K. 317 “Krönungs-Messe”: III. Credo | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Solists der Wiener Sängerknaben, Peter Jelosits, Gerhard Eder, Michael G. Gormley, Wiener Sängerknaben, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer
- Wiener Philharmoniker, Herbert von Karajan
- The English Concert, The English Concert Choir, Trevor Pinnock
- (mostra altri 46)
| | | Messa | | | |
| Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus | | - Júlia Hamari, Dietrich Fischer‐Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- The English Concert, The English Concert Choir, Trevor Pinnock
- (mostra altri 47)
| | | Messa | | | |
| Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei | | - Kathleen Battle, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (mostra altri 54)
| | | Messa | | | |
| Requiem, op. 48: I. Introït et Kyrie | | - André Corboz, Maîtrise Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Orchestre Symphonique de Berne, Michel Corboz
- Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (mostra altri 77)
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| Requiem, op. 48: II. Offertoire | | - André Corboz, Philippe Huttenlocher, Maîtrise Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Orchestre symphonique de Berne, Michel Corboz
- Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Nicholas Gedge, Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (mostra altri 75)
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| Requiem, op. 48: III. Sanctus | | - André Corboz, Maîtrise Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Orchestre symphonique de Berne, Michel Corboz
- Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
- (mostra altri 99)
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| Requiem, op. 48: IV. Pie Jesu | | - Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
- Lisa Beckley, Colm Carey, Oxford Camerata, Jeremy Summerly
- Victoria de los Ángeles, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
- Alain Clément, Philippe Corboz, Orchestre symphonique de Berne, Michel Corboz
- (mostra altri 152)
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| Requiem, op. 48: V. Agnus Dei et Lux Aeterna | | - André Corboz, Maîtrise Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Orchestre symphonique de Berne, Michel Corboz
- Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
- Schola Cantorum of Oxford, Colm Carey, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (mostra altri 88)
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| Requiem, op. 48: VI. Libera me | | - André Corboz, Philippe Huttenlocher, Maîtrise Saint-Pierre-aux-Liens de Bulle, Philippe Corboz, Orchestre symphonique de Berne, Michel Corboz
- Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (mostra altri 84)
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| Requiem, op. 48: VII. In Paradisum | | - Choir of King’s College, Cambridge, Peter Barley, José‐Luis García, English Chamber Orchestra, Stephen Cleobury
- Sydney Philharmonia Symphonic Choir, Sydney Philharmonia, Antony Walker
- Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
- John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
- (mostra altri 124)
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| Undine: Akt I. Nr. 2 Quintett „Ach, welche Freude, welche Wonne“ (Undine, Tobias, Pater Heilmann, Marthe, Hugo) | | - Trude Eipperle, Karl Friedrich, Aage Poulsen, Frithjof Sentpaul, Else Tegetthoff, Sinfonieorchester des Hessischen Rundfunks Frankfurt, Carl‐Alexander Häfner
- Klaus Häger, Monika Krause, Ingeborg Most, Josef Protschka, Günter Wewel, Kölner Rundfunkorchester, Kurt Eichhorn
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| Vesperae solennes de confessore, K. 339: I. Dixit dominus | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Ursula Buckel, Helen McKinnon, Figuralchor Stutgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling
- (mostra altri 26)
| | | Messa | | | |
| Vesperae solennes de confessore, K. 339: II. Confitebor | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Ursula Buckel, Helen McKinnon, Figuralchor Stutgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling
- (mostra altri 26)
| | | Messa | | - mi bemolle maggiore (Tonalità)
| |
| Vesperae solennes de confessore, K. 339: III. Beatus vir | | - Priti Coles, Košice Teachers’ Choir, Camerata Cassovia, Johannes Wildner
- Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- (mostra altri 28)
| | | Messa | | | |
| Vesperae solennes de confessore, K. 339: VI. Magnificat | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Ursula Buckel, Helen McKinnon, Figuralchor Stutgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling
- (mostra altri 27)
| | | Messa | | | |
| Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ | | | | | Aria | | | |
| Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ | | | | | Aria | | | |
| Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ | | | | | | | | |
| Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ | | | | | Aria | | | |
| Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ | | - Concentus Musicus Wien, Nikolaus Harnoncourt
- Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
- English Baroque Soloists, John Eliot Gardiner
- Werner Güra, Klaus Häger, RIAS Kammerchor, Dorothea Röschmann, Andreas Scholl, Akademie für Alte Musik Berlin, René Jacobs
- (mostra altri 49)
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