Sinfonien & Serenaden & Konzerte

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Sinfonie Nr. 40 g-moll KV 550: Molto allegro
orchestra:
Pittsburgh Symphony Orchestra (on 1947-04-01)
conductor:
Fritz Reiner (conductor) (on 1947-04-01)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1947-04-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (on 1947-04-01)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:20
2Sinfonie Nr. 40 g-moll KV 550: Andante
orchestra:
Pittsburgh Symphony Orchestra (on 1947-04-01)
conductor:
Fritz Reiner (conductor) (on 1947-04-01)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1947-04-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (on 1947-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:57
3Sinfonie Nr. 40 g-moll KV 550: Menuetto: Allegretto
orchestra:
Pittsburgh Symphony Orchestra (on 1947-04-01)
conductor:
Fritz Reiner (conductor) (on 1947-04-01)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1947-04-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (on 1947-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
4:25
4Sinfonie Nr. 40 g-moll KV 550: Allegro assai
orchestra:
Pittsburgh Symphony Orchestra (on 1947-04-01)
conductor:
Fritz Reiner (conductor) (on 1947-04-01)
recorded at:
Syria Mosque in Pittsburgh, Pennsylvania, United States (on 1947-04-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (on 1947-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
4:37
5Sinfonie Nr. 41 C-Dur KV 551 "Jupiter-Sinfonie": Allegro vivace
orchestra:
Philharmonic Symphony Orchestra of New York (New York Philharmonic) (in 1945)
conductor:
Bruno Walter (conductor) (in 1945)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace (in 1945)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
8:09
6Sinfonie Nr. 41 C-Dur KV 551 "Jupiter-Sinfonie": Andante cantabile
orchestra:
Philharmonic Symphony Orchestra of New York (New York Philharmonic) (in 1945)
conductor:
Bruno Walter (conductor) (in 1945)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile (in 1945)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
7:59
7Sinfonie Nr. 41 C-Dur KV 551 "Jupiter-Sinfonie": Menuette: Allegretto
orchestra:
Philharmonic Symphony Orchestra of New York (New York Philharmonic) (in 1945)
conductor:
Bruno Walter (conductor) (in 1945)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1945)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
4:37
8Sinfonie Nr. 41 C-Dur KV 551 "Jupiter-Sinfonie": Molto allegro
orchestra:
Philharmonic Symphony Orchestra of New York (New York Philharmonic) (in 1945)
conductor:
Bruno Walter (conductor) (in 1945)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1945)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
6:13
9Serenade Nr. 13 G-Dur KV 525 "Eine kleine Nachtmusik": Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-04-01)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-04-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1949-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
4:23
10Serenade Nr. 13 G-Dur KV 525 "Eine kleine Nachtmusik": Romanze: Andante
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-04-01)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-04-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1949-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
4:48
11Serenade Nr. 13 G-Dur KV 525 "Eine kleine Nachtmusik": Menuett: Allegretto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-04-01)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-04-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (on 1949-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
2:15
12Serenade Nr. 13 G-Dur KV 525 "Eine kleine Nachtmusik": Rondo: Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-04-01)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-04-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1949-04-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
2:58
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1Konzert für Klarinette und Orchester A-Dur KV 622: Allegro
producer:
Walter Legge (British classical producer)
solo clarinet:
Leopold Wlach
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor) (from 1949-11-07 until 1949-11-08)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria
recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
12:29
2Konzert für Klarinette und Orchester A-Dur KV 622: Adagio
producer:
Walter Legge (British classical producer)
solo clarinet:
Leopold Wlach
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor) (from 1949-11-07 until 1949-11-08)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
8:09
3Konzert für Klarinette und Orchester A-Dur KV 622: Rondo: Allegro
producer:
Walter Legge (British classical producer)
solo clarinet:
Leopold Wlach
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor) (from 1949-11-07 until 1949-11-08)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria
recording of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
arrangement of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (catch-all for arrangements)
part of:
