Classics for Relaxation and Meditation

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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3 Jewel Cases in a cardboard slipcase. Individual cat#s: MSB-2-8708-1/2/3

Anmerkung zuletzt geändert am 2025-12-17 00:36 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Jesus Is Always My Gladness, Chorale - Cantata no. 147, “Herz und Mund und Tat und Leben”, BWV 147 (BC A174)
Orgel:
Wolfgang Rübsam (organist)
Trompete:
Wolfgang Basch
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:34
2Concerto à cinque, for 2 solo violins, violin, viola, cello & continuo no. 1 in B-flat major, op. 9/1, T. 9/1: Adagio
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto à cinque in B-flat major, op. 5 no. 1: II. Adagio
Komponist(in):
Tomaso Giovanni Albinoni (Italian Baroque composer)
Teil von:
Concerto à cinque in B-flat major, op. 5 no. 1
Tomaso Giovanni Albinoni1:32
3Concerto for organ (or harpsichord), strings & continuo in G major, H. 444, Wq. 34: Largo
Orgel:
Harald Feller (German organist)
Orchester:
Capella Istropolitana
conductor:
Paul Kantschieder (conductor)
recording of:
Concerto in G major for Organ & Strings, Wq. 34, H. 444: II. Largo
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer) (in 1755)
Teil von:
Concerto in G major for Organ & Strings, Wq. 34, H. 444
Carl Philipp Emanuel Bach8:21
4Piano Sonata no. 14 in C-sharp minor (“Moonlight Sonata”), op. 27/2: Quasi una fantasia (Adagio sostenuto)
Audio-Engineering:
Südwest Tonstudio (engineering)
Flügel und Solo-Klavier:
Dubravka Tomšič (pianist)
Klavier:
Silvia Čápová (pianist), Debra Ruth Zobel und Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto) (in 1986-04)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven6:06
5Mass no. 2, for chorus & winds in E minor, WAB 27: Kyrie eleyson
recording of:
Mass no. 2 in E minor: I. Kyrie
Komponist(in):
Anton Bruckner (Austrian composer)
Teil von:
Mass no. 2 in E minor, WAB 27
Anton Bruckner6:25
6Piano Concerto no. 26 in D major (“Coronation”) K. 537: Larghetto
Klavier:
Angela Giulini (fictitious pianist created by Alfred Scholz) und Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”: II. Larghetto (Konzert für Klavier und Orchester Nr. 26 D-Dur, KV 537 "Krönungskonzert": II. Larghetto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-02-24)
Teil von:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”
Wolfgang Amadeus Mozart5:50
7Symphony no. 8 in B minor (“Unfinished”), D. 759: Andante con moto
Orchester:
Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) und Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
Komponist(in):
Franz Schubert (composer) (in 1822)
Teil von:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:26
8Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, op. 73: Tender and With Expression
recording of:
Fantasiestücke für Klarinette und Klavier, op. 73: Nr. 1. Zart und mit Ausdruck
Komponist(in):
Robert Schumann (German classical composer) (in 1849)
Teil von:
Drei Fantasiestücke für Klarinette und Klavier, op. 73
Robert Schumann3:15
9Symphonic Poem [Excerpt] - Vltava (The Moldau), symphonic poem (Má Vlast no. 2), JB 1:112/2
teilweise recording of:
Má vlast: II. Vltava, JB 1:112/2 (Mein Vaterland JB 1:112: II. Vltava - Die Moldau, Die Moldau)
Komponist(in):
Bedřich Smetana (composer) (von 1874-11-20 bis 1874-12-08)
Teil von:
B. number catalogue by František Bartoš (Nummer: B. 111)
basiert auf:
La Mantovana
Teil von:
Má vlast, JB 1:112 (Mein Vaterland, My Country / My Fatherland)
Bedřich Smetana4:22
10Valse Triste, for orchestra (from Kuolema), op. 44/1
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Valse triste, op. 44 no. 1 (for orchestra)
Komponist(in):
Jean Sibelius (Finnish composer) (in 1903)
überarbeitet von:
Jean Sibelius (Finnish composer) (in 1904)
Premiere bei:
Konsertti (1904-04-25)
Premiere bei:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finnland (am 1904-04-25)
Teil von:
2 Pieces from Kuolema, op. 44
Revision von:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
recording of:
Valse Triste, op. 44 no. 1 (catch-all for arrangements)
Komponist(in):
Jean Sibelius (Finnish composer) (von 1903 bis 1904, in 1904)
Arrangement von:
Valse triste, op. 44 no. 1 (for orchestra)
Jean Sibelius4:00
11Oboe Concerto in C major, K. 314 (K. 285d): Adagio
Oboe:
Božo Rogelja und Ivo Rogeljic
Orchester:
Camerata Labacensis (Slovenian chamber orchestra) und Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Kurt Redel (German flautist and conductor)
recording of:
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1777 bis 1778)
Teil von:
Oboe Concerto in C major, K. 314 / 271k
Wolfgang Amadeus Mozart5:54
12Piano Concerto no. 21 in C major (“Elvira Madigan”) K. 467: Andante
Instrumente:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
Klavier:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) und Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:35
2▼CD
Nr.TitelKünstlerBewertungLänge
1Souvenir de Florence, for string sextet or string orchestra in D major, op. 70: Adagio cantabile
Orchester:
Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym)
conductor:
Conrad von der Goltz (violinist)
recording of:
Souvenir de Florence in D minor, op. 70: II. Adagio cantabile e con moto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1890-06 bis 1890-07)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1891-11 bis 1892-01)
Teil von:
Souvenir de Florence in D minor, op. 70
Пётр Ильич Чайковский10:44
2Raindrop - Prelude for piano no. 15 in D-flat major, op. 28/15, CT. 180
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1836 bis 1839)
Teil von:
24 Préludes pour le piano, op. 28
Fryderyk Chopin4:54
3Symphony no. 4 in A major (“Italian”), op. 90: Andante con moto
Orchester:
Bamberger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz und Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Felix Mendelssohn5:47
4Liebesträume - notturno for piano no. 3 in A-flat major (“O Lieb, so lang du lieben kannst”), S. 541/3 (LW A103/3)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
Teil von:
Liebesträume, S. 541
Franz Liszt4:31
5Berceuse for piano, 4 hands in E major, op. 105: Lullaby
recording of:
Berceuse en mi majeur, op. 105 (Berceuse for piano, 4 hands in E major, op. 105, for piano four hands)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Works of Camille Saint-Saëns by opus number (Nummer: op. 105)
Camille Saint‐Saëns5:26
6Berceuse for piano in D-flat major, op. 57, CT. 7: Lullaby
Klavier:
Peter Schmalfuss (pianist)
recording of:
Berceuse in D‐flat major, op. 57 (beendet)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
gewidmet:
Elise Gavard
Teil von:
Works of Fryderyk Chopin by opus number (Nummer: op. 57)
Fryderyk Chopin5:10
7Woodwind Quintet in E-flat major, op. 88/2: Andante grazioso
Blasinstrumente:
Stuttgart Quintet of Wind Instruments (Stuttgart Wind Quintet)
Blasinstrumente [wind quintet]:
Stuttgarter Bläserquintett (Stuttgart Wind Quintet)
recording of:
Bläserquintett Es-Dur, op. 88 Nr. 2: III. Andante grazioso
Komponist(in):
Antoine Reicha (composer, also known as Anton Reicha, Antonín Reicha, Antonín Rejcha)
Teil von:
Bläserquintett Es-Dur, op. 88 Nr. 2
Antoine Reicha3:15
8Cello Concerto no. 1 in G major: Romance
Carl Stamitz5:01
9Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c): Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) und Akiko Miyazashi (flautist)
Harfe:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) und Taki Ozawa (harpist)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Festival Orchester Belgien, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Sinfonieorchester Baden‐Baden und Freiburg) und Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) und Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:38
10Piano Sonata no. 8 in C minor (“Pathétique”), op. 13: Adagio cantabile
Klavier:
Dubravka Tomšič (pianist) (in 1986-04)
Solo-Klavier:
Dubravka Tomšič (pianist)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (Klaviersonate Nr. 8 c-Moll, op. 13 "Sonate pathétique": II. Adagio cantabile) (in 1986-04)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:39
11Divertimento (Feldparthie) for 2 oboes, 2 horns, 3 bassoons & serpent in B-flat major (“Chorale St. Antoni”), H. 2/46: Andante
Blasinstrumente:
Stuttgart Quintet of Wind Instruments (Stuttgart Wind Quintet)
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym)
recording of:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
Komponist(in):
Joseph Haydn (composer)
Teil von:
Divertimento in B-flat major, Hob. II:46
Franz Joseph Haydn2:40
3▼CD
Nr.TitelKünstlerBewertungLänge
1Virgo virginium praeclara - Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58)
Orchester:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Stabat Mater, op. 58, B. 71: VII. Largo "Virgo virginum praeclara" (Coro)
Texter:
Jacopone da Todi
Komponist(in):
Antonín Dvořák (composer) (von 1877-10 bis 1877-11-13)
Teil von:
Stabat Mater, op. 58, B. 71
Antonín Dvořák6:46
2Divertimento no. 1 in B-flat major: Chorale
Blasinstrumente:
Stuttgart Quintet of Wind Instruments (Stuttgart Wind Quintet)
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym)
recording of:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
Komponist(in):
Joseph Haydn (composer)
Teil von:
Divertimento in B-flat major, Hob. II:46
Franz Joseph Haydn2:44
3Consolation in E major
recording of:
Consolation in E major, S. 172 no. 1: Andante con moto
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Consolations, S. 172
Revision von:
Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)
Franz Liszt3:14
4Symphony no. 5 in D major/D minor (“Reformation”), op. 107: Finale
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: IV. Choral “Ein’ feste Burg ist unser Gott” (Symphonie Nr. 5 D-Dur "Reformation", op. 107: IV. Choral "Ein' feste Burg ist unser Gott". Andante con moto - Allegro maestoso)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1830)
Teil von:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn8:42
5Evening Harmony - Études d’exécution transcendante (12 Transcendental Etudes), for piano, S. 139 (LW A172)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XI. “Harmonies du soir” in D‐flat major. Andantino
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
Teil von:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
Franz Liszt8:35
6Orchestral Suite no. 3 in D major, BWV 1068: Air
Orgel:
Hans D. Karras und Peter Maack
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach6:56
7Dance of the Blessed Spirits - Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck2:34
8Piano Concerto no. 1 in C major, op. 15: Largo
Klavier:
Dubravka Tomšič (pianist)
Orchester:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
Komponist(in):
Ludwig van Beethoven (German composer) (von 1796 bis 1797)
Teil von:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven12:01
9String Quartet no. 62 in C major (“Emperor”), op. 76/3, H. 3/77: Adagio cantabile
Streichquartett:
Caspar da Salo Quartet (string quartet, Alfred Scholz related) und Quartetto Pressenda (an Alfred Scholz pseudonym)
Orchester:
Caspar da Salo Quartet (string quartet, Alfred Scholz related)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile
Komponist(in):
Joseph Haydn (composer)
Version von:
Gott erhalte Franz, den Kaiser
Teil von:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Franz Joseph Haydn8:38

Nennungen

Veröffentlichung

ASIN:US: B000000LOH [Info]
andere Datenbanken:https://www.musik-sammler.de/release/1401518/ [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000156301 [Info]