Greatest Ever Rock Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Party Hard
Andrew W.K.3:05
2Beautiful People
assistente tecnico:
Brian Pollack (engineer) e Chris Vrenna (member of Tweaker)
tecnico:
Sean Beavan e Dave Ogilvie (Canadian producer, engineer, and musician)
co-produttore:
Marilyn Manson (the person)
produttore:
Dave Ogilvie (Canadian producer, engineer, and musician) e Trent Reznor
tecnico di missaggio:
Sean Beavan, Dave Ogilvie (Canadian producer, engineer, and musician) e Chris Vrenna (member of Tweaker)
editor:
Sean Beavan, Charlie Clouser, Dave Ogilvie (Canadian producer, engineer, and musician), Trent Reznor e Chris Vrenna (member of Tweaker)
basso elettrico e chitarra elettrica :
Twiggy Ramirez
batteria :
Ginger Fish (American drummer)
chitarra elettrica e chitarra synth :
Sean Beavan
tastiera :
Madonna Wayne Gacy
voce principale:
Marilyn Manson (the person)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1996, nel 2012), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Nothing Studio in New Orleans, Louisiana, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 86)
registrazione di:
The Beautiful People
paroliere:
Brian Hugh Warner (Marilyn Manson, the person)
compositore:
Twiggy Ramirez
editore:
Blood Heavy Music, Dinger & Ollie Music e Songs of Golgotha
Marilyn Manson4.653:39
3Heads Will Roll
produttore:
Dave Sitek e Nick Launay
parte di:
Paste: The 10 Best Halloween Songs of the 21st Century (numero: 1) e Indie 88: Top 500 Indie Rock Songs (numero: 462)
registrazione di:
Heads Will Roll
autore:
Brian Chase (drummer and songwriter), Karen O e Nick Zinner (US guitarist, composer, and producer)
Yeah Yeah Yeahs4.23:41
4To Lose My Life
registrazione di:
To Lose My Life
autore:
Charles Cave, Jack Lawrence-Brown e Harry McVeigh
White Lies4.23:08
5Joker & The Thief
registrazione di:
Joker & the Thief
autore:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) e Andrew Stockdale
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother33:28
6Sugar, We’re Going Down
assistente tecnico di missaggio:
Femio Hernandez
tecnico di missaggio:
Tom Lord‐Alge
voce principale:
Patrick Stump
video musicali:
Sugar, We’re Goin Down di Fall Out Boy (pop punk band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 246) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 443)
registrazione di:
Sugar, We’re Goin Down
paroliere:
Pete Wentz
compositore:
Andy Hurley (rock drummer from the US), Patrick Stump, Joe Trohman e Pete Wentz
editore:
Chicago X Softcore Songs
Fall Out Boy4.253:49
7Go With the Flow
registrazione di:
Go With the Flow
autore:
Josh Homme (Queens of the Stone Age frontman) e Nick Oliveri
Queens of the Stone Age3:03
8Heart of Glass
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1979)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie3:22
9Get Free
The Vines42:04
10Smooth Criminal
assistente tecnico:
Justin Harvey
tecnico e editor:
James Murray (US engineer)
produttore e tecnico di missaggio:
Jay Baumgardner
assistente tecnico di missaggio:
Dan Certa
editor aggiunto:
John Ewing (engineer) e Brian Virtue
basso elettrico [bassadilla] , chitarra e voce di accompagnamento:
Tye Zamora
batteria :
Mike Cosgrove
chitarra elettrica :
Terence Corso
voce principale:
Dryden Mitchell
diritti fonografici (℗) detenuti da:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (nel 2001)
registrata presso e mixata presso:
NRG Recording Services in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Smooth Criminal di Alien Ant Farm
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 6) e The Downloader’s Music Source Book (numero: 355)
registrazione cover di:
Smooth Criminal
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music
parte di:
MJ: The Musical
Alien Ant Farm4.153:27
11What’s My Age Again
registrazione di:
What’s My Age Again?
