The Complete Columbia Studio Recordings

~ Release by Miles Davis & Gil Evans (see all versions of this release, 3 available)

Annotation

As a 72 page book with lots of annotations.

Annotation last modified on 2012-04-25 17:57 UTC.

Tracklist

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1▼CD: Miles Ahead
#TitleRatingLength
1Springsville (master)
remix of:
Springsville by Miles Davis + 19, Gil Evans (Canadian–American jazz pianist and composer)
recording of:
Springsville
composer:
John Carisi (American trumpeter and composer)
3:28
2The Maids of Cadiz (master)
remix of:
The Maids of Cadiz by Miles Davis + 19, Gil Evans (Canadian–American jazz pianist and composer)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
4:00
3The Duke (master)
remix of:
The Duke by Miles Davis + 19
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:29
4My Ship (master)
remix of:
My Ship by Miles Davis + 19, Gil Evans (Canadian–American jazz pianist and composer)
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
4:28
5Miles Ahead (master)
remix of:
Miles Ahead by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
3:30
6Blues for Pablo (master)
remix of:
Blues for Pablo by Miles Davis + 19, Gil Evans (Canadian–American jazz pianist and composer)
recording of:
Blues for Pablo
composer:
Gil Evans (Canadian–American jazz pianist and composer)
5:20
7New Rhumba (master)
remix of:
New Rhumba by Miles Davis + 19, Gil Evans (Canadian–American jazz pianist and composer)
cover recording of:
New Rhumba
composer:
Ahmad Jamal
4:35
8The Meaning of the Blues (master)
remix of:
The Meaning of the Blues by Miles Davis + 19, Gil Evans (Canadian–American jazz pianist and composer)
cover recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation (USA, affiliated with ASCAP)
2:50
9Lament (master)
remaster of:
Lament by Miles Davis + 19, Gil Evans (Canadian–American jazz pianist and composer)
cover recording of:
Lament
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
recording of:
Lament
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:16
10I Don't Wanna Be Kissed (by Anyone but You) (master)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-27)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (trombonist) (on 1957-05-27), Jimmy Cleveland (US jazz trombonist) (on 1957-05-27) and Frank Rehak (US jazz trombonist) (on 1957-05-27)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (trumpetist) (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You) (on 1957-05-27)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
3:08
11Springsville (remake take 7)
recording of:
Springsville
composer:
John Carisi (American trumpeter and composer)
3:16
12The Maids of Cadiz (take 1)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
3:57
13The Duke (take 11)
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:33
14My Ship (take 1)
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
4:23
15Miles Ahead (take 4)
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
3:32
16Blues for Pablo (take 1)
recording of:
Blues for Pablo
composer:
Gil Evans (Canadian–American jazz pianist and composer)
5:27
17New Rhumba (take 5)
cover recording of:
New Rhumba
composer:
Ahmad Jamal
4:45
18The Meaning of the Blues (rehearsal take)
cover recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation (USA, affiliated with ASCAP)
2:49
19Lament (rehearsal take)
cover recording of:
Lament
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:20
20I Don't Wanna Be Kissed (by Anyone but You) (take 8)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
3:12
21[pause track]
0:07
2▼CD: Porgy and Bess
#TitleRatingLength
1Buzzard Song (master)
remaster of:
The Buzzard Song by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
4:09
2Bess, You Is My Woman Now (master)
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-29)
bass clarinet:
Danny Bank (reeds) (on 1958-07-29)
bass trombone:
Dick Hixson (trombonist) (on 1958-07-29) and Dick Nixon (on 1958-07-29)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-29)
flugelhorn and trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-29)
flute:
Phil Bodner (Woodwind player) (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (US horn player, conductor, composer) (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (trombonist) (on 1958-07-29), Jimmy Cleveland (US jazz trombonist) (on 1958-07-29) and Frank Rehak (US jazz trombonist) (on 1958-07-29)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (trumpetist) (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-29)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-07-29)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
instrumental cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
5:13
3Gone (master)
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
recording of:
Gone (Gil Evans composition) (from 1958-07-22 until 1958-08-18)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3:38
4Gone, Gone, Gone (master)
alto saxophone:
Cannonball Adderley (on 1958-07-22)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-22)
bass clarinet:
Danny Bank (reeds) (on 1958-07-22)
bass trombone:
Dick Hixson (trombonist) (on 1958-07-22) and Dick Nixon (on 1958-07-22)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-22)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-22)
flute:
Phil Bodner (Woodwind player) (on 1958-07-22) and Romeo Penque (on 1958-07-22)
French horn:
Willie Ruff (on 1958-07-22), Gunther Schuller (US horn player, conductor, composer) (on 1958-07-22) and Julius Watkins (on 1958-07-22)
trombone:
Joe Bennett (trombonist) (on 1958-07-22), Jimmy Cleveland (US jazz trombonist) (on 1958-07-22) and Frank Rehak (US jazz trombonist) (on 1958-07-22)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-22), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-22), Bernie Glow (on 1958-07-22), Louis Mucci (trumpetist) (on 1958-07-22) and Ernie Royal (on 1958-07-22)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-22)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-07-22)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-22)
