Dirty Dancing (Legacy Edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 24 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Be My Baby
sonstige Unterstützung:
Phil Spector (Aufgabe: under license of)
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
Interpret(in):
The Ronettes
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Phil Spector Records (in 1963)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1963-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 22)
recording of:
Be My Baby (in 1963-07)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. und Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (bis 2014-12-31), EMI Music Publishing Japan C.F. division (bis 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Ronettes4.152:39
2Where Are You Tonight?
Techniker(in):
Gene Foster (engineer)
Produzent(in):
Leon Medica
Sologesang:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
produced for:
Inside Track, Inc.
sonstige Unterstützung:
Inside Track, Inc. (Aufgabe: music consultant)
aufgenommen bei:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten
recording of:
Where Are You Tonight?
Verfasser(in):
Mark Scola
publisher:
Scola Songs (in 1987)
Tom Johnston43:59
3Stay
Kontrabass:
Albert Hill (double bassist)
Schlagzeug [drums]:
Willie Morrow
Baritongesang:
Charles Thomas (The Zodiacs)
Sologesang:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
Tenor-Gesang:
Wiley Bennett
Tenor-Gesang [falsetto tenor]:
Henry Gaston
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 1)
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams & the Zodiacs51:39
4Hungry Eyes
Techniker(in):
Jim DeMain
Produzent(in):
Eric Carmen
vocals:
Eric Carmen
remixer:
Jim DeMain und George Sipl
phonographisches Urheberrecht (℗) von:
BMG Music (in 1987) und Vestron Music Inc. (in 1987)
aufgenommen bei:
Beachwood Studios in Beachwood, Ohio, Vereinigte Staaten
Musikvideos:
Hungry Eyes (music video) von Eric Carmen
recording of:
Hungry Eyes
Verfasser(in):
John DeNicola und Franke Previte
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Knockout Music Company, R. U. Cyrius Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Jemava Music Corp. (in 1987) und Knockout Music Inc. (in 1987)
Eric Carmen44:07
5Overload
assistierende(r) Techniker(in):
Andy Koyama und Walter Soeczak
Techniker(in):
Jeff McCulloch
Produzent(in):
Alfie Zappacosta
vocals:
Zappacosta
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
aufgenommen bei:
Wellsley Sound Studios in Toronto, Ontario, Kanada
recording of:
Overload
Verfasser(in):
Alfie Zappacosta und Marco Luciani
publisher:
EMI April Music Inc., Songs of Peer, Ltd. (ASCAP), April Music (Canada) Ltd. (in 1987) und Magnetic Movements (in 1987)
Zappacosta43:41
6Hey Baby
Produzent(in):
Major Bill Smith
Mundharmonika:
Delbert McClinton
vocals:
Bruce Channel
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
recording of:
Hey! Baby
Verfasser(in):
Bruce Channel und Margaret Cobb
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) und Le Bill Music (in 1961)
Bruce Channel52:23
7Love Is Strange
vocals:
Mickey Baker und Sylvia Robinson
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 7)
recording of:
Love Is Strange (am 1956-10-17)
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
Mickey & Sylvia4.52:54
8You Don’t Own Me
Techniker(in):
Ben Kape
Produzent(in):
Peter Wilson (UK Producer)
Bassgitarre:
Mick Anker
Saxophon:
Neville Henry
Schlagzeug [drums]:
Tony Kiley (Blow Monkeys Drummer)
Sologesang:
Dr. Robert
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
aufgenommen bei:
Town House III Studio in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich
cover recording of:
You Don’t Own Me
Verfasser(in):
John Madara (in 1963) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. und Unichappell Music, Inc. (in 1963)
The Blow Monkeys43:03
9Yes
assistierende(r) Techniker(in):
Jimmy Hoysan
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
vocals:
Merry Clayton
arranger:
Gene Page
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
Michael Lloyd Studio in Beverly Hills, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Yes (music video) von Merry Clayton
recording of:
Yes
Verfasser(in):
Neal Cavanaugh, Terry Fryer und Tom Graf
publisher:
Play Fairchild Music, Sony/ATV Tunes LLC (ASCAP), The Flood Music Co., Inc. und Hands Down Music (in 1987)
Merry Clayton53:16
10In the Still of the Night
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:05
11She’s Like the Wind
assistierende(r) Techniker(in):
Dan Nebenzal
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
Sologesang:
Patrick Swayze
vocals:
Wendy Fraser
zusätzliche(r) Orchestrator(in):
John D’Andrea
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
Michael Lloyd Studio in Beverly Hills, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
She’s Like the Wind (music video) von Patrick Swayze
recording of:
She’s Like the Wind
Verfasser(in):
Patrick Swayze (in 1984) und Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (in 1987) und Troph Productions, Inc. (in 1987)
Patrick Swayze & Wendy Fraser4.353:51
12(I’ve Had) The Time of My Life
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes6:47
13Big Girls Don’t Cry
Techniker(in):
Gordon Clark (recording engineer)
Produzent(in):
Bob Crewe
Bassgitarre:
Nick Massi
Gitarre:
Tommy DeVito
Keyboard und Klavier:
Bob Gaudio
vocals:
Bob Gaudio, Tommy DeVito, Nick Massi und Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
conductor:
Charles Calello
Interpret(in):
The Four Seasons (aka Frankie Valli and the Four Seasons)
vocals arranger:
Nick Massi
Orchestrator(in):
Charles Calello
engineered at:
Stea-Phillips in New York, New York, Vereinigte Staaten
recording of:
Big Girls Don’t Cry
Verfasser(in):
Crewe und Gaudio
publisher:
BoBoB Music Corp., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Reservoir 416 und Claridge Music (publisher) (in 1962)
Frankie Valli & The Four Seasons42:25
14Merengue
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
Interpret(in):
Le Disc und Michael Lloyd (US guitarist/singer producer)
recording of:
Merengue
Verfasser(in):
Erich Bulling, John D’Andrea und Michael Lloyd (US guitarist/singer producer)
publisher:
BMG Songs, Inc., Curb Songs, Heavy Harmony Music, Scoreboard Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Michael Lloyd & Le Disc2:16
15Some Kind of Wonderful
Produzent(in):
Jerry Leiber und Mike Stoller
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters)
Sologesang:
Rudy Lewis
vocals:
Tommy Evans (US r&b bass vocalist for The Drifters), Dock Green und Charlie Thomas (The Drifters)
recording of:
Some Kind of Wonderful
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:36
16Johnny’s Mambo
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
Interpret(in):
Le Disc und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988)
recording of:
Johnny’s Mambo
Verfasser(in):
Erich Bulling, John D’Andrea und Michael Lloyd (composer)
publisher:
BMG Songs, Inc., Curb Songs, Heavy Harmony Music, Scoreboard Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Michael Lloyd & Le Disc2:59
17Do You Love Me
Produzent(in):
Berry Gordy Jr.
