Original Album Classics

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

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1▼CD: Elvis
#TitleRatingLength
1Rip It Up
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
4.51:56
2Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (southern gospel group) (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
recording of:
Love Me, Love Me
writer:
George Richey and Glenn Sutton (US songwriter and producer)
42:44
3When My Blue Moon Turns to Gold Again
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-09-02)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
4.52:25
4Long Tall Sally
live cover recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
41:53
5First in Line
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
recording of:
First in Line (on 1956-09-03)
composer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Rachel’s Own Music and Ross Jungnickel, Inc.
53:23
6Paralyzed
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-02)
drums (drum set):
D.J. Fontana (on 1956-09-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-02)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-02)
additional performer:
The Jordanaires (southern gospel group) (on 1956-09-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-02)
recording of:
Paralyzed (on 1956-09-02)
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
3.52:27
7So Glad You’re Mine
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
cover recording of:
So Glad You’re Mine (on 1956-01-30)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
32:21
8Old Shep
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
54:12
9Ready Teddy
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
cover recording of:
Ready Teddy (on 1956-09-03)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
41:58
10Anyplace Is Paradise
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-03)
additional performer:
The Jordanaires (southern gospel group) (on 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
recording of:
Anyplace Is Paradise (on 1956-09-03)
lyricist and composer:
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
42:28
11How’s the World Treating You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How’s the World Treating You (on 1956-09-01)
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
42:26
12How Do You Think I Feel
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01)
cover recording of:
How Do You Think I Feel (on 1956-09-01)
composer:
Webb Pierce and Wiley Walker
42:11
2▼CD: Elvis Presley
#TitleRatingLength
1Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.452:01
2I’m Counting On You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-11)
drums (drum set):
D.J. Fontana (on 1956-01-11)
guitar:
Chet Atkins (on 1956-01-11), Scotty Moore (American guitarist and recording engineer) (on 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-11)
recording of:
I’m Counting on You (on 1956-01-11)
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
3.52:24
3I Got a Woman
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.52:26
4One-Sided Love Affair
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Music (in 1957)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
recording of:
One-Sided Love Affair (on 1956-01-30)
lyricist and composer:
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. and Sheldon Music
32:11
5I Love You Because
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954, in 1956, in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
I Love You Because (on 1954-07-05)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
42:44
6Just Because
cover recording of:
Just Because (on 1954-09-12)
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
2:34
7Tutti Frutti
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-31)
cover recording of:
Tutti Frutti (on 1956-01-31)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
31:59
8Tryin’ to Get to You
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07, on 1955-07-11)
drums (drum set):
Johnny Bernero (in 1955-07, on 1955-07-11)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07, on 1955-07-11) and Scotty Moore (American guitarist and recording engineer) (on 1955-07-11)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07) and Sun Studios in Memphis, Tennessee, United States (on 1955-07-11)
cover recording of:
Trying to Get to You (on 1955-07-11)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
cover recording of:
Trying to Get to You (in 1955-07)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
42:34
9I’m Gonna Sit Right Down and Cry (Over You)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (on 1956-01-31)
lyricist and composer:
Howard Biggs and Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd. (PRS‐affiliated)
4.32:01
10I’ll Never Let You Go (Little Darlin’)
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-09-10, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-09-10) and Elvis Presley (“The King of Rock and Roll”) (on 1954-09-10, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-09-10, from 1954-09-12 until 1954-09-16)
cover recording of:
I’ll Never Let You Go Little Darlin’ (on 1954-09-10)
lyricist and composer:
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) and Sunshine Music Co., Inc. (on 1941-11-17)
cover recording of:
I’ll Never Let You Go Little Darlin’ (from 1954-09-12 until 1954-09-16)
