The Prestige Records Story

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Subconscious‐Lee
recorded in:
New York, New York, United States (on 1949-01-11)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1949-01-11)
double bass [bass]:
Arnold Fishkind (on 1949-01-11)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1949-01-11)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1949-01-11)
piano:
Lennie Tristano (on 1949-01-11)
recording of:
Subconscious-Lee (on 1949-01-11)
composer:
Lee Konitz (jazz saxophonist)
Lee Konitz & Lennie Tristano2:50
2Four and One Moore
recorded in:
New York, New York, United States (on 1949-04-08)
double bass:
Gene Ramey (on 1949-04-08)
drums (drum set):
Charlie Perry (on 1949-04-08)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1949-04-08)
tenor saxophone:
Al Cohn (on 1949-04-08), Allen Eager (on 1949-04-08), Stan Getz (on 1949-04-08), Brew Moore (on 1949-04-08) and Zoot Sims (US jazz saxophonist) (on 1949-04-08)
arranger:
Gerry Mulligan
recording of:
Four and One Moore (on 1949-04-08)
composer:
Gerry Mulligan
publisher:
Beechwood Music Corp.
Stan Getz & Zoot Sims3:48
3Twisted
recording engineer:
Harry Smith (Recording engineer) (on 1949-11-11)
double bass:
Tommy Potter (on 1949-11-11)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-11-11)
piano:
Al Haig (on 1949-11-11)
tenor saxophone:
Wardell Gray (on 1949-11-11)
recorded at:
Apex Recording Studios in New York, New York, United States (on 1949-11-11)
recording of:
Twisted (original instrumental) (on 1949-11-11)
composer:
Wardell Gray
publisher:
Second Floor Music
Wardell Gray3:05
4All God’s Chillun Got Rhythm
recorded in:
New York, New York, United States (on 1949-12-11)
double bass:
Curley Russell (on 1949-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-12-11)
piano:
Bud Powell (on 1949-12-11)
tenor saxophone:
Sonny Stitt (on 1949-12-11)
instrumental recording of:
All God’s Chillun Got Rhythm (on 1949-12-11)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
Sonny Stitt3:00
5Blues Up and Down (take 3)
recorded in:
New York, New York, United States (on 1950-03-05)
bass:
Tommy Potter (on 1950-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1950-03-05)
piano:
Duke Jordan (on 1950-03-05)
saxophone:
Sonny Stitt (on 1950-03-05)
tenor saxophone:
Gene Ammons (on 1950-03-05)
recording of:
Blues Up and Down (on 1950-03-05)
composer:
Gene Ammons and Sonny Stitt
Gene Ammons2:40
6I’m in the Mood for Love (a.k.a. Moody’s Mood for Love)
alto saxophone:
Arne Domnérus (on 1949-10-12) and James Moody (jazz saxophonist) (on 1949-10-12)
baritone saxophone:
Per-Arne Croona (on 1949-10-12)
bass trumpet:
Leppe Sundevall (on 1949-10-12)
double bass:
Yngve Åkerberg (on 1949-10-12)
drums (drum set):
Anders Burman (on 1949-10-12)
tenor saxophone:
Gösta Theselius (on 1949-10-12)
recording of:
Moody’s Mood for Love (1949 jazz instrumental) (on 1949-10-12)
composer:
Dorothy Fields (American librettist and lyricist), Jimmy McHugh (songwriter) and James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
James Moody2:48
7Moody’s Mood for Love (a.k.a. I’m in the Mood for Love)
recording engineer:
Tom Dowd (on 1952-02-19)
producer:
Teacho Wiltshire
alto saxophone:
Lem Davis (saxophonist) (on 1952-02-19)
baritone saxophone:
Cecil Payne (on 1952-02-19)
double bass [bass]:
Leonard Gaskin (on 1952-02-19)
drums (drum set):
Teddy Lee (jazz drummer, 1950s) (on 1952-02-19)
piano:
Teacho Wiltshire (on 1952-02-19)
tenor saxophone:
Ray Abrams (on 1952-02-19)
trumpet:
Merrill Stepter (on 1952-02-19)
vocals:
Blossom Dearie (on 1952-02-19) and King Pleasure (on 1952-02-19)
recorded at:
Apex Recording Studios in New York, New York, United States (on 1952-02-19)
recording of:
Moody’s Mood for Love (1952 song, lyrics by Eddie Jefferson) (on 1952-02-19)
lyricist:
Eddie Jefferson
additional composer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
version of:
Moody’s Mood for Love (1949 jazz instrumental)
King Pleasure3:03
8Twisted
bass:
Percy Heath (on 1952-10-09)
drums (drum set):
Art Blakey (on 1952-10-09)
organ:
Roger “Ram” Ramirez (Puerto Rican jazz pianist) (on 1952-10-09)
