Now That′s What I Call Music 4

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1No More Lonely Nights
assistierende(r) Techniker(in):
Jon Jacobs (UK producer/engineer) und Jon Kelly (engineer at Air London Studios)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Herbie Flowers (von 1982-11-05 bis 1984-07-26)
Bassgitarre:
Herbie Flowers
E-Gitarre:
David Gilmour (Pink Floyd) (von 1982-11-05 bis 1984-07-26)
Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1982-11-05 bis 1984-07-26)
Synthesizer:
Ann Dudley (English score composer) (von 1982-11-05 bis 1984-07-26)
Hintergrundgesang:
Linda McCartney (von 1982-11-05 bis 1984-07-26), Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26) und Eric Stewart (von 1982-11-05 bis 1984-07-26)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
Herausgeber:
Northern Songs Ltd.
aufgenommen bei:
Elstree Studios in Borehamwood, Hertfordshire, England, Vereinigtes Königreich (von 1984-06 bis 1984-07)
recording of:
No More Lonely Nights (von 1982-11-05 bis 1984-07-26)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney2.354:43
A2Together in Electric Dreams
Produzent(in):
Giorgio Moroder und Philip Oakey
Mix:
Brian Reeves
Bass:
Arthur Barrow
Gitarre:
Richie Zito
Synthesizer:
Giorgio Moroder
Hintergrundgesang:
E.G. Daily (American singer and actress) und Joe Esposito
Sologesang:
Philip Oakey
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
publisher:
BMG Gold Songs und WB Music Corp. (1929–2019)
Giorgio Moroder with Philip Oakey2.53:53
A3Why
Produzent(in):
Mike Thorne (UK producer & keyboardist)
recording of:
Why?
Komponist(in):
Steve Bronski, Jimmy Somerville und Larry Steinbachek
Bronski Beat3.254:00
A4Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
Neue Constantin Film Productions GmbH
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:30
A5Warning Sign
recording of:
Warning Sign
Verfasser(in):
Nick Heyward
Nick Heyward23:45
A6Missing You
Produzent(in):
Gary Gersh, David Thoener und John Waite
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1984)
Bearbeitung von:
Missing You von John Waite
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite3.653:33
A7Farewell My Summer Love
recording of:
Farewell My Summer Love
Texter und Komponist(in):
Keni St. Lewis
publisher:
Jobete Music Ltd
Michael Jackson24:24
A8Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:12
B1The War Song
assistierende(r) Techniker(in):
Peter Lees
Techniker(in):
Gordon Milne (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1984)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
Gast-Posaune:
Kenneth McGregor (in 1984)
Gast-Saxophon:
Steve Grainger (saxophonist) (in 1984)
Gast-Trompete:
Ron Williams (Trumpeter) (in 1984)
Gast Hintergrundgesang:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) und Clare Torry (in 1984)
vocals:
Boy George (in 1984)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1984)
Musikvideos:
The War Song von Culture Club (English pop group)
recording of:
The War Song (in 1984)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club3.654:17
B2Passengers
recording engineer:
Renate Blauel
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray
Gitarre:
Davey Johnstone
Keyboard und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
Happenstance Ltd. (record and publishing company) (in 1984)
produced for:
Frank N. Stein Productions Ltd.
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Passengers
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer), Davey Johnstone und Phineas McHize
publisher:
Universal–Songs of PolyGram International, Inc., Big Pig Music Ltd. (publisher) (in 1984) und CBS Songs Ltd. (in 1984)
Elton John2.353:27
B3Too Late for Goodbye
recording of:
Too Late for Goodbyes
Texter und Komponist(in):
Julian Lennon
publisher:
Charisma Music Publishing Ltd und Warner Chappell Music (publisher as Warner/Chappell Music)
Julian Lennon2.353:30
B4Shout to the Top
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:14
B5Doctor! Doctor!
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Doctor! Doctor! von Thompson Twins
recording of:
Doctor! Doctor!
Verfasser(in) und vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
Point Music Ltd.
