Icon: Montserrat Caballé

~ Release by Montserrat Caballé (see all versions of this release, 1 available)

Annotation

Copyright: © 2009 EMI Records Ltd.
℗ This compilation ℗ 2009 EMI Records Ltd.

Annotation last modified on 2025-08-18 22:30 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Guillaume Tell, Act 2: "Sombre forêt" (Mathilde)
soprano vocals [Mathilde]:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Guillaume Tell : Acte II. Romance : « Sombre forêt » (Mathilde)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte II
Georges Bizet5:00
2Il Pirata, Act I: Sorgete...Lo sognai ferito...
Vincenzo Bellini5:00
3Il Pirata, Act I: Quando a un tratto...Sventurata, anchi'io delirio
Vincenzo Bellini8:03
4Il Pirata, Act II, Scene 3: Oh! s'io potessi dissipar le nubi
choir vocals:
Coro di Roma della RAI (in 1970-07)
mezzo-soprano vocals [Adele]:
Flora Rafanelli (mezzo-soprano) (in 1970-07)
soprano vocals [Imogene]:
Montserrat Caballé (soprano) (in 1970-07)
orchestra:
Orchestra sinfonica di Roma della RAI (RAI Symphony Orchestra of Rome, founded 1936) (in 1970-07)
conductor:
Gianandrea Gavazzeni (conductor) (in 1970-07)
recording of:
Il pirata: Atto II, scena 4. “Ah! S'io potessi dissipar le nubi” (Imogene, Adele, coro) (in 1970-07)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto II
Vincenzo Bellini4:14
5Il Pirata, Act II, Scene 3: Col sorriso d'innocenza
soprano vocals [Imogene]:
Montserrat Caballé (soprano) (in 1970-07)
orchestra:
Orchestra sinfonica di Roma della RAI (RAI Symphony Orchestra of Rome, founded 1936) (in 1970-07)
conductor:
Gianandrea Gavazzeni (conductor) (in 1970-07)
recording of:
Il pirata: Atto II, scena 4. “Col sorriso d'innocenza” (Imogene) (in 1970-07)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto II
Vincenzo Bellini3:28
6Il Pirata, Act II: Qual suono...Oh Sole! ti vela
choir vocals:
Coro di Roma della RAI (in 1970-07)
mezzo-soprano vocals [Adele]:
Flora Rafanelli (mezzo-soprano) (in 1970-07)
soprano vocals [Imogene]:
Montserrat Caballé (soprano) (in 1970-07)
orchestra:
Orchestra sinfonica di Roma della RAI (RAI Symphony Orchestra of Rome, founded 1936) (in 1970-07)
conductor:
Gianandrea Gavazzeni (conductor) (in 1970-07)
recording of:
Il pirata: Atto II, scena 4. “Ah! S'io potessi dissipar le nubi” (Imogene, Adele, coro) (in 1970-07)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto II
Vincenzo Bellini4:11
7I Puritani, Act 1: "Son vergin vezzosa" (Elvira, Enrichetta, Arturo, Giorgio, Coro)
Vincenzo Bellini5:28
8I Puritani, Act 2: "O rendetemi la speme" - "Qui la voce sua soave" (Elvira, Giorgio, Riccardo)
Vincenzo Bellini10:27
9I Puritani (Act II): Tornò il riso...Vien diletto
Vincenzo Bellini6:31
10I Puritani (Act II): Finì, me lassa!...Ch' ei provò lontan da me?...
