Hyperactive

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Hyperactive!
recorded in:
Brussels (Brussels-Capital Region), Belgium (in 1983-06)
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
electronic drum set and percussion:
Clif Brigden (in 1983-06)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
percussion:
Matthew Salt (in 1983-06)
piano:
Thomas Dolby (in 1983-06)
trombone:
Peter Thoms (trombone) (in 1983-06)
additional vocals:
Louise Ulfstedt (in 1983-06)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) and Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby54:13
2Ooh to Be Ah
recording of:
Ooh to Be Ah
lyricist:
Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
Infinite Music Ltd.
Kajagoogoo3:36
3Miss Me Blind
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Miss Me Blind by Culture Club (English pop group)
recording of:
Miss Me Blind (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
Culture Club34:32
4Jeopardy
phonographic copyright (℗) by:
Castle Communications PLC (not for label use, copyright holder) (in 1983)
recording of:
Jeopardy
writer:
Greg Kihn and Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:50
5There Are the Boys
Tenpole Tudor4:35
6I Am the Beat
engineer:
Martin Russell (recording engineer, producer, composer & musician)
producer:
Alan Shacklock
bass guitar:
Gus Goad
drums (drum set), percussion, saxophone and timpani:
Trevor Walter
guitar [lead] and keyboard:
Mick Bass
guitar [rhythm] and lead vocals:
Jonny Whetstone
background vocals:
The Look (UK new wave band)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
engineered at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom
recording of:
I Am the Beat
writer:
Mick Bass and Jonny Whetstone
The Look3:05
7Is There Something I Should Know?
co-producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
mixer:
Ian Little (producer, engineer, songwriter) and Alex Sadkin
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Is There Something I Should Know?
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.14:10
8Shouldn’t Have to Be Like That
engineer:
Kaj Erixon
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
live recording of:
Shouldn’t Have to Be Like That
writer:
Rune Kristoffersen and Øyvind Kvalnes
publisher:
Virgin Music (Publishers) Ltd.
recording of:
Shouldn’t Have to Be Like That
writer:
Rune Kristoffersen and Øyvind Kvalnes
publisher:
Virgin Music (Publishers) Ltd.
Fra Lippo Lippi3:49
9Sunset Now
recording of:
Sunset Now
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams Ltd. (publisher), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173:42
10Louise
Jona Lewie4:05
11Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.653:45
12Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:34
13Lucky Number
producer:
The Stateless (possibly Lene Lovich and Les Chappell)
mixer:
Roger Bechirian
lead vocals:
Lene Lovich
remixer:
Roger Bechirian
phonographic copyright (℗) by:
Oval Records (in 1978) and Oval Sounds LLP (in 1979)
recording of:
Lucky Number
writer:
Les Chappell and Lene Lovich
publisher:
Oval Music
Lene Lovich42:48
14Life on Your Own
programming:
The Human League
engineer:
Renate Blauel, Gavin McKillop and Bill Price (UK producer/engineer)
producer:
The Human League, Hugh Padgham and Chris Thomas (UK record producer / remixer)
mixer:
Hugh Padgham
percussion:
The Human League
background vocals:
Joanne Catherall and Susan Ann Sulley
lead vocals:
Philip Oakey
vocals:
The Human League
music videos:
Life on Your Own by The Human League
recording of:
Life on Your Own
lyricist and writer:
Philip Oakey and Philip Adrian Wright (Human League)
composer:
Jo Callis
The Human League54:04
2▼CD: 12″ Versions
#TitleArtistRatingLength
1Hyperactive!
recording of:
Hyperactive!
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby5:08
2Jeopardy
recording of:
Jeopardy
writer:
Greg Kihn and Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band6:51
3Miss Me Blind / It’s a Miracle
producer:
Steve Levine (producer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
produced for:
Do Not Erase Productions
medley including a recording of:
It’s a Miracle
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
medley including a recording of:
Miss Me Blind
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
Culture Club59:08