Me to You With Love

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Let's Stay Together
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4:43
2You Sexy Thing
recording of:
You Sexy Thing
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate4:01
3(I Can't Help) Falling in Love With YouUB4053:19
4My Baby Just Cares for MeNina Simone3.853:36
5It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:18
6The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:07
7Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set) [drums]:
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall and Nicole Patterson
lead vocals:
Robbie Williams
orchestra:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
The Co-Op: Top 10 British Funeral Songs (number: 5)
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:25
8Need You NowLady Antebellum3.93:55
9Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:06
10Fallen Angel
cover recording of:
Fallen Angel
writer:
Guy Fletcher (songwriter) and Doug Flett (songwriter)
Frankie Valli4:08
11Mandy
co-producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Ron Dante and Barry Manilow
lead vocals:
Barry Manilow (in 1978)
strings arranger:
Joe Renzetti (US film composer, session musician)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) and Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Barry Manilow43:20
12God Only Knows
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys2:49
13Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:42
14Slave to Love
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
music videos:
Slave to Love by Bryan Ferry
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry34:11
15True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:26
16What a Wonderful World
additional engineer:
Rupert James Coulson and Brian Masterson (audio engineer)
engineer:
Steve Sale
producer:
Mike Batt and Chris Biondo (guitarist, producer with Eva Cassidy Band)
bass:
Tim Harries
drums (drum set) [drums]:
Henry Spinetti
guitar:
Jim Cregan (producer & member of Family), Steve Donnelly, John Parricelli, Luke Potashnick (British guitarist) and Chris Spedding
instruments:
The Irish Film Orchestra
percussion:
Ray Cooper (percussionist) and Rob Farrer (percussionist)
piano:
Mike Batt
trumpet:
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
violin:
Mike Darcy
vocals:
Eva Cassidy and Katie Melua
conductor:
Mike Batt
arranger:
Mike Batt and Chris Biondo (guitarist, producer with Eva Cassidy Band)
phonographic copyright (℗) by:
Blix Street Records Inc. (not release label) (in 2007), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 2007) and Dramatico Entertainment Ltd. (not release label) (in 2007)
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Eva Cassidy & Katie Melua24:17
17You Are So Beautiful
assistant engineer:
David Gallo (engineer) and David Roberts (engineer)
engineer:
Guy Charbonneau
producer:
Michael Lang (Producer)
mixer:
Chris Lord‐Alge
bass:
Dave McDaniel (bass)
piano:
Nicky Hopkins (pianist and organist)
lead vocals:
Joe Cocker
performer:
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographic copyright (℗) by:
A&M Records (in 1973)
recorded at:
Memorial Auditorium in Lowell, Massachusetts, United States (on 1989-10-05)
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:44
18Come Away With Me
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Come Away With Me
lyricist and composer:
Norah Jones
Norah Jones3.83:17
19Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
translated version of:
Wim
Don McLean4.43:59
20Lovin' You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23
21I (Who Have Nothing)
Shirley Bassey2:44
2CD
#TitleArtistRatingLength
1Pack Up
recording of:
Pack Up
writer:
Eliza Sophie Caird (Eliza, formerly Eliza Doolittle), Matt Prime and Tim Woodcock
quotes lyrics from:
Pack Up Your Troubles in Your Old Kit-Bag
Eliza Doolittle3:10
2I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
miscellaneous support:
Gary "G" Silver (task: production coordinated)
programming:
benny blanco (producer Benjamin Levin) and Dr. Luke
engineer:
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy and Emily Wright
additional producer:
benny blanco (producer Benjamin Levin) and Mike Caffrey (drum machine [drum])
producer:
Dr. Luke
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea
bass guitar [bass] and guitar [guitars]:
Dr. Luke
drums (drum set) [drums]:
benny blanco (producer Benjamin Levin) and Dr. Luke
drums (drum set) [live drums]:
Steven Wolf (drummer from USA)
background vocals:
Cathy Dennis
lead vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
recorded at:
Conway Recording Studio in Hollywood, Los Angeles, California, United States, Dr. Luke's in New York, New York, United States, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, United States and Monster Island in New York, New York, United States (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 14) and BILLIONS CLUB
recording of:
I Kissed a Girl
writer:
Cathy Dennis, Lukasz Gottwald, Max Martin (Swedish record producer) and Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP affiliated), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) and When I’m Rich You’ll Be My Bitch
Katy Perry3.953:00
3When Love Takes OverDavid Guetta feat. Kelly Rowland3.53:24
4Walking on Sunshine
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3:39
5The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:51
6Don't You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:19
7Don't You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
8Heaven Is a Place on Earth
recording engineer:
Steve McMillan