Gitarre:
Huey Davis (guitarist) (am 1962-06-03)
Instrumente:
The Funk Brothers (am 1962-06-03)
Hintergrundgesang:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (am 1962-06-03), Hubert Johnson (singer) (am 1962-06-03) und Sylvester Potts (am 1962-06-03)
Sologesang:
Billy Gordon (The Contours) (am 1962-06-03)
zusätzlich Sologesang:
Billy Hoggs (am 1962-06-03)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-03)
Musikvideos:
Do You Love Me (music video) von The Contours (60s soul)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 9)
recording of:
Do You Love Me (am 1962-06-03)
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Contours4.352:53
18Love Man
Produzent(in):
Steve Cropper
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
vocals:
Otis Redding
recording of:
Love Man
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc.
Otis Redding42:17
19Gazebo Waltz
Michael Lloyd2:08
20Wipeout
Produzent(in):
Charles Bud Dant
Bassgitarre:
Pat Connolly
Gitarre [lead guitar]:
Jim Fuller (surf rock guitarist)
Gitarre [rhythm guitar]:
Bob Berryhill
Schlagzeug [drums]:
Ron Wilson (drummer of The Surfaris)
Sprecher:
Dale Smallin
aufgenommen bei:
Pal Recording Studio in Rancho Cucamonga, California (Kalifornien), Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 38)
recording of:
Wipe Out
Komponist(in):
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) und Ron Wilson (drummer of The Surfaris)
publisher:
Miraleste Music und Robin Hood Music Co.
The Surfaris42:38
21These Arms of Mine
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-10)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
Bassgitarre:
Lewie Steinberg (in 1962-10)
Gitarre:
Steve Cropper (in 1962-10) und Johnny Jenkins (US blues guitarist) (in 1962-10)
Klavier:
Steve Cropper (in 1962-10)
Orgel:
Booker T. Jones (in 1962-10)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
Tenorsaxophon:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding3.82:32
22De todo un poco
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988)
cover recording of:
De todo un poco
Texter und Komponist(in):
Lou Pérez (New York latin musician)
publisher:
V Publ., Inc.
Michael Lloyd & Le Disc2:28
23Cry to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1961-12-06)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Berns und Jerry Wexler
alto saxophone:
Leon Cohen (woodwind player) (am 1961-12-06)
Gitarre:
Don Arnone (am 1961-12-06), Everett Barksdale (am 1961-12-06), Al Caiola (am 1961-12-06) und Bucky Pizzarelli (am 1961-12-06)
Klavier:
Hank Jones (piano) (am 1961-12-06)
Kontrabass [bass]:
Art Davis (US jazz double bassist) (am 1961-12-06)
Orgel:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1961-12-06)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-12-06)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1961-12-06)
Vibraphon [vibes]:
Phil Kraus (am 1961-12-06)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-12-06)
vocals:
Solomon Burke (am 1961-12-06)
conductor:
Klaus Ogerman (am 1961-12-06)
arranger:
Klaus Ogerman
recording of:
Cry to Me
Texter und Komponist(in):
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC und Unichappell Music, Inc.
Solomon Burke3.252:33
24Trot the Fox
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
Interpret(in):
Le Disc und Michael Lloyd (US guitarist/singer producer)
recording of:
Trot the Fox
Verfasser(in):
John D’Andrea und Michael Lloyd (US guitarist/singer producer)
publisher:
BMG Songs, Inc., Curb Songs und Scoreboard Music
Michael Lloyd & Le Disc2:05
25Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:41
26Kellerman’s Anthem
The Emile Bergstein Chorale3:03
27(I’ve Had) The Time of My Life (instrumental version)
Produzent(in):
John Morris (film and TV composer, piano, arranger, orchestrator, music director)
Musikvideos:
(I’ve Had) The Time of My Life (music video) von The John Morris Orchestra
The John Morris Orchestra0:58