The Caruso Edition, Volume IV: 1916–1921

~ Release by Enrico Caruso (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Sancta Maria
cello:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1916-03-20)
tenor vocals:
Enrico Caruso (tenor) (on 1916-03-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-03-20)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-03-20)
recording of:
Sancta mater (on 1916-03-20)
composer:
Gabriel Fauré (French composer)
Gabriel Fauré3:39
2Tiempo antico
tenor vocals:
Enrico Caruso (tenor) (on 1916-03-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-03-20)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-03-20)
recording of:
Tiempo antico (on 1916-03-20)
writer:
Enrico Caruso (tenor)
Enrico Caruso3:55
3Santa Lucia
mandolin:
Bianculli (on 1916-03-20)
tenor vocals:
Enrico Caruso (tenor) (on 1916-03-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-03-20)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-03-20)
recording of:
Santa Lucia (original traditional Neapolitan song) (on 1916-03-20)
lyricist and composer:
[traditional] (special purpose artist)
translator:
Teodoro Cottrau (composer)
[traditional]4:05
4Pourquoi ?
tenor vocals:
Enrico Caruso (tenor) (on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
6 Romances, op. 6, no. 5: Why? (Отчего?) (6 Romances, op. 6 no. 5: Why?) (on 1916-11-03)
lyricist:
Heinrich Heine (German poet) (in 1822)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869-11)
dedicated to:
Иван Александрович Клименко
translator:
Лев Мей (Lev Mei, XIX c. poet, prose writer, playwright, translator) (in 1858)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 215)
part of:
6 Romances, op. 6
Pyotr Tchaikovsky3:05
5Eugene Onegin: Act II. “Pour moi ce jour est tout mystère”
tenor vocals:
Enrico Caruso (tenor) (on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Интродукция и сцена "Ну, что же" (Introduction and Scene "Nu, chto zhe") (on 1916-11-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)
Pyotr Tchaikovsky4:15
6Chanson de juin
tenor vocals:
Enrico Caruso (tenor) (on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
Chansons des mois, op. 102, no. 6: Chanson de juin (on 1916-11-03)
lyricist:
Victor Barrucand
composer:
Benjamin Godard (French violinist and composer, 1849-1895)
part of:
Chansons des mois, op. 102
Benjamin Godard4:24
7Andrea Chénier: Act IV. “Come un bel dì di maggio”
tenor vocals:
Enrico Caruso (tenor) (, on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier) (on 1916-11-03)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:02
8Samson et Dalila : Act III. “Vois ma misère, hélas”
choir vocals:
Metropolitan Opera Chorus (on 1916-12-07)
tenor vocals:
Enrico Caruso (tenor) (on 1916-12-07)
orchestra:
Metropolitan Opera Orchestra (on 1916-12-07)
chorus master:
Giulio Seni (on 1916-12-07)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (on 1916-12-07)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns4:33
9Les Pêcheurs de perles : Act 1. “Je crois entendre encore”
tenor vocals:
Enrico Caruso (tenor) (on 1916-12-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-12-07)
conductor:
Josef Pasternack (conductor) (on 1916-12-07)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (on 1916-12-07)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet4:34
10Les Pêcheurs de perles : Act 2. “De mon amie, fleur endormie”
harp:
Francis J. Lapitino (harpist) (on 1916-12-07)
oboe:
William Adams (oboist, 1910–20s) (on 1916-12-07)
tenor vocals:
Enrico Caruso (tenor) (on 1916-12-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-12-07)
conductor:
Josef Pasternack (conductor) (on 1916-12-07)
recording of:
Les Pêcheurs de perles : Acte II. No. 8 Chanson « De mon amie » (Nadir, Leïla) (on 1916-12-07)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte II
Georges Bizet2:14
11Rigoletto: Act IV. Quartet: “Bella figlia dell’amore”
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
mezzo-soprano vocals:
Flora Perini (mezzo-soprano) (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1917-01-25)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:02
12Rigoletto: Act IV. Quartet: “Bella figlia dell’amore” (alternate take up to mezzo entrance only)
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
mezzo-soprano vocals:
Flora Perini (mezzo-soprano) (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1917-01-25)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:28
13Lucia di Lammermoor: Act II. Sextet: “Chi mi frena in tal momento” (unpublished take)
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
bass vocals:
Marcel Journet (French operatic bass) (on 1917-01-25)
mezzo-soprano vocals:
