Pride Hits 2024

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordinated)
Programmierung:
benny blanco (producer Benjamin Levin) und Dr. Luke
Techniker(in):
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin) und Mike Caffrey (drum machine [drum])
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea
Bassgitarre [bass] und Gitarre [guitars]:
Dr. Luke
Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
Schlagzeug [live drums]:
Steven Wolf (drummer from USA)
Hintergrundgesang:
Cathy Dennis
Sologesang:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten und Monster Island in New York, New York, Vereinigte Staaten (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 14) und BILLIONS CLUB
recording of:
I Kissed a Girl
Verfasser(in):
Cathy Dennis, Lukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP affiliated), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) und When I’m Rich You’ll Be My Bitch
Katy Perry3.953:01
2Gimme! Gimme! Gimme! (A Man After Midnight)
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1979, in 1986)
recording of:
Gimme! Gimme! Gimme! (A Man After Midnight) (in 1979)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Union Songs Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
ABBA44:49
3Unholy
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2022)
Teil von:
MTV Video Music Award for Song of the Year nominees (Nummer: 2023), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2023 winner) und Billboard Year-End Hot 100 singles of 2022 (Nummer: 98)
recording of:
Unholy
Verfasser(in):
Omer Fedi, Henry Walter, Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), James Napier, Kim Petras, Blake Slatkin und Sam Smith (English singer‐songwriter)
publisher:
Back Hair Music Publishing, BUNHEAD (publisher, ASCAP affiliated), Cirkut Breaker LLC, Electric Feel Music, Omer Fedi Music, Prescription Songs, Songs of Universal, Inc. (BMI), Songs of Wolf Cousins, Two Hands & A Bit Publishing, Universal Music Corp. (USA, affiliated with ASCAP) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sam Smith & Kim Petras3.12:37
4I Want to Break Free
Produzent(in):
Brian May (Queen guitarist) und Roger Taylor (Queen drummer)
Bass und Keyboard:
John Deacon
Gitarre:
John Deacon und Brian May (Queen guitarist)
Schlagzeug:
Roger Taylor (Queen drummer)
zusätzlich Synthesizer [synthesizers]:
Fred Mandel
Sologesang:
Freddie Mercury
Interpret(in):
Queen (UK rock group)
recording of:
I Want to Break Free
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen43:43
5Confident
Programmierung und Produzent(in):
ILYA (Swedish/Iranian songwriter, producer, and singer) und Max Martin (Swedish record producer)
Techniker(in):
Sam Holland (sound engineer)
Mix:
Serban Ghenea
Bassgitarre und Gitarre:
ILYA (Swedish/Iranian songwriter, producer, and singer)
Keyboard:
ILYA (Swedish/Iranian songwriter, producer, and singer) und Max Martin (Swedish record producer)
membranophone:
Peter Carlsson
Perkussion:
Rickard Göransson, ILYA (Swedish/Iranian songwriter, producer, and singer) und Max Martin (Swedish record producer)
Posaune:
Staffan Findin
Saxophon:
Jonas Thander (Swedish songwriter and saxophonist)
Trompete:
Karl Olandersson und Stefan Persson (trumpeter)
Hintergrundgesang:
Oscar Holter, ILYA (Swedish/Iranian songwriter, producer, and singer) und Savan Kotecha
Interpret(in):
Demi Lovato
Horn arranger:
Jonas Thander (Swedish songwriter and saxophonist)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 2015) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2015)
recording of:
Confident
Verfasser(in):
ILYA (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Demi Lovato und Max Martin (Swedish record producer)
publisher:
BMG Rights Management (see annotation), BMG Ruby Songs, DDLovato Music, Kobalt (publisher), MXM Music AB, Universal Music Corp. (USA, affiliated with ASCAP), Warner/Chappell Music Scandinavia AB und Wolf Cousins
Demi Lovato3.93:26
6Got Me Started
Mix:
Alex Ghenea (music producer, writer, mixer)
vocals:
Troye Sivan
Musikvideos:
Got Me Started von Troye Sivan
Teil von:
Grammy Award: Best Dance Pop Recording nominees (Nummer: 2025)
recording of:
Got Me Started
Verfasser(in):
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Jack Glass, Kaelyn Behr, Ian Kirkpatrick (producer/songwriter), Tayla Parx, Troye Sivan und Christopher Stracey
Troye Sivan3:18
7Ain’t Nobody (Loves Me Better)
phonographisches Urheberrecht (℗) von:
L’Agentur (copyrights holder, associated with Felix Jaehn) (in 2015)
cover recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Felix Jaehn & Jasmine Thompson3.853:06
8Man! I Feel Like a Woman!