piano:
Teacho Wiltshire (on 1952-10-09)
vocals:
Annie Ross (on 1952-10-09)
recording of:
Twisted (on 1952-10-09)
lyricist:
Annie Ross
composer:
Wardell Gray
publisher:
Prestige Music Co. (US, affiliated with BMI), Raybird Music, Second Floor Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
version of:
Twisted (original instrumental)
Annie Ross2:40
9Dig
recording engineer:
Rudy van Gelder (on 1951-10-05)
producer:
Bob Weinstock
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1951-10-05)
double bass:
Tommy Potter (on 1951-10-05)
drums (drum set):
Art Blakey (on 1951-10-05)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1951-10-05)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1951-10-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Prestige (American jazz label)
recorded at:
Apex Studios in New York, New York, United States (on 1951-10-05)
recording of:
Dig (on 1951-10-05)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music and Second Floor Music
Miles Davis7:35
10’Round Midnight
recorded in:
New York, New York, United States (on 1953-04-23)
producer:
Bob Weinstock
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (American composer and jazz pianist) (on 1953-04-23)
tenor saxophone:
Stan Getz (on 1953-04-23)
phonographic copyright (℗) by:
Victor Musical Industries, Inc. (VICTOR MUSICAL INDUSTRIES, INC., holding company - do not use as release label)
instrumental recording of:
’Round Midnight (on 1953-04-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Jimmy Raney & Stan Getz5:22
11The Serpent’s Tooth (take 1)
recording engineer:
Rudy van Gelder (on 1953-01-30)
bass:
Percy Heath (on 1953-01-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1953-01-30)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1953-01-30)
tenor saxophone:
"Charlie Chan" (aka “Bird”, jazz alto saxophonist) (on 1953-01-30) and Sonny Rollins (American saxophonist) (on 1953-01-30)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1953-01-30)
recorded at:
WOR Studios in New York, New York, United States (on 1953-01-30)
recording of:
The Serpent's Tooth, I
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis7:02
12Blue Monk
recording engineer:
Rudy van Gelder (on 1954-09-22)
double bass:
Percy Heath (on 1954-09-22)
drums (drum set):
Art Blakey (on 1954-09-22)
piano:
Thelonious Monk (on 1954-09-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-09-22)
recording of:
Blue Monk (on 1954-09-22)
publisher:
Thelonious Monk
composer:
Thelonious Monk
Thelonious Monk7:40
13Bags’ Groove (take 2)
double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-12-24)
recording of:
Bags’ Groove (on 1954-12-24)
composer:
Milt Jackson
Miles Davis9:23
14My Funny Valentine
double bass [bass]:
Percy Heath (on 1955-05-20)
drums (drum set):
Connie Kay (on 1955-05-20)
piano:
Horace Silver (on 1955-05-20)
vibraphone:
Milt Jackson (on 1955-05-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-05-20)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1955-05-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Milt Jackson4:41
15Doxy
recorded in:
New York, New York, United States (on 1954-06-29)
recording engineer:
Rudy van Gelder (on 1954-06-29)
double bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1954-06-29)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-06-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-06-29)
recording of:
Doxy (on 1954-06-29)
composer:
Sonny Rollins (American saxophonist)
Miles Davis44:56
16Django
recorded in:
New York, New York, United States (on 1954-12-23)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
double bass:
Percy Heath (on 1954-12-23)
drums (drum set):
Kenny Clarke (on 1954-12-23)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1954-12-23)
vibraphone:
Milt Jackson (on 1954-12-23)
recording of:
Django (on 1954-12-23)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
The Modern Jazz Quartet7:03
2▼CD
#TitleArtistRatingLength
1Disappointed
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
baritone saxophone:
Pee Wee Moore (on 1955-08-23)
bass:
