Complete Beethoven Edition, Volume 3: Orchestral Works / Music for the Stage

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1The Creatures of Prometheus, op. 43: Overture. Adagio - Allegro molto e con brio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
Die Geschöpfe des Prometheus, op. 43: Ouverture (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
4:53
2The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
2:01
3The Creatures of Prometheus, op. 43: I. Poco adagio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: I. Poco adagio (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
3:09
4The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
1:46
5The Creatures of Prometheus, op. 43: III. Allegro vivace
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: III. Allegro vivace (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
1:48
6The Creatures of Prometheus, op. 43: IV. Maestoso - Andante
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: IV. Maestoso - Andante (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
1:22
7The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
librettist:
Salvatore Viganò
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
7:39
8The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
1:23
9The Creatures of Prometheus, op. 43: VII. Grave
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: VII. Grave (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
4:42
10The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
7:28
11The Creatures of Prometheus, op. 43: IX. Adagio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: IX. Adagio (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
3:29
12The Creatures of Prometheus, op. 43: X. Pastoral. Allegro
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: X. Pastoral. Allegro (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
2:47
13The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
recorded at:
The Performing Arts Center, State University of New York (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja) (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
0:26
14The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja) (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
3:05
15The Creatures of Prometheus, op. 43: XIII. Allegro
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
recorded at:
The Performing Arts Center, State University of New York (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: XIII. Allegro (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
4:15
16The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
recorded at:
The Performing Arts Center, State University of New York (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
4:51
17The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
4:41
18The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-03)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-03)
recording of:
The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
6:25
2▼CD
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1Music for a Ballet on Horseback, WoO 1: I. March
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Musik zu einem Ritterballett, WoO 1: I. Marsch (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1
2:05
2Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1
0:55
3Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto
1:20
4Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto
0:56
5Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino
0:42
6Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino
0:55
7Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio
0:30
8Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio
0:55
9Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum”
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio "Mihi est propositum" (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio
1:38
10Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio
0:56
11Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1
0:36
12Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace – Andantino – Tempo I (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1
1:54
13Congratulatory Minuet for Orchestra in E‐flat major, WoO 3: Tempo di menuetto quasi allegretto
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Gratulations-Menuett, WoO 3 (Congratulatory Minuet) (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1822)
dedicated to:
Karl Friedrich Hensler
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 3)
5:18
1412 Minuets for Orchestra, WoO 7 no. 1 in D major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 1 in D major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:12
1512 Minuets for Orchestra, WoO 7 no. 2 in B‐flat major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 2 in B-flat major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:08
1612 Minuets for Orchestra, WoO 7 no. 3 in G major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 3 in G major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
1:49
1712 Minuets for Orchestra, WoO 7 no. 4 in E‐flat major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 4 in E-flat major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:09
1812 Minuets for Orchestra, WoO 7 no. 5 in C major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 5 in C major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:03
1912 Minuets for Orchestra, WoO 7 no. 6 in A major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 6 in A major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:06
2012 Minuets for Orchestra, WoO 7 no. 7 in D major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 7 in D major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:08
2112 Minuets for Orchestra, WoO 7 no. 8 in B‐flat major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 8 in B-flat major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:17
2212 Minuets for Orchestra, WoO 7 no. 9 in G major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 9 in G major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:05
2312 Minuets for Orchestra, WoO 7 no. 10 in E‐flat major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 10 in E-flat major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:33
2412 Minuets for Orchestra, WoO 7 no. 11 in C major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 11 in C major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:08
2512 Minuets for Orchestra, WoO 7 no. 12 in F major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 Minuets for Orchestra, WoO 7: No. 12 in F major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Minuets for Orchestra, WoO 7
2:12
2612 German Dances, WoO 8 no. 1 in C major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 1 in C major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:03