autore:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge e Mark Hoppus
editore:
Fun With Goats (conclusa), Beat Poet Music, EMI April Music Inc., HMNIM Music e Jolly Old Saint Dick
blink‐1822:27
12Celebrity Skin
produttore:
Michael Beinhorn
produttore aggiunto:
Eric Erlandson
tecnico di missaggio:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
Geffen Records, Inc. (company credits only; do NOT use as release label) (nel 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 16)
registrazione di:
Celebrity Skin
autore:
Billy Corgan, Eric Erlandson e Courtney Love (US rock vocalist, widow to Kurt Cobain)
editore:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Songs of Kobalt Music Publishing, Strictly Confidential e Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:42
13Spread Your Love
Black Rebel Motorcycle Club3:42
14Burn It to the Ground
video musicali:
Burn It to the Ground di Nickelback
registrazione di:
Burn It to the Ground
autore:
Chad Kroeger, Mike Kroeger e Joey Moi
Nickelback43:28
15Dakota
tecnico:
Jim Lowe (sound engineer)
produttore e tecnico di missaggio:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) e Jim Lowe (sound engineer)
diritti fonografici (℗) detenuti da:
V2 Music Limited (holding company - do not use as release label) (nel 2005), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
Dakota
paroliere e compositore:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:56
16Last Resort
tecnico:
David Dominguez
produttore e tecnico di missaggio:
Jay Baumgardner
assistente tecnico di missaggio:
D Rock
editor:
James Murray (US engineer)
diritti fonografici (℗) detenuti da:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (nel 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e mixata presso:
NRG Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Last Resort di Papa Roach
registrazione di:
Last Resort
paroliere e compositore:
David Buckner, Tobin Esperance, Jerry Horton e Jacoby Shaddix
editore:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music e Viva La Cucaracha Music
Papa Roach3.953:20
17Stare Too Long
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
Stare Too Long (nel 2000)
paroliere:
Pepper Keenan
compositore:
Mike Dean (bassist/vocalist for Corrosion of Conformity), Pepper Keenan, Reed Mullin e Woody Weatherman
editore:
Sony/ATV Music Publishing (UK) Ltd.
Corrosion of Conformity4:54
18New Horizon
The Answer3:39
19Saturday
The Enemy3:12
20Sweet Remain
Vista Chino3:09
2▼CD
#TitoloArtistaValutazioneDurata
1We’re Not Gonna Take It
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:39
2Living in Paradise
David Lee Roth4:03
3Crazy Crazy Nights
produttore:
Ron Nevison
tecnico di missaggio:
Ron Nevison (dal 1987-06 al 1987-07)
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
mixata presso:
Can‐Am Recorders in Tarzana, Los Angeles, California, Stati Uniti (dal 1987-06 al 1987-07)
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS4.153:44
4Cherry Bomb
registrazione di:
Cherry Bomb
paroliere:
Kim Fowley
compositore:
Joan Jett
editore:
Careers–BMG Music Publishing, Inc., Jett Pack Music, Inc. e Peermusic Ltd. (BMI)
The Runaways2:18
5Too Much Too Young
Little Angels4:21
6Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.853:56
7The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.24:26
8Real Wild Child (Wild One)
Iggy Pop3:33
9Get Your Hands Off My Woman
registrazione di:
Get Your Hands Off My Woman
autore:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham e Justin Hawkins
editore:
Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
The Darkness2:45
10Don’t You Forget About Me
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
11World Shut Your Mouth
Julian Cope3:02
12Swords of a Thousand Men
produttore:
Bob Andrews (keyboardist and producer) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
Swords of a Thousand Men
paroliere e compositore:
Edward Tudor-Pole
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:54
13Please Don’t Touch
produttore:
Vic Maile
batteria :
Denise Dufort (nel 1980-12)
chitarra [Lead Guitar] :
Eddie Clarke (Motörhead guitarist) (nel 1980-12) e Kelly Johnson (nel 1980-12)
chitarra [Rhythm Guitar] :
Kim McAuliffe (nel 1980-12)
chitarra basso :
Lemmy Kilmister (“Lemmy” from Motörhead) (nel 1980-12) e Enid Williams (nel 1980-12)
voce principale:
Kelly Johnson (nel 1980-12) e Lemmy Kilmister (“Lemmy” from Motörhead) (nel 1980-12)
registrazione cover di:
Please Don’t Touch (nel 1980-12)
compositore:
Frederick Heath e Guy Robinson (UK songwriter)
editore:
EMI Blackwood Music Inc.
