NOW That’s What I Call 80s: Dancefloor

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Flashdance… What a Feeling (radio edit)
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:54
2I Wanna Dance With Somebody (Who Loves Me)
recording engineer und Mix:
David Frazer (engineer)
Perkussion-Programmierung:
Preston Glass
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
alto saxophone:
Marc Russo
Bass-Synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
elektronisches Schlagzeug / E-Drums [Simmons]:
Greg “Gigi” Gonaway
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Schlagzeug:
Narada Michael Walden
Synthesizer [synth horns]:
Sterling Smith
Synthesizer [synths]:
Walter Afanasieff
Hintergrundgesang:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) und Myrna Matthews
Hintergrundgesang und Sologesang:
Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
produced for:
Perfection Light Productions
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. und Rondor Music (London) Ltd.
Whitney Houston4.254:49
3All Night Long (All Night) (single version)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:16
4Teardrops (7” edit)
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:48
5A Night to Remember (single version)Shalamar3.53:30
6Can You Handle It? (radio edit)
Sharon Redd3:50
7Fake
recording of:
Fake
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Alexander O’Neal3:56
8Who’s Zoomin’ Who? (single version)Aretha Franklin4:07
9Somebody Else’s Guy (radio edit)
recording of:
Somebody Else’s Guy
Verfasser(in):
Annette E. Brown und Jocelyn Brown
publisher:
Jocelyn Brown's Music, SM Publishing (UK) Limited (Sony Music, 2009–2020), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Jocelyn Brown53:47
10Ain’t Nothin’ Goin’ on but the Rent
recording of:
Ain’t Nothin’ Goin’ On but the Rent
Texter und Komponist(in):
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:32
11Come Into My Life (radio edit)Joyce Sims33:43
12Say I’m Your Number One
recording of:
Say I’m Your Number One
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music
Princess33:38
13Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) und Stock Aitken Waterman
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:21
14Jive Talkin’
Boogie Box High4:37
15Last Night a D.J. Saved My Life (radio edit)
recording of:
Last Night a D.J. Saved My Life
Texter und Komponist(in):
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep44:38
16Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.34:09
17Girlfriend (single version)
recording of:
Girlfriend
Verfasser(in):
Antonio M. Reid und Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:14
18Straight Up (single version)
Produzent(in):
Keith Cohen und Elliot Wolff
recording of:
Straight Up
Texter und Komponist(in):
Elliot Wolff
publisher:
Elliot Wolff Music und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul43:48
19A Love Supreme (edit)
recording of:
A Love Supreme
Texter:
David Cole (US musician/producer, member of C+C Music Factory) und Will Downing (American soul, house singer, songwriter and producer)
Komponist(in):
John Coltrane
basiert auf:
A Love Supreme (entire suite)
Will Downing3:48
20Hangin’ on a String (Contemplating)
recording of:
Hangin' on a String (Contemplating)
Texter und Komponist(in):
Carl McIntosh, Jane Eugene und Steve Nichol (songwriter, producer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Brampton Music Ltd. (publisher), SM Publishing (UK) Limited (Sony Music, 2009–2020) und Virgin Music (Publishers) Ltd.
Loose Ends3:33
2Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I.O.U (7” version)
recording of:
I.O.U.
Verfasser(in):
Arthur Baker (American record producer and DJ) und John Robie
publisher:
Shakin’ Baker Music
Freeez3:48
2Walking on Sunshine (single version)
cover recording of:
Walking on Sunshine
Texter und Komponist(in):
Eddy Grant
publisher:
Greenheart Music
Rocker’s Revenge feat. Donnie Calvin3:42
3Buffalo Gals (edit)
recording of:
Buffalo Gals
Komponist(in):
Anne Dudley (English score composer), Trevor Horn und Malcolm McLaren
publisher:
Buffalo Music, Ltd., By Bug House Music, Unforgettable Music, Ltd., Universal Music Publishing, Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal-Polygram International, Inc.
Malcolm McLaren & The World’s Famous Supreme Team3:41
4(Hey You) The Rock Steady CrewThe Rock Steady Crew3.53:47
5Street Dance (7” version)
Break Machine3:42
6Hey DJ (7” version)
The World’s Famous Supreme Team3:26
7White Lines (Don’t Do It)
Produzent(in):
J. Chase und Sylvia Robinson
Mix:
Shameek
Bearbeitung von:
White Lines (Don’t Do It) von Grandmaster & Melle Mel (Melvin Glover aka Melle Mel)
recording of:
White Lines (Don’t Don’t Do It)
Verfasser(in):
Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
Four Hills Music Ltd und IQ Music Ltd.
