Tosca

~ Release by Herbert von Karajan,Wiener Philharmoniker (see all versions of this release, 7 available)

Tracklist

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1▼Hybrid SACD
#TitleArtistRatingLength
1Tosca: Act I. "Ah! Finalmente!" (Angelotti)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Angelotti]:
Carlo Cava (operatic bass) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:08
2Tosca: Act I. "E sempre lava!" (Sagrestano, Cavaradossi)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Angelus Domini nuntiavit Mariae” (Sagrestano, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:22
3Tosca: Act I. "Dammi i colori!" / "Recondita armonia" (Cavaradossi, Sagrestano)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1962-09)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:24
4Tosca: Act I. "Voi! Cavaradossi!" (Angelotti, Cavaradossi, Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Angelotti]:
Carlo Cava (operatic bass) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:00
5Tosca: Act I. "Mario! Mario! Mario!" (Tosca, Cavaradossi)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Mia gelosa!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini12:33
6Tosca: Act I. "È buona la mia Tosca" (Cavaradossi, Angelotti)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Angelotti]:
Carlo Cava (operatic bass) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:11
7Tosca: Act I. "Sommo giubilo, Eccellenza!" (Sagrestano)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1962-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:41
8Tosca: Act I. "Un tal baccano in chiesa!" (Scarpia, Sagrestano, Spoletta)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1962-09)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:02
9Tosca: Act I. "Or tutto è chiaro" (Scarpia, Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini7:40
10Tosca: Act I. "Tre sbirri, una carrozza" (Scarpia, Spoletta)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1962-09)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:05
2▼Hybrid SACD
#TitleArtistRatingLength
1Tosca: Act II. "Tosca è un buon falco!" (Scarpia, Sciarrone)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
bass vocals [Sciarrone]:
Leonardo Monreale (operatic bass) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:55
2Tosca: Act II. "Ha più forte sapore" (Scarpia, Sciarrone)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
bass vocals [Sciarrone]:
Leonardo Monreale (operatic bass) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:33
3Tosca: Act II. "O galantuomo, come andò la caccia?" (Scarpia, Spoletta, Cavaradossi, Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:49
4Tosca: Act II. "Ov'è Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:48
5Tosca: Act II. "Sciarrone, che dice il Cavalier?" (Scarpia, Sciarrone, Tosca, Cavaradossi)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
bass vocals [Sciarrone]:
Leonardo Monreale (operatic bass) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:56
6Tosca: Act II. "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
bass vocals [Sciarrone]:
Leonardo Monreale (operatic bass) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:37
7Tosca: Act II. "Floria" … "Amore" (Cavaradossi, Tosca, Scarpia, Sciarrone)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1962-09 until 1969-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:28
8Tosca: Act II. "Vittoria! Vittoria!" (Cavaradossi, Tosca, Scarpia)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
bass vocals [Sciarrone]:
Leonardo Monreale (operatic bass) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:40
9Tosca: Act II. "Quanto?" (Tosca, Scarpia)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:45
10Tosca: Act II. "Vissi d'arte" (Tosca, Scarpia)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:46
11Tosca: Act II. "Chi è la?" (Scarpia, Spoletta, Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:47
12Tosca: Act II. "Io tenni la promessa" (Scarpia, Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
baritone vocals [Scarpia]:
Giuseppe Taddei (baritone) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini6:50
13Tosca: Act III. "Io de' sospiri" (Un pastore)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
alto vocals [Un pastore]:
Herbert Weiss (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:32
14Tosca: Act III. "Mario Cavaradossi?" (Carceriere, Cavaradossi)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Carceriere]:
Alfredo Mariotti (baritone) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:10
15Tosca: Act III. "E lucevan le stelle" (Cavaradossi)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1962-09)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:03
16Tosca: Act III. "Ah! Franchigia a Floria Tosca" (Cavaradossi, Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:43
17Tosca: Act III. "O dolci mani" (Cavaradossi, Tosca, Carceriere)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Carceriere]:
Alfredo Mariotti (baritone) (in 1962-09)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini8:19
18Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:25
19Tosca: Act III. "Presto, su! Mario! Mario!" (Tosca, Sciarrone, Spoleta)
engineer:
James Brown (Decca engineer, 1960s) (in 1962-09) and Gordon Parry (engineer) (in 1962-09)
producer:
John Culshaw
bass vocals [Sciarrone]:
Leonardo Monreale (operatic bass) (in 1962-09)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals [Tosca]:
Leontyne Price (soprano) (in 1962-09)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1962-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1962-09)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:27