Oscar Peterson Plays (5 CD box containing 10 original vinyl LP's)

~ Pubblicazione di Oscar Peterson (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Two original albums per CD. Cole Porter, Irving Berlin CD1; George Gershwin, Duke Ellington CD2; Jerome Kern, Richard Rogers CD3; Vincent Youmans,Harry Warren CD4; Harold Arlen, Jimmy McHugh CD5

Annotazione modificata l'ultima volta il 2018-08-22 02:57 UTC.

Elenco tracce

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1▼CD: Plays Cole Porter; Plays Irving Berlin
#TitoloValutazioneDurata
1What Is This Thing Called Love
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
3:10
2Begin the Beguine
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Begin the Beguine (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
3:12
3I've Got You Under My Skin
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12, nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952, nel 1952-12)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952, nel 1952-12)
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
2:30
4Love for Sale
registrata a:
Los Angeles, California, Stati Uniti (il 1951-11-25)
basso :
Ray Brown (jazz bassist) (il 1951-11-25)
chitarra :
Barney Kessel (il 1951-11-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1951-11-25)
registrazione strumentale di:
Love for Sale (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
3:12
5Let's Do It
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Let’s Do It (Let’s Fall in Love) (Paris musical) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
2:54
6I Love You
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12, nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952, nel 1952-12)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952, nel 1952-12)
registrazione strumentale di:
I Love You (Mexican Hayride musical) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
registrazione strumentale di:
I Love You (Mexican Hayride musical) (nel 1952)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
registrazione di:
I Love You (Mexican Hayride musical)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:06
7So Near and Yet So Far
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
So Near and Yet So Far (from “You’ll Never Get Rich”) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1941)
3:21
8Just One of Those Things
registrata a:
Los Angeles, California, Stati Uniti (il 1952-02-26)
batteria :
Alvin Stoller (il 1952-02-26)
chitarra :
Barney Kessel (il 1952-02-26)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1952-02-26)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-02-26)
registrazione strumentale di:
Just One of Those Things (il 1952-02-26)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
3:02
9In the Still of the Night
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
In the Still of the Night (Cole Porter song) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (company that specialized in library and production music) e Chappell & Co., Inc. (USA)
3:00
10Night and Day
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
3:38
11Ev'ry Time We Say Goodbye
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:26
12Anything Goes
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Anything Goes (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
parte di:
Anything Goes
2:57
13I've Got My Love to Keep Me Warm
registrazione strumentale di:
I’ve Got My Love to Keep Me Warm
paroliere e compositore:
Irving Berlin (nel 1937)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:49
14Isn't This a Lovely Day?
registrazione strumentale di:
Isn’t This a Lovely Day? (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
3:19
15Easter Parade
registrazione strumentale di:
Easter Parade (from “Easter Parade”)
paroliere e compositore:
Irving Berlin (nel 1933)
parte di:
Easter Parade (full musical)
3:15
16How Deep Is the Ocean (How High Is the Sky)
registrazione strumentale di:
How Deep Is the Ocean?
paroliere e compositore:
Irving Berlin (nel 1932)
editore:
Francis, Day & Hunter Ltd. e Irving Berlin Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:05
17Remember
registrazione strumentale di:
Remember
paroliere e compositore:
Irving Berlin (nel 1925)
editore:
Irving Berlin Music Corp. e Williamson Music Company
3:20
18The Song Is Ended
registrazione strumentale di:
The Song Is Ended (but the Melody Lingers On)
paroliere:
Irving Berlin
compositore:
Irving Berlin (nel 1927)
editore:
Irving Berlin Music Corp. e Williamson Music Company
3:20
19Blue Skies
registrazione strumentale di:
Blue Skies
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:02
20If I Had You
registrazione strumentale di:
If I Had You (obscure Irving Berlin song)
paroliere e compositore:
Irving Berlin
3:12
21Cheek to Cheek
registrazione strumentale di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
3:02
22Alexander's Ragtime Band
registrazione strumentale di:
Alexander’s Ragtime Band
paroliere e compositore:
Irving Berlin (nel 1911)
editore:
Williamson Music, Inc.
2:52
23Say It Isn't So