Thompson Twins2.54:40
B6Sunset Now
drum machine-Programmierung:
Martyn Ware
Synthesizer-Programmierung:
Greg Walsh (producer and engineer)
Synthesizer:
Ian Craig Marsh
Hintergrundgesang:
Afrodiziak, Ian Craig Marsh und Martyn Ware
Hintergrundgesang und Sologesang:
Glenn Gregory
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
recording of:
Sunset Now
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams Ltd. (publisher), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 1723:38
B7Respect Yourself
cover recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
The Kane Gang24:05
B8Private Dancer
Produzent(in):
Carter
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
Tina Turner3.54:01
2▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
C1It’s a Hard Life
Assistent recording engineer:
Eddie DeLena (engineer) und Stephan Wissnet
recording engineer, Programmierung und Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
zusätzlich recording engineer:
Mike Beiriger
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Klavier und Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01), Freddie Mercury (von 1983-08 bis 1984-01) und Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) und Raincloud Productions Ltd. (in 1984)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
recording of:
It’s a Hard Life (von 1983-08 bis 1984-01)
Texter und Komponist(in):
Freddie Mercury
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
Queen3.54:11
C2The Wanderer
Techniker(in):
Steve Churchyard, Greg Jackman und Tim Summerhayes
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1984), Mercury Records Ltd. (London) (for copyrights use only) (in 1984), Mercury Records Ltd. (UK) (in 1984) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1984)
cover recording of:
The Wanderer
Texter und Komponist(in):
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. und Warner/Chappell North America
Status Quo33:21
C3East of Eden
Produzent(in):
Steve Lillywhite
Herausgeber:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1984)
Musikvideos:
East of Eden von Big Country
recording of:
East of Eden
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1984)
Big Country24:15
C4Pride (In the Name of Love)
assistierende(r) Techniker(in):
Randy Ezratty (engineer)
Techniker(in) und Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
zusätzliche(r) Techniker(in):
Kevin Killen
Sologesang:
Bono (singer of U2)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 378)
recording of:
Pride (In the Name of Love)
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Warner Chappell Music (publisher as Warner/Chappell Music)
U24.053:52
C5Listen to Your Father
recording of:
Listen to Your Father
Texter und Komponist(in):
Carl Smyth
Feargal Sharkey23:12
C6Tesla Girls
Techniker(in):
Brian Tench
Produzent(in):
Orchestral Manoeuvres in the Dark und Brian Tench
recording of:
Tesla Girls
Texter und Komponist(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark2.653:36
C7The Second Time
Techniker(in):
Nigel Mills
Produzent(in):
Kim Wilde, Marty Wilde und Ricky Wilde
Bassgitarre:
Gary Twigg und Ricky Wilde
Gitarre:
Steve Byrd
Mundharmonika:
Ricky Wilde
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug:
Christopher North
Hintergrundgesang:
Steve Byrd, Marty Wilde und Ricky Wilde
Sologesang:
Kim Wilde
arranger:
Kim Wilde, Marty Wilde und Ricky Wilde
recording of:
The Second Time
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde33:55
C8Human Racing
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Human Racing (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw24:22
D1Ghostbusters
Produzent(in):
Ray Parker Jr.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 22)
recording of:
Ghostbusters
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) und Raydiola Music (in 1984)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
basiert auf:
I Want a New Drug
Ray Parker Jr.3.94:09
D2If It Happens Again
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Howard Gray (UK producer, engineer, and electronic musician) und UB40
Bassgitarre:
Earl Falconer
Gitarre:
Robin Campbell
Keyboard:
Michael Virtue
Schlagzeug und elektronisches Schlagzeug / E-Drums:
Jim Brown (UB40 drummer)
Trompete:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist)
recording of:
If It Happens Again
Texter und Komponist(in):
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Terrence Oswald Wilson (aka Astro of UB40), Brian Travers und Michael Virtue
UB403.353:46
D3Jump (for My Love)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
drum machine und Synthesizer-Programmierung:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
elektronisches Schlagzeug / E-Drums-Programmierung:
Reek Havoc (in 1983)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine und Synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
Minimoog und elektronisches Schlagzeug / E-Drums und zusätzlich Synthesizer:
Howie Rice (in 1983)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
Sologesang:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) und James C. Tract
phonographisches Urheberrecht (℗) von:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters3.354:31
D4Hot Water
Techniker(in) und Produzent(in):
Ken Scott (UK record producer & engineer)
recording of:
Hot Water
Verfasser(in):
Wally Badarou, Phil Gould, Mark King (bass guitarist and vocalist) und Mike Lindup
Level 4233:40
D5Sex Crime
Techniker(in):
Eric Thorngren
zusätzliche(r) Techniker(in):
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Dave Stewart (UK guitarist/singer for Eurythmics) und Eric Thorngren
Interpret(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) und Universal Music Careers
Eurythmics2.43:56
D6Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:52
D7Madam Butterfly
recording of:
Madam Butterfly (Un bel dì vedremo; Malcolm McLaren version)
Verfasser(in):
Malcolm McLaren
Komponist(in):
Giacomo Puccini (Italian composer)
arranger:
Stephen Hague und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
publisher:
CBS Songs (vom 1984 bis heute), Chappell (vom 1984 bis heute), Charisma Music Publishing Co. Ltd. (vom 1984 bis heute) und Malcolm McLaren Songs Ltd. (publisher) (vom 1984 bis heute)
basiert auf:
Madama Butterfly (complete standard version)
Malcolm McLaren25:50
D8Gotta Get You Home Tonight
recording of:
Gotta Get You Home Tonight
Verfasser(in):
McKinley Horton und Eugene Wilde
Eugene Wilde25:20

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/795271 [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! (UK) (Nummer: 4) (Reihenfolge: 4)
Discogs:https://www.discogs.com/master/105071 [Info]
Allmusic:https://www.allmusic.com/album/mw0001088088 [Info]
Eigenständige Webseite:https://www.nowmusic.com/albums/now-4/ [Info]
Wikidata:Q7065784 [Info]