| # | Title | Artist | Rating | Length |
|---|
| 1 | I’ll Stand by You- programming:
- Brian Higgins and Tim Powell
- producer:
- Brian Higgins and Xenomania
- mixer:
- Tim Powell
- guitar:
- Nick Coler and Shawn Lee
- keyboard:
- Brian Higgins and Tim Powell
- vocals:
- Cheryl Cole , Nadine Coyle, Sarah Harding, Nicola Roberts and Kimberley Walsh
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 2004)
- cover recording of:
- I’ll Stand by You
- writer:
- Chrissie Hynde , Tom Kelly and Billy Steinberg
- publisher:
- B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Hynde House of Hits Music, Kobalt Music Publishing Australia P/L and Kobalt Publishing Ltd.
| Girls Aloud | 3 | 3:46 |
| 2 | Nothing Hurts Like Love | Daniel Bedingfield | 2 | 3:06 |
| 3 | Hero | Enrique Iglesias | 4.35 | 4:25 |
| 4 | Too Lost in You | Sugababes | 3.5 | 3:35 |
| 5 | Father and Son- recording engineer:
- Chris Laws and Ren Swan
- producer:
- Steve Mac
- assistant mixer:
- Daniel Pursey
- mixer:
- Ren Swan
- bass guitar:
- Steve Pearce
- drums (drum set) [drums]:
- Chris Laws
- guitar:
- Fridrik “Frissy” Karlsson
- piano and Wurlitzer electric piano:
- Steve Mac
- vocals:
- Ronan Keating and Yusuf
- performer:
- Yusuf Islam
- strings arranger:
- Dave Arch
- mixed at:
- Rokstone Studios in Parsons Green, Hammersmith and Fulham, London , England, United Kingdom
- cover recording of:
- Father and Son
- lyricist and composer:
- Cat Stevens
- publisher:
- Cat Music Ltd., EMI Music Publishing Ltd. , Island Music Ltd., Island Music, Inc. , Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
| Ronan Keating feat. Yusuf Islam | 3.5 | 3:22 |
| 6 | Live Twice | Darius | | 3:50 |
| 7 | Sorry Seems to Be the Hardest Word- engineer:
- Gus Dudgeon and Mark Howlett
- producer:
- Gus Dudgeon and John Stewart
- accordion:
- Carl Fortina
- electric bass guitar:
- Kenny Passarelli
- electric piano:
- James Newton Howard
- piano and lead vocals:
- Elton John
- vibraphone:
- Ray Cooper
- conductor:
- James Newton Howard
- accordion and strings arranger:
- James Newton Howard
- phonographic copyright (℗) by:
- Happenstance Limited (in 1976)
- recorded at:
- Eastern Sound in Toronto, Ontario, Canada and Sunset Sound in Hollywood, Los Angeles, California, United States (in 1976-03)
- recording of:
- Sorry Seems to Be the Hardest Word
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- Big Pig Music Ltd , Chappell & Co Inc. , Happenstance Limited , Intersong U.S.A. Inc. , Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Elton John | 3.45 | 3:47 |
| 8 | You’re Still the One | Shania Twain | 3.65 | 3:33 |
| 9 | Strong Enough- engineer:
- Blair Lamb
- producer:
- Bill Bottrell
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993)
- recording of:
- Strong Enough
- writer:
- David Baerwald, Bill Bottrell, Sheryl Crow , Kevin Gilbert , Brian MacLeod and David Ricketts
- publisher:
- Almo Music Corp. , Ignorant Music , Reservoir 416, Sony/ATV Tunes LLC , Weenie Stand Music, 48/11 (from 1993 to ????), Canvas Mattress Music (from 1993 to ????), Old Crow Music (from 1993 to ????), Rambling Blah Music (from 1993 to ????), Third Stone From the Sun (from 1993 to ????), Warner–Tamerlane Publishing Corp. (from 1993 to present), WB Music Corp. (from 1993 to present) and Zen of Iniquity (from 1993 to present)
| Sheryl Crow | 3.85 | 3:12 |
| 10 | My Place | Nelly | 3.55 | 4:32 |
| 11 | Let’s Stay Together- producer:
- Willie Mitchell
- drums (drum set):
- Howard Grimes and Al Jackson, Jr.
- electric bass guitar:
- Leroy Hodges
- guitar family:
- Mabon Hodges
- organ and piano:
- Charles Hodges
- saxophone:
- James Mitchell
- tenor saxophone:
- Ed Logan
- trombone:
- Jack Hale
- trumpet:
- Wayne Jackson
- background vocals:
- Charles Chalmers , Donna Rhodes and Sandra Rhodes
- vocals:
- Al Green
- phonographic copyright (℗) by:
- Cream Records (in 1971) and HI Records Inc. (in 1971)
- part of:
- Billboard: The 500 Best Pop Songs (number: 34), Rolling Stone: 500 Greatest Songs of All Time (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
- recording of:
- Let’s Stay Together
- writer:
- Al Jackson, Jr. , Al Green and Willie Mitchell
- publisher:
- Al Green Music Inc. , Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
| Al Green | 4.55 | 3:15 |
| 12 | Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd. , Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 4.35 | 3:32 |
| 13 | A Thousand Miles | Vanessa Carlton | 3.7 | 3:58 |
| 14 | Get Here | Oleta Adams | | 4:28 |
| 15 | You Are Everything | Diana Ross & Marvin Gaye | 4 | 3:02 |
| 16 | Shining | Kristian Leontiou | | 3:52 |
| 17 | You Make Me Feel Brand New | Simply Red | | 4:19 |
| 18 | A Little Time | The Beautiful South | 3 | 2:59 |
| 19 | Say What You Want | Texas | | 3:36 |
| 20 | Winner Takes It All- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Mike Watson (on 1980-06-06)
- cello:
- Olle Gustafsson (on 1980-06-16) and Åke Olofsson (on 1980-06-16)
- drums (drum set):
- Ola Brunkert (on 1980-06-06)
- guitar:
- Lasse Wellander (on 1980-06-06)
- keyboard and synthesizer:
- Benny Andersson (on 1980-06-06)
- percussion:
- Åke Sundqvist (on 1980-06-06)
- viola:
- Nils Heie (on 1980-06-16), Håkan Roos (on 1980-06-16) and Bo Söderström (on 1980-06-16)
- violin:
- Martin Bylund (on 1980-06-16), Anders Dahl (on 1980-06-16), Lars Stegenberg (on 1980-06-16), Gunnar Michols (on 1980-06-16), Bernt Nylund (on 1980-06-16), Bertil Orsin (on 1980-06-16), Sixten Strömvall (on 1980-06-16) and Harry Teike (on 1980-06-16)
- background vocals:
- Frida (on 1980-06-06)
- lead vocals:
- Agnetha Fältskog (on 1980-06-06)
- cello, viola and violin arranger:
- Rutger Gunnarsson (in 1980)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-06, on 1980-06-16)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-18)
- part of:
- The Downloader’s Music Source Book (number: 66)
- recording of:
- The Winner Takes It All (in 1980-06)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- EMI Music Publishing (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB , Universal PolyGram International Publishing, Inc. , Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.9 | 4:58 |
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