The Finest Masterpieces in Pop & Rock, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Night on Broadway
Produzent(in):
Arif Mardin
Sologesang:
Barry Gibb (in 1975-01), Maurice Gibb (in 1975-01) und Robin Gibb (in 1975-01)
remixer:
Lew Hahn
Blechblasinstrumente [horns] arranger, Holzblasinstrumente [woodwinds] arranger und Saiteninstrumente arranger:
Arif Mardin
concertmaster:
Gene Orloff
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1975), Maurice Gibb (in 1975) und Robin Gibb (in 1975)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1975), PolyGram International Music B.V. (not for release label use!) (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975), Robert Stigwood Organisation Ltd. (in 1975) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1975)
recording of:
Nights on Broadway (in 1975-01)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc (BMI-affiliated), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Abigail Music Ltd. (publisher) (in 1975) und Flam Music Ltd. (in 1975)
Bee Gees44:36
2Jealous Guy
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
E-Gitarre:
Phil Manzanera
Keyboard:
David Skinner (Twice As Much)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981) und Northern Songs Ltd. (in 1981)
cover recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
Roxy Music46:12
3Time of the Season
recording of:
Time of the Season
Texter und Komponist(in):
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. und Mainstay Music, Inc. (in 1968)
The Zombies3:32
4The Wind of Change
Techniker(in):
Pieter Boer (engineer)
Produzent(in):
Mike Batt
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980)
aufgenommen bei:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1980)
recording of:
The Winds of Change
Texter und Komponist(in):
Mike Batt
publisher:
April Music Ltd. (in 1980) und Batt Songs Ltd. (publisher related to Mike Batt) (in 1980)
Mike Batt33:58
5Calling Occupants of Interplanetary Craft
recording of:
Calling Occupants of Interplanetary Craft
Verfasser(in):
Terry Draper und John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Magentalane Music Ltd.
Klaatu7:13
6Aqualung
recording of:
Aqualung (Jethro Tull)
Texter:
Ian Anderson (of Jethro Tull) und Jennie Franks
Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull6:37
7The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.254:30
8Something in the Air
Produzent(in):
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
Texter und Komponist(in):
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Songs of Windswept Pacific
Thunderclap Newman43:58
9Night Owls
recording of:
The Night Owls
Texter und Komponist(in):
Graeham Goble
publisher:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) und Universal/MCA Music Publishing Pty Ltd
Little River Band5:15
10I’ve Been Drinking
Gast-Interpret(in):
Rod Stewart
recording of:
I’ve Been Drinking
Verfasser(in):
Johnny Mercer und Doris Tauber
arranger:
Jeff Beck (English rock guitarist) und Rod Stewart
Arrangement von:
Drinking Again
Jeff Beck feat. Rod Stewart3:19
11White Room
recording engineer:
Adrian Barber (producer/engineer) (von 1967-07 bis 1968-06) und Tom Dowd (von 1967-07 bis 1968-06)
Techniker(in):
Adrian Barber (producer/engineer) und Tom Dowd
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-07 bis 1968-06)
Bratsche / Viola:
Felix Pappalardi (von 1967-07 bis 1968-06)
Gitarre:
Eric Clapton (von 1967-07 bis 1968-06)
Pauke und Schlagzeug und Perkussion:
Ginger Baker (von 1967-07 bis 1968-06)
vocals:
Jack Bruce (von 1967-07 bis 1968-06)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) und Robert Stigwood Organisation Ltd. (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1967-07 bis 1967-08) und Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-09 bis 1967-10, von 1968-02 bis 1968-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 368)
recording of:
White Room (von 1967-07 bis 1968-06)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce) und Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Cream4.554:59
12Brandenburger
recording of:
Brandenburger
Verfasser(in):
Brian Davison, Keith Emerson und Lee Jackson (bass The Nice/Jackson Heights/Refugee)
The Nice4:44
13Die Roboter
recording of:
Die Roboter
Texter:
Ralf Hütter
Komponist(in):
Karl Bartos, Ralf Hütter und Florian Schneider (founding member of Kraftwerk)
Kraftwerk4:24
2▼CD
Nr.TitelKünstlerBewertungLänge
1The Joker
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Akustikgitarre, Slide-Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Bass:
Gerald Johnson
Schlagzeug:
John King (drums)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:27
2Spinning Wheel
Techniker(in):
Fred Catero und Roy Halee
Produzent(in):
James William Guercio
alto saxophone und Klavier:
Fred Lipsius (von 1968-10-07 bis 1968-10-22)
Bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
Flügelhorn und Trompete:
Al Rubin (von 1968-10-07 bis 1968-10-22) und Lew Soloff (von 1968-10-07 bis 1968-10-22)
flute, Orgel, Klavier und Posaune:
Dick Halligan (von 1968-10-07 bis 1968-10-22)
Gitarre und Mundharmonika:
Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
recorder und Posaune:
Jerry Hyman (trombone player) (von 1968-10-07 bis 1968-10-22)
Schlagzeug und Perkussion:
Bobby Colomby (von 1968-10-07 bis 1968-10-22)
Sologesang:
David Clayton‐Thomas (von 1968-10-07 bis 1968-10-22)
vocals:
Bobby Colomby (von 1968-10-07 bis 1968-10-22), Dick Halligan (von 1968-10-07 bis 1968-10-22) und Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
arranger:
Blood, Sweat & Tears und Fred Lipsius
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1968-10-07 bis 1968-10-22)
recording of:
Spinning Wheel (von 1968-10-07 bis 1968-10-22)
Texter und Komponist(in):
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Blood, Sweat & Tears44:06
3Samba pa ti
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-19)
Conga und Perkussion:
Michael Carabello (am 1970-07-19)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-19)
Gitarre:
Carlos Santana (am 1970-07-19)
Keyboard:
Gregg Rolie (am 1970-07-19)
Perkussion:
Rico Reyes (am 1970-07-19)
Schlagzeug:
Michael Shrieve (am 1970-07-19)
tabla:
Steven Saphore (am 1970-07-19)
arranger:
Gregg Rolie und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-19)
recording of:
Samba pa ti (am 1970-07-19)
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana3.94:35
4Hold Your Head Up
Produzent(in):
Rod Argent und Chris White (UK bassist for The Zombies)
Bass:
Jim Rodford
Gitarre:
Russ Ballard
Keyboard:
Rod Argent
Schlagzeug:
Robert Henrit
vocals:
Rod Argent und Russ Ballard
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Hold Your Head Up
Verfasser(in):
Rod Argent und Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA und Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent4.356:15
5I’d Rather Go Blind
recording of:
I’d Rather Go Blind
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Chicken Shack3:14
6I Shall Be Released
Techniker(in):
Don Hahn (engineer) und Tony May (engineer)
Produzent(in):
The Band (Canadian-American rock band) und John Simon (US producer, arranger, composer, songwriter and musician)
Bass:
Rick Danko (in 1968-02)
Gitarre:
Robbie Robertson (in 1968-02)
Klavier:
Richard Manuel (in 1968-02)
Orgel:
Garth Hudson (in 1968-02)
Schlagzeug:
Levon Helm (in 1968-02)
vocals:
Rick Danko (in 1968-02), Levon Helm (in 1968-02) und Richard Manuel (in 1968-02)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1968-02)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 67)
recording of:
I Shall Be Released (original lyrics) (in 1968-02)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Dwarf Music (vom 1967 bis heute)
The Band3.23:13
7All the Young Dudes
Produzent(in):
David Bowie (English singer‐songwriter)
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
Teil von:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Mott the Hoople4.23:30
8Jessica
recording of:
Jessica
Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
The Allman Brothers Band7:07
9Slabo Day
Produzent(in):
Peter Vernon-Kell (producer)
recording of:
Slabo Day
Komponist(in):
Peter Bardens (founding member of the British progressive rock group Camel), Peter Green (former member of Fleetwood Mac), Kuma Harada, Reg Isidore, Lennox Langton und Snowy White (guitarist)
Peter Green55:06
1010538 Overture
Techniker(in):
Peter Olliff und Roger Wake (engineer)
Produzent(in):
Bob Irwin, Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Rick Price (the Move and Electric Light Orchestra bassist) (von 1970-07-12 bis 1971-06)
Cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Geige / Violine:
Steve Woolam (von 1970-07-12 bis 1971-06)
Gitarre:
Jeff Lynne (von 1970-07-12 bis 1971-06) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
Schlagzeug:
Bev Bevan (English rock drummer) (von 1970-07-12 bis 1971-06)
Waldhorn:
Bill Hunt (UK keyboards, horn player) (von 1970-07-12 bis 1971-06)
Sologesang:
Jeff Lynne (von 1970-07-12 bis 1971-06)
vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (von 1970-07-12 bis 1971-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2001) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (von 1971 bis 1972)
aufgenommen bei:
Philips Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-07-12 bis 1971-06)
recording of:
10538 Overture (von 1970-07-12 bis 1971-06)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra55:31
11April
Techniker(in):
Barry Ainsworth (engineer)
Produzent(in) und Mix:
Derek Lawrence (British producer)
E-Bass:
Nick Simper (von 1969-02-28 bis 1969-03)
E-Gitarre:
Ritchie Blackmore (von 1969-02-28 bis 1969-03)
Hammond-Orgel:
Jon Lord (von 1969-02-28 bis 1969-03)
Schlagzeug:
Ian Paice (von 1969-02-28 bis 1969-03)
Sologesang:
Rod Evans (von 1969-02-28 bis 1969-03)
Saiteninstrumente arranger:
Jon Lord
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd.