Minnie Egener (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Angelo Badà (tenor) (on 1917-01-25) and Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1917-01-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:59
14Lucia di Lammermoor: Act II. Sextet: “Chi mi frena in tal momento”
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
bass vocals:
Marcel Journet (French operatic bass) (on 1917-01-25)
mezzo-soprano vocals:
Minnie Egener (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Angelo Badà (tenor) (on 1917-01-25) and Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1917-01-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:07
15Martha: Act 3. “M’apparì tutt’amor”
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (on 1917-04-15)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow3:47
16Musica proibita
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Musica proibita (on 1917-04-15)
lyricist:
Flick‐Flock (in 1881)
composer:
Stanislao Gastaldon (in 1881)
Stanislao Gastaldon3:47
17Uocchie celeste
harp:
Francis J. Lapitino (harpist) (on 1917-04-15)
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Uocchie celeste (on 1917-04-15)
writer:
Vincenzo De Crescenzo (Neapolitan songwriter, 1875–1964) and Armando Gill
Vincenzo De Crescenzo4:34
18L’Alba separa dalla luce l’ombra (unpublished take)
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Quattro canzoni d’Amaranta: No. 2. L'alba separa dalla luce l'ombra (on 1917-04-15)
lyricist:
Gabriele D'Annunzio
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
part of:
Quattro canzoni d'Amaranta
Francesco Paolo Tosti2:29
19L’Alba separa dalla luce l’ombra
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Quattro canzoni d’Amaranta: No. 2. L'alba separa dalla luce l'ombra (on 1917-04-15)
lyricist:
Gabriele D'Annunzio
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
part of:
Quattro canzoni d'Amaranta
Francesco Paolo Tosti2:31
20Néron : Act 2. “Oh ! lumière du jour” (unpublished take)
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Néron : Acte II. « Ah ! lumière du jour » (on 1917-04-15)
part of:
Néron
Anton Rubinstein4:03
21Néron : Act 2. “Oh ! lumière du jour”
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Néron : Acte II. « Ah ! lumière du jour » (on 1917-04-15)
part of:
Néron
Anton Rubinstein4:14
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#TitleArtistRatingLength
1A la luz de la luna
baritone vocals:
Emilio de Gogorza (American baritone) (on 1918-04-16)
tenor vocals:
Enrico Caruso (tenor) (on 1918-04-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-04-16)
conductor:
Josef Pasternack (conductor) (on 1918-04-16)
recording of:
A la luz de la luna (on 1918-04-16)
writer:
Anton y Michelena
Anton y Michelena4:07
2Sei morta ne la vita mia
piano:
Vincenzo Bellezza (conductor) (on 1918-04-16)
tenor vocals:
Enrico Caruso (tenor) (on 1918-04-16)
recording of:
Sei morta ne la vita mia
composer:
Francesco Antonio Costa (Franciscan friar, organist, choirmaster)
Francesco Antonio Costa3:34
3La partida
tenor vocals:
Enrico Caruso (tenor) (on 1918-07-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-07-10)
conductor:
Josef Pasternack (conductor) (on 1918-07-10)
recording of:
La partida (on 1918-07-10)
lyricist:
Eusebio Blasco Soler
composer:
Fermín María Álvarez (composer)
Fermín María Álvarez4:45
4La forza del destino: Act III. “Nè gustare m’è dato; Sleale! Il segreto fu dunque violato?”
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1918-07-10)
tenor vocals:
Enrico Caruso (tenor) (on 1918-07-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-07-10)
conductor:
Josef Pasternack (conductor) (on 1918-07-10)
recording of:
La forza del destino: Atto III, scena 2. “Oh, tradimento! Sleale! Il segreto fu dunque violato?” (Alvaro, Carlo) (on 1918-07-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:19
5Over There
tenor vocals:
Enrico Caruso (tenor) (on 1918-07-11)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-07-11)
conductor:
Josef Pasternack (conductor) (on 1918-07-11)
recording of:
Over There…Par là‐bas (on 1918-07-11)
lyricist:
Louis Delamarre
composer:
George M. Cohan
translated version of:
Over There
George M. Cohan2:54
6Pietà, Signore
tenor vocals:
Enrico Caruso (tenor) (on 1918-09-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-09-26)
conductor:
Josef Pasternack (conductor) (on 1918-09-26)
recording of:
Pietà, Signore (on 1918-09-26)
lyricist and previously attributed to:
Alessandro Stradella (composer)
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Louis Niedermeyer4:30
7A Granada
tenor vocals:
Enrico Caruso (tenor) (on 1918-09-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-09-26)
conductor:
Josef Pasternack (conductor) (on 1918-09-26)
recording of:
A Granada (on 1918-09-26)
lyricist:
Francisco Gras y Elías
composer:
Fermín María Álvarez (composer)