2712 German Dances, WoO 8 no. 2 in A major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 2 in A major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:33
2812 German Dances, WoO 8 no. 3 in F major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 3 in F major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:43
2912 German Dances, WoO 8 no. 4 in B‐flat major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 4 in B-flat major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:44
3012 German Dances, WoO 8 no. 5 in E‐flat major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 5 in E-flat major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:39
3112 German Dances, WoO 8 no. 6 in G major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 6 in G major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:32
3212 German Dances, WoO 8 no. 7 in C major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 7 in C major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:32
3312 German Dances, WoO 8 no. 8 in A major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 8 in A major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:25
3412 German Dances, WoO 8 no. 9 in F major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 9 in F major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:24
3512 German Dances, WoO 8 no. 10 in D major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 10 in D major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:24
3612 German Dances, WoO 8 no. 11 in G major
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 11 in G major (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
1:35
3712 German Dances, WoO 8 no. 12 in C major - Coda
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
Academy of St Martin in the Fields (from 1978-05-26 until 1978-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-26 until 1978-05-30)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-26 until 1978-05-30)
recording of:
12 German Dances, WoO 8: No. 12 in C major - Coda (from 1978-05-26 until 1978-05-30)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 German Dances, WoO 8
3:40
3812 Contredances for Orchestra, WoO 14 no. 1 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 1 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
0:31
3912 Contredances for Orchestra, WoO 14 no. 2 in A major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 2 in A major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
0:34
4012 Contredances for Orchestra, WoO 14 no. 3 in D major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 3 in D major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
1:02
4112 Contredances for Orchestra, WoO 14 no. 4 in B‐flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
0:34
4212 Contredances for Orchestra, WoO 14 no. 5 in E‐flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
1:01
4312 Contredances for Orchestra, WoO 14 no. 6 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 6 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
1:16
4412 Contredances for Orchestra, WoO 14 no. 7 in E‐flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
0:43
4512 Contredances for Orchestra, WoO 14 no. 8 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 8 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1791)
part of:
12 Contredances for Orchestra, WoO 14
0:24
4612 Contredances for Orchestra, WoO 14 no. 9 in A major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 9 in A major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
0:25
4712 Contredances for Orchestra, WoO 14 no. 10 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 10 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
1:05
4812 Contredances for Orchestra, WoO 14 no. 11 in G major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 11 in G major (from 1959-11-24 until 1960-04-09)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
0:29
4912 Contredances for Orchestra, WoO 14 no. 12 in E‐flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1791)
part of:
12 Contredances for Orchestra, WoO 14
1:48
3▼CD
#TitleRatingLength
1Coriolan, op. 62: Overture. Allegro con brio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1985-06)
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62) (in 1985-06)
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Innere Stadt, Wien (Vienna), Austria (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
8:15
2Name–Day, op. 115: Overture in C major. Maestoso - Allegro assai
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1990-10)
conductor:
Claudio Abbado (conductor) (in 1990-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1990-10)
recording of:
Zur Namensfeier, op. 115 (Name-Day, op. 115) (in 1990-10)
composer:
Ludwig van Beethoven (German composer) (from 1814 until 1815)
dedicated to:
Antoni Henryk Radziwiłł
part of:
Works of Ludwig van Beethoven by opus number (number: op. 115)
6:46
3Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro (on 1991-12-31)
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
8:05
4Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Cheryl Studer (soprano) (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: I. Lied: „Die Trommel gerühret!“ Vivace (Clärchen) (on 1991-12-31)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
2:57
5Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
spoken vocals [reciter]:
Bruno Ganz (in 1993-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-09)
conductor:
Claudio Abbado (conductor) (in 1993-09)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 1993-09)
recording of:
Egmont, op. 84: II. Zwischenakt I. Andante – Allegro con brio (incidental music, may include narration in some recordings) (in 1993-09)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
3:10
6Egmont, op. 84: III. Entr’acte Music II. Larghetto
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-09)
conductor:
Claudio Abbado (conductor) (in 1993-09)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 1993-09)
recording of:
Egmont, op. 84: III. Zwischenakt II. Larghetto (in 1993-09)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
5:00
7Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Cheryl Studer (soprano) (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: IV. Lied: „Freudvoll und leidvoll“ Andante con moto – Allegro assai vivace (Clärchen) (on 1991-12-31)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
1:40
8Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: V. Zwischenakt III. Allegro – Marcia. Vivace (incidental music, may include narration in some recordings) (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
3:51
9Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VI. Zwischenakt IV. Poco sostenuto e risoluto – Larghetto – Andante agitato (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
3:37
10Egmont, op. 84: VII. Clärchen’s Death. Larghetto
