Tracklist

1CD
#TitleArtistRatingLength
1“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: I. Coro “Schwingt freudig euch empor” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach4:00
2“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: II. Choral “Nun komm, der Heiden Heiland” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach4:49
3“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: III. Aria (Tenore) “Die Liebe zieht mit sanften Schritten” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach5:54
4“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: IV. Choral “Zwingt die Saiten in Cythara” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach1:30
5“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: V. Aria (Basso) “Willkommen, werter Schatz!” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach3:24
6“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VI. Choral (Tenore) “Der du bist dem Vater gleich” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach1:57
7“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VII. Aria (Soprano) “Auch mit gedämpften, schwachen Stimmen” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach7:26
8“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VIII. Choral “Lob sei Gott, dem Vater g’ton” (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Bach0:44
9“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Bach3:05
10“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Bach7:02
11“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Bach0:53
12“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Bach3:30
13“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
soprano vocals:
Julia Kleiter (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (from 2007-12-15 until 2007-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Bach0:46
14“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”
recording engineer:
Michael Brammann (sound engineer)
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (from 2007-12-15 until 2007-12-16)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Bach0:49
15Cantata BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro: Wachet auf, ruft uns die Stimme
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach6:56
16Cantata BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo: Er kommt, er kommt
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
tenor vocals:
Kurt Streit (tenor) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach0:59
17Cantata BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto): Wann kömmst du, mein Heil?
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach5:52
18Cantata BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral: Zion hört die Wächter singen
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
tenor vocals:
Kurt Streit (tenor)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach3:57
19Cantata BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo: So geh herein zu mir
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach1:29
20Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto): Mein Freund ist mein
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
bass vocals:
Anton Scharinger (bass-baritone) (from 2007-12-15 until 2007-12-16)
soprano vocals:
Julia Kleiter and Julia Kleitner (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach6:34
21Cantata BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral: Gloria sei dir gesungen
recording engineer:
Michael Brammann (sound engineer) and Tobias Lehmann
producer:
Martin Sauer (engineer/producer)
editor:
René Möller and Martin Sauer (engineer/producer)
choir vocals:
Arnold Schoenberg Chor (from 2007-12-15 until 2007-12-16)
orchestra:
Concentus Musicus Wien (from 2007-12-15 until 2007-12-16)
conductor:
Nikolaus Harnoncourt (conductor) (from 2007-12-15 until 2007-12-16)
chorus master:
Erwin Ortner (from 2007-12-15 until 2007-12-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2007-12-15 until 2007-12-16)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 2007-12-15 until 2007-12-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Bach1:55