Fermín María Álvarez3:49
8Campane a sera
tenor vocals:
Enrico Caruso (tenor) (on 1918-09-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-09-26)
conductor:
Josef Pasternack (conductor) (on 1918-09-26)
recording of:
Campane a Sera (on 1918-09-26)
lyricist:
Enrico Caruso (tenor)
composer:
Vincenzo Billi (Italian composer)
Vincenzo Billi3:56
9Inno di Garibaldi
tenor vocals:
Enrico Caruso (tenor) (on 1918-09-26)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1918-09-26)
conductor:
Josef Pasternack (conductor) (on 1918-09-26)
recording of:
Inno di Garibaldi (on 1918-09-26)
composer:
Dino Olivieri (Italian musician, conductor and composer)
Dino Olivieri2:36
10La Campana di San Giusto
tenor vocals:
Enrico Caruso (tenor) (on 1919-01-06)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-01-06)
conductor:
Josef Pasternack (conductor) (on 1919-01-06)
recording of:
La campana di San Giusto (on 1919-01-06)
writer:
Colombino Arona and Giovanni Drovetti
Columbo Arona4:40
11Le Régiment de Sambre et Meuse
tenor vocals:
Enrico Caruso (tenor) (on 1919-01-06)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-01-06)
conductor:
Josef Pasternack (conductor) (on 1919-01-06)
recording of:
Le Régiment de Sambre et Meuse (on 1919-01-06)
lyricist:
Paul Cezano
composer:
Robert Planquette (composer)
Robert Planquette4:19
12Sultanto a te
tenor vocals:
Enrico Caruso (tenor) (on 1919-02-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-02-10)
conductor:
Josef Pasternack (conductor) (on 1919-02-10)
recording of:
Sultanto a tte (on 1919-02-10)
composer:
Salvatore Fucito (composer)
Salvatore Fucito3:07
13Samson et Dalila : Act I. “Je viens célébrer la victoire”
bass vocals:
Marcel Journet (French operatic bass) (on 1919-02-10)
mezzo-soprano vocals:
Louise Homer (American operatic contralto) (on 1919-02-10)
tenor vocals:
Enrico Caruso (tenor) (on 1919-02-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-02-10)
conductor:
Josef Pasternack (conductor) (on 1919-02-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Je viens célébrer la victoire » (Dalila, Samson, un vieillard hébreu) (on 1919-02-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns3:38
14L’elisir d’amore: Act II. “Venti scudi!”
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1919-02-10)
tenor vocals:
Enrico Caruso (tenor) (on 1919-02-10)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-02-10)
conductor:
Josef Pasternack (conductor) (on 1919-02-10)
partial recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (on 1919-02-10)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:15
15A Vucchella
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-08)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-08)
conductor:
Josef Pasternack (conductor) (on 1919-09-08)
recording of:
’A vucchella (on 1919-09-08)
lyricist:
Gabriele D'Annunzio (in 1892)
composer:
Francesco Paolo Tosti (Paolo Tosti, composer) (in 1904)
Francesco Paolo Tosti3:04
16Vieni sul mar
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-08)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-08)
conductor:
Josef Pasternack (conductor) (on 1919-09-08)
recording of:
Vieni sul mar (on 1919-09-08)
lyricist:
Aniello Califano
composer:
[traditional] (special purpose artist)
[traditional]3:36
17Tu, ca nun chiagne
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-08)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-08)
conductor:
Josef Pasternack (conductor) (on 1919-09-08)
recording of:
Tu ca nun chiagne (on 1919-09-08)
lyricist:
Libero Bovio
composer:
Ernesto De Curtis (composer)
Ernesto De Curtis2:39
18Addio a Napoli
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-09)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-09)
conductor:
Josef Pasternack (conductor) (on 1919-09-09)
recording of:
Addio a Napoli (on 1919-09-09)
lyricist and composer:
Teodoro Cottrau (composer)
Teodoro Cottrau3:17
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#TitleArtistRatingLength
1Nina
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-19)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-09)
conductor:
Josef Pasternack (conductor) (on 1919-09-09)
recording of:
Tre giorni son che Nina (on 1919-09-09)
composer and librettist:
Vincenzo Legrenzio Ciampi
previously attributed to:
Giovanni Battista Pergolesi (composer)
Vincenzo Legrenzio Ciampi3:00
2Première caresse
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-09)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-09)
conductor:
Josef Pasternack (conductor) (on 1919-09-09)
recording of:
Première caresse (on 1919-09-09)
lyricist:
Paul Marinier
composer:
Vincenzo De Crescenzo (Neapolitan songwriter, 1875–1964)
Vincenzo De Crescenzo2:51
3Senza nisciuno
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-11)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-11)