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VII. Musik, Clärchens Tod bezeichnend. Larghetto (incidental music, may include narration in some recordings) (on 1991-12-31)
writer:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
2:44
11Egmont, op. 84: VIII. Melodrama. Poco sostenuto
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals:
Bruno Ganz (on 1991-12-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: VIII. Melodram. Poco sostenuto (incidental music, may include narration in some recordings) (on 1991-12-31)
writer:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
5:16
12Egmont, op. 84: IX. Victory Symphony. Allegro con brio
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1991-12-31)
conductor:
Claudio Abbado (conductor) (on 1991-12-31)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Konzerthaus Berlin in Berlin, Germany (on 1991-12-31)
live recording of:
Egmont, op. 84: IX. Siegessymphonie. Allegro con brio (on 1991-12-31)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
1:22
13Wellington’s Victory, or the Battle of Vitoria, op. 91 “Battle Symphony”
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-01-03)
conductor:
Herbert von Karajan (conductor) (on 1969-01-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-01-03)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1969-01-03)
recording of:
Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 (Wellington's Victory, or the Battle of Vitoria, Op. 91) (on 1969-01-03)
premiered in:
Wien (Vienna), Austria (on 1813-12-08)
composer:
Ludwig van Beethoven (German composer) (in 1813)
premiered at:
[concert] (1813-12-08)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 560) and Works of Ludwig van Beethoven by opus number (number: op. 91)
14:05
4▼CD
#TitleRatingLength
1The Ruins of Athens, op. 113: Overture. Andante con moto - Allegro ma non troppo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: Overtüre (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
5:12
2The Ruins of Athens, op. 113: I. Chorus. Andante poco sostenuto “Tochter des mächtigen Zeus!”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: I. Chor "Tochter des mächtigen Zeus" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
4:08
3The Ruins of Athens, op. 113: II. Duet. Andante con moto - Poco più mosso “Ohne Verschulden Knechtschaft dulden” (A Greek, A Greek Girl)
baritone vocals:
Klaus Hirte (baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: II. Duett "Ohne Verschulden Knechtschaft dulden" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
5:26
4The Ruins of Athens, op. 113: III. Chorus of Dervishes. Allegro ma non troppo “Du hast in deines Ärmels Falten den Mond getragen”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: III. Chor der Derwische "Du hast in deines Ärmels Falten" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
2:32
5The Ruins of Athens, op. 113: IV. Turkish March. Vivace
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
is based on:
6 Variations for Piano in D major on an Original Theme, op. 76
part of:
Die Ruinen von Athen, op. 113
1:49
6The Ruins of Athens, op. 113: VIa. March and Chorus. Assai moderato “Schmückt die Altäre!”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: VI. March "Schmückt die Altare" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
6:33
7The Ruins of Athens, op. 113: VIb. Recitation. Poco Adagio “Mit reger Freude, die nie erkaltet”
bass vocals:
Franz Crass (operatic bass)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: Rezitativ: Mit reger Freude, die nie erkaltet (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
1:59
8The Ruins of Athens, op. 113: VIIa. Chorus. Allegretto, ma non troppo “Wir tragen empfängliche Herzen im Busen”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
2:54
9The Ruins of Athens, op. 113: VIIb. Aria with Chorus. Adagio “Will unser Genius noch einen Wunsch gewähren?”
bass vocals:
Franz Crass (operatic bass)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
5:42
10The Ruins of Athens, op. 113: VIII. Chorus. Allegro con fuoco “Heil unserm König! Heil!”
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-04)
conductor:
Bernhard Klee (conductor) (in 1970-04)
chorus master:
Günther Arndt (choral conductor) (in 1970-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-04)
recording of:
Die Ruinen von Athen, op. 113: VIII. Chor "Heil unserm König! Heil!" (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Die Ruinen von Athen, op. 113
3:43
11The Consecration of the House, op. 124: Overture. Maestoso e sostenuto - Allegro con brio
baritone vocals:
Klaus Hirte (baritone) (from 1994-02 until 1994-12)
bass vocals:
Franz Crass (operatic bass) (from 1994-02 until 1994-12)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 1994-02 until 1994-12)
soprano vocals:
Arleen Augér (soprano) (from 1994-02 until 1994-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1994-02 until 1994-12)
conductor:
Claudio Abbado (conductor) (from 1994-02 until 1994-12)
chorus master:
Günther Arndt (choral conductor) (from 1994-02 until 1994-12)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (from 1994-02 until 1994-12)
recording of:
Die Weihe des Hauses, op. 124: Overture (The Consecration of the House, op. 124: Overture) (from 1994-02 until 1994-12)
composer:
Ludwig van Beethoven (German composer) (in 1822-09)
dedicated to:
Николай Голицын (Russian aristocrat, an amateur musician, known for his commissioning three string quartets from Beethoven)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 124)
part of:
Die Ruinen von Athen, op. 114 (second version of op. 113, 1822)
part of:
Die Weihe des Hauses, op. 124
10:50
12The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) “Wo sich die Pulse jugendlich jagen” - “Laßt uns im Tanze”
baritone vocals:
Klaus Hirte (baritone) (from 1994-02 until 1994-12)
bass vocals:
Franz Crass (operatic bass) (from 1994-02 until 1994-12)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 1994-02 until 1994-12) and Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-02 until 1994-12)
soprano vocals:
Arleen Augér (soprano) (from 1994-02 until 1994-12) and Sylvia McNair (soprano) (from 1994-02 until 1994-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1994-02 until 1994-12)
conductor:
Claudio Abbado (conductor) (from 1994-02 until 1994-12)
chorus master:
Günther Arndt (choral conductor) (from 1994-02 until 1994-12) and Dietrich Knothe (conductor) (from 1994-02 until 1994-12)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (from 1994-02 until 1994-12)
recording of:
The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze" (from 1994-02 until 1994-12)
composer:
Ludwig van Beethoven (German composer) (in 1822)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 98)
part of:
Die Ruinen von Athen, op. 114 (second version of op. 113, 1822)
6:03
13The Consecration of the House, op. 114: VI. March and Chorus. Assai moderato “Schmückt die Altäre!”