instrumental cover recording of:
Porgy and Bess: Act I, Scene II. “Gone, gone, gone (Where is brudder Robbins?)” (on 1958-07-22)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
2:06
5Summertime (master)
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
53:21
6Oh Bess, Oh Where's My Bess (master)
remaster of:
Bess, Oh Where’s My Bess by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
4:31
7Prayer (Oh Doctor Jesus) (master)
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-04)
bass clarinet:
Danny Bank (reeds) (on 1958-08-04)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-04) and Dick Nixon (on 1958-08-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-04) and Philly Joe Jones (US jazz drummer) (on 1958-08-04)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (trombonist) (on 1958-08-04), Jimmy Cleveland (US jazz trombonist) (on 1958-08-04) and Frank Rehak (US jazz trombonist) (on 1958-08-04)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-04), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (trumpetist) (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-04)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-04)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
instrumental cover recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II) (on 1958-08-04)
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II
4:42
8Fishermen, Strawberry and Devil Crab (master)
remaster of:
Fisherman, Strawberry and Devil Crab by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
4:07
9My Man's Gone Now (master)
remaster of:
My Man’s Gone Now by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:17
10It Ain't Necessarily So (master)
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1958-07-22 until 1958-08-18)
performer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:25
11Here Come de Honey Man (master)
remaster of:
Here Come de Honey Man by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
1:21
12I Loves You, Porgy (master)
alto flute and bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
alto saxophone:
Cannonball Adderley (on 1958-08-18)
clarinet and flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-08-18)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18), Dick Hixson (trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4.353:43
13There's a Boat That's Leaving Soon for New York (master)
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18) and Dick Nixon (on 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-18) and Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (on 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
3:29
14Gone (take 3)
recording of:
Gone (Gil Evans composition)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3:40
15Summertime (take 2)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:20
16Prayer (Oh Doctor Jesus) (take 2)
instrumental cover recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II)
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II
4:17
17I Loves You, Porgy (take 1, second version)
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:17
18There's a Boat That's Leaving Soon for New York (take 2)
instrumental cover recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
3:42
19Oh Bess, Oh Where's My Bess (take 5)
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
4:23
20Gone (take 4)
recording of:
Gone (Gil Evans composition)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3:40
21[pause track]
0:07
3▼CD: Sketches of Spain
#TitleRatingLength
1Concierto de Aranjuez (adagio) (master)
bass clarinet:
Danny Bank (reeds) (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer) (on 1959-11-15)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-15, on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-15, on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (trombonist) (on 1959-11-15, on 1959-11-20) and Frank Rehak (US jazz trombonist) (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (tuba) (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez (1959-11-20, master take, mono) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
16:23
2Will O' the Wisp (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
23:49
3The Pan Piper (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-10)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-10) and Harold Feldman (woodwind player) (on 1960-03-10)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (US French hornist) (on 1960-03-10)
harp:
Janet Putnam (harpist) (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-10)
trombone:
Dick Hixson (trombonist) (on 1960-03-10) and Frank Rehak (US jazz trombonist) (on 1960-03-10)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-10)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-10)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3.33:55
4Saeta (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
5:08
5Solea (master)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3.4512:20
6Song of Our Country (issued take)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
arranger:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
recording of:
Song of Our Country (on 1960-03-11)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:26
7Saeta (full version of master)
recording of:
Saeta
composer:
Gil Evans (Canadian–American jazz pianist and composer)
6:03
8The Pan Piper (take 1)
instrumental cover recording of:
The Pan Piper
composer:
Gil Evans (Canadian–American jazz pianist and composer)
recording of:
The Pan Piper
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3:14
9Concierto de Aranjuez (adagio) (part one, alternate take)
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson (trombonist) and Frank Rehak (US jazz trombonist)
trumpet:
Johnny Coles (US jazz trumpeter), Bernie Glow and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
12:06
10Concierto de Aranjuez (adagio) (part two, alternate take)
bass clarinet:
Danny Bank (reeds)
double bass [bass]:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter)
French horn:
John Barrows (American wind instrumentalist), Earl Chapin and Jim Buffington (US jazz, studio and classical hornist)
oboe:
Romeo Penque
percussion:
Elvin Jones (jazz drummer) and José Mangual
trombone:
Dick Hixson (trombonist) and Frank Rehak (US jazz trombonist)
trumpet:
Taft Jordan and Louis R. Mucci (trumpetist)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
3:35
11Song of Our Country (take 14)
recording of:
Song of Our Country
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:10
12[silence]
0:07
4▼CD: Quiet Nights
#TitleRatingLength
1Song No. 2
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Frank Rehak (US jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
1:40
2Once Upon a Summertime
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Frank Rehak (US jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
instrumental recording of:
Once Upon a Summertime (La Valse des lilas) (in 1962)
lyricist:
Eddy Marnay (French lyricist)
composer:
Eddie Barclay and Michel Legrand
translator:
Johnny Mercer
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Ltd. (ended), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing AB (Sweden)
translated version of:
La Valse des lilas
3:28
3Aos Pes Da Cruz
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Frank Rehak (US jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Aos pés da cruz (in 1962)
composer:
Marino Pinto and Zé da Zilda
4:19
4Song No. 1
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Frank Rehak (US jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
4:37
5Wait Till You See Her
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Frank Rehak (US jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
instrumental recording of:
Wait Till You See Her (in 1962)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
4:06
6Corcovado
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Frank Rehak (US jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Corcovado (original Portuguese version) (in 1962)
lyricist and composer:
Antônio Carlos Jobim
2:45
7Blue Xmas
recording of:
Blue Xmas
lyricist:
Bob Dorough
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bob Dorough
2:43
8Nothing Like You
producer:
Teo Macero (American jazz saxophonist and composer)
bongos:
Willie Bobo (on 1962-08-21)
double bass:
Paul Chambers (US jazz bassist) (on 1962-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-08-21)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1962-08-21)
trombone:
Frank Rehak (US jazz trombonist) (on 1962-08-21)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1962-08-21)
lead vocals:
Bob Dorough (on 1962-08-21)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
instrumental recording of:
Nothing Like You
lyricist:
Fran Landesman
composer:
Bob Dorough
recording of:
Nothing Like You
lyricist:
Fran Landesman
composer:
Bob Dorough
2:01
9Devil May Care
3:30
10The Time of the Barracudas
recording of:
Time of the Barracudas
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
12:49
11Falling Water (take 4)
3:46
12Falling Water (take 6)
4:25
13Falling Water (take 8)
4:18
14Falling Water (take 9)
4:24
15Springsville (take 5)
recording of:
Springsville
composer:
John Carisi (American trumpeter and composer)
3:34
16The Maids of Cadiz (take 11)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
4:06
17The Maids of Cadiz (take 11, insert 1)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
2:39
18Lament (medley: take 2)
partial cover recording of:
Lament
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:37
19The Duke (take 1)
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:30
20I Don't Wanna Be Kissed (by Anyone but You) (53225 issued version)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
3:07
5▼CD: The Making of Miles Ahead
#TitleRatingLength
1Springsville (rehearsal sequence)
partial recording of:
Springsville
composer:
John Carisi (American trumpeter and composer)
7:02
2Springsville (rehearsal with piano)
partial recording of:
Springsville
composer:
John Carisi (American trumpeter and composer)
2:33
3The Maids of Cadiz (take 9)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
0:35
4The Maids of Cadiz (take 10)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
4:13
5The Maids of Cadiz (rehearsal sequence)
partial recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
1:27
6Count Off for the Duke (take 3)
0:37
7The Duke (take 8)
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:33
8The Duke (piano take 3)
partial cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
1:55
9My Ship (take 6)
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
4:39
10Miles Ahead (rehearsal sequence)
partial recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
1:49
11Miles Ahead (take 12)
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
3:34
12Miles Ahead (take 15)
recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
3:31
13[studio discussion]
0:31
14My Ship (take 7)
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
4:41
15Miles Ahead (piano insert-mono)
partial recording of:
Miles Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
3:09
16Blues for Pablo (rehearsal sequence)
partial recording of:
Blues for Pablo
composer:
Gil Evans (Canadian–American jazz pianist and composer)
5:55
17New Rhumba (take 2)
cover recording of:
New Rhumba
composer:
Ahmad Jamal
4:41
18Lament (take 1)
cover recording of:
Lament
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:24
19I Don't Wanna Be Kissed (by Anyone but You) (rehearsal)
partial cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
2:14
20I Don't Wanna Be Kissed (by Anyone but You) (take 5)
partial cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
2:59
21[studio discussion]
0:35
22I Don't Wanna Be Kissed (by Anyone but You) (piano take 4)
partial cover recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
2:58
23[pause track]
0:07
6▶CD: Alternate and Rehearsal Takes