lyricist and composer:
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) and Sunshine Music Co., Inc. (on 1941-11-17)
32:24
11Blue Moon
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-08-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-08-19) and Elvis Presley (“The King of Rock and Roll”) (on 1954-08-19)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-08-19)
cover recording of:
Blue Moon (on 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
4.52:41
12Money Honey
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
42:33
3▼CD: Loving You
#TitleRatingLength
1Mean Woman Blues
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-01-13)
additional performer:
The Jordanaires (southern gospel group) (on 1957-01-13)
phonographic copyright (℗) by:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
recording of:
Mean Woman Blues (on 1957-01-13)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
cover recording of:
Mean Woman Blues
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
42:18
2(Let Me Be Your) Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
3.11:47
3Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (southern gospel group) (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
42:14
4Got a Lot o’ Livin’ to Do!
recording of:
Got a Lot o’ Livin’ to Do (on 1957-01-12)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
cover recording of:
Got a Lot o’ Livin’ to Do
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
42:34
5Lonesome Cowboy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
recording of:
Lonesome Cowboy (from 1957-01-15 until 1957-01-18)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
cover recording of:
Lonesome Cowboy
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
43:02
6Hot Dog
cover recording of:
Hot Dog (in 1957-01)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Silver Seahorse Music LLC and Sony/ATV Songs LLC
3.51:14
7Party
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Music (in 1957) and RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
cover recording of:
Let’s Have a Party (from 1957-01-15 until 1957-01-18)
lyricist and composer:
Jessie Mae Robinson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
4.21:28
8Blueberry Hill
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
drums (drum set):
D.J. Fontana
guitar:
Scotty Moore (American guitarist and recording engineer)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
cover recording of:
Blueberry Hill (on 1957-01-19)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
42:39
9True Love
cover recording of:
True Love (High Society) (on 1957-02-23)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
32:06
10Don’t Leave Me Now
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Neal Matthews (from 1957-04-30 until 1957-05-09)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Mike Stoller (from 1957-04-30 until 1957-05-09)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24, on 1957-04-30, on 1957-05-03, from 1957-05-08 until 1957-05-09)
cover recording of:
Don’t Leave Me Now (from 1957-02-23 until 1957-02-24)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
cover recording of:
Don’t Leave Me Now (from 1957-04-30 until 1957-05-09)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
41:59
11Have I Told You Lately That I Love You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-19)
drums (drum set):
D.J. Fontana (on 1957-01-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-19) and Elvis Presley (“The King of Rock and Roll”) (on 1957-01-19)
organ:
Hoyt Hawkins (on 1957-01-19)
piano:
Dudley Brooks (on 1957-01-19)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (on 1957-01-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-19)
cover recording of:
Have I Told You Lately That I Love You? (on 1957-01-19)
lyricist and composer:
Scott Wiseman (in 1945)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Leeds Music Ltd. (in 1982)
42:32
12I Need You So
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
cover recording of:
I Need You So (from 1957-02-23 until 1957-02-24)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range Songs, Inc. (publisher), St. Louis Music Corp. and Unichappell Music
42:39
13Tell Me Why
cover recording of:
Tell Me Why (on 1957-01-12)
lyricist and composer:
Titus Turner
publisher:
Cheerio Corp.
52:08
14Is It So Strange
cover recording of:
Is It So Strange (on 1957-01-19)
lyricist and composer:
Faron Young
publisher:
Chappell & Co., Inc. (USA), Elvis Presley Music, Elvis Presley Music Inc., Johnny Bienstock Music and Unichappell Music
32:30
15One Night of Sin
cover recording of:
One Night (of Sin) (on 1957-01-24)
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Elvis Presley Music Inc. and EMI / Utd Partnership
42:36
16When It Rains, It Really Pours
cover recording of:
When It Rains It Pours (on 1957-02-24)
lyricist and composer:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) and Riverline Music
21:49
17I Beg of You (alternate version)
cover recording of:
I Beg of You (on 1957-01-13)
writer:
Rose Marie McCoy and Kelly Owens (US pianist and organist)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
1:51
18Party (alternate version)
cover recording of:
Let’s Have a Party (in 1957-01)
lyricist and composer:
Jessie Mae Robinson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
1:08