registrazione strumentale di:
Say It Isn’t So
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Music Corp.
3:09
24Always
registrazione strumentale di:
Always
paroliere e compositore:
Irving Berlin (nel 1925)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Inc. e Irving Berlin Music
2:50
2▼CD: Plays George Gershwin; Plays Duke Ellington
#TitoloValutazioneDurata
1The Man I Love
registrazione strumentale di:
The Man I Love
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
3:31
2Fascinating Rhythm
registrazione strumentale di:
Fascinatin’ Rhythm
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer) (nel 1924)
editore:
WB Music Corp. (renewed) (1929–2019) e Harms, Inc. (nel 1924)
parte di:
Girl Crazy (1930 Musical)
parte di:
Lady, Be Good (full musical)
2:56
3It Ain't Necessarily So
registrazione strumentale di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:12
4Somebody Loves Me
registrazione strumentale di:
Somebody Loves Me
paroliere:
Buddy DeSylva e Ballard MacDonald
compositore:
George Gershwin (composer) (nel 1924)
editore:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) e Stephen Ballentine Music Publishing Co.
parte di:
Broadway Rhythm (film)
3:23
5Strike Up the Band
registrazione strumentale di:
Strike Up the Band (1927 Gershwin song)
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
parte di:
My One and Only (1983 Broadway musical)
parte di:
Strike up the Band (1927 Gershwin musical)
3:15
6I've Got a Crush on You
registrazione strumentale di:
I’ve Got a Crush on You
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
New World Music Corp. (conclusa), Warner Bros. Music Corp. (conclusa), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Treasure Girl (1928 musical)
2:52
7I Was Doing All Right
registrazione strumentale di:
I Was Doing All Right
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1938)
parte di:
The Goldwyn Follies
2:41
8's Wonderful
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12)
chitarra :
Barney Kessel (nel 1952)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952)
registrazione strumentale di:
’S Wonderful (nel 1952)
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
registrazione di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
42:38
9Oh Lady Be Good
registrazione strumentale di:
Oh, Lady Be Good!
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
American Splendor
parte di:
Lady, Be Good (full musical)
3:50
10I Got Rhythm
registrazione strumentale di:
I Got Rhythm
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
Chappell Music Ltd., Warner/Chappell Music Holland BV e New World Music Co. (nel 1930)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
3:16
11A Foggy Day
registrazione strumentale di:
A Foggy Day (in London Town)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
3:37
12Love Walked In
registrazione strumentale di:
Love Walked In
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1930)
editore:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Gershwin Publishing Corp (nel 1938)
parte di:
The Goldwyn Follies
3:07
13John Hardy's Wife
registrazione di:
John Hardy's Wife
compositore:
Mercer Ellington
3:21
14Sophisticated Lady
registrazione strumentale di:
Sophisticated Lady
paroliere:
Mitchell Parish e Irving Mills (nel 1932)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1932)
editore:
Duke Ellington Music (conclusa), Mills Music, Inc. (conclusa), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (fino al 2007-05) e Sony/ATV Harmony (dal 2007-05 a oggi)
parte di:
Sophisticated Ladies (1981 musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
2:58
15Things Ain't What They Used to Be
registrazione strumentale di:
Things Ain’t What They Used to Be
paroliere:
Ted Persons
compositore:
Mercer Ellington (nel 1942)
editore:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:12
16Just A-Sittin' and A–rockin’
registrazione strumentale di:
Just A‐Sittin’ and A‐Rockin’
paroliere:
Lee Gaines (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941) e Billy Strayhorn (nel 1941)
3:41
17In a Mellow Tone
registrazione strumentale di:
In a Mellow Tone
paroliere:
Milt Gabler (nel 1939)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1939)
editore:
EMI Robbins e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:07
18I Got It Bad (And That Ain't Good)
registrazione strumentale di:
I Got It Bad (and That Ain’t Good)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
parte di:
The Real Book (compilation of jazz standards, volume I)
3:11
19Prelude to a Kiss
registrazione strumentale di:
Prelude to a Kiss
paroliere:
Irving Gordon (US songwriter) (nel 1938) e Irving Mills (nel 1938)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1938)
editore:
J. R. Lafleur & Son Ltd. e Lafleur Music Ltd.
3:16
20Cotton Tail
registrazione strumentale di:
Cotton Tail
paroliere e compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:49
21Don't Get Around Much Anymore
registrazione strumentale di:
Don’t Get Around Much Anymore
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
3:57
22Take the "A" Train