Shania Twain3:53
9XXX
Kim Petras2:04
10Dancing Queen
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bass:
Rutger Gunnarsson (von 1976-08-04 bis 1976-08-05)
Bratsche / Viola:
Åke Arvinder (Swedish violist) (am 1976-09-12), Lars Brolin (am 1976-09-12) und Håkan Roos (Swedish violist) (am 1976-09-12)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1976-09-12) und Åke Olofsson (Swedish cellist) (am 1976-09-12)
Clavinet und Keyboard:
Benny Andersson (ABBA) (von 1976-08-04 bis 1976-08-05)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1976-09-12), Anders Dahl (Swedish violinist) (am 1976-09-12), Lars Stegenberg (Swedish violinist) (am 1976-09-12), Gunnar Michols (Swedish violinist) (am 1976-09-12), Claes Nilsson (Swedish violinist) (am 1976-09-12), Bertil Orsin (Swedish violinist) (am 1976-09-12), Sixten Strömvall (Swedish violinist) (am 1976-09-12), Harry Teike (am 1976-09-12) und Krzysztof Zdrzalka (Swedish violinist) (am 1976-09-12)
Schlagzeug:
Roger Palm (von 1976-08-04 bis 1976-08-05, am 1976-12-03)
Sologesang:
Agnetha Fältskog (in 1976-09) und Frida (Swedish singer and member of ABBA) (in 1976-09)
Saiteninstrumente arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976) und Polar Music International AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Schweden (von 1976-08-04 bis 1976-08-05) und KMH Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 9), Q50 – December 2005 (Nummer: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 171) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 286)
recording of:
Dancing Queen (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA4.053:51
11Bulletproof
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2009)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 10), Billboard Year-End Hot 100 singles of 2010 (Nummer: 42) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 291)
recording of:
Bulletproof
Texter und Komponist(in):
Elly Jackson und Ben Langmaid
La Roux4.13:26
12Hot Stuff (12” version)
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
arranger:
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3.56:40
13Price Tag
recording engineer und Techniker(in):
Chris “TEK” O’Ryan, Sam Holland (sound engineer) und Emily Wright
Programmierung und Produzent(in):
Dr. Luke
assistierende(r) Techniker(in):
Tatiana Gottwald
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Bassgitarre:
Butch Coleman
Keyboard [keyboards], membranophone und Schlagzeug [drums]:
Dr. Luke
vocals:
B.o.B (US rapper Bobby Ray Simmons, Jr.) und Jessie J (English singer-songwriter)
zusätzlich Gast vocals:
B.o.B (US rapper Bobby Ray Simmons, Jr.)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, GCR Audio in Buffalo, New York, Vereinigte Staaten und Stadium Red Studio in Harlem, New York, New York, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Price Tag von Jessie J (English singer-songwriter) feat. B.o.B (US rapper Bobby Ray Simmons, Jr.)
