Entertainment Weekly: Rock Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1And When I Die
cover recording of:
And When I Die
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Blood, Sweat & Tears3:31
2We’re an American Band
Assistent recording engineer:
Seth Snyder
Techniker(in) und Produzent(in):
Todd Rundgren
Akustikgitarre, Conga, Gitarre und Hybrid-Piano:
Mark Farner
Bass:
Mel Schacher
Clavinet, Klavier, Moog und Orgel:
Craig Frost
Perkussion und Schlagzeug:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) und Mark Farner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 99) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
Texter und Komponist(in):
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.153:30
3American Pie
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
E-Gitarre:
David Spinozza (von 1971-05 bis 1971-06)
Klavier:
Paul Griffin (American pianist, session musician) (von 1971-05 bis 1971-06)
vocals:
Don McLean (von 1971-05 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 131)
recording of:
American Pie (von 1971-05 bis 1971-06)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:37
4Cum On Feel the Noise
Techniker(in):
Duane Baron
Produzent(in):
Spencer Proffer
E-Bass:
Rudy Sarzo
E-Gitarre:
Carlos Cavazo
Keyboard:
Pat Regan (American recording engineer)
Schlagzeug:
Frankie Banali (US drummer)
Sologesang:
Kevin DuBrow
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
aufgenommen bei und mixed at:
Pasha Music House in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 41)
cover recording of:
Cum On Feel the Noize
Verfasser(in):
Noddy Holder und Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:48
5Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton
Bassgitarre:
Pete Agnew
Gitarre und Synthesizer:
Manny Charlton
Schlagzeug:
Darrell Sweet
Hintergrundgesang:
Pete Agnew und Darrell Sweet
Sologesang:
Dan McCafferty
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.453:55
6Takin’ Care of Business
assistierende(r) Techniker(in):
Marc Sterling
Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Bassgitarre:
C.F. Turner (von 1973-09 bis 1973-10)
Gitarre [lead guitar] und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10)
Gitarre [second lead guitar]:
Tim Bachman (von 1973-09 bis 1973-10)
Klavier:
Norman Durkee (von 1973-09 bis 1973-10)
Perkussion und Schlagzeug:
Rob Bachman (von 1973-09 bis 1973-10)
Hintergrundgesang:
C.F. Turner (von 1973-09 bis 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10) und Tim Bachman (von 1973-09 bis 1973-10)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1973-09 bis 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 59)
recording of:
Takin’ Care of Business (von 1973-09 bis 1973-10)
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:55
7Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright53:43
8Cold as Ice
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner43:21
9In‐A‐Gadda‐Da‐Vida
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:57
10White Rabbit
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (vom 1969-05-07 bis heute)
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 455) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 478)
recording of:
White Rabbit (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Grace Slick
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
basiert auf:
Alice’s Adventures in Wonderland (novel)
basiert auf:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:37
11School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:31
12Joy to the World
recording of:
Joy to the World
Texter und Komponist(in):
Hoyt Axton
publisher:
Rondor Music
Three Dog Night4.753:35

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Veröffentlichung

hergestellt von:PolyGram Special Markets (US only)
Discogs:https://www.discogs.com/release/5816556 [Info]