John Latham (on 1955-08-23)
drums (drum set):
Clarence Johnston (on 1955-08-23)
piano:
Jimmy Boyd (piano) (on 1955-08-23)
tenor saxophone:
James Moody (jazz saxophonist) (on 1955-08-23)
trombone:
William Shepherd (US jazz trombonist) (on 1955-08-23)
trumpet:
Dave Burns (trumpet) (on 1955-08-23)
vocals:
Eddie Jefferson (on 1955-08-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-08-23)
recording of:
Disappointed (on 1955-08-23)
lyricist and composer:
Eddie Jefferson
publisher:
Prestige Music Co. (US, affiliated with BMI)
James Moody6:23
2Walkin’
recording engineer:
Rudy van Gelder (on 1954-04-29)
double bass:
Percy Heath (on 1954-04-29)
drums (drum set):
Kenny Clarke (on 1954-04-29)
piano:
Horace Silver (on 1954-04-29)
tenor saxophone:
Lucky Thompson (on 1954-04-29)
trombone:
Jay Jay Johnson (jazz/bop trombonist/session leader) (on 1954-04-29)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-04-29)
performer:
Miles Davis Sextet (on 1954-04-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-04-29)
recording of:
Walkin’ (usually credited to Richard Carpenter) (on 1954-04-29)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Miles Davis Sextet413:27
3St. Thomas
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
St. Thomas (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins46:47
4Pent‐Up House
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Pent-Up House (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
part of:
The Real Book (compilation of jazz standards, volume I)
Sonny Rollins8:53
5Well, You Needn’t
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1956-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-10-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-26)
cover recording of:
Well, You Needn’t (on 1956-10-26)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, volume I)
Miles Davis Quintet6:22
6On a Misty Night
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
On a Misty Night (on 1956-11-30)
composer:
Tadd Dameron
publisher:
Carbaby Music Company
Tadd Dameron6:23
7If I Were a Bell
recording engineer:
Rudy van Gelder (from 1956-12-14 to present)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-12-14)
drums (drum set):
Art Taylor (on 1956-12-14)
piano:
Red Garland (on 1956-12-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-12-14)
instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1956-12-14)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
Red Garland6:43
8Nobody’s Heart
recording engineer:
Rudy van Gelder (on 1957-09-27)
producer:
Bob Weinstock
alto saxophone:
Zeke Tolin (on 1957-09-27)
bass:
Paul Chambers (US jazz bassist) (on 1957-09-27)
bassoon:
Dave Kurtzer (on 1957-09-27)
drums (drum set):
Nick Stabulas (on 1957-09-27)
French horn:
Willie Ruff (on 1957-09-27)
piano:
Gil Evans (Canadian–American jazz pianist and composer) (on 1957-09-27)
saxophone:
Lee Konitz (jazz saxophonist) (on 1957-09-27) and Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-09-27)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1957-09-27) and Bart Varsalona (on 1957-09-27)
trumpet:
Jake Koven (on 1957-09-27) and Louis R. Mucci (trumpetist) (on 1957-09-27)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-27)
instrumental recording of:
Nobody’s Heart (Belongs to Me) (on 1957-09-27)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
Gil Evans4:25
9Russian Lullaby
recording engineer:
Rudy van Gelder (on 1958-02-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-07)
drums (drum set):
Art Taylor (on 1958-02-07)
piano:
Red Garland (on 1958-02-07)
tenor saxophone:
John Coltrane (on 1958-02-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-07)
instrumental cover recording of:
Russian Lullaby (on 1958-02-07)
lyricist and composer:
Irving Berlin
John Coltrane5:34
10In the Kitchen
recording engineer:
Rudy van Gelder (on 1958-06-20)
producer:
Bob Weinstock
double bass:
George Duvivier (on 1958-06-20)
drums (drum set):
Arthur Edgehill (on 1958-06-20)
flute:
Jerome Richardson (on 1958-06-20)
organ:
Shirley Scott (jazz artist) (on 1958-06-20)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1958-06-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-06-20)
recording of:
In the Kitchen (on 1958-06-20)
composer:
Johnny Hodges
Eddie "Lockjaw" Davis12:56
3▼CD
#TitleArtistRatingLength
1Canadian Sunset
congas:
Ray Barretto (on 1960-06-16)
double bass [bass]:
Doug Watkins (on 1960-06-16)
drums (drum set):
Art Taylor (on 1960-06-16)
piano:
Tommy Flanagan (on 1960-06-16)
tenor saxophone:
Gene Ammons (on 1960-06-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-16)
instrumental recording of:
Canadian Sunset (on 1960-06-16)
lyricist:
Norman Gimbel
writer:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
composer:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
publisher:
Chappell-Morris Ltd. and Meridian Music
Gene Ammons45:26
2Trouble Is a Man
recording engineer:
Rudy van Gelder (on 1960-01-29)
producer:
Esmond Edwards
double bass [bass]:
Wendell Marshall (on 1960-01-29)
drums (drum set):
Osie Johnson (on 1960-01-29)
piano:
Tommy Flanagan (on 1960-01-29)
tenor saxophone:
Coleman Hawkins (on 1960-01-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-01-29)
recording of:
Trouble Is a Man (on 1960-01-29)
lyricist and composer:
Alec Wilder (American composer)
Coleman Hawkins5:30
3Very Saxy
recording engineer:
Rudy van Gelder (on 1959-04-29)
double bass [bass]:
George Duvivier (on 1959-04-29)
drums (drum set):
Arthur Edgehill (on 1959-04-29)
Hammond organ:
Shirley Scott (jazz artist) (on 1959-04-29)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1959-04-29)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-04-29)
recording of:
Very Saxy (on 1959-04-29)
composer:
Eddie “Lockjaw” Davis (jazz saxophonist) and George Duvivier
publisher:
Richcar Music
Eddie "Lockjaw" Davis8:18
4The Seventh Son
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
bass:
Addison Farmer (on 1958-08-15)
drums (drum set):
Ronnie Free (on 1958-08-15)
piano:
Mose Allison (on 1958-08-15)
vocals:
Mose Allison (on 1958-08-15)
engineered at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-08-15)
recording of:
The Seventh Son (on 1958-08-15)
lyricist and composer:
Willie Dixon
publisher:
Hoochie Coochie Music
Mose Allison2:40
5G.W.
recording engineer:
Rudy van Gelder (on 1960-04-01)
alto saxophone:
Eric Dolphy (on 1960-04-01)
double bass [bass]:
George Tucker (bass) (on 1960-04-01)
drums (drum set) [drums]:
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-01)
piano:
Jackie Byard (on 1960-04-01)
trumpet:
Freddie Hubbard (on 1960-04-01)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-01)
recording of:
G.W. (on 1960-04-01)
composer:
Eric Dolphy
dedicated to:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Eric Dolphy7:59
6Kirk’s Work
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
alto saxophone [stritch], flute, horn [siren], soprano saxophone [manzello] and tenor saxophone:
Roland Kirk (on 1961-07-11)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
Hammond organ:
Jack McDuff (on 1961-07-11)
phonographic copyright (℗) by:
Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records) (in 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
recording of:
Kirk's Work (on 1961-07-11)
composer:
Rahsaan Roland Kirk
Rahsaan Roland Kirk3:57
7Soul Street
recording engineer:
Rudy van Gelder (on 1960-09-09)
producer:
Esmond Edwards
double bass [bass]:
George Duvivier (on 1960-09-09)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-09-09)
piano:
Gene Casey (on 1960-09-09)
tenor saxophone:
King Curtis (saxophonist) (on 1960-09-09), Jimmy Forrest (on 1960-09-09) and Oliver Nelson (saxophone, arranger, composer) (on 1960-09-09)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-09-09)
recording of:
Soul Street (on 1960-09-09)
composer:
Jimmy Forrest
Oliver Nelson, King Curtis & Jimmy Forrest49:08
8Don’t Go to Strangers
recording engineer:
Rudy van Gelder (on 1960-06-21)
double bass:
George Duvivier (on 1960-06-21)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-06-21)
guitar:
Skeeter Best (on 1960-06-21)
piano:
Richard Wyands (on 1960-06-21)
woodwind:
Frank Wess (on 1960-06-21)
vocals:
Etta Jones (vocals, jazz) (on 1960-06-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-21)
cover recording of:
Don’t Go to Strangers (on 1960-06-21)
lyricist:
Redd Evans
composer:
Arthur Kent and David Mann (American songwriter)
Etta Jones3:53
9Hip Soul
bass:
Herbie Lewis (on 1961-06-02)
drums (drum set):
Roy Brooks (on 1961-06-02)
organ:
Shirley Scott (jazz artist) (on 1961-06-02)
tenor saxophone:
Stan Turner (on 1961-06-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-02)
recording of:
Hip Soul (on 1961-06-02)
composer:
Stan Turner
Shirley Scott6:29
10This’ll Get to Ya
producer:
Esmond Edwards
congas:
Buck Clarke (on 1960-02-26)
double bass:
Wendell Marshall (on 1960-02-26)
drums (drum set):
Al Johnson (American jazz drummer) (on 1960-02-26)
electric guitar [guitar]:
Bill Jennings (1950s US jazz guitarist) (on 1960-02-26)
organ:
Jack McDuff (on 1960-02-26)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1960-02-26)
recording of:
This'll Get to Ya' (on 1960-02-26)
composer:
Willis Jackson (tenor saxophonist)
Willis Jackson10:12
11Rock Candy
producer:
Lew Futterman and Peter Paul (producer)
drums (drum set):
Joe Dukes (American jazz drummer) (on 1963-06-05)
guitar:
George Benson (jazz guitarist/singer) (on 1963-06-05)
organ:
Jack McDuff (on 1963-06-05)
tenor saxophone:
Red Holloway (on 1963-06-05)
recorded at:
The Front Room in Newark, New Jersey, United States (on 1963-06-05)
edit of:
Rock Candy (with opening "Front Room" announcement) by “Brother” Jack McDuff
recording of:
Rock Candy (on 1963-06-05)
composer:
Jack McDuff
“Brother” Jack McDuff6:18
12Troubled Times
producer:
Ozzie Cadena
double bass [bass]:
Leonard Gaskin (on 1963-05-24)
drums (drum set):
Yusef Ali (jazz and R&B drummer associated with Willis Jackson) (on 1963-05-24)
electric guitar [guitar]:
Pat Martino (American jazz guitarist) (on 1963-05-24)
Hammond organ [organ]:
Carl Wilson (organ, jazz) (on 1963-05-24)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1963-05-24)
trumpet:
Frank Robinson (trumpet) (on 1963-05-24)
recording of:
Troubled Times (on 1963-05-24)
composer:
Willis Jackson (tenor saxophonist), Wade Marcus and William Stevenson (Motown songwriter)
publisher:
Stone Agate Music
Willis Jackson4:51
4▼CD
#TitleArtistRatingLength
1Ca’Purange (Jungle Soul)
bass:
Norman Edge (on 1962-09-09)
drums (drum set):
Oliver Jackson (American jazz drummer) (on 1962-09-09)
guitar:
Kenny Burrell (on 1962-09-09) and Bucky Pizzarelli (on 1962-09-09)
piano:
Hank Jones (piano) (on 1962-09-09)
tenor saxophone:
Gene Ammons (on 1962-09-09)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-09)
recording of:
Ca’ Purange (in 1962-09)
writer:
Natalicio Lima
Gene Ammons9:37
2Sweet Alice Blues
congas:
Roger “Montego Joe” Sanders (on 1964-05-01)
double bass [bass]:
Ronnie Boykins (on 1964-05-01)
drums (drum set):
Joe Dukes (American jazz drummer) (on 1964-05-01)
guitar:
George Benson (jazz guitarist/singer) (on 1964-05-01)
tenor saxophone:
Red Holloway (on 1964-05-01)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1964-05-01)
recording of:
The Sweet Alice Blues (on 1964-05-01)
composer:
George Benson (jazz guitarist/singer)
publisher:
Growl Music
George Benson4:39
3Misty
recording engineer:
Rudy van Gelder (on 1965-08-03)
producer:
Cal Lampley
drums (drum set):
Jimmie Smith (jazz drummer) (on 1965-08-03)
guitar:
Gene Edwards (on 1965-08-03)
organ:
Richard “Groove” Holmes (on 1965-08-03)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-08-03)
cover recording of:
Misty (original instrumental work) (on 1965-08-03)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Richard “Groove” Holmes6:05
4I Wish I Knew How It Would Feel to Be Free
drums (drum set):
Jo Jones (US jazz drummer) (on 1968-08-20)
guitar:
Billy Butler (jazz guitarist) (on 1968-08-20)
tenor saxophone:
Illinois Jacquet (on 1968-08-20)
trumpet:
Joe Newman (US jazz trumpeter) (on 1968-08-20)
recording of:
I Wish I Knew How It Would Feel to Be Free (on 1968-08-20)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Illinois Jacquet6:39
5Smile
recording engineer:
Rudy van Gelder (on 1967-03-23)
