The Complete Great American Songbook Volumes I, II, III, IV & V

~ Veröffentlichung von Rod Stewart (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼Digitales Medium: Volume I: It Had to Be You…
Nr.TitelBewertungLänge
1You Go to My Head
cover recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
4:17
2They Can’t Take That Away From Me
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:25
3The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
3:49
4It Had to Be You
cover recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
3:24
5That Old Feeling
cover recording of:
That Old Feeling
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
2:54
6These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
3:48
7The Very Thought of You
cover recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
3:20
8Moonglow
cover recording of:
Moonglow
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
3:32
9I’ll Be Seeing You
cover recording of:
I’ll Be Seeing You
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
3:51
10Every Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:27
11The Nearness of You
cover recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
3:00
12For All We Know
cover recording of:
For All We Know (1934 song)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
3:24
13We’ll Be Together Again
cover recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:54
14That’s All
cover recording of:
That’s All
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
3:03
2▼Digitales Medium: Volume II: As Time Goes By…
Nr.TitelKünstlerBewertungLänge
1Time After Time
recording engineer:
Joel Moss
Produzent(in):
Phil Ramone
Mix:
Frank Filipetti
Akustikgitarre:
David Spinozza
Bass:
David Finck
Bratsche / Viola:
Adria Benjamin, Monica Gerard, Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes, Rob Mounsey und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Frank Vilardi
Trompete:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey
zusätzlich arranger:
Rob Mathes
cover recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Rod Stewart2:59
2I’m in the Mood for Love
recording engineer:
Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Bobby Ginsburg und Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Saxophon:
Doug Webb
Schlagzeug:
John Ferraro
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Rod Stewart3:06
3Don’t Get Around Much Anymore
recording engineer und Mix:
Frank Filipetti
Produzent(in):
Phil Ramone
Akustikgitarre:
David Spinozza
Bass:
Tom Barney
Bratsche / Viola:
Adria Benjamin, Monica Gerard, Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Gitarre und Keyboard:
Rob Mathes
Keyboard:
Rob Mounsey und Philippe Saisse
Klarinette:
Lawrence Feldman (flutist and saxophonist)
Klavier:
Peter Nero (US pianist & conductor)
Schlagzeug:
Shawn Pelton
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey und Philippe Saisse
zusätzlich arranger:
Rob Mathes
cover recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Rod Stewart2:48
4Bewitched, Bothered & Bewildered
recording engineer:
Bobby Ginsburg und Carter Humphrey
Produzent(in):
Richard Perry (producer)
zusätzliche(r) Produzent(in):
Lauren Wild
Mix:
Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Aaron Kaplan, Larry Koonse und Dean Parks (American session guitarist)
Horn und Saxophon:
Doug Webb
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Joe LaBarbera
conductor:
Alan Broadbent
Interpret(in):
Cher
Saiteninstrumente arranger:
Alan Broadbent
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
zusätzlich arranger:
Arnold Stiefel
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Rod Stewart4:13
5'Till There Was You
recording engineer:
Al Hemberger und Joel Moss
zusätzliche(r) Techniker(in):
Matt Noble
Mix:
Jan Folkson
Bass:
David Finck
Cello:
Jean Le Blanc und Richard Locker (cellist)
Gitarre:
David Spinozza und Carl Sturken
Keyboard und Klavier:
Rob Mathes
Perkussion:
Shawn Pelton
Schlagzeug:
Warren Odze
Vibraphon:
Joe Locke (United States jazz vibraphonist)
Saiteninstrumente arranger:
Rob Mathes
cover recording of:
Till There Was You (The Music Man)
Texter und Komponist(in):
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing und Rinimer Corp.