Vincenzo Bellini6:45
11I Puritani, Act 3: "Vieni, fra queste braccia" (Elvira, Arturo)
Vincenzo Bellini4:59
12Poliuto, Act 3 Scene 4: "Donna! Malvagio! Vision gradita!" (Poliuto, Paolina)
Gaetano Donizetti5:26
13Poliuto, Act III: Ah fuggi da morte...Il suon dell' arpe angeliche
Gaetano Donizetti6:36
2▼Digital Media
#TitleArtistRatingLength
1Les Huguenots, Act 4 Scene 6: Duo, "Où courez-vous? Raoul, répondez-moi! … Le danger presse, et le temps vole" (Valentine, Raoul)
Giacomo Meyerbeer6:08
2Les Huguenots, Act 4 Scene 6: "Oui, tu l'as dit ... oui, tu m'aimes!" (Raoul, Valentine)
Giacomo Meyerbeer5:43
3Les Huguenots, Act 4 Scene 6: "Plus d'amour! ... plus d'ivresse!" (Raoul, Valentine)
Giacomo Meyerbeer5:33
4Giovanna d'Arco: Oh, ben s'addice questo torbido...Sempre all'alba ed alla sera
Giuseppe Verdi6:44
5Macbeth, Scene 2: Vegliammo invan due notti
Giuseppe Verdi7:57
6Un Ballo in Maschera
Giuseppe Verdi9:10
7La forza del destino, Act 2: "La Vergine degli angeli" (Leonora, Chorus)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals and soprano vocals [Leonora]:
Montserrat Caballé (soprano)
vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra
conductor:
Anton Guadagno (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi3:33
8La forza del destino, '(The) force of destiny', Act IV: Pace, pace, mio Dio
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Anton Guadagno (conductor)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi5:43
9Don Carlo: Act II: Io vengo a domandar...Oh! Carlo! Oh! Carlo!
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Simon Estes (bass-baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi10:49
10Don Carlo, Act 2: "Non pianger, mia compagna" (Elisabetta, Rodrigo, Filippo, Coro)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:29
11Don Carlo, Act IV: Tu che le vanità
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto V, No. 15. Scena ed aria: Introduzione by Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Addio! Addio, bei sogni d'ôr" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi11:05
3▼Digital Media
#TitleArtistRatingLength
1Aida, Act I: Ritorna vincitor!
soprano vocals [Aida]:
Montserrat Caballé (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:35
2Aida, Act III: Qui Radamès verrà...O patria mia
soprano vocals [Aida]:
Montserrat Caballé (soprano) (from 1974-07-02 until 1974-07-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:59
3Aida, Act III: Pur ti riveggo, mia dolce Aida...Aida!...Tu non m'ami
soprano vocals [Aida]:
Montserrat Caballé (soprano) (from 1974-07-02 until 1974-07-11)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1974-07-02 until 1974-07-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi9:57
4Aida, Act 4: "O terra, addio, valle di pianti" (Aida, Radamès, Amneris, Coro)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:53
5Otello, Act IV: Era più calma?...Mia madre aveva una povera ancella
recording of:
Otello: Atto IV. “Era più calmo?” (Emilia, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi10:08
6Otello, Act IV: Ave Maria
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:30
7L'altra notte in fondo al mare (Act III)
baritone vocals [Mefistofele]:
Norman Treigle (bass-baritone)
soprano vocals [Margherita]:
Montserrat Caballé (soprano)
tenor vocals [Faust]:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Julius Rudel (conductor)
recording of:
Mefistofele: Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele)
composer and librettist:
Arrigo Boϊto (librettist, composer)
publisher:
G. Ricordi & Co. London (UK division) and G. Ricordi & Co. Milan (Italian publisher)
part of:
Mefistofele: Atto III
Arrigo Boito6:30
8Manon Lescaut, Act 2: "In quelle trine morbide" (Manon)
soprano vocals [Manon]:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:23
9Manon Lescaut, Act II: Oh, sarò la più bella! (Manon/Des Grieux)
soprano vocals [Manon]:
Montserrat Caballé (soprano)
tenor vocals [Des Grieux]:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini8:08
10Manon Lescaut Act IV: Sola, perduta, abbandonata (Manon)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Giacomo Puccini5:09
11La Bohème: Si, mi chiamano Mimi
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:18
12La Bohème, Act 3: "Donde lieta usci al tuo grido" (Mimi)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-03-31 until 1970-04-10)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:25
4▼Digital Media
#TitleArtistRatingLength
1Tosca, Act 2: "Vissi d'arte" (Tosca)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:42
2Madama Butterfly Lib. Giacosa and Illica, ACT 2: Un bel dì vedremo
