Meisterwerke

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Annotation

Packaging: A cardboard box containing the 5 CDs in jewel cases.

Individual barcodes and catalog numbers:
CD 1: 4006408239017 / 23 901
CD 2: 4006408239024 / 23 902
CD 3: 4006408239031 / 23 903
CD 4: 4006408239048 / 23 904
CD 5: 4006408239055 / 23 905

Annotation last modified on 2016-05-17 17:22 UTC.

Tracklist

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1▼CD: Symphonien
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1Symphonie Nr. 40 g-Moll, KV 550: I. Molto allegro
orchestra:
Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
revised by:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 550), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 550) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 550)
revision of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great” (first version)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
47:38
2Symphonie Nr. 40 g-Moll, KV 550: II. Andante
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
12:12
3Symphonie Nr. 40 g-Moll, KV 550: III. Menuetto. Allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
4:46
4Symphonie Nr. 40 g-Moll, KV 550: IV. Finale. Allegro assai
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
6:32
5Symphonie Nr. 41 C-Dur, KV 551 „Jupiter“: I. Allegro vivace
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Salzburg Mozarteum Orchestra and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Libor Pešek (conductor), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
11:25
6Symphonie Nr. 41 C-Dur, KV 551 „Jupiter“: II. Andante cantabile
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
9:29
7Symphonie Nr. 41 C-Dur, KV 551 „Jupiter“: III. Menuetto. Allegretto
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
5:06
8Symphonie Nr. 41 C-Dur, KV 551 „Jupiter“: IV. Molto allegro
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
8:50
2▼CD: Klavierkonzerte
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1Klavierkonzert Es-Dur, KV 271 „Jeunehomme“: I. Allegro
piano:
Leonard Hokanson (pianist) and Sylvia van der Linden
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Labacensis (Slovenian chamber orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
10:42
2Klavierkonzert Es-Dur, KV 271 „Jeunehomme“: II. Andantino
piano:
Leonard Hokanson (pianist) and Sylvia van der Linden
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Labacensis (Slovenian chamber orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
10:45
3Klavierkonzert Es-Dur, KV 271 „Jeunehomme“: III. Rondeau. Presto
piano:
Leonard Hokanson (pianist)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Labacensis (Slovenian chamber orchestra) and Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
10:08
4Klavierkonzert C-Dur, KV 467: Andante (Thema aus „Elvira Madigan“)
instruments:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
35:40
5Klavierkonzert G-Dur, KV 453: I. Allegro
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Leonard Hokanson (pianist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
11:43
6Klavierkonzert G-Dur, KV 453: II. Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Leonard Hokanson (pianist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
9:20
7Klavierkonzert G-Dur, KV 453: III. Allegretto
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Leonard Hokanson (pianist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
7:46
3▼CD: Konzerte für Violine, Horn, Flöte und Harfe
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1Violinkonzert Nr. 5 A-Dur, KV 219: I. Allegro aperto
violin:
Christian Altenburger (German violinist)
performer:
Deutsche Bachsolisten (German Bach Soloists)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
9:58
2Violinkonzert Nr. 5 A-Dur, KV 219: II. Adagio
violin:
Christian Altenburger (German violinist)
orchestra:
German Bach Soloists
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
310:00
3Violinkonzert Nr. 5 A-Dur, KV 219: III. Rondeau. Tempo di Menuetto
violin:
Christian Altenburger (German violinist)
performer:
Deutsche Bachsolisten (German Bach Soloists)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
9:04
4Hornkonzert Nr. 1 D-Dur, KV 412: I. Allegro
French horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
25:10
5Hornkonzert Nr. 1 D-Dur, KV 412: II. Rondo. Allegro
French horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
revision of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (original version, fragment)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (unknown version)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
revision of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (original version, fragment)
35:27
6Konzert für Flöte, Harfe und Orchester C-Dur, KV 299: I. Allegro
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist) and Peter Jancovic (flautist, an Alfred Scholz pseudonym)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym) and Renata Mordon (harpenist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
310:49