recording of:
Price Tag
Verfasser(in):
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) und Claude Kelly
publisher:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH und Universal/MCA Music Publishing GmbH
Jessie J & B.o.B3.953:43
14Rush
Troye Sivan2:36
15Grace Kelly
recording engineer:
Joe Chiccarelli
Produzent(in):
MIKA (Lebanese-born English pop singer) und Greg Wells
Mix:
Greg Wells
Gitarre:
Lyle Workman
Keyboard und Hintergrundgesang:
MIKA (Lebanese-born English pop singer)
Schlagzeug und Gitarre:
Greg Wells
aufgenommen bei:
Rocket Carousel Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Rocket Carousel Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Grace Kelly von MIKA (Lebanese-born English pop singer)
recording of:
Grace Kelly
Verfasser(in):
Jodi Marr (American songwriter and record producer), John Merchant, MIKA (Lebanese-born English pop singer) und Dan Warner (producer, writer and studio guitarist)
publisher:
Famous Publishing Co. Ltd., Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
MIKA3.353:07
16Scars to Your Beautiful
Assistent recording engineer:
Todd Bergman
recording engineer:
Oak (known as “Oak of the Knightwritaz”)
sonstige Unterstützung:
Tanisha Broadwater und Donnie Meadows
drum machine-Programmierung:
Pop Wansel
Programmierung:
Sebastian Kole, Oak (known as “Oak of the Knightwritaz”) und Pop Wansel
assistierende(r) Produzent(in):
Kevin “Batos” Guardado
Produzent(in):
@Oakwud (known as “Oak of the Knightwritaz”), @Pop Wansel und Sebastian Kole
assistierende(r) Mix:
Daniela Rivera (engineer)
Mix:
Phil Tan (Malaysian-American audio engineer)
Keyboard:
Sebastian Kole und Oak (known as “Oak of the Knightwritaz”)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 2016)
aufgenommen bei:
Glenwood Place Studios in Burbank, California (Kalifornien), Vereinigte Staaten (in 2015)
mixed at:
Ninja Beat Club (Phil Tan's studio) in Atlanta, Georgia, Vereinigte Staaten (in 2015)
Teil von:
Canada’s Drag Race Lip Sync Performances (season 1) (Nummer: 6), Billboard Year-End Hot 100 singles of 2017 (Nummer: 30), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 44) und BILLIONS CLUB
recording of:
Scars to Your Beautiful
Verfasser(in):
Alessia Caracciolo, Andrew Wansel, Coleridge Tillman und Warren Felder (known as “Oak of the Knightwritaz”)
Alessia Cara3.753:50
17Close Your Eyes
Felix Jaehn, VIZE & Miss Li2:40
18Wait a Minute!
phonographisches Urheberrecht (℗) von:
Roc Nation Records (not for release label use; plase use “Roc Nation” instead) (in 2015)
recording of:
Wait a Minute!
Verfasser(in):
James Chul Rim und Willow Smith (punk rock singer Willow Smith)
WILLOW33:17
19girls girls girls
FLETCHER2:41
20Teenage Dream
Programmierung und Produzent(in):
benny blanco (producer Benjamin Levin), Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Tucker Bodine, Tatiana Gottwald und Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Emily Wright
Mix:
Serban Ghenea
Keyboard und Schlagzeug:
benny blanco (producer Benjamin Levin), Dr. Luke und Max Martin (Swedish record producer)
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Playback Recording Studio in Santa Barbara, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 17), Stereogum: The 200 Best Songs of the 2010s (Nummer: 32), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 38), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 40), Billboard Year-End Hot 100 singles of 2011 (Nummer: 75) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 102)
recording of:
Teenage Dream