Concerto for Clarinet in A major, K. 622
8:46
4Konzert für Klavier und Orchester Nr. 20 d-moll KV 466: Allegro
producer:
James Grayson (recording producer)
piano:
Clara Haskil (Romanian classical pianist) (in 1950-09)
orchestra:
Orchester Musikkollegium Winterthur (Winterthur Symphony Orchestra) (in 1950-09)
conductor:
Henry Swoboda (conductor) (in 1950-09)
balance engineer:
Karl Wolleitner (in 1950-09)
recorded at:
Concert Hall in Winterthur, Zürich (Canton of Zürich), Switzerland (in 1950-09)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro (in 1950-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
14:11
5Konzert für Klavier und Orchester Nr. 20 d-moll KV 466: Romanze
producer:
James Grayson (recording producer)
piano:
Clara Haskil (Romanian classical pianist) (in 1950-09)
orchestra:
Orchester Musikkollegium Winterthur (Winterthur Symphony Orchestra) (in 1950-09)
conductor:
Henry Swoboda (conductor) (in 1950-09)
balance engineer:
Karl Wolleitner (in 1950-09)
recorded at:
Concert Hall in Winterthur, Zürich (Canton of Zürich), Switzerland (in 1950-09)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (in 1950-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
9:31
6Konzert für Klavier und Orchester Nr. 20 d-moll KV 466: Rondo: Allegro assai
producer:
James Grayson (recording producer)
piano:
Clara Haskil (Romanian classical pianist) (in 1950-09)
orchestra:
Orchester Musikkollegium Winterthur (Winterthur Symphony Orchestra) (in 1950-09)
conductor:
Henry Swoboda (conductor) (in 1950-09)
balance engineer:
Karl Wolleitner (in 1950-09)
recorded at:
Concert Hall in Winterthur, Zürich (Canton of Zürich), Switzerland (in 1950-09)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai (in 1950-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
7:25
7Sonate für Klavier A-Dur KV 331 "Alla turca": Andante grazioso
instruments:
Wilhelm Kempff (pianist) (in 1935)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso (in 1935)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
8:19
8Sonate für Klavier A-Dur KV 331 "Alla turca": Menuett
piano:
Wilhelm Kempff (pianist) (in 1935)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: II. Minuetto (in 1935)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:53
9Sonate für Klavier A-Dur KV 331 "Alla turca": Alla turca
piano:
Wilhelm Kempff (pianist) (in 1935)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1935)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:33
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1Requiem d-moll KV 626: Introitus: Requiem - Kyrie
choir vocals:
Coro di Torino della RAI (in 1939)
soprano vocals:
Pia Tassinari (soprano, then mezzo-soprano) (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1939)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (in 1939)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
6:48
2Requiem d-moll KV 626: Sequenz: Dies irae
choir vocals:
Coro di Torino della RAI (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1939)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
1:56
3Requiem d-moll KV 626: Sequenz: Tuba mirum
alto vocals:
Ebe Stignani (mezzo soprano) (in 1939)
bass vocals:
Italo Tajo (Italian operatic bass) (in 1939)
soprano vocals:
Pia Tassinari (soprano, then mezzo-soprano) (in 1939)
tenor vocals:
Ferruccio Tagliavini (tenor) (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1939)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
4:25
4Requiem d-moll KV 626: Sequenz: Rex tremendae
choir vocals:
Coro di Torino della RAI (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir) (in 1939)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
1:46
5Requiem d-moll KV 626: Sequenz: Ricordare
alto vocals:
Ebe Stignani (mezzo soprano) (in 1939)
bass vocals:
Italo Tajo (Italian operatic bass) (in 1939)
soprano vocals:
Pia Tassinari (soprano, then mezzo-soprano) (in 1939)
tenor vocals:
Ferruccio Tagliavini (tenor) (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1939)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
7:40
6Requiem d-moll KV 626: Sequenz: Confutatis
choir vocals:
Coro di Torino della RAI (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir) (in 1939)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
3:12
7Requiem d-moll KV 626: Sequenz: Lacrimosa
choir vocals:
Coro di Torino della RAI (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1939)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
4:32
8Requiem d-moll KV 626: Offertorium: Domine Jesu Christe
alto vocals:
Ebe Stignani (mezzo soprano) (in 1939)
bass vocals:
Italo Tajo (Italian operatic bass) (in 1939)
choir vocals:
Coro di Torino della RAI (in 1939)
soprano vocals:
Pia Tassinari (soprano, then mezzo-soprano) (in 1939)
tenor vocals:
Ferruccio Tagliavini (tenor) (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (Süßmayr Edition; choir with solo quartet) (in 1939)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
4:01
9Requiem d-moll KV 626: Offertorium: Hostias
choir vocals:
Coro di Torino della RAI (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (Süßmayr Edition; choir) (in 1939)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