registrazione strumentale di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
3:15
23Rockin' in Rhythm
registrazione strumentale di:
Rockin’ in Rhythm
compositore:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) e Irving Mills
si basa su:
Kinda Dukish
2:53
24Do Nothin' Till You Hear From Me
registrazione strumentale di:
Do Nothin’ Till You Hear From Me
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1943)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1943)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Harmony
versione di:
Concerto for Cootie
2:48
3▼CD: Plays Jerome Kern; Plays Richard Rodgers
#TitoloValutazioneDurata
1The Way You Look Tonight
registrazione strumentale di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
2:28
2Pick Yourself Up
registrazione strumentale di:
Pick Yourself Up (from “Swing Time”)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jerome Kern
parte di:
Swing Time (film)
3:23
3Yesterdays
registrazione strumentale di:
Yesterdays
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
2:36
4I Won't Dance
registrazione strumentale di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:06
5Long Ago and Far Away
registrazione strumentale di:
Long Ago (and Far Away)
paroliere:
Ira Gershwin
compositore:
Jerome Kern
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e T.B. Harms Co. (nel 1944)
parte di:
The 17th Academy Award for Best Original Song (numero: 2)
compresa in:
Cover Girl (1944)
3:46
6Lovely to Look At
registrazione strumentale di:
Lovely to Look at
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern (nel 1935)
compositore aggiunto:
Jimmy McHugh (songwriter)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
2:06
7A Fine Romance
registrazione strumentale di:
A Fine Romance (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
3:15
8Smoke Gets in Your Eyes
registrazione strumentale di:
Smoke Gets in Your Eyes
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
2:51
9Ol Man River
registrazione strumentale di:
Ol’ Man River (Show Boat)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1927)
compositore:
Jerome Kern (nel 1927)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) e T.B. Harms Co. (il 1927-11-30)
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act I
3:22
10Bill
registrazione strumentale di:
Bill (Show Boat)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) e P. G. Wodehouse
compositore:
Jerome Kern
editore:
T.B. Harms Co. (nel 1927)
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act II
2:31
11The Song Is You
registrazione strumentale di:
The Song Is You
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Jerome Kern
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) e T.B. Harms Co.
2:27
12Can't Help Loving That Man
registrazione strumentale di:
Can’t Help Lovin’ Dat Man (Show Boat)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1927)
compositore:
Jerome Kern (nel 1927)
editore:
T.B. Harms Co.
medley di:
Selections from "Show boat"
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act I
parte di:
The Real Book (compilation of jazz standards, volume I)
2:42
13This Can't Be Love
registrazione strumentale di:
This Can’t Be Love
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
3:03
14It Might as Well Be Spring
registrazione strumentale di:
It Might as Well Be Spring (State Fair)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1945)
compositore:
Richard Rodgers (composer) (nel 1945)
editore:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 18th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1945 winner)
parte di:
State Fair (1945 film soundtrack)
parte di:
State Fair (1962 film soundtrack)
parte di:
State Fair
3:11
15Bewitched, Bothered and Bewildered
registrazione strumentale di:
Bewitched, Bothered and Bewildered (Pal Joey)
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
WB Music Group (conclusa), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Williamson Music Company
parte di:
Pal Joey
2:32
16Johnny One Note
registrazione strumentale di:
Johnny One Note
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co.
parte di:
Babes in Arms (full musical)
2:29
17The Surrey With the Fringe on Top
registrazione strumentale di:
The Surrey With the Fringe on Top
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Williamson Music Company (dal 1943 a oggi)
parte di:
Oklahoma! (Rodgers & Hammerstein musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
3:54
18The Lady Is a Tramp
registrazione strumentale di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
2:55
19Blue Moon
registrazione strumentale di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
2:55
20Thou Swell
registrazione strumentale di:
Thou Swell
paroliere:
Lorenz Hart (nel 1927)
compositore:
Richard Rodgers (composer) (nel 1927)
editore:
Marlin Enterprises e Warner Bros. (holding: file NO releases)
2:28
21Isn't It Romantic
registrazione strumentale di:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Sony/ATV Harmony
3:51
22Manhattan
registrazione strumentale di:
Manhattan
paroliere:
Lorenz Hart (nel 1925)
compositore:
Richard Rodgers (composer) (nel 1925)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company e Williamson Music Company
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:43
23Lover
registrazione strumentale di:
Lover
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:14
4▼CD: Plays Vincent Youmans; Plays Harry Warren
#TitoloValutazioneDurata
1Tea for Two
registrazione strumentale di:
Tea for Two (No, No, Nanette)
paroliere:
Irving Caesar
compositore:
Vincent Youmans
editore:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1924-06-10)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
No, No, Nanette
6:08
2Time on My Hands
registrazione strumentale di:
Time on My Hands
paroliere:
Harold Adamson (nel 1930) e Mack Gordon (nel 1930)
compositore:
Vincent Youmans (nel 1930)
editore:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (nel 1930, nel 1956, nel 1986), Miller Music Corp. (nel 1930, nel 1956) e WB Music Corp. (1929–2019) (nel 1930, nel 1956)
2:38
3I Know That You Know
registrazione strumentale di:
I Know That You Know (Caldwell & Youmans)
paroliere:
Anne Caldwell
compositore:
Vincent Youmans
parte di:
Hit the Deck (1955 movie)
3:51
4Sometimes I'm Happy
registrazione strumentale di:
Sometimes I’m Happy
paroliere:
Vincent Youmans
compositore:
Irving Caesar
editore:
Harms, Inc.
parte di:
Hit the Deck (1927 musical)
parte di:
Hit the Deck (1955 movie)
3:16
5Great Day
3:11
6More Than You Know
registrazione strumentale di:
More Than You Know
paroliere:
Edward Eliscu e Billy Rose (lyricist and Broadway producer)
compositore:
Vincent Youmans
editore:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
parte di:
Great Day!
parte di:
Hit the Deck (1955 movie)
3:01
7Hallelujah
registrazione strumentale di:
Hallelujah!
paroliere:
Clifford Grey (nel 1927) e Leo Robin (US composer, lyricist & songwriter) (nel 1927)
compositore:
Vincent Youmans (nel 1927)
parte di:
Hit the Deck (1955 movie)
3:21
8Carioca
registrazione strumentale di:
Carioca (from "Flying Down to Rio")
paroliere:
Edward Eliscu e Gus Kahn
compositore:
Vincent Youmans
parte di:
Academy Award for Best Original Song (numero: 1934 nominee)
2:52
9Without a Song
registrazione strumentale di:
Without a Song
paroliere:
Edward Eliscu e Billy Rose (lyricist and Broadway producer)
compositore:
Vincent Youmans
editore:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild e WB Music Corp. (1929–2019)
parte di:
Great Day!
2:57
10I Want to Be Happy
registrazione strumentale di:
I Want to Be Happy (No, No, Nanette)
paroliere:
Irving Caesar e Otto Harbach
compositore:
Vincent Youmans
parte di:
No, No, Nanette
5:36
11Nagasaki
registrazione strumentale di:
Nagasaki
paroliere:
Mort Dixon
compositore:
Harry Warren (US composer and lyricist) (nel 1928)
3:04
12Serenade in Blue
registrazione strumentale di:
Serenade in Blue
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc.
3:12
13Lullabye of Broadway
registrazione strumentale di:
Lullaby of Broadway (from “Gold Diggers of 1935”)
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist) (nel 1935)
editore:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 winner)
parte di:
42nd Street (full musical)
3:08
14I Found a Million Dollar Baby in a Five and Ten Cent Store
registrazione strumentale di:
I Found a Million Dollar Baby (in a Five and Ten Cent Store)
paroliere:
Mort Dixon e Billy Rose (lyricist and Broadway producer)
compositore:
Harry Warren (US composer and lyricist)
editore:
Olde Clover Leaf Music e Warner Bros., Inc. (Warner Bros. Music Division)
4:01
15Would You Like to Take a Walk
registrazione strumentale di:
Would You Like to Take a Walk?
paroliere:
Mort Dixon e Billy Rose (lyricist and Broadway producer)
compositore:
Harry Warren (US composer and lyricist)
4:17
16I'll String Along With You
registrazione strumentale di:
I’ll String Along With You
paroliere:
Al Dubin (nel 1934)
compositore:
Harry Warren (US composer and lyricist) (nel 1934)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:16
17I Only Have Eyes for You
registrazione strumentale di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
4:09
18You Must Have Been a Beautiful Baby
registrazione strumentale di:
You Must Have Been a Beautiful Baby
paroliere:
Johnny Mercer
compositore:
Harry Warren (US composer and lyricist)
4:05
19You're Getting to Be a Habit With Me
registrazione strumentale di:
You’re Getting to Be a Habit With Me
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
3:48
20Chattanooga Choo Choo
registrazione strumentale di:
Chattanooga Choo Choo
paroliere:
Mack Gordon (nel 1941)
compositore:
Harry Warren (US composer and lyricist) (nel 1941)
editore:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 14th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1941 nominee)
2:37
21You're My Everything
registrazione strumentale di:
You’re My Everything
paroliere:
Mort Dixon e Joe Young (US lyricist)
compositore:
Harry Warren (US composer and lyricist)
3:35
5▶CD: Plays Harold Arlen; Plays Jimmy McHugh

Accreditamenti

Pubblicazione

ASIN:US: B075SVKWFC [info]