Girlschool & Motörhead3.52:47
14Good Morning Judge
assistente tecnico e assistente tecnico di missaggio:
Tony Spath
tecnico, tecnico di missaggio e editor:
Eric Stewart
produttore:
10cc, Graham Gouldman e Eric Stewart
basso elettrico [six string bass] , chitarra basso, chitarra elettrica, chitarra e tamburello e voce di accompagnamento:
Graham Gouldman
cabassa, batteria, pianoforte e tamburello :
Paul (UK rock drummer)
moog, chitarra, pianoforte e chitarra slide e voce di accompagnamento e voce principale:
Eric Stewart
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977) e Phonogram Ltd. (not for release label use!) (nel 1977)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito
video musicali:
Good Morning Judge di 10cc
registrazione di:
Good Morning Judge
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Man-Ken Music Ltd. (nel 1977)
10cc4.42:53
15Hush
tecnico:
Ian Taylor (rock producer/engineer)
produttore:
Stephen Harris (mixer/producer) e Crispian Mills
registrazione cover di:
Hush (South, Royal, Deep Purple) (nel 1996)
paroliere e compositore:
Joe South (fino al 1967)
editore:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music e Sony/ATV Music Publishing Australia Pty Ltd.
Kula Shaker4.652:54
16If I Could Turn Back Time
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3:52
17Scream
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Stephen McGrath
batteria :
Brian Tichy
chitarra :
Steve Stevens (US guitarist and songwriter)
tastiera :
Derek Sherinian
voce principale:
Billy Idol (English rock singer‐songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 2005)
registrazione di:
Scream
autore:
Billy Idol (English rock singer‐songwriter) e Brian Tichy
editore:
Bad Trip Tunes, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Wixen Music Publishing, Inc. e Wixen Music UK Ltd.
Billy Idol3:51
18Carnival of Souls
produttore:
Gene Simmons (KISS bassist and vocalist)
tecnico di missaggio:
Gene Simmons (KISS bassist and vocalist) e Alex Todorov
basso elettrico e voce principale:
Gene Simmons (KISS bassist and vocalist)
chitarra :
Richie Kotzen
voce di accompagnamento:
Christine Parrish, Steve Parrish e Nick Tweed‐Simmons (son of Gene Simmons of KISS)
registrazione di:
Carnival of Souls
autore:
Gene Simmons (KISS bassist and vocalist) e Scott Van Zen
editore:
Gene Simmons Worldwide, Inc. e Van Zen Publishing
Gene Simmons3:27
19Born to Run
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Born to Run
editore:
Bruce Springsteen (nel 1975, nel 1988, nel 2003)
paroliere e compositore:
Bruce Springsteen (nel 1974)
editore:
Bruce Springsteen Music, Intersong Music Ltd., Penjane, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing France (not for release label use!), Universal Music Works (GMR affiliated) e Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (nel 1974)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frankie Goes to Hollywood43:55
20I Want Out
tecnico di registrazione:
Dennis Ward
produttore:
Charlie Bauerfeind (sound engineer) e Andreas Becker (guitarist, member of FEE)
tecnico di missaggio:
Charlie Bauerfeind (sound engineer)
batteria :
Daniel Löble
chitarra :
Sascha Gerstner e Michael Weikath
chitarra basso :
Markus Grosskopf
chitarra ospite :
Andreas Becker (guitarist, member of FEE)
percussione ospite :
Nippy Noya
cori:
Class 6 Of The Humboldt Gymnasium KA, Gabriel Goebel, Julian Hildenbrand, Jaro Kirchgessner e Thilo Müller Maatsch
voce principale:
Andi Deris
arrangiatore:
Andreas Becker (guitarist, member of FEE) e Helloween (German power metal band)
registrata presso:
Angel Recording Studios in Islington, London (Greater London), England, Regno Unito (cori), G-Tracks Studio in Ebermannstadt, Bayern (Baviera), Germania (chitarra), Mi Sueno Recording Studios in Tenerife, Santa Cruz de Tenerife (Province of Santa Cruz de Tenerife), Canarias (isole Canarie), Spagna (voce principale), rothrecording studios in Burghaslach, Bayern (Baviera), Germania (percussione) e Twilight Hall Studios in Grefrath, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (batteria)
registrazione di:
I Want Out
paroliere e compositore:
Kai Hansen (German metal guitarist & vocalist)
editore:
Maldoror (German publisher) e Wintrup Musikverlag
Helloween4:20
3▼CD
#TitoloArtistaValutazioneDurata
1Ballroom Blitz
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Phil Wainman
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
The Ballroom Blitz
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Sweet4.64:01
2Alright Now