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1969-02-28 bis 1969-03)
recording of:
April (von 1969-02-28 bis 1969-03)
Verfasser(in):
Ritchie Blackmore und Jon Lord
publisher:
HEC Music
Deep Purple3.512:04
3▼CD
Nr.TitelKünstlerBewertungLänge
1Time Passages
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Solo-Gitarre [lead]:
Peter White (smooth jazz/jazz fusion guitarist)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Time Passages
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter White (smooth jazz/jazz fusion guitarist)
publisher:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (in 1978) und Frabjous Music (in 1978)
Al Stewart6:38
2Night Owl
recording of:
Night Owl
Texter und Komponist(in):
Gerry Rafferty
Gerry Rafferty6:11
3Catch the Wind
recording of:
Catch the Wind
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd und Southern Music (publisher)
Donovan5:03
4Lovin’ You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
5Me and Mrs. Jones
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:45
6Lean on Me
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
E-Bass:
Melvin Dunlap (in 1972)
E-Gitarre:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
Klavier und Sologesang:
Bill Withers (in 1972)
Perkussion und Schlagzeug:
James Gadson (American drummer) (in 1972)
Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
Saiteninstrumente arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 236)
recording of:
Lean on Me (in 1972)
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:19
7Private Dancer
Produzent(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer)
Bass:
John Illsley
Gitarre:
Hal Lindes
Keyboard:
Alan Clark (keyboardist)
Perkussion:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) und Julian Diggle
Saxophon:
Mel Collins
Schlagzeug:
Terry Williams (drummer)
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
aufgenommen bei:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
Tina Turner4.57:11
8Don’t You Write Her Off
recording of:
Don’t You Write Her Off
Verfasser(in):
Robert J. Hippard und Roger McGuinn
publisher:
McGuinn Music und Red Shift Music
McGuinn, Clark & Hillman3:19
9Albatross
Produzent(in):
Mike Vernon
E-Bass:
John McVie (am 1968-10-06)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1968-10-06) und Danny Kirwan (Fleetwood Mac) (am 1968-10-06)
Schlagzeug:
Mick Fleetwood (am 1968-10-06)
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Albatross (am 1968-10-06)
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Fleetwood Mac4.23:07
10Sentimental Lady
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977, in 1989) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 23)
recording of:
Sentimental Lady
Texter, Verfasser(in) und Komponist(in):
Bob Welch (early member of Fleetwood Mac)
publisher:
CMI America, Crosstown UK (Palan), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und Kingstreet Media Publishing Limited (in 1972)
Bob Welch52:59
11I Got a Name
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar] und Klavier:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Hintergrundgesang:
Jim Croce, Maury Muehleisen und Tommy West
vocals:
Jim Croce (am 1973-06-06)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
Saja Music Co. (publisher) (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-06)
recording of:
I Got a Name (am 1973-06-06)
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:12
12I Don’t Believe in Miracles
recording of:
I Don’t Believe in Miracles
Verfasser(in):
Russ Ballard
Colin Blunstone2:58
13Come Back and Stay
Produzent(in):
Laurie Latham
Bassgitarre:
Pino Palladino
Gitarre:
Paul Young (English pop singer and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Come Back and Stay
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Chrysalis Songs
Paul Young4.54:16

Nennungen

Veröffentlichung

hergestellt in:Deutschland
phonographisches Urheberrecht (℗) von:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1991)
Discogs:https://www.discogs.com/release/6867510 [Info]
ASIN:DE: B000025X1D [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/834007 [Info]