drums (drum set) [drum] programming:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
additional engineer:
Stacy Baird and Robert Feist
assistant engineer:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble and Joe Schiff
additional producer:
Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
producer:
Rick Nowels
mixer:
Shelly Yakus
acoustic guitar [acoustic guitars]:
Rick Nowels
additional guitar:
Tim Pierce (US session guitarist)
additional guitar [guitars]:
Michael Landau
additional keyboard [keyboards]:
Thomas Dolby
additional percussion:
Jimmy Bralower and Paulinho da Costa (Brazilian percussionist)
bass:
John Pierce (US session bassist)
drums (drum set) [drums]:
Kenny Aronoff and Curly Smith (Jo Jo Gunne musician)
electric guitar [electric guitars]:
Dan Huff, John McCurry and Rick Nowels
guitar [air guitar] and lead vocals:
Belinda Carlisle
keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
piano [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
synthesizer [Fairlight]:
Rhett Lawrence
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
arranger:
Rick Nowels
phonographic copyright (℗) by:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) and Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
additionally recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
recorded at:
American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 400)
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.153:52
9Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:46
10Love Is in the Air
recording of:
Love Is in the Air
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
John Paul Young3:24
11Stop
additional programming:
Mike Higham (British score composer) (on 1998-06-09)
engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Absolute (UK house/garage/production/songwriting team)
assistant mixer:
Paul "P. Dub"
mixer:
Mark “Spike” Stent (producer, engineer)
brass:
Kick Horns (on 1998-06-09)
guitar:
Milton McDonald (on 1998-06-09)
instruments:
Absolute (UK house/garage/production/songwriting team) (on 1998-06-09)
vocals:
Victoria Beckham (née Adams) (on 1998-06-09), Emma Bunton (on 1998-06-09), Melanie C (on 1998-06-09), Geri Halliwell (on 1998-06-09) and Mel B (Mel B) (on 1998-06-09)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1998-06-09)
live recording of:
Stop (on 1998-06-09)
writer:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) and Victoria Beckham (née Adams)
Spice Girls3.853:24
12The Tide Is High
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1980)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.453:51
13Smile
engineer:
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) and Mike Pelanconi
producer:
Darren Lewis, Future Cut and Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistant mixer:
Dan Porter
mixer:
Future Cut and Mike Pelanconi
bass guitar:
Clive Hunte
drums (drum set):
Paul Powell
keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) and Iyiola Babalola (drum n bass producer Iyiola Babalola)
saxophone:
Michael Rose (Saxophonist)
trombone:
Trevor Edwards
trumpet:
Eddie Thornton
lead vocals:
Lily Allen
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 6)
recording of:
Smile
lyricist:
Lily Allen, Darren Lewis and Iyiola Babalola (drum n bass producer Iyiola Babalola)
additional writer:
Clement “Coxsone” Dodd
composer:
Jackie Mittoo
publisher:
Sparta Florida Music Group and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
is based on:
Free Soul
Lily Allen3.73:15
14She Moves in Her Own Way
recording of:
She Moves in Her Own Way
lyricist:
Luke Pritchard and Max Rafferty
composer:
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard and Max Rafferty
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks2:49
15Put Your Record On
recording engineer, programming and producer:
Steve Chrisanthou
additional producer:
Jimmy Hogarth (producer and songwriter)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
acoustic guitar and percussion and background vocals and lead vocals:
Corinne Bailey Rae
alto saxophone:
Jason Rae
bass guitar [bass]:
Samuel Dixon
classical guitar [spanish guitar], electric guitar and percussion:
Steve Chrisanthou
Hammond organ:
Joe Tatton
keyboard:
John Beck (Writer, producer & musician)
tenor saxophone:
Jim Corry
trumpet:
Malcolm Strachan
additional background vocals:
Cara Robinson
contains samples by:
Steve Chrisanthou (horn)
mixed at:
TwentyOne Studios in London (Greater London), England, United Kingdom
music videos:
Put Your Records On by Corinne Bailey Rae
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 236)
recording of:
Put Your Records On
writer:
Corinne Bailey Rae, John Beck (Writer, producer & musician) and Steve Chrisanthou
Corinne Bailey Rae3.653:34
16Whole AgainAtomic Kitten33:04
17It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:18
18Better
Tom Baxter3:34
19Sorry Seems to Be the Hardest Word
vocals:
Antony (English singer-songwriter & actor), Duncan (English singer and actor, member of “Blue”), Elton John (English singer, songwriter, pianist, and composer), Lee (Blue) and Simon
guest performer:
Elton John (English singer, songwriter, pianist, and composer)
music videos:
Sorry Seems to Be the Hardest Word (studio version) by Blue (UK boy band) featuring Elton John (English singer, songwriter, pianist, and composer)
cover recording of:
Sorry Seems to Be the Hardest Word
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Blue feat. Elton John3.753:29
20Fields of Gold
Eva Cassidy4:41
21We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:12
22L.O.V.E.
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L‐O‐V‐E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Nat King Cole52:35