Ladies in Jazz: Fabulous Female Jazz Singers

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1S’ Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Ella Fitzgerald3:31
2I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Dinah Washington6:22
3Lullaby of Birdland
Produzent(in):
Bob Shad
Bass:
Joe Benjamin (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader)
Tenorsaxophon:
Paul Quinichette
Trompete:
Clifford Brown (trumpet)
arranger:
Ernie Wilkins
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1954-12-16)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan4:02
4Day In, Day Out
recording of:
Day In, Day Out
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Billie Holiday6:52
5Honeysuckle Rose
Anita O’Day3:16
6Evaline
Mildred Bailey2:38
7Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Carmen McRae2:41
8Softly, as in a Morning Sunrise
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Gitarre:
Les Spann (in 1959)
Klavier:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1959)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1959)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
Abbey Lincoln2:47
9A Sleepin’ Bee
Ernestine Anderson2:07
10The Song Is You
Jaye P. Morgan2:33
11Manhattan
Lee Wiley3:28
12Surrey With the Fringe on Top
recording of:
The Surrey With the Fringe on Top
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Beverly Kenney2:13
13Between the Devil and the Deep Blue Sea
June Richmond2:34
14My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.853:38
15Can’t We Be Friends
Betty Carter2:28
16The Man I Love
Ada Moore4:54
17Kissing Bug
June Christy2:43
2▼CD
Nr.TitelKünstlerBewertungLänge
1Sometimes I’m Happy
Carmen McRae2:35
2Stars Fell on Alabama
recording of:
Stars Fell on Alabama
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
Billie Holiday4:33
3It Ain’t Neccessarily So
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Peggy Lee3:27
4I Could Write a Book
cover recording of:
I Could Write a Book
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
Dinah Washington4:29
5Let’s Fall in Love
Betty Carter1:59
6Fine and Dandy
Anita O’Day2:27
7Are You With Me
Linda Lawson2:31
8Bewitched, Bothered, and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Ella Fitzgerald7:06
9The Very Thought of You
recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Jeri Southern3:08
10The Night We Called It a Day
June Christy4:58
11Mood Indigo
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1966)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nina Simone54:04
12Afro Blue
cover recording of:
Afro Blue
Komponist(in):
Mongo Santamaría (Cuban jazz percussionist)
publisher:
Mongo Music
Abbey Lincoln3:20
13Azure‐Te
Ernestine Anderson2:59
14Then I’ll Be Happy
Jaye P. Morgan2:19
15Destination Moon
Beverly Kenney2:25
16Just You, Just Me
cover recording of:
Just You, Just Me
Texter:
Raymond Klages (in 1929)
Komponist(in):
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Helen Merrill3:38
3▼CD
Nr.TitelKünstlerBewertungLänge
1Love Me or Leave Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone4.653:24
2The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Ella Fitzgerald3:25
3Everybody’s Doin’ It
June Richmond2:22
4Blue Gardenia
cover recording of:
Blue Gardenia
Verfasser(in):
Lester Lee und Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Harms, Inc., Harrison Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Dinah Washington5:22
5Gee, Baby, Ain’t I Good to You
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
Gee, Baby Ain’t I Good to You (in 1956-04)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Peggy Lee3:27
6Give Me the Simple Life
cover recording of:
Give Me the Simple Life
Texter:
Harry Ruby
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Harry Ruby
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
Pat Morrissey2:46
7A Sunday Kind of Love
Jo Stafford2:54
8From the Land of the Sky Blue Water
Gitarre:
Allan Reuss (am 1938-01-10)
Klarinette:
Hank D'Amico (am 1938-01-10)
Klavier:
Teddy Wilson (am 1938-01-10)
Kontrabass:
Pete Peterson (jazz bassist) (am 1938-01-10)
Schlagzeug:
Dave Tough (jazz drummer) (am 1938-01-10)
Tenorsaxophon:
Leon “Chu” Berry (am 1938-01-10)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1938-01-10)
vocals:
Mildred Bailey (am 1938-01-10)