7Konzert für Flöte, Harfe und Orchester C-Dur, KV 299: II. Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
58:36
8Konzert für Flöte, Harfe und Orchester C-Dur, KV 299: III. Rondo. Allegro
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist) and Peter Jancovic (flautist, an Alfred Scholz pseudonym)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym) and Renata Mordon (harpenist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
110:51
4▼CD: Serenaden und Divertimenti
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1Eine kleine Nachtmusik, KV 525: I. Allegro
orchestra:
Salzburg Consort and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
35:42
2Eine kleine Nachtmusik, KV 525: II. Romance. Andante
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:44
3Eine kleine Nachtmusik, KV 525: III. Menuetto. Allegretto
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
2:05
4Eine kleine Nachtmusik, KV 525: IV. Rondo. Allegretto
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
4:01
5Divertimento D-Dur, KV 136: I. Allegro
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
4:05
6Divertimento D-Dur, KV 136: II. Andante
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
3:56
7Divertimento D-Dur, KV 136: III. Presto
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
2:47
8Serenata notturna D-Dur, KV 239: I. Marcia. Maestoso
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: I. Marcia. Maestoso
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
4:29
9Serenata notturna D-Dur, KV 239: II. Menuetto
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: II. Menuetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
3:37
10Serenata notturna D-Dur, KV 239: III. Rondeau. Allegretto
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: III. Rondeau. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
5:09
11Divertimento F-Dur, KV 138: I. Allegro
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
3:46
12Divertimento F-Dur, KV 138: II. Andante
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
4:02
13Divertimento F-Dur, KV 138: III. Presto
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
2:02
5▼CD: Ouvertüren, Chöre, Arien, Lieder
#TitleRatingLength
1Die Zauberflöte, KV 620: Ouvertüre
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:11
2Die Zauberflöte, KV 620: O Isis und Osiris (Chor der Priester)
choir vocals:
Национален филхармоничен хор „Светослав Обретенов“ (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:12
3Die Zauberflöte, KV 620: Der Vogelfänger bin ich ja (Arie des Papageno, 1. Akt)
baritone vocals:
Hermann Prey (baritone)
orchestra:
Bratislava Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Kurt Wöss (conductor)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:59
4Die Zauberflöte, KV 620: Ein Mädchen oder Weibchen (Arie des Papageno)
baritone vocals:
Hermann Prey (baritone) (in 1983-01)
choir vocals:
Chor der Philharmonie Bratislava (Slovak Philharmonic Choir) (in 1983-01)
orchestra:
Orchester der Philharmonie Bratislva (Slovak Philharmonic) (in 1983-01)
conductor:
Kurt Wöss (conductor) (in 1983-01)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:24
5Cosi fan tutte: Ouvertüre
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Così fan tutte: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
4:45
6Cosi fan tutte: Un’aura amorosa (Der Odem der Liebe)
tenor vocals and tenor vocals [Ferrando]:
Josef Protschka (tenor)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
4:50
7Figaros Hochzeit: Ouvertüre
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:15
8Ridente la calma
piano:
Hartmut Höll (pianist)
mezzo-soprano vocals:
Mitsuko Shirai (mezzo-soprano)
recording of:
Ridente la calma, K. 210a/152 (for voice and piano, Mozart)
composer:
Josef Mysliveček (composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 152) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 210a)
is based on:
Armida: "Il caro mio bene"
3:42
9Das Veilchen
piano:
Hartmut Höll (pianist)
mezzo-soprano vocals and soprano vocals:
Mitsuko Shirai (mezzo-soprano)
recording of:
Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand”
lyricist:
Johann Wolfgang von Goethe
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 476) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 476)
is based on:
Das Veilchen
2:38
10Don Giovanni: Ouvertüre
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
6:11
11Don Giovanni: Dalla sua pace (Nur ihrem Frieden) (Arie des Don Ottavio, 1. Akt)
tenor vocals:
Josef Protschka (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:40
12Ave verum, KV 618
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Marcus Creed (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
3:30
13Lucio Silla, KV 135: Ouvertüre
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Lucio Silla, K. 135: Ouverture. Molto allegro. Andante. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135
7:56

Credits

Release

design/illustration:Adam Backhausen (design/illustration)
phonographic copyright (℗) by:Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
ASIN:DE: B01IW98R78 [info]