basiert auf:
Cavern
Grandmaster Flash & Grandmaster Melle Mel34:27
8I Feel for You (edit)
cover recording of:
I Feel for You
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan34:05
9Let the Music Play (radio edit)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 417)
recording of:
Let the Music Play
Verfasser(in):
Chris Barbosa (Rhythm Method) und Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
Shannon3.653:28
10Point of No Return (7” version)
recording of:
Point of No Return (Exposé song)
Texter und Komponist(in):
Lewis A. Martineé
Exposé3:28
11Just a Mirage (2012 remastered)
Jellybean4:46
12Tell It to My Heart
Produzent(in):
Ric Wake
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3.753:38
13Jump (for My Love) (single remix)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Mix:
Michael Brooks (mixer) und James C. Tract
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters43:58
14Body Rock
phonographisches Urheberrecht (℗) von:
Capitol Records Ltd. (not for release label use; UK company)
recording of:
Body Rock
Verfasser(in):
John Bettis und Sylvester Levay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:40
15Just Be Good to Me
recording of:
Just Be Good to Me
Komponist(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band4:09
16I Can’t Wait (edit)
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:40
17Trapped
recording of:
Trapped
Verfasser(in):
Don Abrams und Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams3:40
18(Nothing Serious) Just Buggin’ (radio edit)Whistle3:28
19I Wonder If I Take You Home
Produzent(in):
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
recording of:
I Wonder If I Take You Home
Verfasser(in):
Curtis Bedeau, Gerard Charles, Hugh Clarke (bass guitar player, member of Full Force), Brian George (US funk/hip-hop musician aka B-Fine), Lucien George und Paul George (American)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Careers-BMG Music, Mokojumbi Music und Zomba Songs Inc.
Lisa Lisa & Cult Jam with Full Force3:26
20Waiting for a Train
recording of:
Waiting for a Train
Texter und Komponist(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
Flash and the Pan3:43
2119
Produzent(in):
Paul Hardcastle
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
19 (music video) von Paul Hardcastle
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 73)
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
publisher:
Oval Music und Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:31
3Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Lost in Music (Nile Rogers & Bernard Edwards 1984 remix)
recording of:
Lost in Music
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge36:35
2Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
3Don’t Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards & Sarah Jane Morris3.44:29
4You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:11
5You Think You’re a Man (radio edit)
Divine3:28
6Whatever I Do (Wherever I Go) (radio edit)
Hazell Dean3:43
7High Energy
phonographisches Urheberrecht (℗) von:
Record Shack (in 1984)
recording of:
High Energy
Verfasser(in):
Ian Levine (Hi-NRG music songwriter and producer) und Fiachra Trench
publisher:
EMI Tunes Ltd und Filmtracks Picture
Evelyn Thomas33:39
8So Many Men, So Little Time
recording of:
So Many Men, So Little Time
Verfasser(in):
Ian Levine (Hi-NRG music songwriter and producer) und Fiachra Trench
publisher:
ATV Music Ltd. (in 1983)
Miquel Brown3:25
9Male Stripper
Man 2 Man5:00
10Do You Wanna Funk (radio edit)
Patrick Cowley feat. Sylvester3:29
11Can’t Take My Eyes Off You (radio edit)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Boys Town Gang3:32
12In the Evening (radio edit)
Sheryl Lee Ralph3:49
13All American Boy
Barbara Pennington3:38
14It’s Raining Men (single version)
Mix:
Randy Tominaga
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 36)
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:31
15So Macho
recording of:
So Macho
Texter und Komponist(in):
James George Hargreaves
Sinitta3:24
16Boys (Summertime Love)
Produzent(in):
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
Texter:
Claudio Cecchetto (Italian record producer & talent scout) und Malcolm Charlton
Komponist(in):
Matteo Bonsanto und Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina3.753:48
17Requiem
Produzent(in):
R. R. Maué
phonographisches Urheberrecht (℗) von:
TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1988)
produced for:
TELDEC
recording of:
Requiem
Texter und Komponist(in):
Ralf-Rene Maue
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
London Boys4:15
18This Time I Know It’s for Real
recording of:
This Time I Know It's for Real
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) und Pete Waterman
Donna Summer3.353:34
19Gloria
recording of:
Gloria (English version)
Texter und Komponist(in):
Giancarlo Bigazzi, Umberto Tozzi und Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) und Sugar Song Publications, Inc.
übersetzte Version von:
Gloria (original Italian version)
Laura Branigan4:49
20Losing My Mind
assistierende(r) Techniker(in):
Danton Supple
Techniker(in):
Renny Hill (engineer) und Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Pet Shop Boys
zusätzlich vocals:
Neil Tennant
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (vom 1989 bis heute)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 109)
cover recording of:
Follies: Losing My Mind (Follies)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Carlin Music Corporation (beendet) und Herald Square Music, Inc.