recording of:
Four American Indian Songs, op. 45: No. 1. From the Land of the Sky-Blue Water (am 1938-01-10)
Texter:
Nelle Richmond Eberhart
Komponist(in):
Charles Wakefield Cadman (American composer) (in 1909)
Teil von:
4 American Indian Songs, op. 45
Mildred Bailey2:45
9Anything Goes
cover recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Teil von:
Anything Goes
Helen Merrill3:10
10Thou Swell
Betty Carter1:42
11Our Love Is Here to Stay
Carmen McRae2:41
12It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Sarah Vaughan3:14
13No Moon at All
recording of:
No Moon at All
Texter:
Redd Evans
Komponist(in):
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) und Rytvoc, Inc. (ASCAP)
Jeri Southern2:36
14There’s a Boat Dat’s Leavin’ Soon for New York
Ernestine Anderson2:17
15Ain’t Nobody’s Business
Abbey Lincoln4:31
16Let’s Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Billie Holiday3:27
4▼CD
Nr.TitelKünstlerBewertungLänge
1There Will Never Be Another You
Ernestine Anderson1:03
2They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Billie Holiday4:15
3You’d Be So Nice to Come Home To
Klavier:
Ronnell Bright (am 1958-03-07)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-03-07)
Posaune:
Henry Coker (jazz trombonist) (am 1958-03-07)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1958-03-07)
Tenorsaxophon:
Frank Wess (am 1958-03-07)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-03-07) und Thad Jones (American jazz trumpeter) (am 1958-03-07)
vocals:
Sarah Vaughan (am 1958-03-07)
aufgenommen bei:
London House in Chicago, Illinois, Vereinigte Staaten (am 1958-03-07)
live cover recording of:
You’d Be So Nice to Come Home To (am 1958-03-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Sarah Vaughan4:04
4Black Coffee
Klavier:
Jimmy Rowles (am 1953-05-04)
Kontrabass:
Max Wayne (am 1953-05-04)
Schlagzeug:
Ed Shaughnessy (am 1953-05-04)
Trompete:
Pete Candoli (am 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-04)
cover recording of:
Black Coffee (1948 song) (am 1953-05-04)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Peggy Lee3:10
5Night People
June Christy3:24
6No Moon at All
Anita O’Day2:30
7Yardbird Suite
Carmen McRae1:59
8Cotton Tail
cover recording of:
Cotton Tail
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Ella Fitzgerald3:28
9I’ve Gotta Right to Sing the Blues
June Richmond2:15
10Well, Alright (Tonight’s the Night)
vocals:
The Andrews Sisters (am 1939-05-03)
recording of:
Well All Right! (Tonight's the Night) (am 1939-05-03)
Verfasser(in):
Frances Faye, Dan Howell und Don Raye
The Andrews Sisters3:04
11I’ll Get By
Mildred Bailey1:46
12Make the Man Love Me
cover recording of:
Make the Man Love Me (from “A Tree Grows in Brooklyn”)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Arthur Schwartz
publisher:
Putnam Music Inc., Round Hill Songs III und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Dinah Washington5:37
13I Hadn’t Anyone Til You
recording of:
I Hadn’t Anyone Till You
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Jeri Southern2:54
14Easy to Love
Linda Lawson1:52
15Almost Like Being in Love
Beverly Kenney2:11
16I Let a Song Go Out of My Heart
Rosemary Clooney2:41
5▼CD
Nr.TitelKünstlerBewertungLänge
1Why Don’t You Do Right?
cover recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Pat Morrissey2:10
2An Occasional Man
recording of:
An Occasional Man
Verfasser(in):
Ralph Blane und Hugh Martin
publisher:
Saunders Publications
Jeri Southern2:36
3I Am in Love
cover recording of:
I Am in Love (Can-Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
Abbey Lincoln2:50
4Beautiful Love
Anita O’Day2:39
5You’re Blasé
cover recording of:
You’re Blasé
Texter:
Bruce Sievier
Komponist(in):
Ord Hamilton
Peggy Lee2:51
6There’s a Small Hotel
Jaye P. Morgan2:32
7We Could Make Such Beautiful Music Together
Barbara Lea2:07
8Like Young
Linda Lawson2:58
9I Could Write a Book
recording of:
I Could Write a Book
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
Betty Carter2:39
10I Wished on the Moon
recording of:
I Wished on the Moon
Texter:
Dorothy Parker
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Billie Holiday3:30
11How Little We Know
Carmen McRae2:30
12If I Had You
cover recording of:
If I Had You (jazz standard)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corp.