conductor:
Josef Pasternack (conductor) (on 1919-09-11)
recording of:
Senza nisciuno (on 1919-09-11)
lyricist:
Antonio Barbieri
writer:
Barbieri and E. de Curtis (composer)
composer:
Ernesto De Curtis (composer)
Ernesto De Curtis2:57
4Salvator Rosa: Act I. “Mia piccirella”
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-11)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-11)
conductor:
Josef Pasternack (conductor) (on 1919-09-11)
recording of:
Salvatore Rosa: “Mia piccirella” (on 1919-09-11)
composer:
Antônio Carlos Gomes (composer)
part of:
Salvator Rosa
Antônio Carlos Gomes3:45
5Serenata
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-11)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-11)
conductor:
Josef Pasternack (conductor) (on 1919-09-11)
recording of:
Serenata (on 1919-09-11)
composer:
C. A. Bracco
C. A. Bracco3:39
6Scordame
tenor vocals:
Enrico Caruso (tenor) (on 1919-09-11)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1919-09-11)
conductor:
Josef Pasternack (conductor) (on 1919-09-11)
recording of:
Scordame (on 1919-09-11)
composer:
Salvatore Fucito (composer)
Salvatore Fucito3:12
7Love Me or Not
tenor vocals:
Enrico Caruso (tenor) (on 1920-01-29)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-01-29)
conductor:
Josef Pasternack (conductor) (on 1920-01-29)
recording of:
Love Me or Not (on 1920-01-29)
lyricist:
Thomas Campion (English composer, poet & physician, 1567–1620)
composer:
Antonio Secchi
Antonio Secchi4:14
8Serse: Act I. “Ombra mai fu”
tenor vocals:
Enrico Caruso (tenor)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-01-29)
conductor:
Josef Pasternack (conductor) (on 1920-01-29)
partial recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (on 1920-01-29)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:18
9Noche feliz
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-14)
conductor:
Josef Pasternack (conductor) (on 1920-09-14)
recording of:
Noche feliz (on 1920-09-14)
composer:
Guillermo Posadas (Mexican composer)
Guillermo Posadas2:31
10La Juive : Act IV. “Rachel, quand du Seigneur”
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-14)
conductor:
Josef Pasternack (conductor) (on 1920-09-14)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar) (on 1920-09-14)
composer:
Fromental Halévy (French composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Fromental Halévy4:30
11I’ m’arricordo ’e Napule
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-14)
conductor:
Josef Pasternack (conductor) (on 1920-09-14)
recording of:
I 'm'arricordo'e Napule! (on 1920-09-14)
writer:
Pasquale L. Esposito and Joseph Giuseppe Gioe
recording of:
I 'm'arricordo'e Napule! (in 1920)
writer:
Pasquale L. Esposito and Joseph Giuseppe Gioe
Joseph Giuseppe Gioe4:34
12Vaghissima sembianza
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-15)
conductor:
Josef Pasternack (conductor) (on 1920-09-15)
recording of:
Vaghissima sembianza (on 1920-09-15)
composer:
Stefano Donaudy
part of:
36 arie di stile antico
Stefano Donaudy3:17
13L’africana: Act III. “Deh, ch’io ritorni”
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-16)
conductor:
Josef Pasternack (conductor) (on 1920-09-16)
recording of:
L’africana: Atto IV, Scena III. "Deh! ch’io ritorni" (on 1920-09-16)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
Giacomo Meyerbeer4:04
14Amadis de Gaule : Act II. “Bois épais”
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-16)
conductor:
Josef Pasternack (conductor) (on 1920-09-16)
recording of:
Amadis de Gaule: Acte II. "Bois épais" (on 1920-09-16)
composer:
Jean‐Baptiste Lully (composer)
librettist:
Philippe Quinault
part of:
Amadis de Gaule: Acte II
Jean‐Baptiste Lully3:09
15A Dream
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-16)
conductor:
Josef Pasternack (conductor) (on 1920-09-16)
recording of:
A Dream (on 1920-09-16)
composer:
J. C. Bartlett
James Carroll Bartlett3:24
16Petite messe solennelle: Domine Deus
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-16)
conductor:
Josef Pasternack (conductor) (on 1920-09-16)
recording of:
Petite Messe solennelle: II. Gloria: Domine Deus (T - tenor solo) (on 1920-09-16)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
Gioachino Rossini4:34
17Petite messe solennelle: Crucifixus
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-16)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-16)
conductor:
Josef Pasternack (conductor) (on 1920-09-16)
recording of:
Petite Messe solennelle: III. Credo: Crucifixus (S - soprano solo) (on 1920-09-16)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
Gioachino Rossini3:09

Credits

Release

ASIN:US: B000000WLU [info]

Release group

part of:The Caruso Edition (Pearl) (number: 4) (order: 3)