| # | Title | Artist | Rating | Length |
|---|
| 1 | The Look of Love, Part I- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (number: 43)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer , Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3.9 | 3:29 |
| 2 | Someone Somewhere in Summertime | Simple Minds | 3.65 | 4:38 |
| 3 | Feels Like Heaven | Fiction Factory | 4 | 3:29 |
| 4 | Wishful Thinking | China Crisis | | 4:41 |
| 5 | Never Never | The Assembly | | 3:47 |
| 6 | Hold Me Now- recording engineer, engineer and mixer:
- Phil Thornalley
- drums (drum set) programming:
- Tom Bailey
- producer:
- Tom Bailey and Alex Sadkin
- congas and synthesizer [Prophet V]:
- Joe Leeway
- double bass [contrabass], guitar, harmonica, piano and synthesizer:
- Tom Bailey
- drums (drum set), marimba, percussion and xylophone:
- Alannah Currie
- background vocals:
- Alannah Currie and Joe Leeway
- vocals:
- Tom Bailey
- phonographic copyright (℗) by:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) and Arista Records, Inc. (in 1984)
- music videos:
- Hold Me Now by Thompson Twins
- recording of:
- Hold Me Now
- writer:
- Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie and Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music and Point Music Ltd.
| Thompson Twins | 4.5 | 4:47 |
| 7 | Come Back & Stay | Paul Young | 4.5 | 4:19 |
| 8 | Living by Numbers | New Musik | 5 | 3:31 |
| 9 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:29 |
| 10 | If I Was | Midge Ure | 3 | 4:50 |
| 11 | Such a Shame | Talk Talk | 4.3 | 5:40 |
| 12 | Doot Doot | Freur | | 3:46 |
| 13 | Waves | Blancmange | | 4:08 |
| 14 | Forever Young | Alphaville | 4.65 | 3:45 |
| 15 | True | Spandau Ballet | | 6:09 |
| 16 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:24 |
| 17 | Human | Human League | 3.5 | 3:49 |