Teil von:
Follies
Liza Minnelli3.654:13
4Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Ride on Time
Black Box4:13
2Theme From “S’Express”
Produzent(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Mark Moore (DJ, producer, member of S’Express)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
Samples:
Is It Love You’re After von Rose Royce, Stacey’s Dream (a cappella) von Stacey Q und The Bottle von Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
Texter und Komponist(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Mark Moore (DJ, producer, member of S’Express)
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory und Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) und Rhythm King Music (Publishing arm of Rhythm King Records)
basiert auf:
Is It Love You’re After
S’Express43:52
3Pump Up the Volume (7” version)
Techniker(in):
John Fryer (British producer and engineer)
Produzent(in):
Martyn Young
Gitarre:
A.R. Kane (British dreampop duo)
Sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell und C.J. Mackintosh
recording of:
Pump Up the Volume
Komponist(in):
Martyn Young und Steven Young (UK musician, member of Colourbox & MARRS)
Teil von:
American Psycho
M|A|R|R|S3.84:06
4Beat Dis
Produzent(in):
Bomb the Bass
phonographisches Urheberrecht (℗) von:
Rhythm King (in 1987)
recording of:
Beat Dis
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Tim Simenon
publisher:
Angel and Maverick LLP, Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships) und Rhythm King Music (Publishing arm of Rhythm King Records)
Bomb the Bass23:22
5Back to Life
Produzent(in) und Mix:
Nellee Hooper und Jazzie B
vocals:
Caron Wheeler (English singer, songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
10 Records (in 1989)
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler4.53:48
6Buffalo Stance (7” mix)
recording of:
Buffalo Stance
Verfasser(in):
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) und Phil Ramacon (soul/R&B/reggae songwriter)
basiert auf:
Looking Good Diving With The Wild Bunch
Neneh Cherry3.54:03
7Good Life
Techniker(in):
Ben Grosse (American producer and engineer)
Produzent(in):
Kevin Saunderson
Mix:
Ben Grosse (American producer and engineer) und Kevin "Master Reese" Saunderson
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
Verfasser(in):
Paris Grey, Roy Holmon, Jackson, Ann Saunderson und Kevin Saunderson
publisher:
Drive On Music und Virgin Songs
Inner City34:02
8Wait
Kym Mazelle & Robert Howard3:09
9The Only Way Is Up
Produzent(in):
Coldcut (Matt Black & Jonathan More)
phonographisches Urheberrecht (℗) von:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.653:57
10Touch Me (radio edit)
49ers3:45
11People Hold On (single version)
Produzent(in):
Coldcut (Matt Black & Jonathan More)
Mix:
Mark Saunders (UK record producer)
Klavier:
Ian Devaney
Gast Sologesang und Gast vocals:
Lisa Stansfield
Hintergrundgesang:
Cleveland Watkiss
vocals:
Lisa Stansfield
Interpret(in):
Coldcut (Matt Black & Jonathan More) und Lisa Stansfield
recording of:
People Hold On
Verfasser(in):
Matthew Cohn (British DJ and one half of Coldcut), Jonathan More (of Coldcut) und Lisa Stansfield
publisher:
Big Life Music Ltd und BMG Publishing Ltd
Coldcut feat. Lisa Stansfield3.753:57
12Dirty Cash (7” mix)
recording of:
Dirty Cash (Money Talks)
Verfasser(in):
Stevie Vincent und Mick Walsh (UK vocalist)
Adventures of Stevie V4:01
13Jack Your Body (radio edit)
Produzent(in):
Steve “Silk” Hurley (Chicago house DJ/producer)
recording of:
Jack Your Body
Texter und Komponist(in):
Steve “Silk” Hurley (Chicago house DJ/producer)
Steve “Silk” Hurley23:13
14Jack Le Freak
Chic34:36
15Street Tuff
Double Trouble feat. Rebel MC3:27
16Rok da House
recording of:
Rok da House
Verfasser(in):
Susie Banfield, Paul Carter (The Beatmasters), Amanda Glanfield, Debbie Pryce und Richard Walmsley
The Beatmasters feat. Cookie Crew33:10
17Got to Get
Interpret(in):
Leila K (Swedish Eurodance singer)
recording of:
Got to Get
Texter:
Leila El Khalifi (Swedish Eurodance singer) und Martin Carboo
Komponist(in):
Rasmus Lindwall, Martin Carboo und Robert Waatz
Rob ’n’ Raz feat. Leila K2.53:21
18Blue Monday ’88
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:07
19Pacific - 707 (2021 remastered)
Techniker(in):
Graham Massey
Produzent(in):
808 State
recording of:
Pacific 707
Komponist(in):
Graham Massey, Martin Price und Gerald Simpson
Arrangement von:
Pacific State
808 State4.63:53
20The Sun Rising
Produzent(in):
Martyn Phillips (producer, engineer, multi-instrumentalist)
recording of:
The Sun Rising
Verfasser(in):
Jon Marsh und Steve Waddington
The Beloved45:04

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:NOW That's What I Call Music LLP (British holding company) (in 2022)
kostenlos streamen:https://open.spotify.com/album/0GnT7TItcx08LyssCawSnq [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 114)