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Butterfly]:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-03-31 until 1970-04-10)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:28
3Madama Butterfly Lib. Giacosa and Illica: Tu? tu? piccolo iddio
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-03-31 until 1970-04-10)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:40
4Turandot: Signore, ascolta
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-03-31 until 1970-04-10)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:35
5Turandot: Tu che di gel sei cincta
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:34
6Turandot, Act 2 : "In questa Reggia" (Turandot, Calaf, Coro)
choir vocals:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
soprano vocals [Turandot]:
Montserrat Caballé (soprano)
tenor vocals [Calaf]:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini7:11
7Gianni Schicchi: "O mio babbino caro" (Lauretta)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Lauretta]:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-03-31 until 1970-04-10)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:49
8La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini3:12
9Cavalleria rusticana: "Regina Coeli ... Inneggiamo, il Signor non è morto"
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1979)
soprano vocals [Lucia]:
Astrid Varnay (soprano) (in 1979)
soprano vocals [Santuzza]:
Montserrat Caballé (soprano) (in 1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
recording of:
Cavalleria rusticana: “Inneggiamo …” (Santuzza, Lucia, coro esterno) (preghiera) (in 1979)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni5:39
10Cavalleria rusticana: "Voi lo sapete, o mamma" (Santuzza, Lucia)
contralto vocals [Lucia]:
Astrid Varnay (soprano) (in 1979)
soprano vocals [Santuzza]:
Montserrat Caballé (soprano) (in 1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
recording of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia) (in 1979)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni5:47
11Cavalleria rusticana: Tu qui, Santuzza?...No, no, Turiddu
recording of:
Cavalleria Rusticana: "No, no, Turiddu" (Santuzza, Turiddu)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
recording of:
Cavalleria rusticana: “Tu qui, Santuzza?” (Turiddu, Santuzza)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni12:21
12Andrea Chénier, Act 4: "Vicino a te" (Chénier, Maddalena)
recording of:
Andrea Chénier: Atto IV. “Vicino a te” (Chénier, Maddalena)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano7:37
13Canto a Sevilla, op. 37: Las fuentecitas del parque
piano:
Alexis Weissenberg
soprano vocals:
Montserrat Caballé (soprano)
recording of:
Canto a Sevilla, op. 37: III. Las fuentecitas del parque
lyricist:
José Muñoz San Román (poet)
composer:
Joaquín Turina (Spanish composer) (in 1925)
part of:
Canto a Sevilla, op. 37
Joaquín Turina4:00
14Cinco canciones negras: Cuba dentro de un piano (R.Alberti)
piano:
Alexis Weissenberg
soprano vocals:
Montserrat Caballé (soprano)
recording of:
Cinco canciones negras, nº 1: Cuba dentro de un piano (for voice and piano)
lyricist:
Rafael Alberti (Spanish poet)
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
part of:
Cinco canciones negras (for voice and piano)
Xavier Montsalvatge4:23
15Cinco canciones negras: Chevère (N.Guillén)
piano:
Alexis Weissenberg
soprano vocals:
Montserrat Caballé (soprano)
recording of:
Cinco canciones negras, nº 2: Punto de habanera (for voice and piano)
lyricist:
Néstor Luján
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
part of:
Cinco canciones negras (for voice and piano)
Xavier Montsalvatge2:03
16Cinco canciones negras: Punto de habanera (N.Lujan)
piano:
Alexis Weissenberg
soprano vocals:
Montserrat Caballé (soprano)
recording of:
Cinco canciones negras, nº 3: Chévere (for voice and piano)
lyricist:
Nicolás Guillén
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
part of:
Cinco canciones negras (for voice and piano)
Xavier Montsalvatge1:59
17Cinco canciones negras: Canción de cuna para dormir a un negrito (I.P. Valdes)
piano:
Alexis Weissenberg
soprano vocals:
Montserrat Caballé (soprano)
recording of:
Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito (for voice and piano)
lyricist:
Ildefonso Pereda Valdés
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
part of:
Cinco canciones negras (for voice and piano)
Xavier Montsalvatge2:51
18Cinco canciones negras: Canto negro (N.Guillén)
piano:
Alexis Weissenberg
soprano vocals:
Montserrat Caballé (soprano)
recording of:
Cinco canciones negras, nº 5: Canto negro (for voice and piano)
lyricist:
Nicolás Guillén
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
part of:
Cinco canciones negras (for voice and piano)
Xavier Montsalvatge1:09