Dinah Washington4:47
13Doodlin’
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-01-05)
Bass:
Richard Davis (American jazz bassist)
Gitarre:
Freddie Green (am 1958-01-05)
Holzblasinstrumente:
Frank Wess (am 1958-01-05)
Klavier:
Ronnell Bright (am 1958-01-05)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-01-05)
Posaune:
Henry Coker (jazz trombonist) (am 1958-01-05), Al Grey (trombone) (am 1958-01-05) und Benny Powell (jazz trombonist) (am 1958-01-05)
Rohrblattinstrumente:
Marshall Royal (am 1958-01-05)
Saxophon:
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal und Frank Wess
Schlagzeug:
Sonny Payne (am 1958-01-05)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1958-01-05) und Billy Mitchell (US jazz saxophonist) (am 1958-01-05)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-01-05), Eugene Young (am 1958-01-05) und Thad Jones (American jazz trumpeter) (am 1958-01-05)
vocals:
Sarah Vaughan (am 1958-01-05)
cover recording of:
Doodlin’ (vocal version, lyrics by Jon Hendricks) (am 1958-01-05)
Texter:
Jon Hendricks
Komponist(in):
Horace Silver
publisher:
Silhouette Music Corp.
Version von:
Doodlin’ (original instrumental version)
Sarah Vaughan4:35
14What’s My Name?
recording of:
What’s My Name
Verfasser(in):
David Saxon und Robert Wells (songwriter)
Jeri Southern2:19
15Interlude
June Christy4:45
16Summertime
Ada Moore4:41
6▼CD
Nr.TitelKünstlerBewertungLänge
1I Never Knew
recording of:
I Never Knew
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
Mildred Bailey2:02
2The Lady From Twenty‐Nine Palms
The Andrews Sisters2:57
3So Blue
Peggy Lee2:17
4Love for Sale
Anita O’Day2:46
5Heat Wave
Ernestine Anderson1:54
6You Leave Me Breathless
Carmen McRae2:39
7I Cried for You
cover recording of:
I Cried for You
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
Sarah Vaughan1:44
8Body & Soul
Billie Holiday6:27
9Let Up
recording of:
Let Up
Texter und Komponist(in):
Abbey Lincoln
Abbey Lincoln5:31
10Ain’t Misbehavin
Barbara Lea2:46
11Moe’s Blues
Beverly Kenney2:19
12Let’s Begin
Techniker(in):
Val Valentin
Produzent(in):
Bryan Koniarz
vocals:
Margaret Whiting
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Let’s Begin (from "Roberta")
Texter:
Dorothy Fields (American librettist and lyricist) und Otto Harbach (in 1933)
Komponist(in):
Jerome Kern (in 1933)
Teil von:
Roberta
Margaret Whiting2:16
13You Forgot Your Gloves
recording of:
You Forgot Your Gloves
Verfasser(in):
Edward Eliscu und Ned Lehac
Jeri Southern2:38
14I’d Love to Make Love to You
cover recording of:
I’d Love to Make Love to You
Verfasser(in):
Robert Emmerich (writer "Our Love") und Ruth Poll
Dakota Staton2:46
15Babe’s Blues
Betty Carter2:54
16Easy Living
cover recording of:
Easy Living
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Dinah Washington5:03
7▶CD
8▶CD
9▶CD
10▶CD

Nennungen

Veröffentlichung

ASIN:US: B0051WY4PE [Info]