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee und Katy Perry
publisher:
Downtown DMP Songs, MXM Music AB, Prescription Songs, Songs of Pulse Recording (BMI), WB Music Corp. (1929–2019), Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) und Where da Kasz At (in 2010)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Katy Perry3.653:48
21Red Wine Supernova
drum machine-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
assistierende(r) Techniker(in):
Austen Healey (engineer)
Techniker(in):
Noah Conrad (American producer, trumpeter, songwriter, multi-instrumentalist) und Daniel Nigro (songwriter and instrumentalist)
Produzent(in):
Noah Conrad (American producer, trumpeter, songwriter, multi-instrumentalist), Lixa (Lisa Hickox) und Daniel Nigro (songwriter and instrumentalist)
assistierende(r) Mix:
Bryce Bordone
Mix:
Serban Ghenea
E-Bass und E-Gitarre:
Daniel Nigro (songwriter and instrumentalist)
Hintergrundgesang:
Giana Shabestari, Daniel Nigro (songwriter and instrumentalist) und Cara Salimando
Sologesang:
Kayleigh Amstutz
phonographisches Urheberrecht (℗) von:
KRA International Inc. (in 2023)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Red Wine Supernova (magician’s cut) von Chappell Roan
recording of:
Red Wine Supernova
Texter und Komponist(in):
Kayleigh Rose Amstutz, Amy Kuney, Lisa Hickox (Lisa Hickox), Daniel Nigro (songwriter and instrumentalist) und Annie Schindel
publisher:
Anna Schindel Publishing, Daniel Leonard Nigro Music, Kobalt Music Services America Inc., Sony/ATV Allegro, Sony/ATV Songs LLC, Tâm Anh Music und The Place to Be Is LMC Publishing (BMI‐affiliated)
sub-publisher:
Kobalt Music Publishing Ltd. Canada, Kobalt Music Publishing Ltd. Canada II, Sony/ATV Music Publishing Canada (SOCAN), Sony/ATV Songs (SOCAN) und Sony/ATV Tunes (SOCAN)
Chappell Roan4.53:13
22Do It Like a Dude
recording engineer:
The Invisible Men (songwriting/production collective: Jason Pebworth, George Astasio, Jon Shave)
Programmierung:
Kyle Abrahams, George Astasio, Peter Ighile und Jon Shave
Produzent(in):
Parker & James
Mix:
Serban Ghenea
Gitarre [guitars]:
Peter Ighile
Keyboard [keyboards]:
Kyle Abrahams, Jason Pebworth, Peter Ighile und Jon Shave
vocals:
Jessie J (English singer-songwriter)
Interpret(in):
The Invisible Men (songwriting/production collective: Jason Pebworth, George Astasio, Jon Shave)
aufgenommen bei:
Grove Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Do It Like a Dude (explicit) von Jessie J (English singer-songwriter)
recording of:
Do It Like a Dude
Verfasser(in):
The Invisible Men (songwriting/production collective: Jason Pebworth, George Astasio, Jon Shave), Jessica Cornish (English singer-songwriter) und Parker & James
publisher:
Astasio Music Ltd., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Pebworth Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing (UK subsidiary of Universal Music Publishing Group) (vom 2010 bis heute)
sub-publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Sony Music Publishing (Germany) GmbH und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Jessie J3.753:15
23Dream Girl
Assistent recording engineer:
Luke Burgoyne und Charles Haydon Hicks
Programmierung:
Ed Carlile, Dan Grech‐Marguerat und Mark Ralph
Techniker(in):
Ed Carlile
Produzent(in):
Arabella Latham (South African pop female vocalist), Ed Carlile und Mark Ralph
zusätzliche(r) Produzent(in):
Arabella Latham (South African pop female vocalist) und Mark Ralph
Mix:
Dan Grech‐Marguerat
Bass, Bass-Synthesizer, E-Gitarre, Gitarre, Perkussion, Schlagzeug und Synthesizer:
Ed Carlile
Keyboard:
Ed Carlile und Mark Ralph
Hintergrundgesang:
Baby Queen (South African pop female vocalist)
vocals:
Baby Queen (South African pop female vocalist)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2023)
recording of:
Dream Girl
Texter und Komponist(in):
Arabella Latham (South African pop female vocalist) und Ed Carlile
Baby Queen3:42
24Love Me Like You Do
recording of:
Love Me Like You Do
Verfasser(in):
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami und Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB und Wolf Cousins
Ellie Goulding4:13
25Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:26
26Cherry
recording of:
Cherry (in 2021)
publisher:
Jonah Shy
Verfasser(in):
Cari Fletcher (American singer-songwriter), Hayley Kiyoko (American singer and actress), Jonah Shai (songwriter, producer, multi-instrumentalist) und Mary Weitz (songwriter)
publisher:
Egg Weitz Music, Fletcher Global Publishing, Hayley Kiyoko, Modern Arts Songs, Music by Work of Art, Superreal Shy und These Are Songs of Pulse (ASCAP)
FLETCHER & Hayley Kiyoko3.252:33
27Chained to the Rhythm
Assistent recording engineer:
Cory Bice und Jeremy Lertola
Programmierung und Produzent(in):
Max Martin (Swedish record producer) und Ali Payami
Synthesizer-Programmierung:
Ali Payami
Techniker(in):
Sam Holland (sound engineer)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Editing:
Peter Karlsson
Bassgitarre, Händeklatschen [clapping], Klavier und Schlagzeug [drums]:
Ali Payami
Keyboard:
Max Martin (Swedish record producer)
Perkussion:
Peter Karlsson und Ali Payami
Gast vocals und Gast-Interpret(in):
Skip Marley (Bob Marley's grandson)
Hintergrundgesang:
Skip Marley (Bob Marley's grandson), Max Martin (Swedish record producer), Katy Perry und Sia (Australian singer‐songwriter)
Sologesang:
Katy Perry
Interpret(in):
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Chained to the Rhythm von Katy Perry feat. Skip Marley (Bob Marley's grandson)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 73)
recording of:
Chained to the Rhythm
Verfasser(in):
Max Martin (Swedish record producer), Ali Payami, Katy Perry, Sia Furler (Sia, Australian singer‐songwriter) und Skip Marley (Bob Marley's grandson)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Warner/Chappell Music Scand (STIM), Warner/Chappell Music Scandinavia AB, Levi Sky, LLC (in 2017), Mountain Music Ltd. (in 2017), MXM (in 2017), Pineapple Lasagne (ASCAP-affiliated) (in 2017), Sony/ATV Music Publishing Ltd. (in 2017), WB Music Corp. (1929–2019) (in 2017), When I’m Rich You’ll Be My Bitch (in 2017) und Wolf Cousins (in 2017)
Katy Perry & Skip Marley2.73:58
28One of Your Girls
Programmierung:
Oscar Görres
Techniker(in):
Bryce Bordone
Mix:
Serban Ghenea
Bass, Gitarre, Keyboard, Pauke, Perkussion und Schlagzeug:
Oscar Görres
Hintergrundgesang:
Oscar Görres und Troye Sivan
vocals:
Troye Sivan
Musikvideos:
One of Your Girls von Troye Sivan
recording of:
One of Your Girls
Verfasser(in):
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Oscar Görres und Troye Sivan
Troye Sivan3:01
29Black WidowIggy Azalea & Rita Ora3.53:29
30Don’t Lie
drum machine-Programmierung:
will.i.am (American rapper and producer)
Programmierung:
Tal Herzberg
Techniker(in):
Jason "Ill-Aroma" Villaroman und will.i.am (American rapper and producer)
Produzent(in):
will.i.am (American rapper and producer)
zusätzliche(r) Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Mix:
Mark “Spike” Stent (producer, engineer)
Bass:
will.i.am (American rapper and producer)
Gitarre:
Ray Brady und George Pajon, Jr.