baritone vocals:
Klaus Hirte (baritone) (from 1994-02 until 1994-12)
bass vocals:
Franz Crass (operatic bass) (from 1994-02 until 1994-12)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 1994-02 until 1994-12) and Rundfunkchor Berlin (Berlin Radio Chorus) (from 1994-02 until 1994-12)
soprano vocals:
Arleen Augér (soprano) (from 1994-02 until 1994-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1994-02 until 1994-12)
conductor:
Claudio Abbado (conductor) (from 1994-02 until 1994-12)
chorus master:
Günther Arndt (choral conductor) (from 1994-02 until 1994-12) and Dietrich Knothe (conductor) (from 1994-02 until 1994-12)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (from 1994-02 until 1994-12)
recording of:
Die Weihe des Hauses: No. 6 Marsch mit Chor, op. 114 Schmückt die Altäre! (from 1994-02 until 1994-12)
composer:
Ludwig van Beethoven (German composer) (in 1822)
part of:
Die Weihe des Hauses, op. 124
6:39
14The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo “Es wandelt schon das Volk im Feierkleide”
baritone vocals:
Klaus Hirte (baritone) (from 1994-02 until 1994-12)
bass vocals:
Franz Crass (operatic bass) (from 1994-02 until 1994-12)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 1994-02 until 1994-12)
other vocals:
Bruno Ganz (from 1994-02 until 1994-12)
soprano vocals:
Arleen Augér (soprano) (from 1994-02 until 1994-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1994-02 until 1994-12)
conductor:
Claudio Abbado (conductor) (from 1994-02 until 1994-12)
chorus master:
Günther Arndt (choral conductor) (from 1994-02 until 1994-12)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (from 1994-02 until 1994-12)
recording of:
Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi
composer:
Ludwig van Beethoven (German composer) (in 1822)
part of:
Die Weihe des Hauses, op. 124
1:53
15Eleonore Prohaska, WoO 96: I. Chorus of Warriors “Wir bauen und sterben”
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1994-02, in 1994-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02, in 1994-12)
conductor:
Claudio Abbado (conductor) (in 1994-02, in 1994-12)
chorus master:
Dietrich Knothe (conductor) (in 1994-02, in 1994-12)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02, in 1994-12)
live recording of:
Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben" (in 1994-02)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Leonore Prohaska, WoO. 96
live recording of:
Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben" (in 1994-12)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Leonore Prohaska, WoO. 96
1:20
16Eleonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) “Es blüht eine Blume im Garten mein”
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
harp:
Marie‐Pierre Langlamet (harpist) (in 1994-02, in 1994-12)
soprano vocals:
Sylvia McNair (soprano) (in 1994-02, in 1994-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02, in 1994-12)
conductor:
Claudio Abbado (conductor) (in 1994-02, in 1994-12)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02, in 1994-12)
live recording of:
Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein" (in 1994-02)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Leonore Prohaska, WoO. 96
live recording of:
Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein" (in 1994-12)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Leonore Prohaska, WoO. 96
2:34
17Eleonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend “Du, dem sie gewunden”
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
glass harmonica [glass armonica]:
Sascha Reckert (in 1994-02, in 1994-12)
spoken vocals [reciter]:
Karoline Eichhorn (in 1994-02, in 1994-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-02, in 1994-12)
conductor:
Claudio Abbado (conductor) (in 1994-02, in 1994-12)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02, in 1994-12)
live recording of:
Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden" (in 1994-02)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Leonore Prohaska, WoO. 96
live recording of:
Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden" (in 1994-12)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Leonore Prohaska, WoO. 96
1:46
18Eleonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer) and Arend Prohmann (producer / editor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1993-09)
conductor:
Claudio Abbado (conductor) (in 1993-09)
balance engineer:
Klaus Hiemann (engineer/producer) and Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1993-09)
recording of:
Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung (in 1993-09)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Leonore Prohaska, WoO. 96
5:55
5▶CD

Credits

Release

part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 3) (order: 5)
ASIN:UK: B000001GZ6 [info]
US: B000001GZ6 [info]

Release group

includes:Die Geschöpfe des Prometheus by Ludwig van Beethoven (German composer); Orpheus Chamber Orchestra (US orchestra)
part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 3) (order: 3)