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free5:32
3Gimme Three Steps
registrazione di:
Gimme Three Steps
autore:
Allen Collins e Ronnie Van Zant
Lynyrd Skynyrd4:27
4Caroline
Status Quo4:17
5Spirit of the Radio
tecnico di registrazione:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
assistente tecnico di missaggio:
Steve S. Hort (engineer), Geddy Lee, Craig Milliner (engineer) e Adam Moseley
tecnico di missaggio:
Terry Brown (producer)
albero di campanelle , batteria , campane a vento , campane tubolari , campane tubolari [orchestra bells] , crotali , timbales , timpani [tympani] e triangolo :
Neil Peart (dal 1979-09 al 1979-10)
basso a pedali [Taurus pedal synthesizer] , chitarra basso , minimoog e sintetizzatore [Oberheim polyphonic: OB-1] :
Geddy Lee (dal 1979-09 al 1979-10)
basso a pedali [Taurus pedals] , chitarra a 12 corde [12-string acoustic guitar] , chitarra a 12 corde [12-string electric guitar] , chitarra acustica e chitarra elettrica :
Alex Lifeson (dal 1979-09 al 1979-10)
voce:
Geddy Lee (dal 1979-09 al 1979-10)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1980), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1979-09 al 1979-10)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1979-11)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 88)
registrazione di:
The Spirit of Radio (dal 1979-09 al 1979-10)
paroliere:
Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Core Music Publishing e Anthem Core Music Publishing (SOCAN‐affiliated) (dal 1980 a oggi)
Rush4.24:56
6Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:22
7Race With the Devil
Girlschool2:50
8Who Do You Love
Juicy Lucy3:00
9Just Like an Arrow
Magnum3:21
10Hair of the Dog
registrazione di:
Hair of the Dog
autore:
Pete Agnew, Manny Charlton, Dan McCafferty e Darrell Sweet
editore:
Carlin Music Corporation e Mountain Music Ltd.
Nazareth3:19
11Riding With the Angels
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Riding With the Angels
paroliere e compositore:
Russ Ballard
editore:
Union Square Music Publishing Ltd.
Samson3:37
12Easy Livin’
tecnico di registrazione:
Peter Gallen (dal 1972-03 al 1972-04)
assistente tecnico:
Ashley Howe
tecnico:
Peter Gallen
produttore:
Gerry Bron
tecnico di missaggio:
Rafe McKenna
basso elettrico :
Gary Thain (dal 1972-03 al 1972-04)
batteria :
Lee Kerslake (dal 1972-03 al 1972-04)
chitarra :
Mick Box (dal 1972-03 al 1972-04)
organo :
Ken Hensley (dal 1972-03 al 1972-04)
voce:
David Byron (dal 1972-03 al 1972-04)
arrangiatore:
Uriah Heep (British prog/hard rock)
diritti fonografici (℗) detenuti da:
Bronze (nel 1972), Bronze Records Ltd. (nel 1972), Castle Copyrights Ltd. (nel 1972), Legacy Records Ltd. (nel 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1972, nel 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito (dal 1972-03 al 1972-04) e Astoria Theatre (London) in Westminster, London (Greater London), England, Regno Unito (il 2003-11-08)
prodotta presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito
registrazione di:
Easy Livin’ (dal 1972-03 al 1972-04)
paroliere e compositore:
Ken Hensley
editore:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled "Sydney") e Umble Tunes Ltd.
Uriah Heep4.252:34
13Overkill
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
batteria :
Phil “Philthy Animal” Taylor (former Motörhead drummer) (dal 1978-12 al 1979-01)
chitarra :
Eddie Clarke (Motörhead guitarist) (dal 1978-12 al 1979-01)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (dal 1978-12 al 1979-01)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
video musicali:
Overkill di Motörhead
registrazione di:
Overkill (Motörhead song) (dal 1978-12 al 1979-01)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
editore:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.25:09
14Breaking the Chains
Dokken3:55
15You Ain’t Seen Nothin’ Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:35
16Devil’s Answer
Atomic Rooster3:25
17Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
registrazione di:
Silver Machine
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
Hawkwind3.654:36
18Doctor Doctor
registrazione di:
Doctor Doctor
autore:
Phil Mogg e Michael Schenker
editore:
Intersong Music Ltd. e Rudolf Slezak Musikverlag GmbH (publisher)
sub-editore:
Schubert Music Europe GmbH e Warner Chappell Music France
UFO4:25
19Wild Thing
registrazione cover di:
Wild Thing
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs2:24
20The Mexican
Babe Ruth3:26

Accreditamenti

Pubblicazione

ASIN:DE: B07457QTJB [info]