Mundharmonika:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) und will.i.am (American rapper and producer)
Musikvideos:
Don't Lie von The Black Eyed Peas (US pop/hip hop group)
recording of:
Don’t Lie
Verfasser(in):
apl.de.ap, Fergie (American singer), Jaime Gomez Arellano, Chris Peters (Peters & Peters), Drew Peters (Peters & Peters), Richard Walters (US rapper Slick Rick) und will.i.am (American rapper and producer)
Black Eyed Peas3.953:41
31Femininomenon
recording engineer, Programmierung und Techniker(in):
Daniel Nigro (songwriter and instrumentalist) und Michael Wise (Canadian composer, music producer, engineer)
Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
zusätzliche(r) Produzent(in):
Michael Wise (Canadian composer, music producer, engineer)
Mix:
Mitch McCarthy (mixer)
E-Bass und E-Gitarre:
Daniel Nigro (songwriter and instrumentalist)
Saiteninstrumente:
Paul Cartwright
Hintergrundgesang:
Daniel Nigro (songwriter and instrumentalist) und Emily Williams
Sologesang:
Kayleigh Amstutz
phonographisches Urheberrecht (℗) von:
KRA International Inc. (in 2023)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Femininomenon
publisher:
Kayleigh Rose Amstutz
Texter und Komponist(in):
Kayleigh Rose Amstutz und Daniel Nigro (songwriter and instrumentalist)
publisher:
Daniel Leonard Nigro Music, Sony/ATV Allegro und Sony/ATV Songs LLC
sub-publisher:
Sony/ATV Music Publishing Canada (SOCAN), Sony/ATV Songs (SOCAN) und Sony/ATV Tunes (SOCAN)
Chappell Roan3.83:40
32Omen (radio edit)
Techniker(in):
Gus Pirelli (Remixer/Producer)
Produzent(in) und Mix:
Disclosure (UK electronic duo Guy & Howard Lawrence)
Hintergrundgesang und Sologesang:
Sam Smith (English singer‐songwriter)
recording of:
Omen
Verfasser(in):
Guy Lawrence (Disclosure), Howard Lawrence (Disclosure), James Napier und Sam Smith (English singer‐songwriter)
publisher:
Naughty Words Limited, Salli Isaak Music Publishing (publisher; do NOT use as release label) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Disclosure & Sam Smith3.53:17
33Deal With It
phonographisches Urheberrecht (℗) von:
PMR Records (in 2019)
girli53:11
34We Can Be Anything
recording engineer, Programmierung und Techniker(in):
Ed Carlile
Produzent(in):
Arabella Latham (South African pop female vocalist) und King Ed
zusätzliche(r) Produzent(in):
Arabella Latham (South African pop female vocalist)
assistierende(r) Mix:
Luke Burgoyne und Charles Haydon Hicks
Mix:
Dan Grech‐Marguerat
Akustikgitarre, Bass, Bass-Synthesizer, E-Gitarre, Keyboard, Klavier, Perkussion und Schlagzeug:
Ed Carlile
Gitarre:
Arabella Latham (South African pop female vocalist)
Synthesizer:
Arabella Latham (South African pop female vocalist) und Ed Carlile
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2023)
Bearbeitung von:
We Can Be Anything (explicit) von Baby Queen (South African pop female vocalist)
recording of:
We Can Be Anything
Texter und Komponist(in):
Arabella Latham (South African pop female vocalist), Ed Carlile und Jack Leonard (songwriter)
Baby Queen3:21
35Warrior
Havana Brown3:46
36Bloom
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Oscar Holter
Mix:
Serban Ghenea
Hintergrundgesang:
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer)
phonographisches Urheberrecht (℗) von:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2018)
produced for:
Wolf Cousins Productions
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Bloom
Verfasser(in):
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Oscar Holter, Troye Sivan und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Bob Ochoa’s Homemade Salsa (ASCAP affiliated), EMI April Music Inc., MXM Music AB, Universal Tunes, Warner/Chappell Music Scandinavia AB und Wolf Cousins
Troye Sivan3:42
37Tell Me You Love Me
Programmierung und Produzent(in):
John Hill (producer and songwriter, aka Johnny Rodeo) und Stint (Canadian producer and songwriter)
Techniker(in):
Rob Cohen (engineer) und John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Bassgitarre, Gitarre, Horn, Klavier und membranophone:
John Hill (producer and songwriter, aka Johnny Rodeo) und Stint (Canadian producer and songwriter)
Keyboard:
Dave Palmer (American keyboardist from Texas)
Hintergrundgesang:
Kirby Lauryen (US soul musician)
vocals:
Demi Lovato
phonographisches Urheberrecht (℗) von:
Hollywood Records (a label of Disney Music Group) (in 2017), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017) und Safehouse Records, LLC (in 2017)
recording of:
Tell Me You Love Me
Verfasser(in):
Ajay Bhattacharyya (Canadian producer and songwriter), John Hill (producer and songwriter, aka Johnny Rodeo) und Kirby Lauryen (US soul musician)
publisher:
A Song a Day (ASCAP), EMI April Music, Roc Nation Music, Rodeoman Music, Stint Music Publishing, Inc. und WB Music Corp. (1929–2019)
Demi Lovato3.23:57
38Glad He’s Gone
Programmierung:
Shellback und Ludvig Söderberg
Produzent(in):
Shellback und The Struts (producers)
Bass, Gitarre und Perkussion:
Shellback
Keyboard [keys]:
Shellback und Ludvig Söderberg
vocals:
Tove Lo
phonographisches Urheberrecht (℗) von:
Universal Music AB (Swedish subsidiary of Universal Music Group) (in 2019)
produced for:
MXM Productions und Wolf Cousins Productions
aufgenommen bei:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
Glad He’s Gone von Tove Lo
recording of:
Glad He’s Gone
Verfasser(in):
Jakob Jerlström, Shellback, Ludvig Söderberg und Tove Lo
publisher:
MXM Music, Warner Chappell Music SCAND und Wolf Cousins
Tove Lo4.553:16
39VULGAR
Sam Smith & Madonna2:35
40HOT TO GO!
drum machine-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
assistierende(r) Techniker(in):
Austen Healey (engineer)
Techniker(in) und Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
Mix:
Mitch McCarthy (mixer)
E-Gitarre:
Sam Stewart (US(?) guitarist)
Schlagzeug:
Sterling Laws
Hintergrundgesang:
Kayleigh Amstutz und Daniel Nigro (songwriter and instrumentalist)
Sologesang:
Kayleigh Amstutz
phonographisches Urheberrecht (℗) von:
KRA International Inc. (in 2023)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
HOT TO GO! von Chappell Roan
Teil von:
Best of 2024: Viral Hits (Nummer: 9), Best of 2024: Today’s Hits (Nummer: 33) und Billboard Year-End Hot 100 singles of 2024 (Nummer: 53)
recording of:
HOT TO GO!
Texter und Komponist(in):
Kayleigh Rose Amstutz und Daniel Nigro (songwriter and instrumentalist)
publisher:
Daniel Leonard Nigro Music, Sony/ATV Allegro und Sony/ATV Songs LLC
sub-publisher:
Sony/ATV Music Publishing Canada (SOCAN), Sony/ATV Songs (SOCAN) und Sony/ATV Tunes (SOCAN)
Chappell Roan4.43:05
41Rumors
Lindsay Lohan3:17
42If I Get to Meet You
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2020)
recording of:
If I Get to Meet You
BENEE3:02
43for him.
recording engineer:
Charles Daly
Produzent(in):
Bram Inscore
Mix:
Alex Aldi
Hintergrundgesang:
Allie X und Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer)
vocals:
Allday (Australian rapper) und Troye Sivan
phonographisches Urheberrecht (℗) von:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2015)
recording of:
for him.
Verfasser(in):
Allie X, Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Bram Inscore, Troye Sivan und Tom Gaynor (Australian rapper)
Troye Sivan & Allday33:29
44bitches
phonographisches Urheberrecht (℗) von:
Universal Music AB (Swedish subsidiary of Universal Music Group) (in 2018)
Tove Lo, Charli xcx, Icona Pop, Elliphant & ALMA4.753:12
45I Feel Love (12” version)
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
Remix von:
I Feel Love (album version) von Donna Summer (soul/disco diva) (in 1977)
recording of:
I Feel Love
Texter:
Pete Bellotte (English lyricist and producer)
Komponist(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music und Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer3.58:14
46Still Fall
Felix Jaehn3:29

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2024)
kostenlos streamen:https://open.spotify.com/album/4wFL4UdtNT5n7M3cHsRpT6 [Info]
https://www.deezer.com/album/664115441 [Info]
Streaming-Seite:https://music.apple.com/gb/album/1777305819 [Info]
https://tidal.com/album/397022155 [Info]