5:51
10Requiem d-moll KV 626: Offertorium: Sanctus
choir vocals:
Coro di Torino della RAI (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth (Süßmayr Edition; choir) (in 1939)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
1:16
11Requiem d-moll KV 626: Offertorium: Benedictus
alto vocals:
Ebe Stignani (mezzo soprano) (in 1939)
bass vocals:
Italo Tajo (Italian operatic bass) (in 1939)
choir vocals:
Coro di Torino della RAI (in 1939)
soprano vocals:
Pia Tassinari (soprano, then mezzo-soprano) (in 1939)
tenor vocals:
Ferruccio Tagliavini (tenor) (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (Süßmayr Edition; solo quartet, then choir) (in 1939)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
4:33
12Requiem d-moll KV 626: Offertorium: Agnus Dei / Communio: Lux aeterna
choir vocals:
Coro di Torino della RAI (in 1939)
orchestra:
Orchestra della RAI (in 1939)
conductor:
Victor de Sabata (conductor and composer) (in 1939)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (Süßmayr Edition; choir) (in 1939)
additional orchestrator:
Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr (until 1792-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
8:35
4▼CD
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1Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Ouvertüre
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:05
2Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Der Vogelfänger bin ich ja
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (in 1950)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:38
3Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Dies Bildnis ist bezaubernd schön
producer:
Walter Legge (British classical producer)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:29
4Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Bei Männern, welche Liebe fühlen
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:13
5Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): O Isis und Osiris
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:16
6Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Der Hölle Rache kocht in meinem Herzen
producer:
Walter Legge (British classical producer)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:48
7Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Ach, ich fühl's
producer:
Walter Legge (British classical producer)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:18
8Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Ein Mädchen oder Weibchen
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:43
9Die Zauberflöte KV 620 (Oper in 2 Akten) (Auszüge): Pa-pa-gena!...Pa-pa-geno!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Papagena]:
Emmy Loose (soprano) (in 1950-11)
vocals:
Emmy Loose (soprano) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:25
10Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Là ci darem la mano
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:26
11Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Ah, fuggi il traditor
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:04
12Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Or sai che l'onore
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:19
13Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Dalla sua pace
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:17
14Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Fin ch'han dal vino
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:20
15Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Batti, batti o bel Masetto
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
3:52
16Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Deh! Vieni alla finestra (2. Akt)
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:40
17Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Il mio tesoro intanto
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:28
18Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Mi tradì quell'alma ingrata
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
4:12
19Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Non mi dir bell'idol mio
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
5:19
20Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Don Giovanni, a cenat teco
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:09
21Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Non si pasce
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
partial recording of:
Don Giovanni: Atto II
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1787-03 until 1787-10)
librettist:
Lorenzo Da Ponte
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
3:34
22Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Or che tutti
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
2:00
23Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Questo è il fin di chi fa mal
orchestra:
Glyndebourne Festival Orchestra (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:38

Credits

Release group

part of:Designo (Classical 4CD -Set) (number: 222516) (order: 1)