producer:
Don Schlitten
alto saxophone:
Sonny Criss (on 1967-03-23)
double bass:
Paul Chambers (US jazz bassist) (on 1967-03-23)
drums (drum set):
Alan Dawson (on 1967-03-23)
piano:
Walter Davis Jr. (American hard bop pianist) (on 1967-03-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1967-03-23)
recording of:
Smile (Modern Times; original instrumental version) (on 1967-03-23)
writer:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Sonny Criss4:42
6Fried Bananas
recorded in:
New York, New York, United States (on 1969-04-04)
bass:
Buster Williams (US jazz bassist) (on 1969-04-04)
drums (drum set):
Albert “Tootie” Heath (on 1969-04-04)
piano:
Barry Harris (Jazz pianist) (on 1969-04-04)
tenor saxophone:
Dexter Gordon (on 1969-04-04)
instrumental recording of:
Fried Bananas (jazz interpretation of "It Could Happen to You") (on 1969-04-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
additional composer:
Dexter Gordon
composer:
Jimmy Van Heusen
is based on:
It Could Happen to You
Dexter Gordon46:09
7Jamilah
recording engineer:
Rudy van Gelder (on 1969-08-25)
producer:
Bob Porter (American record producer)
bass:
Bob Bushnell (on 1969-08-25)
congas:
Buddy Caldwell (on 1969-08-25)
drums (drum set):
Frankie Jones (jazz drummer) (on 1969-08-25)
guitar:
Billy Butler (jazz guitarist) (on 1969-08-25)
organ:
Sonny Phillips (on 1969-08-25)
tenor saxophone:
Houston Person (on 1969-08-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1969-08-25)
recording of:
Jamilah (on 1969-08-25)
composer:
Sonny Phillips
publisher:
Prestige Music Co. (US, affiliated with BMI)
Houston Person5:33
8Jungle Strut
engineer:
Rudy van Gelder
drums (drum set):
Bernard Purdie (on 1969-11-11)
electric bass guitar [fender]:
Bob Bushnell (on 1969-11-11)
guitar:
Billy Butler (jazz guitarist) (on 1969-11-11)
organ:
Sonny Phillips (on 1969-11-11)
tenor saxophone:
Gene Ammons (on 1969-11-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1969-11-11)
recording of:
Jungle Strut (on 1969-11-11)
composer:
Gene Ammons
Gene Ammons5:12
9More Today Than Yesterday
drums (drum set):
Idris Muhammad (on 1969-12-15)
guitar:
Melvin Sparks (on 1969-12-15)
organ:
Charles Earland (on 1969-12-15)
tenor saxophone:
Houston Person (on 1969-12-15)
trumpet:
Virgil Jones (on 1969-12-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1969-12-15)
edit of:
More Today Than Yesterday by Charles Earland
recording of:
More Today Than Yesterday (on 1969-12-15)
lyricist and composer:
Pat Upton
publisher:
Regent Music Corporation (BMI)
Charles Earland3:46
10Soul Liberation
recording engineer:
Rudy van Gelder (on 1970-06-15)
producer:
Bob Porter (American record producer)
drums (drum set):
Idris Muhammad (on 1970-06-15)
guitar:
Melvin Sparks (on 1970-06-15)
organ:
Charlie Earland (on 1970-06-15)
tenor saxophone:
Rusty Bryant (on 1970-06-15)
trumpet:
Virgil Jones (on 1970-06-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1970-06-15)
recording of:
Soul Liberation (on 1970-06-15)
composer:
Charles Earland
Rusty Bryant11:37
11No Way
recording engineer:
Rudy van Gelder (on 1970-11-23)
producer:
Bob Porter (American record producer)
drums (drum set):
Bernard Purdie (on 1970-11-23)
electric bass guitar:
Jimmy Lewis (jazz bassist) (on 1970-11-23)
guitar:
Boogaloo Joe Jones (on 1970-11-23)
tenor saxophone:
Grover Washington, Jr. (on 1970-11-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1970-11-23)
recording of:
No Way
composer:
Ivan “Boogaloo Joe” Jones
publisher:
Prestige Music Co. (US, affiliated with BMI)
Ivan ‘Boogaloo Joe’ Jones7:19
12You Talk That Talk
recording engineer:
Rudy van Gelder (on 1971-02-08)
producer:
Bob Porter (American record producer)
drums (drum set):
Idris Muhammad (on 1971-02-08)
guitar:
George Freeman (jazz guitarist) (on 1971-02-08)
Hammond organ [organ]:
Leon Spencer (organ) (on 1971-02-08)
tenor saxophone:
Gene Ammons (on 1971-02-08) and Sonny Stitt (on 1971-02-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1971-02-08)
recording of:
You Talk That Talk (on 1971-02-08)
composer:
Leon Spencer, Jr. (organ)
publisher:
Songs of Concord
Gene Ammons6:03