19Loving You (uptempo version)
cover recording of:
Loving You (on 1957-02-14)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
41:26
20Got a Lot o’ Livin’ to Do! (finale)
recording of:
Got a Lot o’ Livin’ to Do (in 1957-01)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
1:22
4▼CD: Elvis Is Back
#TitleRatingLength
1Stuck on You
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-20)
drums (drum set):
D.J. Fontana (on 1960-03-20) and Buddy Harman (Session drummer and songwriter) (on 1960-03-20)
electric bass guitar:
Hank Garland (on 1960-03-20)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-03-20) and Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
piano:
Floyd Cramer (on 1960-03-20)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
vocals:
The Jordanaires (southern gospel group) (on 1960-03-20)
additional performer:
The Jordanaires (southern gospel group) (on 1960-03-20)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
recording of:
Stuck on You (on 1960-03-20)
lyricist:
Aaron Schroeder (1950s~1960s US songwriter) (on 1960-03-20)
composer:
J. Leslie McFarland (composer) (on 1960-03-20)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
cover recording of:
Stuck on You
lyricist:
Aaron Schroeder (1950s~1960s US songwriter) (on 1960-03-20)
composer:
J. Leslie McFarland (composer) (on 1960-03-20)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
12:21
2Fame and Fortune
recording engineer:
Bill Porter (engineer)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
cover recording of:
Fame and Fortune (on 1960-03-20)
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co., Erika Music Publishing, Gladys Music, Gladys Music Inc., Spirit Two Music Inc. and Williamson Music Company
3.72:31
3Make Me Know It
recording engineer:
Bill Porter (engineer) (on 1960-03-20)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires (southern gospel group) (on 1960-03-20)
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-03-20)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Make Me Know It (on 1960-03-20)
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music and R&H Music
42:00
4Fever
recording engineer:
Bill Porter (engineer) (on 1960-04-03)
producer:
Chet Atkins and Steve Sholes
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Fever (on 1960-04-03)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
33:33
5The Girl of My Best Friend
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires (southern gospel group) (on 1960-04-04)
phonographic copyright (℗) by:
BMG Music (in 1960) and RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
The Girl of My Best Friend (on 1960-04-04)
writer:
Sam Bobrick and Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
4.22:23
6I Will Be Home Again
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
I Will Be Home Again (on 1960-04-04)
writer:
Bennie Benjamin (in 1944), Raymond Leveen (Composer, songwriter and author) (in 1944) and Lou Singer (pianist) (in 1944)
premiered by:
The Golden Gate Quartet (on 1945-03-16)
publisher:
Bennie Benjamin Music Inc. and Chappell & Co.
32:35
7Dirty, Dirty Feeling
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires (southern gospel group) (on 1960-04-04)
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Dirty Dirty Feeling (on 1960-04-04)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
41:34
8The Thrill of Your Love
recording engineer:
Bill Porter (engineer)
producer:
Chet Atkins and Steve Sholes
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States and RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Thrill of Your Love (on 1960-04-03)
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
publisher:
R&H Music
recording of:
Thrill of Your Love
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
publisher:
R&H Music
43:01
9Soldier Boy
recording engineer:
Bill Porter (engineer) (on 1960-03-20)
producer:
Chet Atkins and Steve Sholes
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-03-20)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Soldier Boy (on 1960-03-20)
writer:
David Jones and Theodore Williams
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
43:06
10Such a Night
recording engineer:
Bill Porter (engineer) (on 1960-04-03)
producer:
Chet Atkins and Steve Sholes
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Music and BMG Entertainment (in 1960)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03) and RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Such a Night (on 1960-04-03)
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation and Raleigh Music, Inc.
33:01
11It Feels So Right
recording engineer:
Bill Porter (engineer) (on 1960-03-21)
producer:
Chet Atkins and Steve Sholes
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-03-21)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
It Feels So Right (on 1960-03-21)
writer:
Ben Weisman and Fred Wise
publisher:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. and Spirit Two Music Inc.
42:11
12Girl Next Door Went a Walking
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
The Girl Next Door Went a Walking (on 1960-04-04)
writer:
Bill Rice and Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
publisher:
Elvis Presley Music, R&H Music and Regent Music Corp.
recording of:
The Girl Next Door Went a Walking
writer:
Bill Rice and Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
publisher:
Elvis Presley Music, R&H Music and Regent Music Corp.
42:14
13Like a Baby
recording engineer:
Bill Porter (engineer) (on 1960-04-03)
producer:
Chet Atkins and Steve Sholes
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Like a Baby (on 1960-04-03)
lyricist and composer:
Jesse Stone
publisher:
Bob Abbott Music, Inc., Elvis Presley Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Unichappell Music
32:40
14Reconsider Baby
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Reconsider Baby (on 1960-04-03)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
cover recording of:
Reconsider Baby (in 1960-04)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
43:41
15Are You Lonesome Tonight?
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 9)
cover recording of:
Are You Lonesome Tonight? (on 1960-04-03)
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
3.153:08
16I Gotta Know
recording engineer:
Bill Porter (engineer)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-04)
cover recording of:
I Gotta Know (on 1960-04-04)
writer:
Paul Evans (50s US rock n roll singer/songwriter) and Matt Williams (US songwriter “I Gotta Know”)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music and Port Music Corp.
2:17
17A Mess of Blues
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-20)
drums (drum set):
D.J. Fontana (on 1960-03-20) and Buddy Harman (Session drummer and songwriter) (on 1960-03-20)
electric bass guitar:
Hank Garland (on 1960-03-20)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-03-20) and Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
piano:
Floyd Cramer (on 1960-03-20)
choir vocals and additional performer:
The Jordanaires (southern gospel group) (on 1960-03-20)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
vocals:
The Jordanaires (southern gospel group) (on 1960-03-20)
phonographic copyright (℗) by:
BMG Music (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
cover recording of:
A Mess of Blues (on 1960-03-20)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:41
18It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
cover recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
3.73:15
5▼CD: G.I. Blues
#TitleRatingLength
1Tonight Is So Right for Love
recording of:
Tonight Is So Right for Love (on 1960-04-27)
writer:
Abner Silver and Sid Wayne
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music and Holly-Hill Music Publishing Co.
42:17
2What’s She Really Like
recording of:
What's She Really Like (on 1960-04-28)
writer:
Abner Silver and Sid Wayne
3.352:20
3Frankfort Special
cover recording of:
Frankfort Special (on 1960-05-06)
writer:
Sherman Edwards and Sid Wayne
publisher:
Chrysalis Songs
32:59
4Wooden Heart
bass:
Ray Siegel (on 1960-04-28)
drums (drum set):
D.J. Fontana (on 1960-04-28)
guitar:
Neal Matthews (on 1960-04-28), Scotty Moore (American guitarist and recording engineer) (on 1960-04-28) and Tiny Timbrell (on 1960-04-28)
piano:
Dudley Brooks (on 1960-04-28)
tambourine:
Jimmie Haskell (on 1960-04-28)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-28)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (on 1960-04-28)
lyricist:
Ben Weisman and Fred Wise
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter) and Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
recording of:
Wooden Heart
lyricist:
Ben Weisman and Fred Wise
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter) and Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
22:07
5G.I. Blues
cover recording of:
G.I. Blues (on 1960-04-27)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Cherry Lane Music Publishing Company Inc. and Chrysalis Music (music publisher, ASCAP-affiliated)
42:40
6Pocketful of Rainbows
recording of:
Pocketful of Rainbows (on 1960-05-06)
lyricist and composer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co. and Spirit Two Music Inc.
42:38
7Shoppin’ Around
cover recording of:
Shoppin’ Around (on 1960-05-06)
writer:
Roy C. Bennett (US songwriter), Aaron Schroeder (1950s~1960s US songwriter) and Sid Tepper
publisher:
Holly-Hill Music Publishing Co. and Rachel’s Own Music
32:28
8Big Boots
recording of:
Big Boots
writer:
Sherman Edwards and Sid Wayne
publisher:
Holly-Hill Music Publishing Co.
31:35
9Didja’ Ever
cover recording of:
Didja’ Ever
writer:
Sherman Edwards and Sid Wayne
32:40
10Blue Suede Shoes
cover recording of:
Blue Suede Shoes (on 1960-04-28)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
42:10
11Doin’ the Best I Can
cover recording of:
Doin’ the Best I Can (on 1960-04-27)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Chrysalis Songs and R&H Music
43:15
12Tonight’s All Right for Love
recording of:
Tonight Is So Right for Love (in 1960-09)
writer:
Abner Silver and Sid Wayne
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music and Holly-Hill Music Publishing Co.
31:22

Credits

Release

manufactured in:Europe
manufactured by and distributed by:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
copyrighted (©) by and phonographic copyright (℗) by:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
Discogs:https://www.discogs.com/release/1584004 [info]
ASIN:UK: B0018BF1EK [info]
US: B0018BF1EK [info]
DE: B0018BF1EK [info]
other databases:https://www.musik-sammler.de/media/283567/ [info]

Release group

includes:Elvis
Elvis Is Back!
Elvis Presley
G.I. Blues
Loving You
part of:Original Album Classics (Sony Music anthology series) (order: 9)