Teil von:
The Music Man
Rod Stewart feat. Cher2:50
6Until the Real Thing Comes Along
recording engineer und Mix:
Carter Humphrey
Produzent(in):
Richard Perry (producer)
alto saxophone und Klarinette:
Doug Webb
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
John Ferraro
conductor:
Colin Freeman
Klarinette und Horn arranger:
Mike Thompson (recording engineer)
Saiteninstrumente arranger:
Colin Freeman
arranger:
Richard Perry (producer)
cover recording of:
Until the Real Thing Comes Along
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Rod Stewart3:37
7Where or When
recording engineer und Mix:
Al Hemberger
Produzent(in):
Evan Rogers (musician/producer) und Carl Sturken
Bass:
David Finck
Gitarre und Klavier:
Carl Sturken
Schlagzeug:
Warren Odze
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Rod Stewart13:09
8Smile
recording engineer:
Ray Bardani und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
David Finck
Gitarre:
Jimmy Rip und David Spinozza
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Synthesizer:
Philippe Saisse und Mike Thompson (recording engineer)
zusätzlich Gitarre:
Dean Parks (American session guitarist)
zusätzlich arranger:
Rob Mathes, Richard Perry (producer), Mike Thompson (recording engineer) und Lauren Wild
cover recording of:
Smile (song version w/ lyrics)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Rod Stewart3:12
9My Heart Stood Still
recording engineer:
Frank Filipetti und Joel Moss
Produzent(in):
Phil Ramone
Mix:
Frank Filipetti
Akustikgitarre:
David Spinozza
alto saxophone:
Dave Koz
Bass:
David Finck
Bratsche / Viola:
Adria Benjamin, Monica Gerard, Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Frank Vilardi
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Philippe Saisse
zusätzlich arranger:
Rob Mathes
cover recording of:
My Heart Stood Still
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
Rod Stewart3:02
10Someone to Watch Over Me
recording engineer:
J.J. Blair und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Bobby Ginsburg
Bass:
Chris Golden (American bassist)
Gitarre:
Dean Parks (American session guitarist) und Frank Simes
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Jimi Paxson, Jr
conductor:
Mort Lindsey
Saiteninstrumente arranger:
Mort Lindsey
arranger:
Richard Perry (producer), Mike Thompson (recording engineer) und Lauren Wild
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Rod Stewart3:30
11As Time Goes By
recording engineer und Mix:
Carter Humphrey
zusätzlich recording engineer:
Bobby Ginsburg
Produzent(in):
Richard Perry (producer)
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Saxophon und Holzblasinstrumente:
Doug Webb
Schlagzeug:
Kendall Kay
Interpret(in):
Queen Latifah
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Rod Stewart feat. Queen Latifah3:48
12I Only Have Eyes for You
recording engineer und Mix:
Frank Filipetti
Produzent(in):
Phil Ramone
Akustikgitarre:
David Spinozza
Bass:
Tom Barney
Bratsche / Viola:
Adria Benjamin, Monica Gerard, Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes, Rob Mounsey und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Trompete:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey
zusätzlich arranger:
Rob Mathes
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Rod Stewart3:06
13Crazy She Calls Me
recording engineer:
Bobby Ginsburg und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klarinette, Horn und Holzblasinstrumente:
Doug Webb
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Joe LaBarbera
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
Crazy He Calls Me
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Rod Stewart23:27
14Our Love Is Here to Stay
recording engineer:
Ray Bardani und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
David Finck
Gitarre:
Dean Parks (American session guitarist), Jimmy Rip und David Spinozza
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Synthesizer:
Philippe Saisse und Mike Thompson (recording engineer)
conductor:
Mort Lindsey
Saiteninstrumente arranger:
Mort Lindsey
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
zusätzlich arranger:
Rob Mathes
cover recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
Rod Stewart2:57
3▼Digitales Medium: Volume III: Stardust…
Nr.TitelKünstlerBewertungLänge
1Embraceable You
cover recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Rod Stewart3:27
2For Sentimental Reasons
Assistent recording engineer:
Ryan Petrie
recording engineer:
Bobby Ginsburg und Bill Schnee (Saiteninstrumente)
zusätzliche(r) Techniker(in):
Helen Atkinson, Darwin Best, Raj Das, Doug Epstein, Michael Teaney (engineer) und Steve Tyrell (American producer and vocalist)
Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Steve Tyrell (American producer and vocalist)
Mix:
Andy Zulla
Bassgitarre:
Bob Cranshaw
Bratsche / Viola:
Brian Denbow, Janet Lakatos, Jorge Moraga, Dan Neufeld, Simon Oswell (violist), Nancy Roth und David Walther (viola player)
Cello:
David Low, Steve Richards (cellist), Stephen Erdody und Tim Landauer
Geige / Violine:
Barbara Porter (violinist, photographer), Roberto Cani (violinist), Franklyn D’Antonio, Bruce Dukov, Edie Markman, Endre Granat (Hungarian violinist), Julie Ann Gigante, Kenneth Yerke, Ana Landauer, Michael Markman, Robert Peterson (violin), Katia Popov, Gil Romero und Haim Shtrum
Gitarre:
Bob Mann (US session guitarist)
Keyboard und Synthesizer:
Kenny Ascher und Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
Saxophon:
Dave Koz
Schlagzeug:
Allan Schwartzberg
vocals:
Rod Stewart
conductor:
Bob Mann (US session guitarist)
cover recording of:
(I Love You) for Sentimental Reasons
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
Rod Stewart feat. Dave Koz2:59
3Blue Moon
Solo-Gitarre:
Eric Clapton
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Rod Stewart feat. Eric Clapton4:02
4What a Wonderful World
Mundharmonika:
Stevie Wonder
cover recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Rod Stewart fest. Stevie Wonder4:27
5Stardust
cover recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Rod Stewart3:59
6Manhattan
Sologesang:
Bette Midler
cover recording of:
Manhattan
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart feat. Bette Midler2:51
7’s Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Rod Stewart feat. Dave Grusin3:21
8Isn’t It Romantic
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
Rod Stewart3:48
9I Can’t Get Started
cover recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart3:21
10But Not for Me
cover recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Rod Stewart3:20
11A Kiss to Build a Dream On
cover recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
Rod Stewart feat. Arturo Sandoval3:11
12Baby, It’s Cold Outside
Sologesang:
Dolly Parton
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Rod Stewart feat. Dolly Parton3:49
13Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Rod Stewart3:06
14A Nightingale Sang in Berkeley Square
cover recording of:
A Nightingale Sang in Berkeley Square
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Rod Stewart4:02
4▼Digitales Medium: Volume IV: Thanks for the Memory…
Nr.TitelKünstlerBewertungLänge
1I’ve Got a Crush on You
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
Saxophon:
Dave Koz
cover recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
Rod Stewart feat. Diana Ross3:08
2I Wish You Love
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
I Wish You Love
Texter:
Charles Trenet
Verfasser(in) und Übersetzer:
Albert Beach
Komponist(in):
Léo Chauliac und Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. und Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Que reste-t-il de nos amours ?
Rod Stewart feat. Chris Botti3:37
3You Send Me
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
Gast vocals:
Chaka Khan
cover recording of:
You Send Me
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Rod Stewart feat. Chaka Khan3:35
4Long Ago and Far Away
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
Rod Stewart3:11
5Makin’ Whoopee
Bass:
Ed Howard (bass player)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
Makin’ Whoopee!
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
Rod Stewart feat. Elton John3:44
6My One and Only Love
Bass:
Ed Howard (bass player)
Gitarre:
Bob Mann (US session guitarist)
membranophone:
Allan Schwartzberg
cover recording of:
My One and Only Love
Texter:
Robert Mellin
Komponist(in):
Robert Mellin und Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
Version von:
Music from Beyond the Moon (My One and Only Love)
Rod Stewart3:24
7Taking a Chance on Love
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
Taking a Chance on Love
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
Rod Stewart3:27
8My Funny Valentine
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Rod Stewart2:49
9I’ve Got My Love to Keep Me Warm
Bass:
Ed Howard (bass player)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
Trompete:
Warren Luening
cover recording of:
I’ve Got My Love to Keep Me Warm
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rod Stewart3:09
10Nevertheless
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
Nevertheless (I’m in Love With You)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart43:50
11Blue Skies
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klarinette:
Dan Higgins (saxophonist and woodwind recording artist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
Blue Skies
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Blue Skies
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rod Stewart2:43
12Let’s Fall in Love
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
Rod Stewart feat. George Benson3:12
13Thanks for the Memory
Bass:
David Finck
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Kenny Ascher
membranophone:
Allan Schwartzberg
cover recording of:
Thanks for the Memory
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Paramount Music Corporation
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1938 winner)
Rod Stewart3:10
5▼Digitales Medium: Volume V: Fly Me to the Moon
Nr.TitelBewertungLänge
1That Old Black Magic
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
4:35
2Beyond the Sea
cover recording of:
Beyond the Sea
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
übersetzte Version von:
La Mer
3:25
3I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
3:50
4What a Difference a Day Makes
cover recording of:
What a Diff’rence a Day Made
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
3:22
5I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3:32
6I've Got the World on a String
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:52
7Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
3:07
8My Foolish Heart
cover recording of:
My Foolish Heart
Texter:
Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music und Patti Washington Music
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 2)
3:37
9September in the Rain
cover recording of:
September in the Rain
Texter:
Al Dubin (in 1937)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) und Peermusic (UK) Limited (in 1937)
2:55
10Fly Me to the Moon
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:45
11Sunny Side of the Street
cover recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:56
12Moon River
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
2:48

Nennungen

Veröffentlichung

kostenlos streamen:https://www.deezer.com/album/11388866 [Info]